CONTRIBUTORS Is Managing Editor of Boom. She Has Worked for The

Total Page:16

File Type:pdf, Size:1020Kb

CONTRIBUTORS Is Managing Editor of Boom. She Has Worked for The CONTRIBUTORS EVE BACHRACH is managing editor of Boom. She has worked MARK HOGAN is a principal at OpenScope Studio, an architectural for the Los Angeles Review of Books, Curbed Los Angeles, Oxford University services firm, and a senior lecturer at California College of the Arts. Press, and the British antipoverty organization War on Want. ARIS JANIGIAN was born in Fresno. He has written poetry, JIM BENNING is the editor and cofounder of the award-winning architecture criticism, and four novels; was a contributing writer for West, online travel and culture magazine World Hum. He has served as deputy the Los Angeles Times Sunday Magazine; and currently posts for travel editor of BBC.com, and his writing has appeared in Outside,the thenervousbreakdown.com. Washington Post,andtheLos Angeles Times. He’s working on a novel about travel, love and globalization, set against the backdrop of the CARREN JAO is a writer based in Los Angeles and Manila. She has U.S.-Mexico border. written about art, architecture, and design for publications including the Los Angeles Times, KCRW, Architectural Record, Architect’s Newspaper,and NATE BERG is a journalist covering cities, architecture, and urban Dwell. planning. His work has been published in a wide variety of publications, Downloaded from http://online.ucpress.edu/boom/article-pdf/6/1/iii/398209/boom_2016_6_1_iii.pdf by guest on 02 October 2021 including the New York Times, National Public Radio, Wired,theGuardian, COLIN MARSHALL hosts and produces the podcast Notebook and many others. on Cities and Culture and is at work on the book A Los Angeles Primer: Mastering the Stateless City. His writing has appeared in The Guardian, ERIC BRIGHTWELL is a writer, mapmaker, and an explorer of Los Angeles Review of Books, and Book Forum, among others. neighborhoods. He makes hand-drawn maps of Los Angeles neighborhoods as Pendersleigh & Sons Cartography. NOE´ MONTES is a commercial and editorial photographer living in Los Angeles. DAVID BUTOW is a photojournalist based in California. His most recent work, Seeing Buddha, has appeared in the New York Times and GEOFF NICHOLSON is an English writer living in Los Angeles. National Geographic. His writings include the novels The City Under the Skin and Gravity’s Volkswagen, and works of nonfiction Walking in Ruins and The Lost Art of JON CHRISTENSEN is the editor of Boom, a longtime journalist, Walking. and adjunct assistant professor in the Institute of the Environment and Sustainability, the Department of History, and the Center for Digital KEITH SCHNEIDER is senior editor and chief correspondent Humanities at UCLA. for Circle of Blue, where he focuses on intensifying demands on water, food, and energy around the world. He is a former New York Times WENDY GILMARTIN is a writer, architect, and Los Angeles national correspondent. partner at FAR frohn&rojas, a networked architectural design and research practice. She has worked on public and private design projects including ALISSA WALKER is the urbanism editor at Gizmodo and the Grand Park in downtown Los Angeles and an artists’ retirement community 2015 recipient of the Design Advocate award from the Los Angeles at the edge of the Salton Sea. chapter of the American Institute of Architects. ANTHEA M. HARTIG is an historian and cultural heritage BROCK WINSTEAD is a freelance writer, podcast producer, and advocate who currently works as the executive director and CEO of the recovering urban planner based in Oakland. His work has appeared California HIstorical Society and serves on the State Park and Recreation previously in Boom, Slate, KQED, and elsewhere. Commission..
Recommended publications
  • San Antonio River Walk Designated to Receive an AJA Award; Rice Design Alliance Sponsors High-Powered Panel on Architecture Criticism
    • A winning combination. When classic styling and continuous durability are ... ~~ • brought to- gether the re­ sult is excellence. This quality of excellence is obvious in all the materials at D'Hanis Clay Products. The care taken at every stage of the manufacturing process be­ comes evident in the end product. All of which brings us to another winning com­ bination: construction and D'Hanis Clay Products. [)'lIJ\Nl6 ClJL\Y PQODUCT~ GONTINLJOUS PRODUCTION SINCE 1905 11( >X 1fi', O'I !ANIS, Tf XAS 78850 AN ANH NI l t I ) I 4 0 ltANll1 (5n) 363-7221 CLEIS European Style Whirlpool Bathing Systems &ka½ 4 HESSCO FEATURING • 18 MODELS, 28 SIZES • COMPETITIVE PRICING • MATCH ANY COLOR • PROMPT DELIVERY • INDIVIDUAL JET CONTROLS • COMPLETELY PREPLUMBED CONTENTS IN THE NEWS 22 Dallas Museum ofArt opens to rave reviews; San Antonio River Walk designated to receive an AJA award; Rice Design Alliance sponsors high-powered panel on architecture criticism. ABOUT THIS ISSUE 41 42 SMALL BUILDINGS 42 Articles on eight recent Texas projects that represent a broad range ofproblems and solutions while falling into the same general category-small buildings. INTERVIEW WITH CHARLES MOORE 70 11 NEW TEXAS FELLOWS 84 Profiles of I I Texas architects elected to the American lnstitute's College of Fellows for outstanding contributions to architecture. BOOKS 76 48 INDEX TO ADVERTISERS 98 DA VE BRADEN/MUSINGS 98 COMING UP: Next issue, Texas Architect looks at architecture and transportation. ON THE COVER: William T. Cannady' s Fayeue Savings 58 Association in LaGrange. Photo by Paul Hester. 70 I , , llrchurrt .\furth·April 198-1 5 RENNER PIAl.A - o.11.b Nth,tnr ANPtl, ltK C,,,,,.,,•I Contr,1<fo, I h'1,y &•kl•nM & l"lll"'""'nR 0.wnM Contr,1<l<>r M.-1ro,t(J/,1.1n GI.tu, 'i<,11,J,.,lk•, r,,..., (,l,M /,y - rl'fflP(f/J<S fio,/cl,ipp/•,J no/It_,,,.
    [Show full text]
  • A Model for Reading Architectural Narrative in Different
    AURUM MÜHENDİSLİK SİSTEMLERİ VE MİMARLIK DERGİSİ AURUM JOURNAL OF ENGINEERING SYSTEMS AND ARCHITECTURE Cilt 1, Sayı 2 | Kış 2017 Volume 1, No. 2 | Winter 2017, 49-58 A MODEL FOR READING ARCHITECTURAL NARRATIVE IN DIFFERENT Türkan Nihan HACIÖMEROĞLU1 1 Eskisehir Osmangazi University, Faculty of Engineering and Architecture, Department of Architecture. [email protected] , [email protected] Abstract When Daniel Libeskind proposed the possibility of different dimensions of architecture other than length, height and width, he offered reading, writing and memory. Reading architecture as he explains is not about reading text but about trying to understand a not “clearly explicit language” of architecture. (Libeskind, 2004) The aim of this paper is to propose a model for reading architectural narrative in different media by using architectural criticism as a base. Initially, the study is based on discussions on architectural criticism, narrative and representation, in architecture, literature and cinema, in order to understand the similarities and differences between the concepts of time, movement and space. Using these concepts, a comparative analysis table is created and the outcomes of these comparisons are inserted as data for different, yet inter-linked, comparisons and analysis tables. A num- ber of keywords are utilized to set a model for reading architectural narrative. Such alternative readings estab- lish a ground to understand the narrative and cultural based conceptualization of space. The main discussion is executed through a case study. L’ecumé des Jours by Boris Vian (Foam of the Daze, 1947), and consequently, its 49 2013 adaptation Mood Indigo by Michel Gondry, are selected as the case.
    [Show full text]
  • Art and Technology Between the Usa and the Ussr, 1926 to 1933
    THE AMERIKA MACHINE: ART AND TECHNOLOGY BETWEEN THE USA AND THE USSR, 1926 TO 1933. BARNABY EMMETT HARAN PHD THESIS 2008 DEPARTMENT OF HISTORY OF ART UNIVERSITY COLLEGE LONDON SUPERVISOR: PROFESSOR ANDREW HEMINGWAY UMI Number: U591491 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591491 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I, Bamaby Emmett Haran, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 ABSTRACT This thesis concerns the meeting of art and technology in the cultural arena of the American avant-garde during the late 1920s and early 1930s. It assesses the impact of Russian technological Modernism, especially Constructivism, in the United States, chiefly in New York where it was disseminated, mimicked, and redefined. It is based on the paradox that Americans travelling to Europe and Russia on cultural pilgrimages to escape America were greeted with ‘Amerikanismus’ and ‘Amerikanizm’, where America represented the vanguard of technological modernity.
    [Show full text]
  • Modernism Revisited Edited by Aleš Erjavec & Tyrus Miller XXXV | 2/2014
    Filozofski vestnik Modernism Revisited Edited by Aleš Erjavec & Tyrus Miller XXXV | 2/2014 Izdaja | Published by Filozofski inštitut ZRC SAZU Institute of Philosophy at SRC SASA Ljubljana 2014 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 141.7(082) 7.036(082) MODERNISM revisited / edited by Aleš Erjavec & Tyrus Miller. - Ljubljana : Filozofski inštitut ZRC SAZU = Institute of Philosophy at SRC SASA, 2014. - (Filozofski vestnik, ISSN 0353-4510 ; 2014, 2) ISBN 978-961-254-743-1 1. Erjavec, Aleš, 1951- 276483072 Contents Filozofski vestnik Modernism Revisited Volume XXXV | Number 2 | 2014 9 Aleš Erjavec & Tyrus Miller Editorial 13 Sascha Bru The Genealogy-Complex. History Beyond the Avant-Garde Myth of Originality 29 Eva Forgács Modernism's Lost Future 47 Jožef Muhovič Modernism as the Mobilization and Critical Period of Secular Metaphysics. The Case of Fine/Plastic Art 67 Krzysztof Ziarek The Avant-Garde and the End of Art 83 Tyrus Miller The Historical Project of “Modernism”: Manfredo Tafuri’s Metahistory of the Avant-Garde 103 Miško Šuvaković Theories of Modernism. Politics of Time and Space 121 Ian McLean Modernism Without Borders 141 Peng Feng Modernism in China: Too Early and Too Late 157 Aleš Erjavec Beat the Whites with the Red Wedge 175 Patrick Flores Speculations on the “International” Via the Philippine 193 Kimmo Sarje The Rational Modernism of Sigurd Fosterus. A Nordic Interpretation 219 Ernest Ženko Ingmar Bergman’s Persona as a Modernist Example of Media Determinism 239 Rainer Winter The Politics of Aesthetics in the Work of Michelangelo Antonioni: An Analysis Following Jacques Rancière 255 Ernst van Alphen On the Possibility and Impossibility of Modernist Cinema: Péter Forgács’ Own Death 271 Terry Smith Rethinking Modernism and Modernity 321 Notes on Contributors 325 Abstracts Kazalo Filozofski vestnik Ponovno obiskani modernizem Letnik XXXV | Številka 2 | 2014 9 Aleš Erjavec & Tyrus Miller Uvodnik 13 Sascha Bru Genealoški kompleks.
    [Show full text]
  • Elizabeth Kathryn Meyer, Landscape Architect, FASLA
    Elizabeth Kathryn Meyer, Landscape Architect, FASLA University of Virginia School of Architecture, Campbell Hall, 110 Bayly Drive, Charlottesville, VA 22904 Mailing address: University of Virginia School of Architecture, Box 400122, Charlottesville, VA 22904-4122 Home address: 2000 Thomson Road, Charlottesville, VA 22903-2421 telephone: 1.434.242.9565 mobile 1.434.924.6960 office email: [email protected] Education Master of Landscape Architecture, University of Virginia 1982 Masters Project, "The Garden as Urban Spatial Structuring Element" M.A. Historic Preservation. Minor: Landscape architecture history, Cornell University (coursework 1978-80) 1983 History of Architecture and Urban Development Program M.A. Thesis, "The United States Capitol Grounds: Preservation of an Olmsted Landscape" B.S. Landscape Architecture, University of Virginia 1978 Academic Experience Merrill D. Peterson Professor of Landscape Architecture, University of Virginia School of Architecture, 2014- Dean, University of Virginia School of Architecture & Edward E. Elson Professor, 2014-2016 Professor, University of Virginia School of Architecture, 2013- Associate Professor, University of Virginia School of Architecture, 1993-2013 Landscape Architecture Program Director, January 2006-January 2007 Department Chair, Landscape Architecture January1993 - August1998, January 2002-August 2003 Associate Professor, Harvard University Graduate School of Design, August1992 - Assistant Professor, Harvard University Graduate School of Design, 1988-1992 Visiting Lecturer, University of Virginia School of Architecture, Spring 1987, Fall 1985 Visiting Studio Critic, Harvard University Graduate School of Design, Fall 1986 Instructor, George Washington University Landscape Design program, Winter 1984, 1983 Visiting Instructor, Cornell University College of Architecture, Art and Planning, 1982-1983 Professional Practice Experience Historic Landscape architectural consultant, City+Arch+River. Reframing a Masterpiece Design Competition and Wellesley College Landscape Plan.
    [Show full text]
  • Architecture [Criticism] Or Revolution
    Architecture [Criticism] or Revolution Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Architectural Studies in the Graduate School of The Ohio State University By Gregory Lee Delaney, B.S. Graduate Program in Architectural Studies The Ohio State University 2010 Thesis Committee: Ashley Schafer, Advisor Jeffrey Kipnis Douglas Graf Copyright by Gregory Lee Delaney 2010 Abstract Architecture [Criticism] or Revolution is an exploration in journalistic architecture criticism. The current state of journalistic architecture criticism is uninspiring. There are two few of voices, and its field of influence is too narrow. The first article details the current position of journalistic architecture criticism. It accounts its history, its voices, its influence, and its future. The second two articles are explorations in writing on architecture for the people of Columbus, Ohio. They are meant for a non-professional audience, and begin to explore ways of educating the public on issues of contemporary architecture, and calls upon them to demand better design for our city. ii Vita 2000 to 2004……………………………….. Dublin Coffman High School 2004 to 2008………………..………...……. B.S. Architecture, The Ohio State University 2008 to 2009……………………..………… Graduate Assistant, Academic Advising, Knowlton School of Architecture, The Ohio State University 2009……….……………………...……...… Graduate Teaching Assistant, Knowlton School of Architecture, The Ohio State University Fields of Study Major Field: Architectural Studies iii Table of Contents Abstract……………………………………………………………………………………ii Vita……………………………………………………………………………………….iii Article 1: Architecture [Criticism] or Revolution………………………………………...1 Article 2: Building Momentum………………………………………………………….16 Article 3: (Mid)Western Duel…………………………………………………………...21 References………………………………………………………………………………..28 iv Article 1: Architecture [Criticism] or Revolution The year was 1963. The Beatles released their first album.
    [Show full text]
  • Complete Interview Inga Saffron
    ORAL HISTORY INTERVIEW WITH INGA SAFFRON Interviewed by Ford Risley Conducted under the auspices of the Pennsylvania Newspaper Journalists Oral History Program Department of Journalism Penn State University 2020 Inga Saffron Interview Risley: Okay, it is November 6, 2020. I’m here in Philadelphia doing an interview with Inga Saffron. So, we’ll just start at the beginning. When and where were you born? Saffron: I am a native of Long Island, New York. Born in 1957, November ninth. Coming up, my birthday Risley: Yeah. And can you tell me a little bit about your parents and your family? Saffron: My parents are New Yorkers. My father, in particular, was an avid newspaper reader. I grew up in the days when there were many local newspapers. New York was a great newspaper town. We had four newspapers delivered every day and my father would not let my mother throw out a newspaper until he had read it. There were always stacks of newspapers at our house. And, like a lot of people back then, I started reading the newspaper by reading the comics. I loved Brenda Starr. I know it sounds funny to say this, but I got the idea that a woman could be a newspaper reporter from reading that comic. Risley: Where did you receive your education? Saffron: I started out at NYU. I worked for the student newspaper paper, the Washington Square News, as reporter and an editor, and spent way too much time in the newspaper offices. And we would go to the printers every night and put the paper to bed.
    [Show full text]
  • Art and Architecture: a Place Between Jane Rendell
    Art and Architecture: A Place Between Jane Rendell 1 For Beth and Alan 2 Contents List of Figures Preface Acknowledgements Introduction: A Place Between A Place Between Art and Architecture: Public Art A Place Between Theory and Practice: Critical Spatial Practice Section 1: Between Here and There Introduction: Space, Place and Site Chapter 1: Site, Non-Site, Off-Site Chapter 2: The Expanded Field Chapter 3: Space as Practised Place Section 2: Between Now and Then Introduction: Allegory, Montage and Dialectical Image Chapter 1: Ruin as Allegory Chapter 2: Insertion as Montage Chapter 3: The ‘What-has-been’ and the Now. Section 3: Between One and Another Introduction: Listening, Prepositions and Nomadism Chapter 1: Collaboration Chapter 2: Social Sculpture Chapter 3: Walking Conclusion: Criticism as Critical Spatial Practice Bibliography 3 List of Illustrations Cover 1 ‘1 ‘A Place Between’, Maguire Gardens, Los Angeles Public Library reflected in the pool of Jud Fine’s art work ‘Spine’ (1993). Photograph: Jane Rendell, (1999). Section 1 Chapter 1 2 Robert Smithson, ‘Spiral Jetty’ (1970), Salt Lake, Utah. Photograph: Cornford & Cross (2002). 3 Walter de Maria, ‘The New York Earth Room’, (1977). Long-term installation at Dia Center for the Arts, 141 Wooster Street, New York City. Photograph: John Cliett © Dia Art Foundation. 4 Joseph Beuys, ‘7000 Oaks’ (1982–), New York. Photo: Cornford & Cross (2000). 5 Dan Graham, ‘Two-Way Mirror Cylinder Inside Cube’ (1981/1991), Part of the Rooftop Urban Park Project. Long-term installation at Dia Center for the Arts, 548 West 22nd Street, New York City. Photo: Bill Jacobson. Courtesy Dia Center for the Arts.
    [Show full text]
  • Architecture and Modernity : a Critique / Hilde Heynen
    This Page Intentionally Left Blank Architecture and Modernity MIT Press | Cambridge, Massachusetts | London, England Hilde Heynen Architecture and Modernity A Critique © 1999 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Univers by Graphic Composition, Inc. and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Heynen, Hilde. Architecture and modernity : a critique / Hilde Heynen. p. cm. Includes bibliographical references and index. ISBN 0-262-08264-0 (hc : alk. paper) 1. Architecture, Modern—20th century. 2. Architecture and society—History—20th century. 3. Philosophy, Modern—20th century—Influence. I. Title. NA680.H42 1999 724′.6—dc21 98-38512 CIP2 for Robbe, An, and Anskim viii Acknowledgments 2 Introduction Architecture Facing Modernity 8 Concepts of Modernity 14 Dwelling Fades into the Distance . 1 18 The Dilemmas of Architecture Constructing the Modern Movement 26 An Architectural Avant-Garde? 29 Sigfried Giedion: A Programmatic View of Modernity New Experiences and a New Outlook Space, Time and Architecture: The Canon of Modern Architecture From Avant-Garde to Canonization 43 Das Neue Frankfurt: The Search for a Unified Culture 2 Ideas and Intentions The Dialectics between an Avant-Garde and a City Das Neue Frankfurt as Avant-Garde
    [Show full text]
  • Curriculum Vitae Updated April 2018 JOAN
    Curriculum vitae updated April 2018 JOAN OCKMAN address 218 Church Road Elkins Park, PA 19027 phone (215) 635–3364 e-mail [email protected] EMPLOYMENT Academic Distinguished Senior Lecturer, School of Design, University of Pennsylvania, 2016–; Distinguished Senior Fellow 2012–16; Visiting Lecturer and Ph.D. adviser, 2010–12, 1996–2000, 1991–93 Visiting Professor, Irwin S. Chanin School of Architecture, Cooper Union, 2013– Visiting Professor, College of Architecture, Art, and Planning, Cornell University, 2010–, 2008 Visiting Lecturer, Graduate School of Design, Harvard University, 2012 Visiting Professor of Art History, Graduate Center, City University of New York, 2012; Visiting Associate Professor, 1997 Adjunct Associate Professor and Ph.D. Faculty, Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP), 1990–2008; Adjunct Assistant Professor, 1988–90, 1985 Will and Nan Clarkson Visiting Chair in Architecture, State University of New York, Buffalo, 2007 Master, Berlage Institute, Rotterdam, 2007 Guest Faculty, Metrópolis, Centre de Cultura Contemporànea de Barcelona, 1999 Critic in Architectural Design, Yale School of Architecture, 1988 Administrative and curatorial Acting Executive Director, Van Alen Institute, New York, 2009. Responsible for planning, programming, and curating events for nonprofit institution dedicated to public architecture Director, Temple Hoyne Buell Center for the Study of American Architecture, Columbia University Graduate School of Architecture, Planning and Preservation, 1994–2008. Responsible for conceptualization and oversight of multifaceted program of public and scholarly activities with $750,000 budget, including lecture series, publications, conferences, seminars, exhibitions, awards programs, and website 1 Editorial Founding Editor, Buell Books of Architecture, Columbia University, 2000–8. Responsible for all aspects of in-house publications program from conceptualization through production selected titles: Jules Romains, Donogoo-Tonka or The Miracles of Science.
    [Show full text]
  • Critical Condition the Nieman Foundation at Harvard University
    NIEMAN WINTER 2013 VoL. 66 No. 4 Nieman Reports The Nieman Foundation for Journalism REPORTS Harvard University One Francis Avenue Cambridge, Massachusetts 02138 Nieman CURATION AS VOL. Reports {CRITICISM} To promote and elevate the standards of journalism 66 N O . 4 WINTER 2013 CONSUMER THE ILLUMINATION BUSINESS {RETORTS} REVIEWING THE THE ACTIVIST CRITIC USER REVIEWS CRITICAL CONDITION Close Morris Turati ALSO in this issue Documentary filmmaker and author Errol Morris: “A Wilderness of Error” CRITICAL THE New America Media director NIEMAN Sandy Close: Inventing “diaspora media” FOUNDATION Lyons Award winner Marcela Turati: CONDITION Surviving Mexico’s drug wars AT WHY PROFESSIONAL CRITICISM MATTERS HARVARD Plus How Chinese press censorship works UNIVERSITY ROBERT BRETT KIMBERLY D. JULIA BLAIR PAOLA JOHN MARIA Why isn’t there more poverty coverage? CHRISTGAU ANDERSON KLEMAN KELLER KAMIN ANTONELLI LAHR POPOVA The need for local-global news mash-ups MUSIC FOOD CONSUMER BOOKS ARCHITECTURE ART THEATER INTERESTINGNESS contents “ WHEN CRITICISM PAYS PROPER ATTENTION TO THE CRAFT ... THE EXPERIENCE CAN BE AS EXHILARATING AS IT IS VIVID.” —JOHN LAHR, The New Yorker, page 36 Cover Story CriTiCal CoNdiTioN 4 Concision and clarity Robert Christgau reflects on his life in music. Interview by Brett Anderson 10 Consumer Retorts Is there still room for the professional reviewer? By Kimberly D. Kleman 14 The Reviewer Reviewed A critic-turned-novelist on reading her first reviews. By Julia Keller 16 Minimize description, maximize observation Pulitzer-winner Blair Kamin on the craft of the critic. By Dina Kraft 20 But is it art? Making the roles of curator and critic complementary. By Paola Antonelli 22 The illumination business Why drama critics must look at and look after the theater.
    [Show full text]
  • A History of Rock Criticism
    A History of Rock Criticism By Robert Christgau When do we say television becomes a better writers Ian Dove and John dailies in their lowest-common-denom- cultural reality? Around 1948, right? Rockwell until Rockwell came on staff inator caution resisted more recalci- And when did The New York Times in 1974. trantly than the upmarket slicks. But I radio columnist Jack Gould begin his By then—beginning with Richard believe the third reason was most move to TV coverage? November 16, Goldstein of The Village Voice, whose important. Rock and roll was supposed 1947, with a review of the Theatre Guild Pop Eye column began in 1965—rock to be for kids. production of a play called John criticism was epidemic. It was a staple Well, right. In the ’50s, rock and roll Flaherty. Nor was Gould alone. John of the nascent alternative-weekly busi- was for kids. But even then that meant Crosby of the New York Herald Tribune ness, de rigueur in short-lived lifestyle older kids, which is to say teenagers— was only the most prominent of count- incipient adults. You’d think some jour- less TV critics scattered at dailies It was, of course, the nalistic visionary would have tried to nationwide by the early ’50s. instill the newspaper habit in this When do we say rock and roll ’60s. The New demographic. Any failure to do so cer- becomes a cultural reality? Around tainly rests more with such factors as 1955, right? And the first rock critic at a Journalism was in the the demon television and the imminent daily paper? The locally beloved, air, along with loose talk demise of Western civilization than rock nationally obscure Jane Scott, who was criticism or the lack thereof.
    [Show full text]