The Emulation Theory of Representation: Motor Control, Imagery, and Perception
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Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Bedside Neuro-Otological Examination and Interpretation of Commonly
J Neurol Neurosurg Psychiatry: first published as 10.1136/jnnp.2004.054478 on 24 November 2004. Downloaded from BEDSIDE NEURO-OTOLOGICAL EXAMINATION AND INTERPRETATION iv32 OF COMMONLY USED INVESTIGATIONS RDavies J Neurol Neurosurg Psychiatry 2004;75(Suppl IV):iv32–iv44. doi: 10.1136/jnnp.2004.054478 he assessment of the patient with a neuro-otological problem is not a complex task if approached in a logical manner. It is best addressed by taking a comprehensive history, by a Tphysical examination that is directed towards detecting abnormalities of eye movements and abnormalities of gait, and also towards identifying any associated otological or neurological problems. This examination needs to be mindful of the factors that can compromise the value of the signs elicited, and the range of investigative techniques available. The majority of patients that present with neuro-otological symptoms do not have a space occupying lesion and the over reliance on imaging techniques is likely to miss more common conditions, such as benign paroxysmal positional vertigo (BPPV), or the failure to compensate following an acute unilateral labyrinthine event. The role of the neuro-otologist is to identify the site of the lesion, gather information that may lead to an aetiological diagnosis, and from there, to formulate a management plan. c BACKGROUND Balance is maintained through the integration at the brainstem level of information from the vestibular end organs, and the visual and proprioceptive sensory modalities. This processing takes place in the vestibular nuclei, with modulating influences from higher centres including the cerebellum, the extrapyramidal system, the cerebral cortex, and the contiguous reticular formation (fig 1). -
Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz. -
Semester at Sea, Course Syllabus Colorado State University, Academic Partner
Semester at Sea, Course Syllabus Colorado State University, Academic Partner Semester: Fall 2016 Discipline: Ethnomusicology Course Number and Title: MU 332 History of Jazz (Section 2) Course Level: Upper Faculty Name: David Borgo, Ph.D. Semester Credit Hours: 3 Prerequisites: none COURSE DESCRIPTION Explores the history of jazz from its roots to the present day. The course begins with an investigation into African and African American musical precursors, including spirituals, work and play songs, minstrel traditions, ragtime and the blues. It continues by exploring the emergence of jazz in New Orleans, Chicago, Kansas City, and New York City, as well as the exportation of jazz to locales around the world. Special attention will be paid to jazz artists and practices in Africa, Cuba, Brazil, Panama, and Peru. In addition to a survey of the most important performers and their associated styles and techniques (e.g., swing, bebop, cool, modal, avant-garde, jazz-rock fusion, etc.), this course explores the often provocative role jazz music has played in American and global society, and the diverse perceptions and arguments that have surrounded its production and reception. The course is designed to increase our abilities to hear differences among performances and styles of jazz, and to interpret the meanings of such differences. We will learn to use historical perspective, social context, and technological mediation as prisms through which we can understand why a piece of music sounds the way it does, what the music signifies about a particular time and place, and how its meanings may change for musicians and audiences over time. -
21St Century Jazz-Rock and Much More: Guitarist Rez Abbasi & Junction Bring Together a Vast World of Influences on Behind the Vibration
Bio information: REZ ABBASI & JUNCTION Title: BEHIND THE VIBRATION (Cuneiform Rune 424) Format: CD / DIGITAL Release Date: May 20th, 2016 Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / JAZZ-ROCK / ELECTRIC JAZZ / FUSION 21st Century Jazz-Rock and Much More: Guitarist Rez Abbasi & Junction Bring Together a Vast World of Influences on Behind the Vibration “it was time for all these musical worlds to collide.” –Rez Abbasi A junction is the point at which several things converge. For the visionary and award-winning jazz guitarist Rez Abbasi, his new band Junction weaves together musical currents he’s spent his career navigating. Abbasi has been at the center of some of the most enthralling and culturally expansive music of the past two decades, and his Cuneiform debut Behind the Vibration introduces a bracing new body of music, a sinewy 21st century approach to jazz-rock inspired by his far-flung influences. In myriad inspired collaborations, from the South Asian jazz synthesis of alto saxophonist Rudresh Mahanthappa’s Indo-Pak Coaltion to the Punjab-meets-Tuareg vocal flights of Kiran Ahluwalia, Abbasi has manifested an uncommon gift for creating new sounds in settings deeply inflected by traditional forms. In his own projects, the Pakistani-American musician has displayed similarly fierce creativity, like his gorgeous unplugged reimagining of jazz-rock classics with the Rez Abbasi Acoustic Quartet’s (RAAQ) critically hailed 2015 album Intents and Purposes (Enja), and his all-star quintet (and sometimes sextet) Invocation with Mahanthappa, Vijay Iyer, bassist Johannes Weidenmueller, drummer Dan Weiss, (and latest addition cellist Elizabeth Means). -
UVM Septembre 2Eme Partie
Nouveautés Septembre - 2ème Pare Labels distribués: Acousence, Ama, Ambitus, Ars Produckon, ATMA Classique, AVID, Bayer Records, Black Line/StarsLine, Budapest Music Center, Champs Hill Records, Charade, Choc Classica Collecon, Classiquez !, Compass, Connuo Classics, Coviello Classics, Cyclone Producon, Daphne, Delphian, Tél.: 01 42 59 33 28 Discamera, Doremi, Doron music, EASonus, ES-Dur, Euphonia, Europ&Art, Farao Classics, Feel Good Music, FLORA, Fra Bernardo, Harp&Co, Hello Stage, Hortus, ICA CLassics, Jazzwerksta, Jean-François Producon, Leman Classics, Lodia, MA Recordings, Maguelone, Marcal classics, Fax : 09 72 47 72 96 Maxanter, Melba Recordings, Membran, Meridian, Metronome, Odradek records, OUR Recordings, Phaia music, Premiers Horizons, Printemps des Arts de Monte Carlo, PROFIL, Prova Records, Recart, Relief, Scoville, Signum Classics, Skarbo, STUNT/Sundance, Storyville, Suoni e Colori, [email protected] Sonar, Toccata Classics, Troba Vox, Tudor, Tuxedo, Urtext, VLF Producons, West Wind, WW1 Music En magasin le : 22 Septembre 2017 Anton Bruckner - La Collection Anton Bruckner (1824-1896) : Symphonies n°0 à 9 (Intégrale), Symphonie en fa min n°00 "Symphonie d’études”, Messe en do Maj, Messe n°3 en fa min, Messe n°2 en mi min, Te Deum en do Maj WAB 45, Missa Solemnis pour solists, choeur et orchestre en si b min WAB 29, Psaume 112, Psaume 146 WAB 37, Psaume 150 pour soprano, choeur et orchestre, Requiem en ré min, Oeuvres pour orgue, Quintettes à cordes en fa Maj et do min, Trois pièces orchestrales, Oeuvres pour piano Ania Vegry / Franziska Gottwald / Leontyne Price Hilde Rössel-Majdan / Fritz Wunderlich / Walter Berry Iris Vermillion / Michael Schade / Pamela Coburn Wolfgang Brunner / Michael Schopper Klaus Tennstedt / Kurt Sanderling / Günter Wand Bernard Haitink / Christian Thielemann Herbert von Karajan / Helmuth Rilling .. -
Introduction the Vestibular Stimulus Turntable
Journal of Vestibular Research, Vol. 1, pp. 223-239, 1990/91 0957-4271/91 $3.00 + .00 Printed in the USA. All rights reserved. Copyright © 1991 Pergamon Press pic EFFECT OF INCISIONS IN THE BRAINSTEM COMMISSURAL NETWORK ON THE SHORT-TERM VESTIBULO-OCULAR ADAPTATION OF THE CAT G. Cheron The Laboratory of Neurophysiology, Faculty of Medicine, University of Mons, 24, avenue du Champ de Mars, 7000 Mons, Belgium Reprint address: G. Cheron, The Laboratory of Neurophysiology, Faculty of Medicine, University of Mons, 24, avenue du Champ de Mars, 7000 Mons, Belgium o Abstract - This study was intended to test the combined stimulation during the training was still adaptive plasticity of the vestibulo-ocular reflex be operative in all lesioned cats, the adaptive plastic fore and after either a midsagittal or parasagittal ity was completely abolished by the lesions. These incision in the brainstem. Eye movements were results suggest that the commissural brainstem net measured with the electromagnetic search coil tech work may playa crucial role in the acquisition of nique during the vestibulo-ocular reflex (VORD) the forced VOR adaptation. in the dark, the optokinetic reflex (OKN), and the visuo-vestibular adaptive training procedure. Two o Keywords - ve-stibulo-ocular adaptation; types of visual-vestibular combined stimulation brain stem commissural incisions; cat. were applied by means of low frequency stimuli (0.05 to 0.10 Hz). In order to increase or decrease the VORD gain, the optokinetic drum was oscil lated either 180° out-of-phase or in-phase with Introduction the vestibular stimulus turntable. This "training" procedure was applied for 4 hours. -
Perception, Perfusion & Posture
Perception, Perfusion & Posture Billy L Luu Ph.D. Thesis University of New South Wales 2010 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: LUU First name: BILLY Other name/s: LIANG Abbreviation for degree as given in the University calendar: PhD School: MEDICAL SCIENCES Faculty: MEDICINE Title: PERCEPTION, PERFUSION & POSTURE Upright posture is a fundamental and critical human behaviour that places unique demands on the brain for motor and cardiovascular control. This thesis examines broad aspects of sensorimotor and cardiovascular function to examine their interdependence, with particular emphasis on the physiological processes operating during standing. How we perceive the forces our muscles exert was investigated by contralateral weight matching in the upper limb. The muscles on one side were weakened to about half their strength by fatigue and by paralysis with curare. In two subjects with dense large-diameter neuropathy, fatigue made lifted objects feel twice as heavy but in normal subjects it made objects feel lighter. Complete paralysis and recovery to half strength also made lifted objects feel lighter. Taken together, these results show that although a signal within the brain is available, this is not how muscle force is normally perceived. Instead, we use a signal that is largely peripheral reafference, which includes a dominant contribution from muscle spindles. Unlike perception of force when lifting weights, it is shown that we perceive only about 15% of the force applied by the legs to balance the body when standing. A series of experiments show that half of the force is provided by passive mechanics and most of the active muscle force is produced by a sub- cortical motor drive that does not give rise to a sense of muscular force through central efference copy or reafference. -
A Dictionary of Neurological Signs
FM.qxd 9/28/05 11:10 PM Page i A DICTIONARY OF NEUROLOGICAL SIGNS SECOND EDITION FM.qxd 9/28/05 11:10 PM Page iii A DICTIONARY OF NEUROLOGICAL SIGNS SECOND EDITION A.J. LARNER MA, MD, MRCP(UK), DHMSA Consultant Neurologist Walton Centre for Neurology and Neurosurgery, Liverpool Honorary Lecturer in Neuroscience, University of Liverpool Society of Apothecaries’ Honorary Lecturer in the History of Medicine, University of Liverpool Liverpool, U.K. FM.qxd 9/28/05 11:10 PM Page iv A.J. Larner, MA, MD, MRCP(UK), DHMSA Walton Centre for Neurology and Neurosurgery Liverpool, UK Library of Congress Control Number: 2005927413 ISBN-10: 0-387-26214-8 ISBN-13: 978-0387-26214-7 Printed on acid-free paper. © 2006, 2001 Springer Science+Business Media, Inc. All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, Inc., 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dis- similar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to propri- etary rights. While the advice and information in this book are believed to be true and accurate at the date of going to press, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omis- sions that may be made. -
The Accessory Optic System: Basic Organization with an Update on Connectivity, Neurochemistry, and Function
UC Irvine UC Irvine Previously Published Works Title The accessory optic system: basic organization with an update on connectivity, neurochemistry, and function. Permalink https://escholarship.org/uc/item/3v25z604 Journal Progress in brain research, 151 ISSN 0079-6123 Authors Giolli, Roland A Blanks, Robert H I Lui, Fausta Publication Date 2005 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Chapter 13 The accessory optic system: basic organization with an update on connectivity, neurochemistry, and function Roland A. Giolli1, , , Robert H.I. Blanks1, 2 and Fausta Lui3 1Department of Anatomy and Neurobiology, University of California, College of Medicine, Irvine, CA 92697, USA 2Charles E. Schmidt College of Science, Florida Atlantic University, 777 Glades Rd., P.O. Box 3091, Boca Raton, FL 33431, USA 3Dipartimento di Scienze Biomediche, Sezione di Fisiologia, Universita di Modena e Reggio Emilia, Via Campi 287, 41100, Modena, Italy Available online 10 October 2005. Abstract The accessory optic system (AOS) is formed by a series of terminal nuclei receiving direct visual information from the retina via one or more accessory optic tracts. In addition to the retinal input, derived from ganglion cells that characteristically have large receptive fields, are direction-selective, and have a preference for slow moving stimuli, there are now well-characterized afferent connections with a key pretectal nucleus (nucleus of the optic tract) and the ventral lateral geniculate nucleus. The efferent connections of the AOS are robust, targeting brainstem and other structures in support of visual-oculomotor events such as optokinetic nystagmus and visual–vestibular interaction. This chapter reviews the newer experimental findings while including older data concerning the structural and functional organization of the AOS. -
Proceedings of the 2007 Northeastern Recreation Research Symposium
United States Department of Agriculture Proceedings of the 2007 Forest Service Northeastern Recreation Northern Research Station Research Symposium General Technical Report NRS-P-23 Northeastern Recreation Research Symposium Policy Statement The objective of the NERR Symposium is to positively influence our profession by allowing managers and academicians in the governmental, education, and private recreation and tourism sectors to share practical and scientific knowledge. This objective is met through providing a professional forum for quality information exchange on current management practices, programs, and research applications in the field, as well as, a comfortable social setting that allows participants to foster friendships with colleagues. Students and all those interested in continuing their education in recreation and tourism management are welcome. NERR 2007 Steering Committee Kelly Bricker –Devine Tarbell and Associates Robert Bristow – Westfield State College Robert Burns – West Virginia University (Program Chair) Chad Dawson – SUNY College of Environmental Science & Forestry Alan Graefe – Penn State University Laurie Harmon – George Mason University Andrew Holdnak – University of West Florida David Klenosky – Purdue University Deborah Kerstetter – Penn State University David Klenosky – Purdue University Diane Kuehn - SUNY College of Environmental Science & Forestry (Website Coordinator) Walter Kuentzel – University of Vermont Gerard Kyle – Texas A&M University Bruce Lord – Penn State University Thomas More – USDA Forest -
Suppression of the Rotational Vestibulo-Ocular Reflex During a Baseball Pitch
Suppression of the Rotational Vestibulo-Ocular Reflex during a Baseball Pitch THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Science in the Graduate School of The Ohio State University By Marc A. Burcham Graduate Program in Vision Science The Ohio State University 2010 Master's Examination Committee: Nicklaus Fogt, O.D., Ph.D., Advisor Gilbert Pierce, O.D., Ph.D. Andrew Hartwick, O.D., Ph.D. Copyright by Marc A. Burcham 2010 Abstract The purpose of this experiment was to determine to what extent individuals could cancel the rotational vestibulo-ocular reflex (RVOR) in order to track an accelerating, high speed ball. More specifically, this study was designed to determine if subjects could successfully track a baseball pitch while viewing the ball through small apertures. While wearing these aperture goggles, we hypothesized that the batsmen would have to increase the rotational amplitude of their heads while successfully suppressing their rotational vestibulo-ocular reflex in order to accurately track a pitched baseball. Subjects were tested using a pitching machine called the Flamethrower under normal viewing conditions (no apertures), then while wearing apertures that subtended 3.3 degrees of visual field, and finally under normal viewing conditions again. In the final trial (normal viewing), subjects were encouraged to replicate the eye and head movements adopted while wearing the apertures. Tennis balls were pitched from a distance of 44 feet from the batter at a measured velocity of approximately 80 miles per hour. Eye movements were recorded with the ISCAN infrared eye tracker and horizontal head rotations were recorded with the 3DM-GX1 head tracker.