Silent Accord: Qi 契 As a Metaphor for Enlightenment and Transmission in Chan Buddhist Discourse
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Moon by the Window
DaI Te oM B ontents BOaSK NGMK NrKeGIK H SnqqGry 8mcKx ne CGSSOMrGoNOKq ,4mMSOqNA 8mcKx ne CGSSOMrGoNOKq ,RnT GPOA Aansa E OqcnT Ns aSOIGaOnmq CnoyrOMNa NGMK Prxyatx Rxyxrxntxs to tyx moon appxar yrxquxntly zn qxn koans as a syortyanw yor tyx awakxnxw mznw. Altyouxy tyxsx tallzxrapyy pyrasxs arx not tyx moon ztsxly- tyxy offxr a mxans yor awakxnznx to tyx mznw’s wzswom sy sxrvznx as a rxmznwxr oy tyx txatyznxs wyxn a txatyxr zs not prxsxnt. Tyx tallzxrapyzxs tyxmsxlvxs provzwx an xxprxsszon oy tyx awakxnxw mznw- a vzsual Dyarma- tapturznx tyx lzvznx xnxrxy oy a momxnt zn znk on papxr. Tyus- worws anw zmaxxs work toxxtyxr to tonvxy tyx xssxntx oy qxn to tyx vzxwxr anw rxawxr. Known zntxrnatzonally as a tallzxrapyxr anw mastxr txatyxr- Syowo aarawa was sorn zn B94A zn Nara- capan. ax sxxan yzs qxn traznznx zn B9HC wyxn yx xntxrxw Syoyuku.jz monastxry zn Kosx- capan. Aytxr traznznx unwxr ramawa Mumon Rosyz ,B9AA–B988A yor twxnty yxars- yx rxtxzvxw Dyarma transmzsszon anw was appozntxw assot oy Soxxn.jz monastxry zn Okayama- capan- wyxrx yx yas tauxyt szntx B98C. aarawa Rosyz zs yxzr to tyx txatyznxs oy Rznzaz qxn Buwwyzsm as passxw wown zn capan tyrouxy Mastxr aakuzn anw yzs suttxssors. aarawa Rosyz’s txatyznx zntluwxs trawztzonal Rznzaz prattztxs znyormxw sy wxxp tompasszon anw pxrmxatxw sy tyx szmplx anw wzrxtt Mayayana wottrznx tyat all sxznxs arx xnwowxw wzty tyx tlxar- purx Orzxznal Buwwya Mznw. Protxxwznx yrom tyzs all.xmsratznx vzxw- aarawa Rosyz yas wxltomxw sxrzous stuwxnts ,womxn anw mxn- lay anw orwaznxwA yrom all ovxr tyx worlw to trazn at Soxxn.jz anw tyx txmplxs yx yas xstaslzsyxw nxar Sxattlx- oasyznxton- anw zn Gxrmany- as wxll as at morx tyan a wozxn szttznx xroups arounw tyx worlw. -
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California L
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California Last week I posted on my Monkey Mind blog an essay I titled Soto Zen Buddhism in North America: Some Random Notes From a Work in Progress. There I wrote, along with a couple of small digressions and additions I add for this talk: Probably the most important thing here (within our North American Zen and particularly our North American Soto Zen) has been the rise in the importance of lay practice. My sense is that the Japanese hierarchy pretty close to completely have missed this as something important. And, even within the convert Soto ordained community, a type of clericalism that is a sense that only clerical practice is important exists that has also blinded many to this reality. That reality is how Zen practice belongs to all of us, whatever our condition in life, whether ordained, or lay. Now, this clerical bias comes to us honestly enough. Zen within East Asia is project for the ordained only. But, while that is an historical fact, it is very much a problem here. Actually a profound problem here. Throughout Asia the disciplines of Zen have largely been the province of the ordained, whether traditional Vinaya monastics or Japanese and Korean non-celibate priests. This has been particularly so with Japanese Soto Zen, where the myth and history of Dharma transmission has been collapsed into the normative ordination model. Here I feel it needful to note this is not normative in any other Zen context. -
Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Women's Life During the Chosŏn Dynasty
International Journal of Korean History(Vol.6, Dec.2004) 113 Women’s Life during the Chosŏn Dynasty Han Hee-sook* 1 Introduction The Chosŏn society was one in which the yangban (aristocracy) wielded tremendous power. The role of women in this society was influenced greatly by the yangban class’ attempts to establish a patriarchal family order and a Confucian-based society. For example, women were forced, in accordance with neo-Confucian ideology, to remain chaste before marriage and barred from remarrying once their husbands had passed away. As far as the marriage system was concerned, the Chosŏn era saw a move away from the old tradition of the man moving into his in-laws house following the wedding (男歸女家婚 namgwiyŏgahon), with the woman now expected to move in with her husband’s family following the marriage (親迎制度 ch΄inyŏng jedo). Moreover, wives were rigidly divided into two categories: legitimate wife (ch΄ŏ) and concubines (ch΄ŏp). This period also saw a change in the legal standing of women with regards to inheritance, as the system was altered from the practice of equal, from a gender standpoint, rights to inheritance, to one in which the eldest son became the sole inheritor. These neo-Confucianist inspired changes contributed to the strengthening of the patriarchal system during the Chosŏn era. As a result of these changes, Chosŏn women’s rights and activities became increasingly restricted. * Professor, Dept. of Korean History, Sookmyung Women’s University 114 Women’s Life during the Chosŏn Dynasty During the Chosŏn dynasty women fell into one of the following classifications: female members of the royal family such as the queen and the king’s concubines, members of the yangban class the wives of the landed gentry, commoners, the majority of which were engaged in agriculture, women in special professions such as palace women, entertainers, shamans and physicians, and women from the lowborn class (ch’ŏnin), which usually referred to the yangban’s female slaves. -
Biographical Index
INDEX 771 BIOGRAPHICAL INDEX ’Abdu’l-Bahá: 1844-1921, Iranian Baha’i Leader; Compassion, Adler, Stella: 1902-1992, American Actress, Teacher; Art, 57 137; Differentiation, 229; Diversity, 247; Health, 365; Aeschylus: 525-456 BCE, Greek Tragic Dramatist; Acceptance, Impermanence, 389; Liberation, 451; Meditation, 505; 22; Initiative, 408; Logos, 474; Partnership, 540; Suffering, Suffering, 687 685 Abbott, Berenice: 1898-1991, American Photographer, Writer; Aesop Lochman: fl. c. 550 BCE, Khemetic (Egyptian) Fabulist; Teaching, 699; Wonder, 754 Acceptance, 22; Appearance, 49; Compassion, 136; Abdul-Jabbar, Kareem (Ferdinand Lewis Alcindor): 1947-, Delusion, 208; Desire, 218; Example, 278; Little, 470; African-American Basketball Player, Actor, Writer; Passion, 544; Prudence, 579; Self-Reliance, 633 Centering, 110; Defeat, 203; Expedience, 283; Paradox, 539 Aiken, Conrad Potter: 1889-1973, American Poet; Meaning, Abelard, Peter (Pierre): 1079-1142, Burgundian Theologian; 498; Solitude, 664 Complacency, 141; Questioning, 581 Ailred of Rievaulx: 1109-1166, English Cistercian Monk, Abram, David: 1957-, American Philosopher, Ecologist, Chronicler, Royal Adviser, Saint; Friendship, 322 Magician; Attention, 68; Dance, 189; Delusion, 213; Ajahn Chah: 1917-1992, Thai Buddhist Monk; Mind, 515; Eloquence, 256; Logos, 477; Sensibility, 639; Wonder, 756 Presence, 575 Abu ’Uthman Amr Ibn Bahr Al-Jahiz: c. 788-869, Iraqi Scholar, Ajahn Dhiravamsa: Thai Buddhist Teacher, Writer; Balance, Philosopher, Writer; Disclosure, 238; Little, 470 82; Idea, 380; Love-Agape, -
The Teachings on Momentariness Found in Xuanzang's
불교학연구 (Korea Journal of Buddhist Studies) 제66호(2021.3) pp. 1∼49 10.21482/jbs.66..20213.1 Why Change Is the Only Constant: The Teachings on Momentariness Found in Xuanzang’s Translation of the Abhidharma Treatises of Saṅghabhadra* Ernest Billings (Billy) Brewster Lecturer, Iona College [email protected] I. Introduction III. Untangling the Knots in the Theory of II. Saṅghabhadra on the Constancy of the Continuum of Nine Factors Change IV. Conclusion Summary Within the Abhidharma literature, the doctrinal discussions on momentariness composed by the fifth-century C.E. Indic theorist, Saṅghabhadra, and rendered into Chinese by the pilgrim and scholar-monk, Xuanzang (602?–667 C.E.), stand as rigorous and detailed defenses of the Buddhist tenet of momentariness. This paper examines several passages on the doctrine of momentariness that are extant only within Xuanzang’s Chinese translations of two treatises by Saṅghabhadra, the Treatise Conforming to the Correct Logic of Abhidharma (Sanskrit, hereafter Skt. *Abhidharmanyāyānusāraśāstra; Chinese, hereafter Chi. Apidamo shun zhengli lun 阿毘達磨順正理論) and the Treatise Clarifying the Treasury of Abhidharma Tenets (Skt. * I would like to express my gratitude to Dr. Jakub Zamorski for numerous comments, suggestions, and corrections on the translations. I thank Dr. John Makeham for commenting on my paper as a panel respondent at the meeting of the European Association for Chinese Philosophy meeting in Ghent in 2019. The three anonymous reviewers also provided invaluable feedback, which I have tried to incorporate wherever possible. Why Change Is the Only Constant: The Teachings on Momentariness Found in Xuanzang’s Translation … 1 *Abhidharmasamayapradīpikāśāstra; Chi. Apidamo zang xianzong lun 阿毘達磨顯宗論). -
An Exploration of the Early One-True Dharmadhatu Thoughts---From
2019 9th International Conference on Education and Social Science (ICESS 2019) An Exploration of the Early One-True Dharmadhatu Thoughts----From Mind Only Chittamatra, Tantra to Huayen Theory Xiangjun Su Institute of Taoism and Religious Culture, Sichuan University, Chengdu, Sichuan Province, China 206877705@qq. com Keywords: One-true dharmadhatu; Mind only chittamatra; Tantra, Huayen theory; Harmony without obstacles Abstract: The concept of one-true Dharmadhatu originates from India Buddhism, and it appears both in Vijnapti-matrata and Tantra classics, approximately having the same meaning. Li tongxuan was the first one who introduced the concept of One-true Dharmadhatu into Huayen theory. Conformed with the thinking mode of Matter-mind-being Nonduality by Li Tongxuan, taking Fundamental Wisdom as its basis, One-true Dharmadhatu has such harmonious teaching characteristics as wisdom and earth being one, nature and things binging not different, and harmony without obstacles. Later, Chengguan, in his Wutai Mountain Period, explained One-true Dharmadhatu as Dharmadhatu Pure Wisdom, and combined it with Fazang’s Five Dharmadhatu thought, thus made it more philosophical. Introduction In China’s Huayen thoughts, One-true Dharmadhatu is an important concept. Since was introduced into Huayen theory by Li Tongxuan, One-true Dharmadhatu has appeared often in Chenguan’s works and the Huayen works of the following dynasties. Japanese scholar Xiaodaodaishan, Tanwan region researcher Hong Meizhen have discussed the concept of One-true Dharmadhatu in their works. [1]China Main Land scholar Liu Yuanyuan has discussed Li Tongxuan’s thoughts on One-true Dharmadhatu and its influences on Chengguan deeply, but it is not comprehensive, and also not involves in the thoughts of Chengguan. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
Introduction to Tibetan Buddhism, Revised Edition
REVISED EDITION John Powers ITTB_Interior 9/20/07 2:23 PM Page 1 Introduction to Tibetan Buddhism ITTB_Interior 9/20/07 2:23 PM Page 2 ITTB_Interior 9/20/07 2:23 PM Page 3 Introduction to Tibetan Buddhism revised edition by John Powers Snow Lion Publications ithaca, new york • boulder, colorado ITTB_Interior 9/20/07 2:23 PM Page 4 Snow Lion Publications P.O. Box 6483 • Ithaca, NY 14851 USA (607) 273-8519 • www.snowlionpub.com © 1995, 2007 by John Powers All rights reserved. First edition 1995 Second edition 2007 No portion of this book may be reproduced by any means without prior written permission from the publisher. Printed in Canada on acid-free recycled paper. Designed and typeset by Gopa & Ted2, Inc. Library of Congress Cataloging-in-Publication Data Powers, John, 1957- Introduction to Tibetan Buddhism / by John Powers. — Rev. ed. p. cm. Includes bibliographical references and indexes. ISBN-13: 978-1-55939-282-2 (alk. paper) ISBN-10: 1-55939-282-7 (alk. paper) 1. Buddhism—China—Tibet. 2. Tibet (China)—Religion. I. Title. BQ7604.P69 2007 294.3’923—dc22 2007019309 ITTB_Interior 9/20/07 2:23 PM Page 5 Table of Contents Preface 11 Technical Note 17 Introduction 21 Part One: The Indian Background 1. Buddhism in India 31 The Buddha 31 The Buddha’s Life and Lives 34 Epilogue 56 2. Some Important Buddhist Doctrines 63 Cyclic Existence 63 Appearance and Reality 71 3. Meditation 81 The Role of Meditation in Indian and Tibetan Buddhism 81 Stabilizing and Analytical Meditation 85 The Five Buddhist Paths 91 4. -
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Buddhist Studies
Journal of the International Association of Buddhist Studies Volume 24 • Number 1 • 2001 MINORUHARA In memoriam J.W. de Jong 1 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism 7 NADINE OWEN Constructing Another Perspective for Ajanta's Fifth-Century Excavations 27 PETER VERHAGEN Studies in Indo-Tibetan Buddhist Hermeneutics (1) Issues of Interpretation and Translation in the Minor Works of Si-tu Pan-chen Chos-kyi-'byun-gnas (16997-1774) 61 GLENN WALLIS The Buddha's Remains: mantra in the ManjusrTmulakalpa 89 BOOK REVIEW by ULRICH PAGEL Heinz Bechert [et al.]: Der Buddhismus I: Der Indische Buddhismus und seine Verzweigungen 127 Treasurer's Report 2000 135 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism* Hu Shi asserts that "Chinese" Chan proper first took on complete shape in the Hongzhou school.1 This assertion has been generally accepted, and the Hongzhou school is regarded as the beginning of "classical" or "golden-age" Chan. However, when discussing exactly what marks the beginning of this new type of Chan, or in other words, what kind of reformation Mazu Daoyi JSffill-- (709-88) brought to the Chan tradition, there have been quite different explanations. YANAGIDA Seizan |7PEBIIll[ posits that the m6st salient characteristic of the Hong zhou school is that it is a Chan of everyday life and a religion of humanity.2 IRIYA Yoshitaka A^ilfij regards the ideas, "function is identical with [Buddha-]nature" and "daily activities are wonderful functions," as the core of Daoyi's teaching.3 John McRAE assumes that "encounter dialogue" distinguishes the "classical" Chan of Mazu from the "pre-classical" Chan of the Northern, early Southern, and Niutou schools.4 Bernard FAURE takes the disappearance of one-practice samadhi (yixing sanmei — ffzLW) as "an indicator of the 'epistemologi- cal split' that opened between early Chan and the 'classical' Chan of the * I thank Professors Paul W.