Losing Its Way: the Landmarks Preservation Commission in Eclipse
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A – SMOKE and MIRRORS (The United Nations Building to Grand
SMOKE AND MIRRORS (The United Nations to Grand Central Station) ____________________________________________ At the edge of the world sits a Tower. And this Tower is no structure of brick and mortar, but a kind of illusion; a trick of the light, flickering electric blue in and out of sight; a coalescing of vapors; of misplaced goodwill. The kings and queens of the world attend here, pronouncing PEACE, while raining armaments on those of their own, or those of their own they believe to be not. But still the pilgrims come in the thousands from the Terminal seeking an audience, uninformed or disregarding of this Congregation’s inadequacy. Through miles of devastated landscape they come with their fragile appeals in their hands, towards the Tower shimmering like a mirage in the distance; and the mediaeval brick city-fortress that guards its flanks. Around them, light and shadow play upon pillars of glass and steel, reflected one upon the other so reality is indiscernible from reflection; so the pilgrim, his eyes confused and diverted, does not realise that there is in fact, nothing behind the smoke and mirrors; that this entire landscape of grandiose ideals is insubstantial. Ting 8 1 – The United Nations Secretariat Tower, completed in 1952 and designed by an international committee of architects, including Le Corbusier, Oscar Niemeyer, amongst others. Ting 9 2 – Isaiah 2:4, on the Scharansky steps, named after a Soviet dissident, and part of the Ralphe Bunche Park. This park is across from the UN complex. 3 – Channelling Hampton Court: Tudor City, a luxury residential project built between 1925-28, by the Fred F. -
CHRYSLER BUILDING, 405 Lexington Avenue, Borough of Manhattan
Landmarks Preservation Commission September 12. 1978~ Designation List 118 LP-0992 CHRYSLER BUILDING, 405 Lexington Avenue, Borough of Manhattan. Built 1928- 1930; architect William Van Alen. Landmark Site: Borough of Manhattan Tax Map Block 1297, Lot 23. On March 14, 1978, the Landmarks Preservation Commission held a_public hearing on the proposed designation as a Landmark of the Chrysler Building and the proposed designation of the related Landmark Site (Item No. 12). The item was again heard on May 9, 1978 (Item No. 3) and July 11, 1978 (Item No. 1). All hearings had been duly advertised in accordance with the provisions of law. Thirteen witnesses spoke in favor of designation. There were two speakers in opposition to designation. The Commission has received many letters and communications supporting designation. DESCRIPTION AND ANALYSIS The Chrysler Building, a stunning statement in the Art Deco style by architect William Van Alen, embodies the romantic essence of the New York City skyscraper. Built in 1928-30 for Walter P. Chrysler of the Chrysler Corporation, it was "dedicated to world commerce and industry."! The tallest building in the world when completed in 1930, it stood proudly on the New York skyline as a personal symbol of Walter Chrysler and the strength of his corporation. History of Construction The Chrysler Building had its beginnings in an office building project for William H. Reynolds, a real-estate developer and promoter and former New York State senator. Reynolds had acquired a long-term lease in 1921 on a parcel of property at Lexington Avenue and 42nd Street owned by the Cooper Union for the Advancement of Science and Art. -
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579 YALE CLUB OF NEW YORK CITY 50 Vanderbilt Avenue (aka 49-55 East 44th Street), Manhattan Built 1913-15; architect, James Gamble Rogers Landmark site: Borough of Manhattan Tax Map Block 1279, Lot 28 On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Yale Club of New York City and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with provisions of law. Six people spoke in support of designation, including representatives of the Yale Club of New York City, Manhattan Borough President Gale A. Brewer, Historic Districts Council, New York Landmarks Conservancy, and the Municipal Art Society of New York. The Real Estate Board of New York submitted written testimony in opposition to designation. State Senator Brad Hoylman submitted written testimony in support of designation. Summary The Yale Club of New York City is a Renaissance Revival-style skyscraper at the northwest corner of Vanderbilt Avenue and East 44th Street. For more than a century it has played an important role in East Midtown, serving the Yale community and providing a handsome and complementary backdrop to Grand Central Terminal. Constructed on property that was once owned by the New York Central Railroad, it stands directly above two levels of train tracks and platforms. This was the ideal location to build the Yale Club, opposite the new terminal, which serves New Haven, where Yale University is located, and at the east end of “clubhouse row.” The architect was James Gamble Rogers, who graduated from Yale College in 1889 and attended the Ecole des Beaux Arts in Paris during the 1890s. -
15-B William Van Alen, the Chrysler Building, 1926–1930
WILLIAM VAN ALEN [1883–1954] 15b The Chrysler Building, 1926–1930 The Chrysler Building could only have been constructed in the To make the Chrysler Building distinct from others of its kind, Van competitive climate of Manhattan in the 1920s. The American Alen chose motifs appropriate to the machine age, particularly economy was flourishing, and there was not enough office space the automobile. The spire’s gleaming stainless steel cladding calls to go around; urban builders were encouraged to aim high. In to mind the polished chrome of a brand new car. Stylized 1926, Walter P. Chrysler, one of the wealthiest men in the auto- American eagle heads protrude from some corners of the build- motive industry, entered his bid in the unofficial competition to ing in playful reference to the gargoyles on Gothic cathedrals. build the tallest structure in New York City. He wanted an office Other corners are embellished with the winged forms of a building exalted enough to symbolize his own astounding ascent Chrysler radiator cap. One ornamental frieze incorporates a in the business world. Brooklyn-born architect William Van Alen, band of hubcaps. who had a reputation for progressive, flamboyant design, met If the exterior ornament enhances the modernity of the sky- Chrysler’s challenge with a seventy-seven-story building, the first scraper, the interior was designed to recall the distant past, and in the world to exceed a height of one thousand feet. positions the Chrysler Building among the wonders of the The pyramidal form of the Chrysler Building was dictated by a world. -
1 Luxury Hotels, Resorts, Yachts, Mansions, Private Clubs, Museums
Luxury hotels, Resorts, Yachts, Mansions, Private clubs, Museums, Opera houses, restaurants RESORTS Boca Raton Resort & Club, Boca Raton, FL Bocaire Country Club, Boca Raton, FL Equinox Resort, Manchester Village, VT Hyatt Regency Aruba La Quinta Resort, La Quinta, CA Ojai Valley Inn & Spa, Ojai, CA Otesaga Resort Hotel, Cooperstown, NY Phoenician Resort, Phoenix, AZ Rosewood Mayakoba, Riviera Maya, Mexico Stoweflake Resort, Stowe, VT Westin La Paloma Resort, Tucson, AZ YACHTS Eastern Star yacht, Chelsea Piers, NYC Lady Windridge Yacht, Tarrytown, NY Manhattan cruise ship, Chelsea Piers, NYC Marika yacht, Chelsea Piers, NYC Star of America yacht, Chelsea Piers, NYC MANSIONS Barry Diller mansion, Beverly Hills, CA Boldt Castle, Alexandria Bay, NY 1 David Rockefeller mansion, Pocantico Hills, NY Neale Ranch, Saratoga, Wyoming Paul Fireman mansion, Cape Cod, MA Sam & Ronnie Heyman mansion, Westport, CT Somerset House, London The Ansonia, NYC The Mount, Lenox, MA Ventfort Hall, Lenox, MA Walter Scott Mansion, Omaha, NE (party for Warren Buffett) PRIVATE CLUBS American Yacht Club, Rye, NY The Bohemian Club, San Francisco The Metropolitan Club, NYC Millbrook Club, Greenwich, CT New York Stock Exchange floor and private dining room, NYC Birchwood Country Club, Westport, CT Cordillera Motorcycle Club, Cordillera, CO Cultural Services of the French Embassy, NYC Harold Pratt House, Council on Foreign Relations, Park Avenue, NYC Drayton Hall Plantation, Charleston, SC Tuxedo Club Country Club, Tuxedo Park, NY Fenway Golf Club, Scarsdale, NY Fisher Island, Miami Harvard Club, NYC Harvard Faculty Club, Cambridge, MA Bay Club at Mattaspoisett, Mattapoisett, MA Ocean Reef Club, Key Largo, FL Quail Hollow Country Club, Charlotte, NC Racquet and Tennis Club, Park Avenue, NYC Russian Trade Ministry, Washington DC Saugatuck Rowing Club, Westport, CT Shelter Harbor Country Club, Charlestown, RI St. -
2018 AIA Fellowship
This cover section is produced by the AIA Archives to show information from the online submission form. It is not part of the pdf submission upload. 2018 AIA Fellowship Nominee Brian Shea Organization Cooper Robertson Location Portland, OR Chapter AIA New York State; AIA New York Chapter Category of Nomination Category One - Urban Design Summary Statement Brian Shea has advanced the art and practice of urban design. His approach combines a rigorous method of physical analysis with creative design solutions to guide the responsible growth of American cities, communities, and campuses. Education 1976-1978, Columbia University, Master of Science in Architecture and Urban Design / 1972-1974, University of Notre Dame, Bachelor of Architecture / 1969-1972, University of Notre Dame, Bachelor of Arts Licensed in: NY Employment 1979 - present, Cooper Robertson / 1978 - 1979, Mayor's Office of Midtown Planning and Development / 1971, 1972, Boston Redevelopment Authority October 13, 2017 Karen Nichols, FAIA Fellowship Jury Chair The American Institute of Architects 1735 New York Ave NW Washington. DC 20006-5292 Dear Karen, It is a “Rare Privilege and a High Honor” to sponsor Brian Shea for elevation to the College of Fellows of the American Institute of Architects. To keep it simple, let me say that Brian is the single, finest professional I have ever known. Our relationship goes back to 1978 when he became a student of mine at the Columbia University Graduate School of Architecture. He then worked at the New York City Office of Midtown Development, and when I started Cooper Robertson in 1979, Brian became the office’s first employee. -
CENTURY APARTMENTS, 25 Central Park West, Borough of Manhattan
Landmarks Preservation Commission July 9, 1985, Designation List 181 LP-1517 CENTURY APARTMENTS, 25 Central Park West, Borough of Manhattan. Built 1931; architect Irwin S. Chanin. Landmark Site: Borough of Manhattan Tax Map Block 1115, Lot 29. On September 11, 1984, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Century Apartments and the proposed designation of the related Landmark Site (Item No. 11). The hearing had been duly advertised in accordance with the provisions of law. Thirteen witnesses spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Century Apartments, extending along the entire blockfront of Central Park West between West 62nd Street to West 63rd Street, anchors the southern end of one of New York City's finest residential boulevards. With twin towers rising 300 feet from the street, this building is one of a small group of related structures that help give Central Park West its distinctive silhouette. Designed in 1930 by Irwin S. Chanin of the Chanin Construction Company, the Century Apartments is among the most sophisticated residential Art Deco buildings in New York and is a major work by one of America's pioneering Art Deco designers. Built in 1931, the Century was among the last buildings erected as part of the early 20th-century redevelopment of Central Park West. Central Park West, a continuation of Eighth Avenue, runs along the western edge of Central Park. Development along this prime avenue occurred very slowly , lagging sub stantially behind the general development of the Upper West Side. -
True to the City's Teeming Nature, a New Breed of Multi-Family High Rises
BY MEI ANNE FOO MAY 14, 2016 True to the city’s teeming nature, a new breed of multi-family high rises is fast cropping up around New York – changing the face of this famous urban jungle forever. New York will always be known as the land of many towers. From early iconic Art Deco splendours such as the Empire State Building and the Chrysler Building, to the newest symbol of resilience found in the One World Trade Center, there is no other city that can top the Big Apple’s supreme skyline. Except itself. Tall projects have been proposed and built in sizeable numbers over recent years. The unprecedented boom has been mostly marked by a rise in tall luxury residential constructions, where prior to the completion of One57 in 2014, there were less than a handful of super-tall skyscrapers in New York. Now, there are four being developed along the same street as One57 alone. Billionaire.com picks the city’s most outstanding multi-family high rises on the concrete horizon. 111 Murray Street This luxury residential tower developed by Fisher Brothers and Witkoff will soon soar some 800ft above Manhattan’s Tribeca neighborhood. Renderings of the condominium showcase a curved rectangular silhouette that looks almost round, slightly unfolding at the highest floors like a flared glass. The modern design is from Kohn Pedersen Fox. An A-team of visionaries has also been roped in for the project, including David Mann for it residence interiors; David Rockwell for amenities and public spaces and Edmund Hollander for landscape architecture. -
New York City Comprehensive Waterfront Plan
NEW YORK CITY CoMPREHENSWE WATERFRONT PLAN Reclaiming the City's Edge For Public Discussion Summer 1992 DAVID N. DINKINS, Mayor City of New lVrk RICHARD L. SCHAFFER, Director Department of City Planning NYC DCP 92-27 NEW YORK CITY COMPREHENSIVE WATERFRONT PLAN CONTENTS EXECUTIVE SUMMA RY 1 INTRODUCTION: SETTING THE COURSE 1 2 PLANNING FRA MEWORK 5 HISTORICAL CONTEXT 5 LEGAL CONTEXT 7 REGULATORY CONTEXT 10 3 THE NATURAL WATERFRONT 17 WATERFRONT RESOURCES AND THEIR SIGNIFICANCE 17 Wetlands 18 Significant Coastal Habitats 21 Beaches and Coastal Erosion Areas 22 Water Quality 26 THE PLAN FOR THE NATURAL WATERFRONT 33 Citywide Strategy 33 Special Natural Waterfront Areas 35 4 THE PUBLIC WATERFRONT 51 THE EXISTING PUBLIC WATERFRONT 52 THE ACCESSIBLE WATERFRONT: ISSUES AND OPPORTUNITIES 63 THE PLAN FOR THE PUBLIC WATERFRONT 70 Regulatory Strategy 70 Public Access Opportunities 71 5 THE WORKING WATERFRONT 83 HISTORY 83 THE WORKING WATERFRONT TODAY 85 WORKING WATERFRONT ISSUES 101 THE PLAN FOR THE WORKING WATERFRONT 106 Designation Significant Maritime and Industrial Areas 107 JFK and LaGuardia Airport Areas 114 Citywide Strategy fo r the Wo rking Waterfront 115 6 THE REDEVELOPING WATER FRONT 119 THE REDEVELOPING WATERFRONT TODAY 119 THE IMPORTANCE OF REDEVELOPMENT 122 WATERFRONT DEVELOPMENT ISSUES 125 REDEVELOPMENT CRITERIA 127 THE PLAN FOR THE REDEVELOPING WATERFRONT 128 7 WATER FRONT ZONING PROPOSAL 145 WATERFRONT AREA 146 ZONING LOTS 147 CALCULATING FLOOR AREA ON WATERFRONTAGE loTS 148 DEFINITION OF WATER DEPENDENT & WATERFRONT ENHANCING USES -
Must-Visit Holiday Events I Spy Photo Game the Grandest
HOLIDAYS 2017 The magazine devoted to all things Grand Central. Post your favorite Grand Central artwork on Instagram with #GCTArt or #ShareGCT and you could be featured on @G randCentralNYC ART CREDIT: Gavin Snider @GavinDedraw MUST-VISIT I SPY THE GRANDEST HOLIDAY EVENTS PHOTO GAME CONNECTIONSGIFT GUIDES HOLIDAYS 2017 1 p. 4-7 p. 12-13 p. 18-21 ESTRELLA of GRANT-BRIGGS THE PEOPLE Conductor, Metro-North Railroad How long have you been working GRAND CENTRAL for Metro-North? 18 years Whether you’re grabbing a cocktail, shopping, or taking a train, You were recently nominated for you’ll discover it’s the people that make Grand Central so special. an award; can you tell us a bit about that? I am a recipient of the Metro-North President’s award. SEAN KEOHANE It is the highest honor bestowed Do you have a favorite MNR Building Services Custodian, on an employee for exemplary route? Why is it your favorite? Metro-North Railroad customer service and the ability The New Haven line aka the Red to impact fellow coworkers with line is my favorite. There are so What is one interesting fact many different types of people about you that you want people positivity and graciousness. I was nominated and elected the award with interesting things to say. to know? I’m deaf and use I love the Red. American Sign Language (ASL). recipient by my coworkers. Just I can read lips if words are mouthed to know that I am respected and Where do you get a bite to eat in clearly or read body language. -
All in NYC: the Roadmap for Tourism's Reimagining and Recovery
ALL IN NYC: The Roadmap for Tourism’s Reimagining and Recovery JULY 2020 01/ Introduction P.02 02/ What’s at Stake? P.06 03/ Goals P.1 0 The Coalition for NYC Hospitality & Tourism Recovery is an initiative of NYC & Company. 04/ A Program in Three Stages P.1 2 As the official destination marketing and convention and visitors bureau for the five boroughs of New York City, NYC & Company 05/ Our Campaign Platform: ALL IN NYC P.1 6 advocates for, convenes and champions New York City’s tourism and hospitality businesses 06/ Marketing Partnerships P.30 and organizations. NYC & Company seeks to maximize travel and tourism opportunities throughout the five boroughs, build economic 07/ Success Metrics P.32 prosperity and spread the dynamic image of New York City around the world. 08/ Summary P.36 09/ Acknowledgements P38 Table of Contents Table —Introduction In early 2020, as the coronavirus spread from country to country, the world came to a halt. International borders closed and domestic travel froze. Meetings, conventions and public events were postponed or canceled. Restaurants, retail stores, theaters, cultural institutions and sports arenas shuttered. Hotels closed or transitioned from welcoming guests to housing emergency and frontline workers. While we effectively minimized the spread of Covid-19 in New York City, thousands of our loved ones, friends, neighbors and colleagues have lost their lives to the virus. Our city feels, and is, changed. 2 13 We launched The Coalition for NYC our city’s story anew. As in every great New Hospitality & Tourism Recovery in May York story, the protagonists have a deep 2020 to bring together all sectors of our sense of purpose and must work to achieve visitor economy to drive and aid recovery. -
Chrysler Building: Race to the Sky
PDHonline Course S255 (4 PDH) Chrysler Building: Race to the Sky Instructor: Jeffrey Syken 2012 PDH Online | PDH Center 5272 Meadow Estates Drive Fairfax, VA 22030-6658 Phone & Fax: 703-988-0088 www.PDHonline.org www.PDHcenter.com An Approved Continuing Education Provider Race to the Sky 1 Table of Contents Slide/s Part Title/Description 1 N/A Title 2 N/A Table of Contents 3~22 1 THE 1925 PARIS EXPOSITION 23~53 2 ART DECO 54~111 3 EVER HIGHER 112~157 4 RACE FOR THE SKY 158~177 5 OLD BULLET HEAD 178~234 6 THE DESIGN 235~252 7 THE LOBBY 253~262 8 THE CLOUD CLUB 263~273 9 CONSTRUCTION 274~300 10 LEGACY 2 Part 1 THE 1925 PARIS EXPOSITION 3 Away with the architraves, pillars and antiquated temples of the aristocratic past. The universal human community will produce its own style, appropriate for its own age here in the twentieth century! 4 5 6 “French taste was law… Why? Because all around us the English, Germans, Belgians, Italians, Scandinavians and even the Americans themselves reacted and sought to create for themselves – for better or worse – an original art, a novel style corresponding to the changing needs manifested by an international clientele…” Lucien Dior – French Minister of Commerce 7 8 9 10 “All that clearly distinguished the older ways of life was rigorously excluded from the exposition of 1925” Waldemar George 11 12 13 “A cabinet maker is an architect…In designing a piece of furniture, it is essential to study conscientiously the balance of volume, the silhouette and the proportion in accordance with the chosen material and the technique imposed by this material” RE: Excerpt from: Arts Decoratifs: A Personal Recollection of the Paris Exhibition 14 15 “In 1900, we saw the triumph of noodling ornamentation.