2011 Architecture Program Report
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Phoenix Area Homes Include the Circular David Wright House (1952), 5212 East Exeter Blvd., Designed for His Son in North Phoenix (1950), and the H.C
CITY REPORT (Iraq) Opera House (never built), serves as a distinguished gateway to the Tempe campus of Arizona State University. Its president at the time, Grady Gammage, was a good friend of the architect. Wright’s First Christian Church (designed in 1948/built posthumously by the Frank Lloyd Wright Foundation in 1973), 6750 N. Seventh Ave., incorporates desert masonry, as in Taliesin West, and features distinctive spires. Wright’s ten distinguished Phoenix area homes include the circular David Wright House (1952), 5212 East Exeter Blvd., designed for his son in north Phoenix (1950), and the H.C. Price House (1954), 7211 N. Tatum Blvd., with its graceful combination of concrete block, steel and copper in a foothills setting. Wright’s approach continued through his pupils, such as Albert Chase McArthur, who is generally credited with the design of the spectacular Arizona Biltmore Hotel (1928), 24th St. and Missouri Ave. Wright’s influence on the building is clear in both massing and details, including the distinctive concrete Biltmore Blocks, cast onsite to an Emry Kopta design. The hotel was Foundation. Photo by Lara Corcoran, courtesy Frank Lloyd Wright restored after a fire in 1973, and additions were built in 1975 and 1979. Blaine Drake was another student who, with Alden Dow, designed the original Phoenix Art Museum, Theater and Library Complex and East Wing (1959, 1965), 1625 N. Central Ave. (Tod Williams and Billie Tsien Architects, New York, designed additions in 1996 and 2006.) Drake also designed the first addition to the Heard Museum (1929), 22 E. Monte Vista Rd., a PHOENIX: UP FROM THE DESERT Spanish Colonial Revival by H.H. -
Reflexive Regionalism and the Santa Fe Style
Reflexive Regionalism and the Santa Fe Style Ron Foresta Department of Geography University of Tennessee, Knoxville Abstract:The Santa Fe Style is an assembly of cultural features associated with the city of Santa Fe and its surrounding Upper Rio Grande Valley. The style, often dismissed as a confection for tourists because of its gloss and worldliness, is in fact a manifestation of reflexive regionalism. This overlooked cultural process occurs when worldly outsiders fashion regional traits into responses to the life challenges that they and their extra- regional reference groups face. In this case, outsiders fashioned what they found in early-twentieth-century Santa Fe into responses to challenges that accompanied the rise of American industrial capitalism. Threats to elite hegemony, the destruction of established lifeways, and the need for new perspectives on American society were prominent among the challenges to which the Santa Fe Style responded. Reflexive regionalism is thus the kind of cultural process that Regulation Theory posits but has found difficult to convincingly identify in the real world, i.e., one that adapts individuals and societies to periodic shifts in the logic and practices of capitalism. I examine seven individuals who made signal contributions to the Santa Fe Style. Each reveals a key facet of Santa Fe’s reflexive regionalism. Together they show how this process created the Santa Fe Style and, more generally, how it works as an engine of cultural invention. The key concepts here are reflexive regionalism, the Santa Fe Style, cosmopolitanism, Regulation Theory, the work of the age, and the project of the self. -
1 Curriculum Vitae
John C Brittingham, AIA NCARB School of Architecture 1 Montana State University o: 406.994.3832 P O Box 579 h: 406.586.5435 Bozeman, MT m: 406.570.7555 59771 e1: [email protected] e2: [email protected] Curriculum Vitae Professional Status | Education | Academic Appointments | Practice | Selected Projects 2 Curriculum Vitae John C Brittingham, AIA NCARB Professional Status Architect: Montana No. 2379 New Mexico No. 2772 NCARB Cert. No. 44510 Education Chronology Harvard University Graduate School of Design Cambridge, MA 1983-1987 Masters Degree in Architecture 1980-1981 Institute for Architecture and Urban Design New York, NY Intern Program with Peter Eisenman & Lars Lerup 1975-1979 Bowdoin College Brunswick, ME Bachelor of Arts Degree in Art History Academic Chronology Montana State University School of Architecture Bozeman, MT 2009-2016 Professor at Graduate and Undergraduate Levels 2007-2009 Interim Co-Director 2005-2009 Director of Graduate Program 2002-present Professor at Graduate and Undergraduate Levels 1997 Associate Professor at Graduate & Undergraduate Levels 2000 University of Arizona School of Architecture and Planning Tucson, AZ Visiting Scholars Studio titled Land Ethic Research Aesthetic 1996-1997 University of New Mexico School of Architecture and Planning Albuquerque, NM Visiting Assistant Professor at Graduate & Undergraduate Levels 1996 University of Texas at Austin School of Architecture Austin, TX Visiting Scholar 1993-1995 University of New Mexico School of Architecture Albuquerque, NM Adjunct Faculty at Graduate -
Curriculum Vitae Genevieve Baudoin NCARB Education
Curriculum Vitae Genevieve Baudoin NCARB Department of Architecture Kansas State University 211 Seaton Hall Manhattan, KS 66506-2901 505.463.5632 [email protected] Education Harvard University, Graduate School of Design, Cambridge, MA May 2007 Master of Architecture Thesis Project: “How Disruption Shapes the City” Advisor: Professor Marco Steinberg Studio option spring 06: “Museum of Archaeology - Copan” - Jorge Silvetti, critic Studio option fall 05: “Cities in Crisis - New Orleans” - Frederic Schwartz, critic Oberlin College, Oberlin, OH May 2002 Bachelor of Arts Major in Visual Arts and Cello Performance, Minor in Physics 1998-02 Bonner Scholar 2000-02 Americorps Scholar 1999 Hughes Research Grant & MacGregor-Oresman Scholar Advisor: Dr. Yumi Ijiri Registrations and Certifications Registered Architect April 2012-Present State of New Mexico National Council of Architectural Registration Boards (NCARB) July 2012-Present Certificate Holder Awards and Recognition Creative Activity July 2001 New Mexico Heritage Preservation Award Award for research and writing on “Corrales Historic Buildings” published 2001, with the Corrales Historic Preservation Committee Awards for Student Work under my Direction September 2013 Honorable Mention “Bridge Over | Pass Under” ACSA Steel Competition Category 1: Bridge to Building Student: Chad Guempel Student designed a bridge and infrastructural connection across the Rio Grande River in Albuquerque, NM, linking to an existing levee system and jogging path. April 2013 First Place “The Armory” 2013 Urban Land Institute Gerald D. Hines Student Design Competition Architecture Advisor, Student Advisor for Lauren Brown Student Team: Lauren Brown, Kevin Cunningham, Derek Hoetmer, and Kylie Harper Team Advisor: Jason Brody Students designed a vision for Downtown East Minneapolis that transforms a rigid, undesirable economic condition of surface parking and billboards into a dynamic, livable urban district centered on an underused historic structure, the Armory. -
Western Mountain Region Conference Awards Santa Fe New Mexico 1978
AlA WESTERN MOUNTAIN REGION CONFERENCE AWARDS SANTA FE NEW MEXICO 1978 JURORS: DESIGN AWARDS: Carl Gros , A. LA. architect HONOR AWARD Eleonore Caponigro LANDING GEAR OVERHAUL FACILITY artist , graphic designer Salt Lake City, Utah Archite ct: Utah - Pacif ic Arch itects & Engineers Richard Grenfell , A.LA. Clien t: United Stat e Air Force architect Jury Comment: " A large-scale industrial type bu ild ing made handsome by expressing its substantial structural components, PLANNING PROJECTS: and its integrated use of color as both a functional and structural code system for the building." Dean Gusta vson , F.A .LA. architect Sam Pool, A. LA. architect HONOR AWARD VO·AG FACILITIES Las Vegas, New Mexico Architect: James N. Rowl and, AlA Client: Luna Vocational Techn ical In- stitute Jury Comment: " A group of economic and energy conserv ing buildings, lively yet modest in character, having a design vernacular that appears most appropriate to the project's purpose and setting." " . .. .' HONOR AWARD A DESERT DWELLING Pinnacle Peak, Arizona Architect: Edward B. Sawyer, Jr., AlA Client: Fred and Donna Corbus Jury Comment: "A beautifully sited and detailed owner built structure which uses the natural environment to form and define varied living experiences." HONOR AWARD DOWNTOWN BOULDER MALL Boulder, Colorado Mall Design Team: Everett, Zeigel, Tumpes & Hand, Architects; Sasaki Associates , Plann ing & Landscape Architecture Client: City of Boulder, Colorado Jury Comment: "A vehicular way re-cycled to a space for pedestrian use resulting in unifying as well as enhancing the environmental quality and economic base for the city of Boulder." HONOR AWARD Jury Commen t: VISUAL ARTS BUILDING " A build ing designed as a series of modular elements, Fort Coll ins , Colorado creat ing a beautiful enviornmental identity on the campus Arch itect: Muchow Associates wh ile providing spaces that wou ld not functionally or visually Clien t: Colorado State University inhibit the users ." MERIT AWARDS: RESIDENCE FOR MR. -
[Sign-In Sheet Onfile with HPD]
MINUTES OF THE STATE OF NEW MEXICO CULTURAL PROPERTIES REVIEW COMMITTEE October 15,2010 This meeting of the State of New Mexico Cultural Properties Review Committee was called to order by Chair Alan Watson at approximately 1:00 p.m. on the above-cited date, in the State Capitol, Room 311,490 Old Santa Fe Trail, Santa Fe, New Mexico. Chair Watson characterized the CPRC as a statutory body charged with identifying and advising on the protection of the State's cultural properties. CPRC meetings are run by parliamentary procedure. He asked that the attendees follow those rules, sign in and turn cell phones off. A quorum was established with the following members present: Members Present: Members Absent: Alan "Mac" Watson, Chair Mark Mitchell Clarence Fielder Rick Hendricks Craig Hoopes Tim Maxwell Beth O'Leary Phillip Shelley Nancy Meem Wirth State Personnel Present: Sam Cata, Interim Director Terry Moody, HPD Tom Drake, HPD Dorothy Moore, HPD Michelle Ensey, HPD Robyn Powell, HPD Susan Hart, HPD Mona Valicenti, Assistant AG Harvey Kaplan, HPD [Sign-in Sheet onfile with HPD] REVIEWIAPPROVAL OF MINUTES August 13,2010 Member O'Leary asked for consideration to change the April 2011 meeting from the 8th to the 15th. Tom Drake, HPD, noted that there's an outreach opportunity in having the meeting in conjunction with the Heritage Preservation Alliance (HPA) conference which will be held in Las Vegas on April 6-10. Member Maxwell asked if this could be explored further and brought up for consideration at the next meeting. Chair Watson directed Mr. Drake to coordinate with the HPA and asked Dorothy Moore to list as an agenda item for the next meeting. -
New Mexico Daily Lobo, Volume 080, No 6, 8/27/1976." 80, 6 (1976)
University of New Mexico UNM Digital Repository 1976 The aiD ly Lobo 1971 - 1980 8-27-1976 New Mexico Daily Lobo, Volume 080, No 6, 8/ 27/1976 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1976 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 6, 8/27/1976." 80, 6 (1976). https://digitalrepository.unm.edu/daily_lobo_1976/79 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1976 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ---~ -------.----- 1n• '75 Wouldn't Qualify New U. Standards Make It Rough By Joe Dopnelly seeking acceptance to UNM should students can work their way around · study would have any effect on next 21.9 while scores for freshmen in UN!\1 President William Davis complete eight of the nine requirements. year's proposed requirement 1975-1976 averaged 18.1. said a recent study of UNM's 1975 requirements by the end of their "The facts .are the small rural changes. ''The plan will enable us freshman class indicates that 1200 high-school sophmore year. schools list the courses a student to get to the hub of the .matter if a During this same period, of those .students would not have Davis commented on the large needs to take, ".he said. student has a deficiency," Davis however, cumulative grade-point qualified for acceptance under number of students being accepted Da-vis also said there has been a said. -
San Antonio River Walk Designated to Receive an AJA Award; Rice Design Alliance Sponsors High-Powered Panel on Architecture Criticism
• A winning combination. When classic styling and continuous durability are ... ~~ • brought to- gether the re sult is excellence. This quality of excellence is obvious in all the materials at D'Hanis Clay Products. The care taken at every stage of the manufacturing process be comes evident in the end product. All of which brings us to another winning com bination: construction and D'Hanis Clay Products. [)'lIJ\Nl6 ClJL\Y PQODUCT~ GONTINLJOUS PRODUCTION SINCE 1905 11( >X 1fi', O'I !ANIS, Tf XAS 78850 AN ANH NI l t I ) I 4 0 ltANll1 (5n) 363-7221 CLEIS European Style Whirlpool Bathing Systems &ka½ 4 HESSCO FEATURING • 18 MODELS, 28 SIZES • COMPETITIVE PRICING • MATCH ANY COLOR • PROMPT DELIVERY • INDIVIDUAL JET CONTROLS • COMPLETELY PREPLUMBED CONTENTS IN THE NEWS 22 Dallas Museum ofArt opens to rave reviews; San Antonio River Walk designated to receive an AJA award; Rice Design Alliance sponsors high-powered panel on architecture criticism. ABOUT THIS ISSUE 41 42 SMALL BUILDINGS 42 Articles on eight recent Texas projects that represent a broad range ofproblems and solutions while falling into the same general category-small buildings. INTERVIEW WITH CHARLES MOORE 70 11 NEW TEXAS FELLOWS 84 Profiles of I I Texas architects elected to the American lnstitute's College of Fellows for outstanding contributions to architecture. BOOKS 76 48 INDEX TO ADVERTISERS 98 DA VE BRADEN/MUSINGS 98 COMING UP: Next issue, Texas Architect looks at architecture and transportation. ON THE COVER: William T. Cannady' s Fayeue Savings 58 Association in LaGrange. Photo by Paul Hester. 70 I , , llrchurrt .\furth·April 198-1 5 RENNER PIAl.A - o.11.b Nth,tnr ANPtl, ltK C,,,,,.,,•I Contr,1<fo, I h'1,y &•kl•nM & l"lll"'""'nR 0.wnM Contr,1<l<>r M.-1ro,t(J/,1.1n GI.tu, 'i<,11,J,.,lk•, r,,..., (,l,M /,y - rl'fflP(f/J<S fio,/cl,ipp/•,J no/It_,,,. -
2014 Fellows Honoraires – Hon
COLLEGE OF FELLOWS COLLÈGE DES FELLOWS 2014 Honorary Fellows – Hon. FRAIC, 2014 Fellows honoraires – Hon. FIRAC, 2014 Bjarke Ingels Antoine Predock Bjarke Ingels Bjarke Ingels started BIG Bjarke Ingels Group in 2005 after co-founding PLOT Architects in 2001 and working at OMA in Rotterdam. Through a series of award- winning design projects and buildings, Bjarke has developed a reputation for designing buildings that are as programmatically and technically innovative as they are cost and resource conscious. Bjarke has received numerous awards and honors, including the Danish Crown Prince’s Culture Prize in 2011, the Golden Lion at the Venice Biennale in 2004, and the ULI Award for Excellence in 2009. In 2011, the Honorary Fellow Wall Street Journal awarded Bjarke the Architectural Innovator of the Year Award. In 2012, the American Institute of Architects granted the 8 House its Honor Award, calling it “a complex and exemplary project of a new typology.” Alongside his architectural practice, Bjarke taught at Harvard University, Yale University, Columbia University, and Rice University and is an honorary professor at the Royal Academy of Arts, School of Architecture in Copenhagen. He is a frequent public speaker and has spoken in venues such as TED, WIRED, AMCHAM, 10 Downing Street, and the World Economic Forum. 18 Antoine Predock Antoine Predock is the Principal of Antoine Predock Architect PC, which was established in 1967. Predock attended University of New Mexico and later received his Bachelor of Architecture from Columbia University. He is a licensed architect in many states as well as a registered landscape architect and interior designer. -
Curriculum Vitae
John C Brittingham, AIA NCARB School of Architecture 1 Montana State University o: 406.994.3832 P O Box 579 h: 406.586.5435 Bozeman, MT m: 406.570.7555 59771 e1: [email protected] e2: [email protected] Curriculum Vitae Professional Status | Education | Academic Appointments | Practice | Selected Projects 2 Curriculum Vitae John C Brittingham, AIA NCARB Professional Status Architect: Montana No. 2379 New Mexico No. 2772 NCARB Cert. No. 44510 Education Chronology Harvard University Graduate School of Design Cambridge, MA 1983-1987 Masters Degree in Architecture 1980-1981 Institute for Architecture and Urban Design New York, NY Intern Program with Peter Eisenman & Lars Lerup 1975-1979 Bowdoin College Brunswick, ME Bachelor of Arts Degree in Art History Academic Chronology Montana State University School of Architecture Bozeman, MT 2009-2016 Professor at Graduate and Undergraduate Levels 2007-2009 Interim Co-Director 2005-2009 Director of Graduate Program 2002-present Professor at Graduate and Undergraduate Levels 1997 Associate Professor at Graduate & Undergraduate Levels 2000 University of Arizona School of Architecture and Planning Tucson, AZ Visiting Scholars Studio titled Land Ethic Research Aesthetic 1996-1997 University of New Mexico School of Architecture and Planning Albuquerque, NM Visiting Assistant Professor at Graduate & Undergraduate Levels 1996 University of Texas at Austin School of Architecture Austin, TX Visiting Scholar 1993-1995 University of New Mexico School of Architecture Albuquerque, NM Adjunct Faculty at Graduate -
Olive Rush [1873–1966] an Artistic Retreat at Home in Crested Butte, Colorado Contemporary Comfort in Santa Fe, New Mexico Perspective
APRIL | MAY 2018 From Cowboy to Contemporary Emily Mason: In Celebration of Color Shelley Reed: Enlightenment in Monochrome Inspired by Architecture: T.C. Boyle’s Frank Lloyd Wright home plus:Perspective: The Gentle Rebel, Olive Rush [1873–1966] An Artistic Retreat at Home in Crested Butte, Colorado Contemporary Comfort in Santa Fe, New Mexico PERSPECTIVE THE GENTLE REBEL: OLIVE RUSH [1873–1966] Driven by her principles and a desire for originality, an overlooked artist and Santa Fe Art Colony figure emerges into the light WRITTEN BY Gussie Fauntleroy This page, clockwise from left: On the Balcony, Oil on Canvas, 32.5 x 26.25 inches, 1913 | Olive Rush (left), Sarah Katharine Smith (center) and Ethel Pennewill Brown (right) on the steps of the Howard Pyle Studio, ca. 1905–10 | Olive Rush’s cover design for Woman’s Home Companion, December 1909; All images from Olive Rush: Finding Her Place in the Santa Fe Art Colony by Jann Haynes Gilmore, courtesy of Museum of New Mexico Press. fateful photo as a significant factor in the painter’s decades- long neglect. That status has begun changing, thanks in part to Gilmore’s award-winning biography, Olive Rush: Finding Her Place in the Santa Fe Art Colony, published in 2016 by the Museum of New Mexico Press. Rush was also included in the 2017 PBS documentary, “Painting Santa Fe,” and her works on paper were featured in a 2017 exhibition in Santa Fe, presented by the Historic Santa Fe Foundation and the Santa Fe Quaker Meeting, and curated by art conservator and Quaker, Bettina Raphael. -
TCE 4 Program Cover
FOURTH INTERNATIONAL CONFERENCE ON THE CONSTRUCTED ENVIRONMENT UNIVERSIDADE NOVA DE LISBOA LISBON, PORTUGAL 4-5 OCTOBER 2013 www.ConstructedEnvironment.com International Conference on the Constructed Environment www.constructedenvironment.com/the-conference First published in 2013 in Champaign, Illinois, USA by Common Ground Publishing LLC www.commongroundpublishing.com © 2013 Common Ground Publishing All rights reserved. Apart from fair dealing for the purposes of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact cg- [email protected]. TABLE OF CONTENTS Welcome Letter ................................................................................................... 5 About Common Ground ...................................................................................... 6 The Knowledge Community ................................................................................. 7 Community Focus ..................................................................................... 7 Scope and Concerns ................................................................................ 7 Engaging in the Community ...................................................................... 8 International Advisory Board ................................................................................ 8 The Conference ..................................................................................................