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CURRICULUM VITAE September 2013
CURRICULUM VITAE September 2013 James Richard Farr Germaine Seelye Oesterle Professor of History Department of History 333 Forest Hill Drive University Hall West Lafayette, IN 47906 672 Oval Drive Telephone:765-743-3575 (home) Purdue University 765-496-2698(office) West Lafayette, IN 47907-2087 Fax: 765-496-1755 E-Mail: [email protected] PROFESSIONAL APPOINTMENTS/POSITIONS Editor, French Historical Studies, 1991-2000. Executive Council, Society for French Historical Studies, 1991-.2008 Executive Committee, Center for Renaissance Studies, Newberry Library, l992-. Editorial Board, EMF: Studies in Early Modern France, 2002-2005 Senior Editor, H-France, Information List on Internet, 1993-. Editorial Board, Purdue University Press, 1996-1999. Germaine Seelye Oesterle Professor of History, Purdue University, W. Lafayette, Indiana, 2009-. Professor of History, Purdue University, 1995; Associate Professor, 1990-1995; Assistant Professor, 1988-1990. Assistant Professor of History, University of Tennessee, Knoxville, Tennessee, 1983-88. Instructor, Beloit College, Beloit Wisconsin, Spring, l983. Lecturer, Northwestern University, Evanston, Illinois, Spring, 1983. EDUCATION Ph.D. Northwestern University, 1983. M.A. Memphis State University, 1977. B.A. University of Mississippi, 1972. HONORS AND AWARDS Center for Humanistic Studies Fellowship, Purdue University, Spring, 2006. John Simon Guggenheim Fellowship, 1998-99. Shelby Cullom Davis Center for Historical Studies Fellowship, Princeton University, 1994-95. American Council of Learned Societies Fellowship, 1994-95. Institute for Advanced Studies in the Humanities Fellowship, University of Edinburgh, 1995 (declined). National Endowment for the Humanities Summer Stipend, 1991. 1 Center for Humanistic Studies Fellowship, Purdue University, 1991. Bernadotte E. Schmitt Research Grant, American Historical Association, 1990. Purdue University XL Faculty Research Grant, 1989. -
Report of the Fine Arts Library Task Force
Report of the Fine Arts Library Task Force University of Texas at Austin April 2, 2018 Table of Contents Introduction .......................................................................................................................... 4 Background ........................................................................................................................... 4 Inputs to the Task Force ......................................................................................................... 6 Charge 1 ................................................................................................................................ 9 Offsite Storage, Cooperative Collection Management, and Print Preservation .................................9 Closure and Consolidation of Branch Libraries ............................................................................... 10 Redesign of Library Facilities Housing Academic and Research Collections ..................................... 10 Proliferation of Digital Resources and Hybrid Collections .............................................................. 11 Discovery Mechanisms ................................................................................................................. 12 Charge 2 .............................................................................................................................. 14 Size of the Fine Arts Library Collection .......................................................................................... 14 Use of the Fine Arts -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Frances Anne Kemble (1809-1893) Natalie Karelis La Salle University
La Salle University La Salle University Digital Commons People and Places La Salle Local History 1998 Frances Anne Kemble (1809-1893) Natalie Karelis La Salle University Follow this and additional works at: http://digitalcommons.lasalle.edu/people_places Part of the American Material Culture Commons, Cultural History Commons, United States History Commons, and the Women's History Commons Recommended Citation Karelis, Natalie, "Frances Anne Kemble (1809-1893)" (1998). People and Places. 4. http://digitalcommons.lasalle.edu/people_places/4 This Book is brought to you for free and open access by the La Salle Local History at La Salle University Digital Commons. It has been accepted for inclusion in People and Places by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. Belfield & Wakefield: A Link to La Salle's Past Welcome Frances Anne Kemble Reports -- People By By: Natalie Karelis Century Family Tree A famous actress, an unfaithful husband, a controversial family business, a messy divorce, and a brutal custody battle. These Three Centuries on seem to be all the characteristics of today’s tabloid news. But South Campus maybe these components of a sensational news story aren’t so Home Where “The modern after all. In fact, a situation fitting the above Mansion” Was description, involving actress Fanny Kemble (for whom Fanny Kemble Park, located at Olney Avenue and 17th Street, is The Remarkable named) and slave-holder Pierce Butler, actually occurred over Wisters at Belfield 150 years ago on property adjacent to La Salle University! Charles Willson Peale: “Your Garden Frances Anne Kemble was born into a theatrical family in Must be a Museum” London, England, on November 27, 1809. -
ROMANTIC CRITICISM of SHAKESPEARIAN DRAMA By
ROMANTIC CRITICISM OF SHAKESPEARIAN DRAMA By JOHN g,RAWFORD Associate of Arts Texarkana College Texarkana, Texas 1956 Bachelor of Science in Education Ouachita Baptist University Arkadelphia, Arkansas 1959 Master of Science in Education Drake University Des Moines, Iowa 1962 Submitted to the faculty of .the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION May, 1968 OKLAHOMA STATE UNIVERSITY LIBRARY OCT 24 1968 ROMANTIC CRITICISM OF SHAKESPEARIAN DRAMA Thesis Approved: Thesis Adviser \ f ,A .. < \ Dean of the Graduate College ii ACKNOWLEDGMENTS I should like to· thank anumber·of people who helped me in many different ways during· the·preparation· of .this dissertation, notably Dr. David· S. Berkeley,·major adviser, who-lent words of encouragement, guidance, understanding, and patience; but also my committee members, Dr. Darrel Ray·, Pr~ Judson Milburn, and· .Dr~- Loyd Douglas; and. the Oklahoma State University library staff, especially Miss Helen Donart and Mrs • .:fosephine Monk. iii TABLE-OF CONTENTS Chap tel' Page. I. INTRODUCTION •••• 1 II. HAMLET .••• . ' . .. ... 29 III. ANTONY -~ CLEOPATRA • • • • . • • . • • • It • . • • . • .• • a1 ·IV. HENRYV· . ,. ". .• . 122 V. THE· MERCHANT ·QE. VENICE .- . "' . 153 VI. CONCLUSION • • ' . -. ,. 187 BIBLIOGRAPHY • • • • · • . .. 191 iv CHAPTER I INTRODUCTION Of all the so-called schools of Shakespearian criticism, the Romantic has been and continues to be one of the most influential. Per- haps this is true merely because of the impor~ance which the Romantic School places upon the genius of the subj~ct, for all schools of criti- cism recognize Shakespeare's ability at creating effective drama. A more accurate answer, however, probably lies in the fact that "romanti- cism" has a broad base and encompasses so very much. -
R Z- /Li ,/Zo Rl Date Copyright 2012
Hearing Moral Reform: Abolitionists and Slave Music, 1838-1870 by Karl Byrn A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS III History Dr. Steve Estes r Z- /Li ,/zO rL Date Copyright 2012 By Karl Bym ii AUTHORIZATION FOR REPRODUCTION OF MASTER'S THESIS/PROJECT I grant permission for the reproduction ofparts ofthis thesis without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgement of authorship. Permission to reproduce this thesis in its entirety must be obtained from me. iii Hearing Moral Reform: Abolitionists and Slave Music, 1838-1870 Thesis by Karl Byrn ABSTRACT Purpose ofthe Study: The purpose of this study is to analyze commentary on slave music written by certain abolitionists during the American antebellum and Civil War periods. The analysis is not intended to follow existing scholarship regarding the origins and meanings of African-American music, but rather to treat this music commentary as a new source for understanding the abolitionist movement. By treating abolitionists' reports of slave music as records of their own culture, this study will identify larger intellectual and cultural currents that determined their listening conditions and reactions. Procedure: The primary sources involved in this study included journals, diaries, letters, articles, and books written before, during, and after the American Civil War. I found, in these sources, that the responses by abolitionists to the music of slaves and freedmen revealed complex ideologies and motivations driven by religious and reform traditions, antebellum musical cultures, and contemporary racial and social thinking. -
The Furness Memorial Library
3 The Furness Memorial Library Daniel Traister In memory of William E. Miller (1910-1994), Assistant Curator, Furness Memorial Library ilmarth S. Lewis, the great Horace Walpole collector, W once quipped that, if use were the criterion by which people judged the quality of libraries, we should judge that library to be the best which had the largest collection of telephone books. The Horace Howard Furness Memorial Library, now part of the Walter H. and Leonore Annenberg Rare Book and Manuscript Library at the University of Pennsylvania, has never needed to justify itself by denigrating “mere” use in favor of qual- ity and importance of collections. Over the years of its existence, it has always been among the most heavily used of Penn’s special collections (and this without even one telephone book in sight). The quality of its collections has never been in doubt, either. Its use is in part a reflection, obviously enough, of the drawing power of William Shakespeare. The Furnesses, father and son, based the collection on Shakespeare’s works and his stage and print career. Around these same topics their successors have continued to build it. The Furnesses’ chosen author has surely elicited more editions of and words about himself than any other writer in English—more, perhaps, than any other writer in the world. His continuing preeminence at all levels of education, and the popularity of Shakespearian productions on stage and screen, are evidence of an enthusiasm so widespread that it cannot be written off as merely academic. More than three hundred and fifty years after his death, Shakespeare continues to be box office. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
J. CUTLER ANDREWS Prcsidenti, Pennsylvania Historical Association
1% J. CUTLER ANDREWS Prcsidenti, Pennsylvania Historical Association. r963-7966 THE GILDED AGE IN PENNSYLVANIA BY J. CUTLU R ANDREW\S A S DR. KLEIN has told you, it is the custom of this Associa- Ation once every three years to offer up a sacrificial lamb in the person of its president, whose age now approaching sixty and whose thinning locks may seem to accent the incongruity of his being supposed to possess lamb-like qualities. By the terms of our unwritten constitution, the president is called upon some- time during his three-year term of office to present his views to this organization about some topic related to the history of the Commonwealth, and in token of this fact I have elected to speak to you tonight on the subject of "The Gilded Age in Pennsylvania." In view of my interest in the Civil War, I was disposed at one point to prepare an address on "Pennsylvania during the \mer- ican Civil War"; but after four years of the Civil War Centennial with its prospect that the celebration of gory events would cause the Civil War to break out all over again, I thought you might have become a little weary of hearing about Abraham Lincoln and Robert E. Lee and that you might prefer a different cast of char- acters. I then considered choosing as my theme the need for more research and writing in the field of Pennsylvania history since 1865, until it was brought to my attention that the presiding officer who has just introduced me had beaten me to the drawx by his very penetrating and thought-provoking remarks on this sub- ject in his presidential address of 1957 in Philadelphia. -
CYMBELINE" in the Fllii^Slhi TI CENTURY
"CYMBELINE" IN THE fllii^SLHi TI CENTURY Bennett Jackson Submitted in partial fulfilment for the de ree of uaster of Arts in the University of Birmingham. October 1971. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis consists of an Introduction, followed by Part I (chapters 1-2) in which nineteenth- century criticism of the play is discussed, particular attention being paid to Helen Faucit's essay on Imogen, and its relationship to her playing of the role. In Part II the stags-history of Oymbcline in London is traced from 1785 to Irving's Lyceum production of 1896. Directions from promptbooks used by G-.P. Cooke, W.C. Macready, Helen Eaucit, and Samuel ±helps are transcribed and discussed, and in the last chapter the influence of Bernard Shaw on Ellen Terry's Imogen is considered in the light of their correspondence and the actress's rehearsal copies of the play. There are three appendices: a list of performances; transcriptions of two newspaper reviews (from 1843 and 1864) and one private diary (Gordon Crosse's notes on the Lyceum Gymbeline); and discussion of one of the promptbooks prepared for Charles Kean's projected production. -
Faith Reforming
Reforming Faith by Design Frank Furness’ Architecture and Spiritual Pluralism among Philadelphia’s Jews and Unitarians Matthew F. Singer Philadelphia never saw anything like it. The strange structure took shape between 1868 and 1871 on the southeast corner of North Broad and Mount Vernon streets, in the middle of a developing residential neighborhood for a newly rising upper middle class. With it came a rather alien addition to the city’s skyline: a boldly striped onion dome capping an octagonal Moorish-style minaret that flared outward as it rose skyward. Moorish horseshoe arches crowned three front entrances. The massive central At North Broad and Mount Vernon streets, Rodeph Shalom’s first purpose-built temple—de- doorway was topped with a steep gable signed by Frank Furness—announced the growing presence and aspirations of the newly developed neighborhood’s prospering German Jewish community. beneath a Gothic rose window that, in HISTORICAL SOCIETY OF PENNSYLVANIA turn, sat within another Moorish horse- shoe. Composed of alternating bands of phia. In a city of red-brick rowhouses built full Jewish emancipation and equality and yellow and red sandstone, the arches’ halo- primarily in neoclassical styles, Rodeph sparked new spasms of anti-Semitism. like tops appeared to radiate from central Shalom’s new temple mixed Islamic, Pedestrians gazing upon Rodeph disks incised with abstracted floral shapes. Byzantine and Gothic elements. Shalom may have wondered whether their Buttresses shored the sides of the building, Founded in 1795 as the first Ashkenazi wandering minds conjured an appari- which stood tall and vertical like a Gothic (Central and Eastern European) Jewish tion from a faraway time and place. -
Historic-Register-OPA-Addresses.Pdf
Philadelphia Historical Commission Philadelphia Register of Historic Places As of January 6, 2020 Address Desig Date 1 Desig Date 2 District District Date Historic Name Date 1 ACADEMY CIR 6/26/1956 US Naval Home 930 ADAMS AVE 8/9/2000 Greenwood Knights of Pythias Cemetery 1548 ADAMS AVE 6/14/2013 Leech House; Worrell/Winter House 1728 517 ADDISON ST Society Hill 3/10/1999 519 ADDISON ST Society Hill 3/10/1999 600-02 ADDISON ST Society Hill 3/10/1999 2013 601 ADDISON ST Society Hill 3/10/1999 603 ADDISON ST Society Hill 3/10/1999 604 ADDISON ST Society Hill 3/10/1999 605-11 ADDISON ST Society Hill 3/10/1999 606 ADDISON ST Society Hill 3/10/1999 608 ADDISON ST Society Hill 3/10/1999 610 ADDISON ST Society Hill 3/10/1999 612-14 ADDISON ST Society Hill 3/10/1999 613 ADDISON ST Society Hill 3/10/1999 615 ADDISON ST Society Hill 3/10/1999 616-18 ADDISON ST Society Hill 3/10/1999 617 ADDISON ST Society Hill 3/10/1999 619 ADDISON ST Society Hill 3/10/1999 629 ADDISON ST Society Hill 3/10/1999 631 ADDISON ST Society Hill 3/10/1999 1970 635 ADDISON ST Society Hill 3/10/1999 636 ADDISON ST Society Hill 3/10/1999 637 ADDISON ST Society Hill 3/10/1999 638 ADDISON ST Society Hill 3/10/1999 639 ADDISON ST Society Hill 3/10/1999 640 ADDISON ST Society Hill 3/10/1999 641 ADDISON ST Society Hill 3/10/1999 642 ADDISON ST Society Hill 3/10/1999 643 ADDISON ST Society Hill 3/10/1999 703 ADDISON ST Society Hill 3/10/1999 708 ADDISON ST Society Hill 3/10/1999 710 ADDISON ST Society Hill 3/10/1999 712 ADDISON ST Society Hill 3/10/1999 714 ADDISON ST Society Hill