Selected Bibliography

Primary works

By Authority of the Royal Commission: Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851, Third Corrected and Improved Edition, 1 August 1851 (London: Spicer Brothers, 1851) [Bayne, Peter], ‘Shakespeare and George Eliot’, Blackwood’s, 133 (April 1883), 524–3 Bradley, A. C., Shakespearean Tragedy (London: Macmillan, 1904) Browning, Robert, Robert Browning: the Poems, ed. by John Pettigrew, 2 vols (Harmondsworth: Penguin, 1981; repr. 1996) Bunn, Alfred [and Thomas John Dibdin], Kenilworth: an Historical Drama, in Two Acts (London: J. Duncombe [1832] ) Carlyle, Thomas, ‘The Hero as Poet’ (Lecture III), in On Heroes and Hero-Worship and the Heroic in History (1841), from Past and Present and Heroes and Hero- Worship (London: Chapman and Hall, 1893), pp. 1–232 Clarke, Mary Cowden, The Girlhood of Shakespeare’s Heroines, 5 vols (London: W. H. Smith & Son, Simpkin, Marshall & Co., 1850–2); condensed version by Sabilla Novello (London: Bickers & Son, 1879) Cole, Henry, Fifty Years of Public Work of Sir Henry Cole, K.C.B., 2 vols (London: George Bell & Sons, 1884) Coleridge, Samuel Taylor, Coleridge’s Shakespearean Criticism, ed. by Thomas Middleton Raysor, 2 vols (London: Constable, 1930) Collins, Wilkie, The Frozen Deep and Mr Wray’s Cash-box (Stroud, Gloucestershire: Alan Sutton Publishing, 1996) Dickens, Charles, David Copperfield (1849–50) —— Great Expectations (1860–1) Eliot, George, The Mill on the Floss (1860) —— Silas Marner (1861) —— Middlemarch (1871–2) —— Daniel Deronda (1876) —— The George Eliot Letters, ed. by G. S. Haight, 9 vols (New Haven: Yale Univer- sity Press, 1954–74) Emerson, Ralph Waldo, ‘Shakspeare; or, the Poet’, in Representative Men (1850), in Essays and Lectures, The Library of America (New York, 1983), pp. 710–26 Faucit, Helena, Lady Martin, On Some of Shakespeare’s Female Characters, 6th edn (Edinburgh: William Blackwood & Sons, 1899) Hardy, Thomas, The Complete Poetical Works of Thomas Hardy, ed. by Samuel Hynes, 5 vols (Oxford: Clarendon Press, 1982–95) James, Henry, The Tragic Muse (1890; rev. version 1908), ed. by Philip Horne (London: Penguin Classics, 1995) —— The Scenic Art: Notes on Acting and the Drama 1872–1901, ed. by Allan Wade (London: Rupert Hart-Davis, 1949)

219 220 Selected Bibliography

Jameson, Anna, Characteristics of Women: Moral, Political, and Historical, 2 vols (London: Saunders & Otley, 1832: later known as Shakespeare’s Heroines) Lamb, Charles, ‘On the Tragedies of Shakespeare, Considered with Reference to their Fitness for Stage Representation’ (1811), in Romantic Critical Essays, ed. by David Bromwich (Cambridge: Cambridge University Press, 1987), pp. 56–70 Lewes, G. H., On Actors and the Art of Acting (London: Smith Elder, 1875) Macready, William Charles, Reminiscences and Selections from his Diary and Letters, ed. by F. Pollock (London: Macmillan, 1875) —— The Diaries of William Charles Macready 1833–1851, 2 vols, ed. by William Toynbee (New York: Putnams, 1912) Maynard, John, Browning’s Youth (Cambridge, MA: Harvard University Press, 1977) Newman, John Henry, University Sermons, ed. by D. M. MacKinnon and J. D. Holmes (London: SPCK, 1970) —— An Essay on the Development of Christian Doctrine, ed. by Ian Ker (Notre Dame, Indiana: University of Notre Dame Press, 1989) Oxberry, W. ‘Kenilworth, A Melo-drama’, The New English Drama, with Prefatory Remarks, Biographical Sketches, and Notes, Critical and Exploratory, vol. 19 (London: W. Simpkin and R. Marshall, and C. Chapple, 1824) Ruskin, John, The Complete Works, ed. by E. T. Cook and Alexander Wedderburn, 39 vols (London: Allen, 1903–12) Scott, Sir Walter, Kenilworth; a Romance (1821), ed. by J. H. Alexander (Edinburgh: Edinburgh University Press, 1993) Shaw, George Bernard, Shaw on Shakespeare, ed. by Edwin Wilson (London: Cassell, 1962) Tennyson, Alfred Lord, The Poems of Tennyson, ed. by Christopher Ricks, 2nd edn, 3 vols (Harlow: Longman, 1987) —— The Letters of Alfred Lord Tennyson, ed. by Cecil Y. Lang and Edgar F. Shannon, Jr., 3 vols (Oxford: Clarendon Press, 1987) Tennyson, Hallam, Materials for a Life of A. T.: Collected for My Children, 4 vols (London: Macmillan [limited run], 1895) —— Alfred Lord Tennyson: a Memoir by His Son, 2 vols (London: Macmillan, 1897) Thompson, Ann, and Sasha Roberts (eds) Women Reading Shakespeare 1660–1900: an Anthology of Criticism (Manchester and New York: Manchester University Press, 1997) Trollope, Anthony, He Knew He Was Right (1869) Vandenhoff, George, Leaves from an Actor’s Notebook; with Reminiscences and Chit- Chat of the Green-Room and the Stage, in England and America (New York: D. Appleton & Co., 1860) Wells, Stanley (ed.) Nineteenth-Century Shakespeare Burlesques, 5 vols (London: Diploma Press, 1977–8) —— (ed.) Shakespeare in the Theatre: an Anthology of Criticism (Oxford: Oxford University Press, 2000), pp. 67–178

Secondary works

Adler, John (ed.) Responses to Shakespeare, vols 6, 1830–1859 and 7, 1861–1898 (London: Routledge/Thoemmes Press, 1997) Selected Bibliography 221

Alexander, J. H. and David Hewitt (eds) Scott and his Influence (Aberdeen: Associ- ation for Scottish Literary Studies, 1983) Arac, Jonathan, ‘Hamlet, Little Dorrit, and the History of Character’, in Critical Conditions: Regarding the Historical Moment, ed. by Michael Hays (Minneapolis: University of Minnesota Press, 1992), pp. 82–96 Auerbach, Jeffrey A., The Great Exhibition of 1851: a Nation on Display, (New Haven and London: Yale University Press, 1999) Auerbach, Nina, Woman and the Demon: the Life of a Victorian Myth (Harvard: Harvard University Press, 1982) —— Ellen Terry: Player in Her Time (New York: Norton, 1987) —— Private Theatricals: the Lives of the Victorians (Cambridge, MA: Harvard Uni- versity Press, 1990) Baker, Michael, The Rise of the Victorian Actor (London: Croom Helm, 1978) Bate, Jonathan, Shakespeare and the English Romantic Imagination (Oxford: Clarendon, 1986) Booth, Michael R., English Melodrama (London: Jenkins, 1965) —— Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991) Bradby, David, Louis James and Bernard Sharratt, Performance and Politics in Popular Drama (Cambridge: Cambridge University Press, 1980) Brewer, Wilmon, Shakespeare’s Influence on Sir Walter Scott (Boston: Cornhill Pub- lishing Co., 1925) Carroll, David (ed.) George Eliot: the Critical Heritage (London: Routledge, 1971) Davis, Philip, ‘Nineteenth-Century Juliet’, Shakespeare Survey, 49 (1996), pp. 131–40 —— Sudden Shakespeare (London: Athlone Press, 1996) Davis, Tracy C., Actresses as Working Women (London and New York: Routledge, 1991) Desmet, Christy, and Robert Sawyer (eds) Shakespeare and Appropriation (London and New York: Routledge, 1999) Disher, Maurice Willson, Blood and Thunder: Mid-Victorian Melodrama and its Origins (London: Muller, 1949) Douglas-Fairhurst, Robert, Victorian Afterlives: the Shaping of Influence in Nineteenth- Century Literature (Oxford: Oxford University Press, 2002) Downer, Alan S., The Eminent Tragedian: William Charles Macready (Cambridge, MA: Harvard University Press, 1966) Elliott, G. R., ‘Shakespeare’s Significance for Browning’, Anglia. Zeitschrift fu¨r Englische Philologie, 32 [N.S. 20] (1909), 90–161 Foulkes, Richard, The Shakespeare Tercentenary of 1864 (London: Society for Theatre Research, 1984) —— Shakespeare and the Victorian Stage (Cambridge: Cambridge University Press, 1986) —— Performing Shakespeare in the Age of Empire (Cambridge: Cambridge University Press, 2002) Gager, Valerie L., Shakespeare and Dickens: the Dynamics of Influence (Cambridge: Cambridge University Press, 1996) Hankey, Julie (ed.) Othello: Plays in Performance (Bristol: Bristol Classical Press, 1987) Hayden, John O. (ed.) Scott: the Critical Heritage (London: Routledge, 1970) John, Juliet, Dickens’s Villains: Melodrama, Character, Popular Culture (Oxford: Oxford University Press, 2001) 222 Selected Bibliography

Jump, John D. (ed.) Tennyson: the Critical Heritage (London: Routledge & Kegan Paul, 1967) Lootens, Tricia, Lost Saints: Silence, Gender, and Victorian Literary Canonization (Charlottesville and London, University Press of Virginia, 1996) Marsden, Jean I. (ed.) The Appropriation of Shakespeare: Post-Renaissance Reconstruc- tions of the Works and the Myth (New York and London: Harvester Wheatsheaf, 1991) Marshall, Gail, ‘Helena Faucit: Shakespeare’s Victorian Heroine’, in Translating Life: Studies in Transpositional Aesthetics, ed. by Shirley Chew and Alistair Stead (Liverpool: Liverpool University Press, 1999) Meisel, Martin, Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth- Century England (Princeton, NJ: Princeton University Press, 1983) Millgate, Michael, Testamentary Acts: Browning, Tennyson, James, Hardy (Oxford: Clarendon Press, 1992) Novy, Marianne, Engaging with Shakespeare: Responses of George Eliot and Other Women Novelists (Iowa City: University of Iowa Press, 1998) —— (ed.) Women’s Re-Visions of Shakespeare (Urbana and Chicago: University of Illinois Press, 1990) Odell, George C. D., Shakespeare from Betterton to Irving, 2 vols (New York: Benjamin Blom, 1966) Poole, Adrian, ‘The Shadow of Lear’s ‘‘Houseless’’ in Dickens’, Shakespeare Survey, 53 (Cambridge: Cambridge University Press, 2000), pp. 103–13 —— ‘Northern Hamlet and Southern Othello? Irving, Salvini and the Whirlwind of Passion’, in Shakespeare and the Mediterranean: Proceedings of the Seventh World Shakespeare Congress, ed. by Tom Clayton, Susan Brock and Vicente Fore`s (Newark: University of Delaware Press, 2003) —— Shakespeare and the Victorians (London: Arden Shakespeare, 2003) Powell, Kerry, Women and Victorian Theatre (Cambridge: Cambridge University Press, 1997) Price, Leah, The Anthology and the Rise of the Novel from Richardson to George Eliot (Cambridge: Cambridge University Press, 2000) Richards, Thomas, The Commodity Culture of Victorian England: Advertising and Spectacle (London and New York: Verso, 1990) Ricks, Christopher, ‘Tennyson Inheriting the Earth’, in Studies in Tennyson, ed. by Hallam Tennyson (Basingstoke: Macmillan – now Palgrave Macmillan, 1981), pp. 66–104 Schoch, Richard W., Shakespeare’s Victorian Stage: Performing History in the Theatre of Charles Kean (Cambridge: Cambridge University Press, 1998) —— Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (Cambridge: Cambridge University Press, 2002) Schoenbaum, Samuel, Shakespeare’s Lives, rev. edn (Oxford: Oxford University Press, 1991), Part V: Victorians, and Part VI: Deviations, pp. 273–454 Shannon, Edgar Finley, Jr., Tennyson and the Reviewers: a Study of His Literary Reputa- tion and of the Influence of the Critics upon His Poetry 1827–1851 (Cambridge, MA: Harvard University Press, 1952) Stavisky, Aron Y., Shakespeare and the Victorians: Roots of Modern Criticism (Norman, Oklahoma: University of Oklahoma Press, 1969) Taylor, George, Players and Performances in the Victorian Theatre (Manchester: Manchester University Press, 1989) Selected Bibliography 223

Vaughan, Virginia Mason, Othello: a Contextual History (Cambridge: Cambridge University Press, 1994) Wells, Stanley, Shakespeare For All Time (Basingstoke: Macmillan – now Palgrave Macmillan, 2002) White, Henry Adelbert, Sir Walter Scott’s Novels on the Stage (New Haven: Yale University Press, 1927) Wood, Sarah, Robert Browning: a Literary Life (Basingstoke: Palgrave – now Palgrave Macmillan, 2001) Woolford, John and Danny Karlin, Robert Browning (Harlow: Longman, 1996) Index

acting styles, 11, 33, 118 Brooke, Gustavus Vaughan, 32–3 Albert, Prince, 70 Browning, Robert, ix, 1, 3–4, 5, 90, Aldridge, Ira, 20, 190 150–69 Altick, Richard D., 171, 174–5 ‘Abt Vogler’, 162–3 America, 19, 37–8, 39, 175 ‘At the ‘‘Mermaid’’ ’, 156 Anderson, Mary, 104–5 ‘Bishop Blougram’s Apology’, 156–7 anthologies, 2–3, 116–18 ‘Caliban upon Setebos’, 156 Appeal to the Women of England to ‘An Epistle containing the Strange Discourage the Stage, An, 195 Medical Experience of Karshish’, Arac, Jonathan, 47, 48 159 Armstrong, Isobel, 46 ‘Essay on Shelley’, 4, 156, 157 Arnold, Matthew, 84, 117, 124, 133, ‘Jochanan Hakkadosh’, 161 211 Luria,4 Auerbach, Jeffrey, 70 Men and Women, 151, 157–8 Auerbach, Nina, 30, 206 Pauline, 156, 159–60 Augier, Emile, 102 ‘Rabbi Ben Ezra’, 161 Austen, Jane, 39–40, 41, 140, 143 Strafford,4 authenticity, 68–79, 137, 138–9 ‘The Names’, 3–4, 5, 10–11, 150–69 autobiography, 190–218 The Ring and the Book, 151–2 Axton, William, 53–4 Bulwer Lytton, Edward, 74, 118, 192 burlesque, 7, 34, 118 Babbage, Charles, 76–7 see also travesty Bacon, Delia, 73, 185 Bagehot, Walter, 137–8 Cannadine, David, 31–2, 34 Baker, Michael, 197 Carey, John, 51 Barrett Browning, Elizabeth, 70, 161 Carlyle, Thomas, 12, 47, 87–8, 89, 96, Bate, Jonathan, 46, 213 141 Baudrillard, Jean, 76 ‘Characteristics’, 89 Bayne, Peter, 84–6, 88, 94 On Heroes and Hero Worship, 87, 141 Bell, John, 61, 62, 67–8, 74 Cervantes, Miguel de, 203, 216 biography, 131–49 class, 7, 31–2, 46, 48–9, 51–5, 58, 77, 82 see also narrative (n. 52), 209, 215 Blackwood, John, 96 Cole, Henry, 67–8, 74 Bloom, Harold, 47 Coleridge, Samuel Taylor, 19, 21–2, 27 Boaden, James, 21 (n. 26), 46, 47–8, 49, 117 Booth, Edwin, 33 Collier, John Payne, 73, 175 Booth, Junius Brutus, 190 Collins, Wilkie, 3, 8, 68, 74–9 Bowdler, Henrietta, 177 Mr Wray’s Cash-box, 8, 74–9 Braddon, Mary Elizabeth, 6, 29 (n. 34) Come´die Franc¸aise, 100–2, 108 Bradley, A. C., 87 commercialism, see the Great Bronte¨, Charlotte, 2, 41, 195 Exhibition, ‘The Shaksperean Jane Eyre, 41, 195 Show’ Shirley,2 copyright, 70–3

224 Index 225

see also authenticity Eliot, T. S., 47, 119 Cowden Clarke, Charles, 170–89 Elkington’s, 61–3 Cowden Clarke, Mary, ix, 1, 5, 11, Elliott, G. R., 150–1 170–89 Ellison, Henry, 67 Concordance to Shakespeare, 173, Emerson, Ralph Waldo, 88, 96, 97 174–6, 181, 185 empire, 19, 24, 29 (n. 32), 31–2, 36, editions of Shakespeare’s Works, 173, 40–4 176–9, 181, 185 see also race The Girlhood of Shakespeare’s Heroines, Empson, William, 213–14 5, 11, 170, 173, 180–3 ‘Englishness’, 6–7, 15–16, 18–19, 24 My Long Life, 175, 183–4 see also history, nationhood, race A Score of Sonnets, 170, 172, 174 Recollections of Writers, 172 Faucit, Lady Martin, Helena, 142, 185, ‘Shakespeare as the Girl’s Friend’, 186, 212 182, 185 Fechter, Charles, 33, 108 The Shakespeare Key, 173 Felperin, Howard, 77 Crystal Palace, the, 61–74 Fields, Annie, 172–3, 184, 185 FitzGerald, Edward, 117, 140, 144 Darwin, Charles, 90, 96, 118 Fleay, Frederick, 139 Dibdin, Thomas, 24 Forster, John, 137 Dickens, Charles, 1, 2, 3, 4–5, 7, 46–60, Foulkes, Richard, 216 68, 73, 74, 77, 108, 157, 158, 215 France, 5, 100–13 ‘The Amusements of the People’, 52 Furness, Horace Howard, 184 Bleak House, 215 Furness, Helen Kate, 184–5, 186 A Christmas Carol,50 Furnivall, Frederick, 73, 138, 151, 156 David Copperfield, 5, 7, 55–8 ‘Gone Astray’, 50 Gager, Valerie L., 46, 47, 54, 55 Great Expectations, 4, 50, 51–5 Garrick, David, 112 Little Dorrit,55 gender, 6, 11, 17, 23, 38–9, 170–86, Nicholas Nickleby, 51–2, 167 (n. 25) 192, 203–18 Oliver Twist,58 Great Exhibition, the, ix, 3, 8, 61–83 O’Thello,34 Greenblatt, Stephen, 114 Our Mutual Friend,55 Guild of Literature and Art, the, 74 Diderot, Denis, 108 Disraeli, Benjamin, 32 Hallam, Arthur, 115, 126 Dodd, William, 3, 117 see Alfred Lord Tennyson, In Dowden, Edward, 92, 94, 97–8 Memoriam A. H. H. Duse, Eleonora, 5 Halliday, F. E., 117, 144–5 Hankey, Julie, 30 Eliot, George, ix, 2, 5, 8–9, 10, 11, Hardy, Thomas, 2, 84, 121 84–99, 118, 157 A Laodicean,2 Brother Jacob, 118 Poems of the Past and Present, 121 Daniel Deronda, 5, 9, 92, 93, 94, 97–8, Hazlitt, William, 21, 95, 97 118 Hebrew, 160–3, 167–9 (n. 33, n. 34, epigraphs, 118 n. 35, n. 36) Middlemarch, 4, 10, 86–8, 91–2, 93, Heinrichs, R. Walter, 38 94, 96, 97, 118, 157 heroes, 87–8, 140–1, 206–13 The Mill on the Floss, 92, 93 heroines, 11, 106–11, 181–3, 190–200, Silas Marner,93 206–7, 212–13 226 Index history, 14–17, 24, 25 (n. 5), 44 Macready, William Charles, 32, 33, see also ‘Englishness’, the Great 142, 199, 202 (n. 17) Exhibition, nationhood madness, 38, 43–4, 192–6 Hopkins, Gerard Manley, 89–90 Main, Alexander, 84 Howitt, William, 139 Manor, Gal, 151, 158 Hunt, Leigh, 48–9, 121 marriage, 37–44, 145–6, 170–86 Hutton, R. H., 93, 138, 141 Maynard, John, 151 melodrama, 48–9, 58 Ibsen, Henrik, 112 Melville, Herman, 99 (n. 17) ‘inwardness’, 11, 33, 48–9 memory, 10, 114–49, 203, 209–17 see also psychology see also monuments, mourning Irving, Henry, 32, 33, 104, 111–12, Meredith, George, 10 139, 142 Miller, William Ian, 120 Italy, 5, 27 (n. 16), 44, 102–3, 204 Milton, John, 213 monarchy, 11–12, 204, 209–10 James, Henry, 1, 2, 3, 9, 100–13 monuments, 61–3, 71, 133–41 Prefaces, 110–11 see also memory, Shakespeare The Tragic Muse, 3, 9, 100–13 (statues) James, William, 99 (n. 13) Moody, Jane, 100–1, 103, 112 Jameson, Anna, 11, 89, 185, 186, 194, Morgan, A. A., 118 204, 206 Morley, John, 118 Jewett, Sarah Orne, 185 mourning, 114–16, 119–20, 122–7, Jewsbury, Geraldine, 194–5 131–49, 211–17 The Half-Sisters, 194–5 see also memory Johnson, Samuel, 46 Myers, F. W. H., 95, 96 Jowett, Benjamin, 126, 137, 138, 139 narrative, 2, 8–9, 57–8, 84–7, 180–3, Kean, Edmund, 1, 21, 28 (n. 28), 32–3, 190–200 160, 190 see also autobiography, biography Keats, John, 47, 119, 173, 205 nationhood, 16, 22–3, 25 (n. 5), 26 Kemble, Fanny, 1, 2, 141, 142, 185 (n. 13), 79, 215–16 Kemble, John Philip, 20–21 see also ‘Englishness’, the Great kings, see monarchy Exhibition, race Kingsley, Charles, 124, 137 Newman, John Henry, 9, 90–1 Koyre´, Alexander, 95 Novy, Marianne, 77 Kraeplin, Emil, 43–4 ‘Orientalism’, 31–2 Lamb, Charles, 19, 21–2, 49, 184 ‘Ornamentalism’, see David Lamb, Mary, 184 Cannadine Leighton (Luke Limner), 61–2 Oxberry, W., 23, 24 Lewes, George Henry, 46, 56–7, 94, 98 Palgrave, F. T., 3 Lillo, George, 53–4 Paracelsus, 159 Lough, J. G., 61, 64–6 Pater, Walter, 117 performance, 1–2, 4–6, 100–13 Macaulay, Thomas Babington, 88–9 see also theatre Macdonald, Joyce Green, 34 Pitts, Mr, 61, 69 Maclise, Daniel, 68 Pixe´re´court, Guilbert de, 48 Macmillan, Alexander, 84 Planche´, James Robinson, 24 Index 227 politics, see class, empire, gender, Kenilworth, 6, 14–29, 143, 190 monarchy, nationhood, race Old Mortality,93 Powell, Kerry, 198 Waverley, 17, 18, 93 Preston, Mary, 19 Seeley, John, 84 Price, Leah, 72, 117 Shakespeare, William psychology, 9, 47–8, 95–8, 157 adaptations, 16–17, 23; see also see also ‘inwardness’, madness burlesque, travesty Punch, 77–8 characters: Angelo, 94; Antonio (Merchant of Venice), 207; Ariel, Rachel, 108 61, 66; Cassio, 18; Claudius, 94; race, viii, 6–7, 17–25, 26 (n. 13), 27 Constance, 9, 106–10; (n. 15, n. 26), 30–45 Desdemona, 14, 18, 21, 30–1, see also empire, ‘Englishness’, Othello 40, 41–2, 181, 182, 190–200; Rede, Leman, 192 Ghost (Hamlet), 51, 193, 200; religion, 90–1, 133, 150–1, 155–6, Juliet, 9, 102–3, 104–5, 110–1; 160–3, 208 Hamlet, 7, 46–60, 157, 193, 196; Richards, Thomas, 67 Iago, 33–5; Imogen, 145–6; Richardson, William, 206 Katherine (Taming of the Shrew), Ricks, Christopher, 108–9, 114 180–1, 183; Macbeth, 88; Ristori, Adelaide, 5 Macduff, 88; Malvolio, 142; Robins, Elizabeth, 112 Ophelia, 120, 192–3, 194, 196; Romantics, the, 7, 21–2, 38, 46–9, Othello, viii–ix, 14–25, 30–44, 55–6, 136, 174, 205 103, 112, 190–1, 208; Parolles, Rose, Mark, 70–2 85; Paulina, 182; Petruchio, Ross, Trevor, 72 183; Portia, 180, 183; Rossi, Ernesto, 5, 103 Posthumus, 145–6; Puck, 61, Ruskin, John, ix, 3, 6, 11–12, 68, 88, 65; Richard III, 111, 160; 90, 91, 94, 157, 192, 203–18 Romeo, 104, 105; Titania, 61, The Bible of Amiens, 209 64; Virgilia, 183 Fiction, Fair and Foul, 214–15 editions: 141, 148 (n. 39), 173, Fors Clavigera, 208, 214 176–9, 181, 185 ‘Of Kings’ Treasuries’, 213–14 plays and poems: All’s Well That Ends Munera Pulveris, 207, 210–11 Well, 2, 85; The Comedy of Errors, Praeterita, 7, 203, 209–17 183; Coriolanus, 183; Cymbeline, ‘Of Queens’ Gardens’, 204, 206–7, 4, 10, 125–6, 131–2, 145–6; 212 Hamlet, 4, 46–60, 104, 116, 118, The Stones of Venice, 205 119–20, 122–3, 124, 136, 138, Unto this Last, 207 139, 157–8, 193, 200; King John, Ruskin, John James, 203–4, 206, 106–10; King Lear, 40, 131, 136; 211–12 Love’s Labour’s Lost,2;Macbeth, 48, 91, 122; The Merchant of Said, Edward, 31 Venice, 40, 207, 211; The Merry Salvini, Tommaso, 5, 27 (n. 16), 33, Wives of Windsor, 1, 73, 180; A 103, 112, 142, 208 Midsummer Night’s Dream, 51; Schlegel, A. W., 204–5 Much Ado About Nothing, 142, Schoch, Richard, 34 179–80, 212; Othello, viii–ix, Scott, Walter, 6–7, 11, 14–29, 39–40, 6–7, 14–29, 30–45, 190–3; 93, 143, 190, 203, 215 Pericles,3;Richard II, 61; Richard Ivanhoe,17 III, 111–12, 116, 160, 167 (n. 31); 228 Index

Shakespeare, William (continued) ‘On Sublimity’, 114–15 Romeo and Juliet, 103–5, 112, Tennyson, Charles, 140 205–6; The Sonnets, 4, 10, 124, Tennyson, Emily, 141–2, 146 126, 137, 145; The Taming of the Tennyson, Hallam, 5, 6, 10, 131–49 Shrew, 122; The Tempest, 118, Alfred Lord Tennyson: a Memoir by His 122, 126–7; Troilus and Cressida, Son, 131–49 77–8, 131; The Winter’s Tale,9 Terriss, William, 105 statues, 61–74 Terry, Ellen, 104, 111, 142 Shakespeare Shield, the, 61, 63 Thackeray, William Makepeace, 39 Shakspeare Society, the New, 138, 139, Thackeray Ritchie, Anne, 139 151, 175 theatre, 1–2, 52, 57–8, 100–13, ‘Shaksperean Show, The’, 3–4, 10–11, 190–202, 208 152–5 see also performance Shakespeare Tercentenary (1864), the, Thom, William Taylor, 186 158 Titian, 30 Shaw, George Bernard, 30–1 Tolstoy, Leo, 216 Shelley, Percy Bysshe, 56, 119 travesty, 118, 142 Sheridan Knowles, James, 4, 33, 192 see also burlesque Siddons, Sarah, 108, 112, 186 Trench, Richard Chevenix, 124, 135 Sidney, Sir Philip, 209 Trollope, Anthony, 5, 6–7, 30–45, 46 Smart, Christopher, 161 Autobiography,72 South Africa, 36–7 The Duke’s Children,40 Spedding, James, 136–7 He Knew He Was Right, 5, 7, 30–45 Spencer, Herbert, 84, 94, 96 Phineas Finn,39 Stephen, James Fitzjames, 72 Phineas Redux, 38–9 Sterling, John, 136 The Prime Minister,40 Stratford-upon-Avon, 140, 143–4 Twain, Mark, 22–3 ‘Summerley, Felix’, see Henry Cole Tyndall, John, 96 Sutherland, John, 15 Suzman, Janet, 36–7, 42 Vandenhoff, George, 6, 7, 11, 190–202, 211 Talfourd, Thomas, 72 Leaves from an Actor’s Notebook,6,7, technology, see the Great Exhibition 11, 190–202, 211 Tennyson, Alfred Lord, ix, 1, 4, 9–10, Vandenhoff, John M., 198–200 114–49, 152 Verdi, Giuseppe, 34, 123 The Cup,4 Veronese, Paolo, 30 The Devil and the Lady, 122 Vestris, Madame, 199 The Foresters,4 In Memoriam A. H. H., 4, 5, 10, Ward, Genevie`ve, 101 114–16, 119–20, 122–7, 137, Ward, Mrs Humphry, 105 142–3, 144–5 Miss Bretherton, 105 ‘The Lady of Shalott’, 36 Warren, T. H., 121 The Last Tournament, 123 Wilde, Oscar, 153 ‘Mariana’, 122 Wingfield, Lewis, 105 Maud, 124, 137, 138 Wood, Sarah, 151, 162 Poems (1842), 121, 134–5, 136–7 Wordsworth, William, 72, 74, 119, The Princess, 115 144, 214