Selected Bibliography Primary works By Authority of the Royal Commission: Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851, Third Corrected and Improved Edition, 1 August 1851 (London: Spicer Brothers, 1851) [Bayne, Peter], ‘Shakespeare and George Eliot’, Blackwood’s, 133 (April 1883), 524–3 Bradley, A. C., Shakespearean Tragedy (London: Macmillan, 1904) Browning, Robert, Robert Browning: the Poems, ed. by John Pettigrew, 2 vols (Harmondsworth: Penguin, 1981; repr. 1996) Bunn, Alfred [and Thomas John Dibdin], Kenilworth: an Historical Drama, in Two Acts (London: J. Duncombe [1832] ) Carlyle, Thomas, ‘The Hero as Poet’ (Lecture III), in On Heroes and Hero-Worship and the Heroic in History (1841), from Past and Present and Heroes and Hero- Worship (London: Chapman and Hall, 1893), pp. 1–232 Clarke, Mary Cowden, The Girlhood of Shakespeare’s Heroines, 5 vols (London: W. H. Smith & Son, Simpkin, Marshall & Co., 1850–2); condensed version by Sabilla Novello (London: Bickers & Son, 1879) Cole, Henry, Fifty Years of Public Work of Sir Henry Cole, K.C.B., 2 vols (London: George Bell & Sons, 1884) Coleridge, Samuel Taylor, Coleridge’s Shakespearean Criticism, ed. by Thomas Middleton Raysor, 2 vols (London: Constable, 1930) Collins, Wilkie, The Frozen Deep and Mr Wray’s Cash-box (Stroud, Gloucestershire: Alan Sutton Publishing, 1996) Dickens, Charles, David Copperfield (1849–50) —— Great Expectations (1860–1) Eliot, George, The Mill on the Floss (1860) —— Silas Marner (1861) —— Middlemarch (1871–2) —— Daniel Deronda (1876) —— The George Eliot Letters, ed. by G. S. Haight, 9 vols (New Haven: Yale Univer- sity Press, 1954–74) Emerson, Ralph Waldo, ‘Shakspeare; or, the Poet’, in Representative Men (1850), in Essays and Lectures, The Library of America (New York, 1983), pp. 710–26 Faucit, Helena, Lady Martin, On Some of Shakespeare’s Female Characters, 6th edn (Edinburgh: William Blackwood & Sons, 1899) Hardy, Thomas, The Complete Poetical Works of Thomas Hardy, ed. by Samuel Hynes, 5 vols (Oxford: Clarendon Press, 1982–95) James, Henry, The Tragic Muse (1890; rev. version 1908), ed. by Philip Horne (London: Penguin Classics, 1995) —— The Scenic Art: Notes on Acting and the Drama 1872–1901, ed. by Allan Wade (London: Rupert Hart-Davis, 1949) 219 220 Selected Bibliography Jameson, Anna, Characteristics of Women: Moral, Political, and Historical, 2 vols (London: Saunders & Otley, 1832: later known as Shakespeare’s Heroines) Lamb, Charles, ‘On the Tragedies of Shakespeare, Considered with Reference to their Fitness for Stage Representation’ (1811), in Romantic Critical Essays, ed. by David Bromwich (Cambridge: Cambridge University Press, 1987), pp. 56–70 Lewes, G. H., On Actors and the Art of Acting (London: Smith Elder, 1875) Macready, William Charles, Reminiscences and Selections from his Diary and Letters, ed. by F. Pollock (London: Macmillan, 1875) —— The Diaries of William Charles Macready 1833–1851, 2 vols, ed. by William Toynbee (New York: Putnams, 1912) Maynard, John, Browning’s Youth (Cambridge, MA: Harvard University Press, 1977) Newman, John Henry, University Sermons, ed. by D. M. MacKinnon and J. D. Holmes (London: SPCK, 1970) —— An Essay on the Development of Christian Doctrine, ed. by Ian Ker (Notre Dame, Indiana: University of Notre Dame Press, 1989) Oxberry, W. ‘Kenilworth, A Melo-drama’, The New English Drama, with Prefatory Remarks, Biographical Sketches, and Notes, Critical and Exploratory, vol. 19 (London: W. Simpkin and R. Marshall, and C. Chapple, 1824) Ruskin, John, The Complete Works, ed. by E. T. Cook and Alexander Wedderburn, 39 vols (London: Allen, 1903–12) Scott, Sir Walter, Kenilworth; a Romance (1821), ed. by J. H. Alexander (Edinburgh: Edinburgh University Press, 1993) Shaw, George Bernard, Shaw on Shakespeare, ed. by Edwin Wilson (London: Cassell, 1962) Tennyson, Alfred Lord, The Poems of Tennyson, ed. by Christopher Ricks, 2nd edn, 3 vols (Harlow: Longman, 1987) —— The Letters of Alfred Lord Tennyson, ed. by Cecil Y. Lang and Edgar F. Shannon, Jr., 3 vols (Oxford: Clarendon Press, 1987) Tennyson, Hallam, Materials for a Life of A. T.: Collected for My Children, 4 vols (London: Macmillan [limited run], 1895) —— Alfred Lord Tennyson: a Memoir by His Son, 2 vols (London: Macmillan, 1897) Thompson, Ann, and Sasha Roberts (eds) Women Reading Shakespeare 1660–1900: an Anthology of Criticism (Manchester and New York: Manchester University Press, 1997) Trollope, Anthony, He Knew He Was Right (1869) Vandenhoff, George, Leaves from an Actor’s Notebook; with Reminiscences and Chit- Chat of the Green-Room and the Stage, in England and America (New York: D. Appleton & Co., 1860) Wells, Stanley (ed.) Nineteenth-Century Shakespeare Burlesques, 5 vols (London: Diploma Press, 1977–8) —— (ed.) Shakespeare in the Theatre: an Anthology of Criticism (Oxford: Oxford University Press, 2000), pp. 67–178 Secondary works Adler, John (ed.) Responses to Shakespeare, vols 6, 1830–1859 and 7, 1861–1898 (London: Routledge/Thoemmes Press, 1997) Selected Bibliography 221 Alexander, J. H. and David Hewitt (eds) Scott and his Influence (Aberdeen: Associ- ation for Scottish Literary Studies, 1983) Arac, Jonathan, ‘Hamlet, Little Dorrit, and the History of Character’, in Critical Conditions: Regarding the Historical Moment, ed. by Michael Hays (Minneapolis: University of Minnesota Press, 1992), pp. 82–96 Auerbach, Jeffrey A., The Great Exhibition of 1851: a Nation on Display, (New Haven and London: Yale University Press, 1999) Auerbach, Nina, Woman and the Demon: the Life of a Victorian Myth (Harvard: Harvard University Press, 1982) —— Ellen Terry: Player in Her Time (New York: Norton, 1987) —— Private Theatricals: the Lives of the Victorians (Cambridge, MA: Harvard Uni- versity Press, 1990) Baker, Michael, The Rise of the Victorian Actor (London: Croom Helm, 1978) Bate, Jonathan, Shakespeare and the English Romantic Imagination (Oxford: Clarendon, 1986) Booth, Michael R., English Melodrama (London: Jenkins, 1965) —— Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991) Bradby, David, Louis James and Bernard Sharratt, Performance and Politics in Popular Drama (Cambridge: Cambridge University Press, 1980) Brewer, Wilmon, Shakespeare’s Influence on Sir Walter Scott (Boston: Cornhill Pub- lishing Co., 1925) Carroll, David (ed.) George Eliot: the Critical Heritage (London: Routledge, 1971) Davis, Philip, ‘Nineteenth-Century Juliet’, Shakespeare Survey, 49 (1996), pp. 131–40 —— Sudden Shakespeare (London: Athlone Press, 1996) Davis, Tracy C., Actresses as Working Women (London and New York: Routledge, 1991) Desmet, Christy, and Robert Sawyer (eds) Shakespeare and Appropriation (London and New York: Routledge, 1999) Disher, Maurice Willson, Blood and Thunder: Mid-Victorian Melodrama and its Origins (London: Muller, 1949) Douglas-Fairhurst, Robert, Victorian Afterlives: the Shaping of Influence in Nineteenth- Century Literature (Oxford: Oxford University Press, 2002) Downer, Alan S., The Eminent Tragedian: William Charles Macready (Cambridge, MA: Harvard University Press, 1966) Elliott, G. R., ‘Shakespeare’s Significance for Browning’, Anglia. Zeitschrift fu¨r Englische Philologie, 32 [N.S. 20] (1909), 90–161 Foulkes, Richard, The Shakespeare Tercentenary of 1864 (London: Society for Theatre Research, 1984) —— Shakespeare and the Victorian Stage (Cambridge: Cambridge University Press, 1986) —— Performing Shakespeare in the Age of Empire (Cambridge: Cambridge University Press, 2002) Gager, Valerie L., Shakespeare and Dickens: the Dynamics of Influence (Cambridge: Cambridge University Press, 1996) Hankey, Julie (ed.) Othello: Plays in Performance (Bristol: Bristol Classical Press, 1987) Hayden, John O. (ed.) Scott: the Critical Heritage (London: Routledge, 1970) John, Juliet, Dickens’s Villains: Melodrama, Character, Popular Culture (Oxford: Oxford University Press, 2001) 222 Selected Bibliography Jump, John D. (ed.) Tennyson: the Critical Heritage (London: Routledge & Kegan Paul, 1967) Lootens, Tricia, Lost Saints: Silence, Gender, and Victorian Literary Canonization (Charlottesville and London, University Press of Virginia, 1996) Marsden, Jean I. (ed.) The Appropriation of Shakespeare: Post-Renaissance Reconstruc- tions of the Works and the Myth (New York and London: Harvester Wheatsheaf, 1991) Marshall, Gail, ‘Helena Faucit: Shakespeare’s Victorian Heroine’, in Translating Life: Studies in Transpositional Aesthetics, ed. by Shirley Chew and Alistair Stead (Liverpool: Liverpool University Press, 1999) Meisel, Martin, Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth- Century England (Princeton, NJ: Princeton University Press, 1983) Millgate, Michael, Testamentary Acts: Browning, Tennyson, James, Hardy (Oxford: Clarendon Press, 1992) Novy, Marianne, Engaging with Shakespeare: Responses of George Eliot and Other Women Novelists (Iowa City: University of Iowa Press, 1998) —— (ed.) Women’s Re-Visions of Shakespeare (Urbana and Chicago: University of Illinois Press, 1990) Odell, George C. D., Shakespeare from Betterton to Irving, 2 vols (New York: Benjamin Blom, 1966) Poole, Adrian, ‘The Shadow of Lear’s ‘‘Houseless’’ in Dickens’, Shakespeare Survey, 53 (Cambridge: Cambridge University Press, 2000), pp. 103–13 —— ‘Northern Hamlet and Southern Othello? Irving, Salvini and the Whirlwind of Passion’, in Shakespeare and the Mediterranean: Proceedings of the Seventh World Shakespeare Congress, ed. by Tom Clayton, Susan Brock and Vicente Fore`s (Newark: University of Delaware