Elizabeth Kathryn Meyer, Landscape Architect, FASLA
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Program Itinerary & Course Description
PROGRAM ITINERARY & COURSE DESCRIPTION 2016 NJASLA ANNUAL MEETING FEBRUARY 21–23, 2016 T H E S T A T E O F T H E G A R D E N DE SIG N • N U R T U R E • G ROW EAR LY RE GIST RATI ON END S FEBRUARY 2, 2016 R E gist E R TO DAY! WWW.NJAslA.ORG HARRAH’S WATERFRONT CONFERENCE CENTER AT L AN ti C City, NJ ONLINE REGISTRATION ONLY HOTEL REGISTRATION INFORMATION HOTEL ACCOMMODATIONS: Sunday 2/21/16 through Wednesday 2/24/16: Harrah’s Resort Atlantic City is pleased to offer a special rate of $65.00, per room, single or double occupancy, plus taxes, tourism fees and $10.00 per night, per room Resort Fee which includes complimentary in-room internet access for 2 devices per room, per night and $5 voucher towards self parking in the garage. There is a $20.00 per person, per night charge for the 3rd and 4th occupant in a room. A 48-hour advance notice is required in order to cancel without a penalty. HARRAH’S ROOM RESERVATIONS Book reservations by calling 888-516-2215 or REGISTER HERE The Group Code is SH02LA6 and the show name is NJ-ASLA. Cutoff date is: 1/25/16 while rooms last! Book NOW. Don’t be closed out! REGISTRATION OPTIONS Options do not include hotel accommodations. Please refer to the information above for hotel registration details. Full PacKage Includes all educational sessions, exhibit hall, Mix & Mingle Cocktail Reception, Exposition Cocktail Reception, all meals, and refreshment breaks. -
San Antonio River Walk Designated to Receive an AJA Award; Rice Design Alliance Sponsors High-Powered Panel on Architecture Criticism
• A winning combination. When classic styling and continuous durability are ... ~~ • brought to- gether the re sult is excellence. This quality of excellence is obvious in all the materials at D'Hanis Clay Products. The care taken at every stage of the manufacturing process be comes evident in the end product. All of which brings us to another winning com bination: construction and D'Hanis Clay Products. [)'lIJ\Nl6 ClJL\Y PQODUCT~ GONTINLJOUS PRODUCTION SINCE 1905 11( >X 1fi', O'I !ANIS, Tf XAS 78850 AN ANH NI l t I ) I 4 0 ltANll1 (5n) 363-7221 CLEIS European Style Whirlpool Bathing Systems &ka½ 4 HESSCO FEATURING • 18 MODELS, 28 SIZES • COMPETITIVE PRICING • MATCH ANY COLOR • PROMPT DELIVERY • INDIVIDUAL JET CONTROLS • COMPLETELY PREPLUMBED CONTENTS IN THE NEWS 22 Dallas Museum ofArt opens to rave reviews; San Antonio River Walk designated to receive an AJA award; Rice Design Alliance sponsors high-powered panel on architecture criticism. ABOUT THIS ISSUE 41 42 SMALL BUILDINGS 42 Articles on eight recent Texas projects that represent a broad range ofproblems and solutions while falling into the same general category-small buildings. INTERVIEW WITH CHARLES MOORE 70 11 NEW TEXAS FELLOWS 84 Profiles of I I Texas architects elected to the American lnstitute's College of Fellows for outstanding contributions to architecture. BOOKS 76 48 INDEX TO ADVERTISERS 98 DA VE BRADEN/MUSINGS 98 COMING UP: Next issue, Texas Architect looks at architecture and transportation. ON THE COVER: William T. Cannady' s Fayeue Savings 58 Association in LaGrange. Photo by Paul Hester. 70 I , , llrchurrt .\furth·April 198-1 5 RENNER PIAl.A - o.11.b Nth,tnr ANPtl, ltK C,,,,,.,,•I Contr,1<fo, I h'1,y &•kl•nM & l"lll"'""'nR 0.wnM Contr,1<l<>r M.-1ro,t(J/,1.1n GI.tu, 'i<,11,J,.,lk•, r,,..., (,l,M /,y - rl'fflP(f/J<S fio,/cl,ipp/•,J no/It_,,,. -
Garden Designers – Biographies
Garden Designers – Biographies Tom Stuart-Smith Tom Stuart-Smith Ltd is a landscape design practice with an international reputation for making gardens that combine naturalism and modernity. The practice was established in 1998. Work since has ranged from large gardens and parks open to the public, to smaller private gardens. Tom Stuart-Smith has also designed a number of gardens for the Chelsea Flower Show. Eight of these have been awarded gold medals, and three have won ‘Best in Show’. Most projects are located in the UK and Europe, with a few undertaken further afield. Despite the scale and complexity of our work we remain a small practice. Nine landscape architects and designers work under the direction of Tom Stuart-Smith, who is closely involved with each project. Townshend Landscape Architects Townshend Landscape Architects is an award-winning practice formed in 1988 by Robert Townshend. We are an established leading practice with an international team of landscape architects, urban designers, architects and artists. The practice specialises in designing the landscape, urban design and public realm. We work on all aspects of a project, from inception, local authority and public consultations, planning strategies and gaining planning permissions, concept and detailed design, construction and the successful delivery of a project. We believe our individual and well thought through designs and extensive knowledge of high quality detailing show our passion, commitment and understanding in designing long- lasting places for people in the United Kingdom and abroad. Olin OLIN creates distinguished landscapes and urban designs worldwide. Our work is predicated upon social engagement, craft, detail, materiality and timelessness. -
Ecology Design
ECOLOGY and DESIGN Ecological Literacy in Architecture Education 2006 Report and Proposal The AIA Committee on the Environment Cover photos (clockwise) Cornell University's entry in the 2005 Solar Decathlon included an edible garden. This team earned second place overall in the competition. Photo by Stefano Paltera/Solar Decathlon Students collaborating in John Quale's ecoMOD course (University of Virginia), which received special recognition in this report (see page 61). Photo by ecoMOD Students in Jim Wasley's Green Design Studio and Professional Practice Seminar (University of Wisconsin-Milwaukee) prepare to present to their client; this course was one of the three Ecological Literacy in Architecture Education grant recipients (see page 50). Photo by Jim Wasley ECOLOGY and DESIGN Ecological by Kira Gould, Assoc. AIA Literacy in Lance Hosey, AIA, LEED AP Architecture with contributions by Kathleen Bakewell, LEED AP Education Kate Bojsza, Assoc. AIA 2006 Report Peter Hind , Assoc. AIA Greg Mella, AIA, LEED AP and Proposal Matthew Wolf for the Tides Foundation Kendeda Sustainability Fund The contents of this report represent the views and opinions of the authors and do not necessarily represent the opinions of the American Institute of Architects (AIA). The AIA supports the research efforts of the AIA’s Committee on the Environment (COTE) and understands that the contents of this report may reflect the views of the leadership of AIA COTE, but the views are not necessarily those of the staff and/or managers of the Institute. The AIA Committee -
Landscape Matters: News from Gls at Dumbarton Oaks
LANDSCAPE MATTERS: NEWS FROM GLS AT DUMBARTON OAKS The program in Garden and Landscape Studies at Dumbarton Oaks was established in 1972 to support advanced scholarship in garden history and landscape architecture, encompassing the study of culturally and artistically significant landscapes around the world from ancient times to the present. The program seeks to deepen the un- derstanding of landscape and gardens as a field of knowledge and research and as a practice carried out by land- scape architects, landscape artists, and gardeners. The activities of the program include residential fellowships, short-term pre-doctoral residencies, one-month research stipends, project grants for field research, public lectures and symposia, and temporary installations of contemporary art as well as the new Mellon Initiative in Urban Landscape Studies. An active publications program produces symposium proceedings, translations of significant texts in a series on the history of gardens and landscape architecture entitled ex horto, and occasional monographs, reprints, and studies in contemporary landscape design. Scholars have access to unparalleled resources, including a vibrant intellectual community, an extensive research library and Rare Book Collection, and the renowned gar- dens of Dumbarton Oaks. We are pleased to share with you the following news about the past academic year, and announcements regarding 2015–16 fellows, fellowship applications, new programs, forthcoming colloquium and symposium, and new pub- lications. Fronteira Palace Gardens, subject of research by stipend recipient Cristina Castel-Branco. Photo credit: Antonio Sachetti, 2010 Speakers at symposium “River Cities: Historical and Contemporary,” May 2015. Photo credit: Anatole Tchikine 2014-15 in review Early in the fellowship year, Dumbarton Oaks completed the renovation and expansion of a nearby building to ac- commodate our residential fellows. -
A Model for Reading Architectural Narrative in Different
AURUM MÜHENDİSLİK SİSTEMLERİ VE MİMARLIK DERGİSİ AURUM JOURNAL OF ENGINEERING SYSTEMS AND ARCHITECTURE Cilt 1, Sayı 2 | Kış 2017 Volume 1, No. 2 | Winter 2017, 49-58 A MODEL FOR READING ARCHITECTURAL NARRATIVE IN DIFFERENT Türkan Nihan HACIÖMEROĞLU1 1 Eskisehir Osmangazi University, Faculty of Engineering and Architecture, Department of Architecture. [email protected] , [email protected] Abstract When Daniel Libeskind proposed the possibility of different dimensions of architecture other than length, height and width, he offered reading, writing and memory. Reading architecture as he explains is not about reading text but about trying to understand a not “clearly explicit language” of architecture. (Libeskind, 2004) The aim of this paper is to propose a model for reading architectural narrative in different media by using architectural criticism as a base. Initially, the study is based on discussions on architectural criticism, narrative and representation, in architecture, literature and cinema, in order to understand the similarities and differences between the concepts of time, movement and space. Using these concepts, a comparative analysis table is created and the outcomes of these comparisons are inserted as data for different, yet inter-linked, comparisons and analysis tables. A num- ber of keywords are utilized to set a model for reading architectural narrative. Such alternative readings estab- lish a ground to understand the narrative and cultural based conceptualization of space. The main discussion is executed through a case study. L’ecumé des Jours by Boris Vian (Foam of the Daze, 1947), and consequently, its 49 2013 adaptation Mood Indigo by Michel Gondry, are selected as the case. -
A Declaration of Interdependence
March 23rd, 2015 | Atlanta Botanical Garden | presented by P arks & people a declaration of interdependence join the conversation on twitter: #PGC15, @Parkpride Cox Enterprises has a long history of being a good corporate citizen. Through Cox Conserves we’re making a positive impact on the environment through our operations and our community partnerships. It’s the steps we take together as one that make a big difference. We’re proud to be the presenting sponsor of Park Pride’s 14th Annual Parks & Greenspace Conference. For more information on Cox Enterprises’ corporate responsibility programs, please visit: www.coxinc.com P arks & people: a declARation of interdePendence Great parks require community involvement and dedication to guarantee their creation, revitalization and activation. The 2015 Parks and Greenspace Conference theme explores the relationship between engaged communities and successful parks. t able of Contents Welcome 2 Venue Map / WiFi 3 Program 4 Keynote Speaker Bios 10 Inspiration Awards 12 Sponsors 14 Connect with Your Community 16 Thank You 17 2016 Parks & Greenspace Conference Back P resented by Sc Hedule overview 7:30 AM Hardin Visitor Center Registration Opens 7:30–8:30 AM Day Hall Continental Breakfast / Networking 8:30–10:25 AM Day Hall Welcome & Opening Plenary Session 10:40 AM–12:00 PM Various Locations Morning Concurrent Sessions 12:00–12:50 PM Day Hall Lunch 12:50–2:00 PM Day Hall Mid-day Plenary Session 2:15–3:30 PM Various Locations Afternoon Concurrent Sessions 3:45–5:00 PM Day Hall Closing Plenary Session & Closing Remarks 5:00 PM Mershon Hall Reception / Networking MtaRCH 23, 2015 | a LANTA BotAnicAl GaRden | 1 w elcome to the 2015 ParkS and GreenspAce confeRence t this year’s Parks and Greenspace Conference, we celebrate the role communities play in making parks great. -
Art and Technology Between the Usa and the Ussr, 1926 to 1933
THE AMERIKA MACHINE: ART AND TECHNOLOGY BETWEEN THE USA AND THE USSR, 1926 TO 1933. BARNABY EMMETT HARAN PHD THESIS 2008 DEPARTMENT OF HISTORY OF ART UNIVERSITY COLLEGE LONDON SUPERVISOR: PROFESSOR ANDREW HEMINGWAY UMI Number: U591491 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591491 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I, Bamaby Emmett Haran, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 ABSTRACT This thesis concerns the meeting of art and technology in the cultural arena of the American avant-garde during the late 1920s and early 1930s. It assesses the impact of Russian technological Modernism, especially Constructivism, in the United States, chiefly in New York where it was disseminated, mimicked, and redefined. It is based on the paradox that Americans travelling to Europe and Russia on cultural pilgrimages to escape America were greeted with ‘Amerikanismus’ and ‘Amerikanizm’, where America represented the vanguard of technological modernity. -
Downloadfile/616075 Toft, J
REVIEW published: 30 April 2021 doi: 10.3389/fevo.2021.582041 Designing (for) Urban Food Webs Alexander J. Felson 1,2,3 and Aaron M. Ellison 4* 1 Melbourne School of Design, Faculty of Architecture, Building and Planning, University of Melbourne, Melbourne, VIC, Australia, 2 Connecticut Institute for Resilience and Climate Adaptation, University of Connecticut, Groton, CT, United States, 3 Urban Ecology and Design Lab and Ecopolitan Design, New Haven, CT, United States, 4 Harvard Forest, Harvard University, Petersham, MA, United States Interest is growing in designing resilient and ecologically rich urban environments that provide social and ecological benefits. Regenerative and biocentric designs fostering urban ecological habitats including food webs that provide ecosystem services for people and wildlife increasingly are being sought. However, the intentional design of urban landscapes for food webs remains in an early stage with few precedents and many challenges. In this paper, we explore the potential to design (for) urban food webs through collaborations between designers and ecologists. We start by examining the ecology and management of Jamaica Bay in New York City as a case study of an anthropogenic landscape where ecosystems are degraded and the integrity of extant food webs are intertwined with human agency. A subsequent design competition focusing on ecological design and management of this large-scale landscape for animal habitat and ecosystem Edited by: services for people illustrates how designers approach this anthropogenic landscape. Mary L. Cadenasso, This case study reveals that both designing urban landscapes for food webs and directly University of California, Davis, United States designing and manipulating urban food webs are complicated and challenging to achieve Reviewed by: and maintain, but they have the potential to increase ecological health of, and enhance Frederick R. -
Modernism Revisited Edited by Aleš Erjavec & Tyrus Miller XXXV | 2/2014
Filozofski vestnik Modernism Revisited Edited by Aleš Erjavec & Tyrus Miller XXXV | 2/2014 Izdaja | Published by Filozofski inštitut ZRC SAZU Institute of Philosophy at SRC SASA Ljubljana 2014 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 141.7(082) 7.036(082) MODERNISM revisited / edited by Aleš Erjavec & Tyrus Miller. - Ljubljana : Filozofski inštitut ZRC SAZU = Institute of Philosophy at SRC SASA, 2014. - (Filozofski vestnik, ISSN 0353-4510 ; 2014, 2) ISBN 978-961-254-743-1 1. Erjavec, Aleš, 1951- 276483072 Contents Filozofski vestnik Modernism Revisited Volume XXXV | Number 2 | 2014 9 Aleš Erjavec & Tyrus Miller Editorial 13 Sascha Bru The Genealogy-Complex. History Beyond the Avant-Garde Myth of Originality 29 Eva Forgács Modernism's Lost Future 47 Jožef Muhovič Modernism as the Mobilization and Critical Period of Secular Metaphysics. The Case of Fine/Plastic Art 67 Krzysztof Ziarek The Avant-Garde and the End of Art 83 Tyrus Miller The Historical Project of “Modernism”: Manfredo Tafuri’s Metahistory of the Avant-Garde 103 Miško Šuvaković Theories of Modernism. Politics of Time and Space 121 Ian McLean Modernism Without Borders 141 Peng Feng Modernism in China: Too Early and Too Late 157 Aleš Erjavec Beat the Whites with the Red Wedge 175 Patrick Flores Speculations on the “International” Via the Philippine 193 Kimmo Sarje The Rational Modernism of Sigurd Fosterus. A Nordic Interpretation 219 Ernest Ženko Ingmar Bergman’s Persona as a Modernist Example of Media Determinism 239 Rainer Winter The Politics of Aesthetics in the Work of Michelangelo Antonioni: An Analysis Following Jacques Rancière 255 Ernst van Alphen On the Possibility and Impossibility of Modernist Cinema: Péter Forgács’ Own Death 271 Terry Smith Rethinking Modernism and Modernity 321 Notes on Contributors 325 Abstracts Kazalo Filozofski vestnik Ponovno obiskani modernizem Letnik XXXV | Številka 2 | 2014 9 Aleš Erjavec & Tyrus Miller Uvodnik 13 Sascha Bru Genealoški kompleks. -
Architecture [Criticism] Or Revolution
Architecture [Criticism] or Revolution Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Architectural Studies in the Graduate School of The Ohio State University By Gregory Lee Delaney, B.S. Graduate Program in Architectural Studies The Ohio State University 2010 Thesis Committee: Ashley Schafer, Advisor Jeffrey Kipnis Douglas Graf Copyright by Gregory Lee Delaney 2010 Abstract Architecture [Criticism] or Revolution is an exploration in journalistic architecture criticism. The current state of journalistic architecture criticism is uninspiring. There are two few of voices, and its field of influence is too narrow. The first article details the current position of journalistic architecture criticism. It accounts its history, its voices, its influence, and its future. The second two articles are explorations in writing on architecture for the people of Columbus, Ohio. They are meant for a non-professional audience, and begin to explore ways of educating the public on issues of contemporary architecture, and calls upon them to demand better design for our city. ii Vita 2000 to 2004……………………………….. Dublin Coffman High School 2004 to 2008………………..………...……. B.S. Architecture, The Ohio State University 2008 to 2009……………………..………… Graduate Assistant, Academic Advising, Knowlton School of Architecture, The Ohio State University 2009……….……………………...……...… Graduate Teaching Assistant, Knowlton School of Architecture, The Ohio State University Fields of Study Major Field: Architectural Studies iii Table of Contents Abstract……………………………………………………………………………………ii Vita……………………………………………………………………………………….iii Article 1: Architecture [Criticism] or Revolution………………………………………...1 Article 2: Building Momentum………………………………………………………….16 Article 3: (Mid)Western Duel…………………………………………………………...21 References………………………………………………………………………………..28 iv Article 1: Architecture [Criticism] or Revolution The year was 1963. The Beatles released their first album. -
Competition Brief Stage 3
Competition brief PRESENTED BY: stage 3 TABLE OF CONTENTS 3 Invitation to Compete 4 Overview 7 Aims and Objectives 9 Project Management Team 10 Competition Process 14 Background Information 16 Submission Requirements 20 Selection 23 General Instructions 27 Terms and Conditions 28 Roles and Responsibilities APPENDICES 31 DIA Exhibition Space Site Plan 35 Steering Committee Members 36 Jury Member Bios 40 Student Design Summit INVITATION TO COMPETE The Detroit Institute of Arts + Midtown Detroit Inc. (DIA + MDI) are pleased to invite you to participate in the competition Stage 3 for the DIA Plaza | Midtown Cultural Connections project. This competition is among the most significant in Detroit in recent decades and has drawn interest internationally from leading landscape architects and design professionals. After receiving forty-four responses to the request for qualifications and shortlisting eight teams for interviews in Detroit, three teams have been selected as finalists to advance to the Competition round: Agence Ter, Paris, France. Team partners: Akoaki, Detroit; Harley Etienne, University of Michigan; rootoftwo; University of Michigan and Detroit; and Transsolar | KlimaEngineering, Germany. Mikyoung Kim Design, Boston. Team partners: James Carpenter Design Associates, New York; CDAD, Detroit; Wkshps, New York; Quinn Evans Architects, Detroit; Giffels Webster, Detroit; Tillett Lighting Design Associates, New York; Cuseum, Boston; Transsolar | KlimaEngineering, Germany; and Schlaich Bergermann & Partners, New York. TEN x TEN, Minneapolis. Team partners: MASS Design Group, New York; D MET, Detroit; Atelier Ten, London; Local Projects, Boston; HR&A Advisors, New York; and Dr. Craig Wilkins, University of Michigan. 3 OVERVIEW Congratulations for being selected as a finalist in the DIA + Midtown Cultural Connections design competition! Thank you for your continued interest in moving this important project forward.