THE BORGIA BETRAYAL by Sara Poole
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Medici, Borgia, Hapsburg, and Plantagenet
ChurchChurch HistoryHistory ChurchChurch HistoryHistory IntroductionIntroduction toto ChurchChurch HistoryHistory st rd TheThe AncientAncient ChurchChurch AD 11st-3-3rd centuriescenturies th th TheThe RiseRise ofof ChristendomChristendom AD 44th-5-5th centuriescenturies th th TheThe EarlyEarly MiddleMiddle AgesAges AD 66th-10-10th centuriescenturies th th TheThe AgeAge ofof CrusadesCrusades AD 1111th-13-13th centuriescenturies th th TheThe RenaissanceRenaissance AD 1414th-15-15th centuriescenturies th ConquestConquest andand ReformationReformation AD 1616th centurycentury th th TheThe AgeAge ofof EnlightenmentEnlightenment AD 1717th-18-18th centuriescenturies th TheThe AgeAge ofof RevolutionRevolution AD 1919th centurycentury th TheThe ModernModern AgeAge AD 2020th centurycentury st TheThe PostmodernPostmodern AgeAge AD 2121st centurycentury ChurchChurch HistoryHistory IntroductionIntroduction toto ChurchChurch HistoryHistory st rd TheThe AncientAncient ChurchChurch AD 11st-3-3rd centuriescenturies th th TheThe RiseRise ofof ChristendomChristendom AD 44th-5-5th centuriescenturies th th TheThe EarlyEarly MiddleMiddle AgesAges AD 66th-10-10th centuriescenturies th th TheThe AgeAge ofof CrusadesCrusades AD 1111th-13-13th centuriescenturies th th TheThe RenaissanceRenaissance AD 1414th-15-15th centuriescenturies Welcome to the Renaissance Turnovers... The Black Death and a Century of War Wobbling Out of Control (part 3) TheThe RenaissanceRenaissance ImportantImportant familiesfamilies changedchanged everythingeverything 14151415 HenryHenry -
The Story of the Borgias (1913)
The Story of The Borgias John Fyvie L1BRARV OF UN ,VERSITV CALIFORNIA AN DIEGO THE STORY OF THE BORGIAS <Jt^- i//sn6Ut*4Ccn4<s flom fte&co-^-u, THE STORY OF THE BOEGIAS AUTHOR OF "TRAGEDY QUEENS OF THE GEORGIAN ERA" ETC NEW YORK G. P. PUTNAM'S SONS 1913 PRINTED AT THE BALLANTYNE PRESS TAVI STOCK STREET CoVENT GARDEN LONDON THE story of the Borgia family has always been of interest one strangely fascinating ; but a lurid legend grew up about their lives, which culminated in the creation of the fantastic monstrosities of Victor Hugo's play and Donizetti's opera. For three centuries their name was a byword for the vilest but in our there has been infamy ; own day an extraordinary swing of the pendulum, which is hard to account for. Quite a number of para- doxical writers have proclaimed to an astonished and mystified world that Pope Alexander VI was both a wise prince and a gentle priest whose motives and actions have been maliciously mis- noble- represented ; that Cesare Borgia was a minded and enlightened statesman, who, three centuries in advance of his time, endeavoured to form a united Italy by the only means then in Lucrezia anybody's power ; and that Borgia was a paragon of all the virtues. " " It seems to have been impossible to whitewash the Borgia without a good deal of juggling with the evidence, as well as a determined attack on the veracity and trustworthiness of the contemporary b v PREFACE historians and chroniclers to whom we are indebted for our knowledge of the time. -
The Borgia Dynasty During the Italian Renaissance
Media Contact: Genevieve Antaky 510/435-8092, [email protected] Public Info: Humanities West www.humanitieswest.org Tickets: City Box Office 415/392-4400 www.cityboxoffice.com HUMANITIES WEST PRESENTS Lucrezia’s Family: The Renaissance Borgia Dynasty Friday & Saturday, May 4 & 5, 2018 Marines’ Memorial Theatre, 609 Sutter Street, San Francisco, CA FOR IMMEDIATE RELEASE: (SAN FRANCISCO, 21 February, 2018) Humanities West’s 2017-2018 Season culminates with Lucrezia’s Family: The Renaissance Borgia Dynasty, a two-day program of lectures, discussions, and music exploring the influence of the Borgia Dynasty during the Italian Renaissance. The program takes place on Friday, May 4, from 7:30pm to 9:30pm, and Saturday, May 5, from 10am to 4pm, at Marines’ Memorial Theatre, located at 609 Sutter Street in downtown San Francisco. Tickets for Lucrezia’s Family: The Renaissance Borgia Dynasty are priced as follows: Single tickets for individual Friday programs are $60 orchestra and $45 balcony and individual Saturday programs are $80 orchestra and $55 balcony, single tickets for both days of each program are $125 orchestra and $90 balcony. Order direct from City Box Office 415-392-4400 or www.cityboxoffice.com. Individual balcony tickets for teachers and students are available for $25/day for any program. Free tickets are available in limited quantities for students age 25 or younger (inquire at [email protected]). Lucrezia’s Family: The Renaissance Borgia Dynasty brings together a panel of noted scholars to re-examine the Borgias in the context of their considerable contributions to the Italian Renaissance as reflected in art, music, literature, and social mores. -
The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 The hoirC Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI Maureen Elizabeth Cox University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the History of Art, Architecture, and Archaeology Commons, and the History of Religion Commons Scholar Commons Citation Cox, Maureen Elizabeth, "The hoC ir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4657 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI by Maureen Cox-Brown A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts School of Art and Art History College of The Arts University of South Florida Major Professor: Helena K. Szépe Ph.D. Elisabeth Fraser Ph.D. Mary Fournier Ph.D. Date of Approval: June 28, 2013 Keywords: Humanism, Antonio da Monza, illuminated manuscripts, numismatics, Aesculapius, Pinturicchio, Borgia Copyright © 2013, Maureen Cox-Brown DEDICATION This is lovingly dedicated to the memory of my mother and her parents. Et benedictio Dei omnipotentis, Patris et Filii et Spiritus Sancti descendat super vos et maneat semper ACKNOWLEDGMENTS I would like to thank Dr. -
Family Networks in the Early Modern Mediterranean World
2020 VII From Rome to Gandía: Family Networks in the Early Modern Mediterranean World Alex Mizumoto-Gitter Article: From Rome to Gandía: Family Networks in the Early Modern Mediterranean World From Rome to Gandía: Family Networks in the Early Modern Mediterranean World Alex Mizumoto-Gitter UNIVERSITY OF KANSAS Abstract: Pope Alexander VI worked to maintain and grow his connections in Valencia through strategic positioning of family members, including his son Joan Borgia. Joan was married into the elite De Luna family and became Duke of Gandía, but struggled throughout to live up to expectations for a young adult nobleman. By following the correspondence between Joan and his relatives held in the Archive of the Cathedral of Valencia, it is possible to trace the frustrations expressed by all members of this expanding family. Joan acted out in response to the stress of the move and his new responsibilities, and in doing so repeatedly threatened his family’s regional goals. The marriage demonstrates the strategies elite families, papal and otherwise, used to expand their reach and grow their shared resources. Joan’s experiences in Gandía also provide valuable insight into the expectations of youth in the transitional space between childhood and full maturity. Keywords: patronage; nepotism; household; family; marriage; youth; networks; papacy; Spanish Italy; clothing Introduction: Positioning Joan Borgia n December 1493, the young Joan Borgia (1476–1497) received a sternly worded letter from his older brother.1 It opened graciously, calling him “Most Illustrious Lord and dearest brother,” before going on to scold him in no uncertain terms for his I misbehaviour in the newly acquired Duchy of Gandía on the coast of Valencia.2 Reports had reached Italy from Spain that the sixteen-year-old Joan, away from his family for the first time, had been gambling away his money, hunting dogs and cats in the street for sport, 1 For an overview of the family, see: Óscar Villarroel González, Los Borgia: Iglesia y poder entre los siglos xv y xvi (Madrid: Sílex, 2005). -
Renaissance Diplomacy in Practice: the Case of Gregorio Casali, England’S Ambassador to the Papal Court, 1525-33
Renaissance diplomacy in practice: the case of Gregorio Casali, England’s ambassador to the papal court, 1525-33 Catherine Lucy Fletcher Royal Holloway, University of London Thesis presented for the award of PhD 1 I confirm that the work contained in this thesis is entirely my own. Catherine Fletcher 23 April 2008 2 Abstract THIS thesis investigates the day-to-day practice of Renaissance diplomacy through a case-study of Gregorio Casali, one of a number of Italians in the Roman diplomatic corps who served foreign princes, in Casali’s case King Henry VIII of England. It outlines and analyses the key elements of the resident ambassador’s role, shifting the focus of study from the traditional emphasis on official negotiations and such formal sites for the exercise of power to consider too informal relationships and arenas for diplomacy. Chapters consider the diplomat’s role in Rome (the most developed diplomatic centre of its day); the relevance of family and friendship networks in Casali’s career; the importance of hospitality and liberality in diplomatic life; gift- giving and ‘bribery’. Drawing on recent scholarship relating to such issues as the house, household and gift-giving, the thesis situates Renaissance diplomacy in its broader social context. It thus contributes to the new trend among historians of diplomacy to adopt methods from social and cultural history, but, in applying the methodology of microhistory, takes this to a new level. As well as raising new questions about the role of the resident ambassador and his interaction with other diplomatic and political actors, the case of Casali and his family draws attention to the important issue of the employment of foreigners in diplomatic service during this period, allowing a consideration of how loyalty was understood and allegiances were managed. -
The Borgias: “Truth” Vs Reality
1 The Borgias: “Truth” vs Reality By Theodore Kemna Introduction As I described often in class for the last few months pre-quarantine, my research for our semester long project had been on the weirder and more taboo Popes, with my research question being “What absurd stories of old Popes are true and what are myths?” Unfortunately, through my research, though I came across some very odd stories from all over the history of the catholic church, I ended up focusing on the biggest of the more well known papacy-centric collections of tales, the saga of the Borgias, which made my research question more “What absurd stories about Alexander VI are true and what are myths?” by the end. Though in the course of my research some of the information that first piqued my interest has been disproven as most likely myths, I don’t wish to rob the class of these stories. That’s why I have decided to present the information as a “Truth” vs Reality article, in which I will first outline the “truth” of the stories as often outlined and believed in our modern day society, then counter and compare it with the reality of the actual situation. With that out of the way, here it is, presented in all it’s glory. “The Truth” of The Borgias In late July 1492, Pope Innocent VIII died, and the Cardinals of the Vatican were assembled to vote for his successor. In the center of this vote were two men, Cardinal Giuliano della Rovere and Cardinal Rodrigo de Borgia. -
The Life of Cesare Borgia
The Life of Cesare Borgia Rafael Sabatini The Life of Cesare Borgia Table of Contents The Life of Cesare Borgia.........................................................................................................................................1 Rafael Sabatini...............................................................................................................................................1 PREFACE......................................................................................................................................................2 BOOK I. THE HOUSE OF THE BULL.....................................................................................................................8 CHAPTER I. THE RISE OF THE HOUSE OF BORGIA............................................................................8 CHAPTER II. THE REIGNS OF SIXTUS IV AND INNOCENT VIII.....................................................12 CHAPTER III. ALEXANDER VI...............................................................................................................21 CHAPTER IV. BORGIA ALLIANCES......................................................................................................29 BOOK II. THE BULL PASCANT...........................................................................................................................36 CHAPTER I. THE FRENCH INVASION..................................................................................................36 CHAPTER II. THE POPE AND THE SUPERNATURAL........................................................................44 -
The Substance of Gothic (1917)
OP THE UNIVERSITY OF THE SUBSTANCE OF GOTHIC THE SUBSTANCE OF GOTHIC Six Lectures on the Development of Architecture from Charlemagne to Henry Fill GIVEN AT THE LOWELL INSTITUTE, BOSTON IN NOVEMBER AND DECEMBER, 1916 BY RALPH ADAMS CRAM LITT.D., LL.D., F.A.I. A., F.R.G.S., ETC. \ I BOSTON MARSHALL JONES COMPANY MDCCCCXVII 67 Copyright, BY MARSHALL JONES COMPANY ytf/7 rights reserved Published September, 1917 " < PRINTED BY THE UNIVERSITY PRESS, CAMBRIDGE, U.S.A. MA 440 C7 PREFACE IN philosophical terminology every exist- ing thing is composed of substance and acci- dents, the first being its essential quality, the second its visible form. Accidents may change while the substance remains immu- table, and the substance may change though the accidents remain as before. Between the cradle and the grave man goes through a constant process of change, but that which makes each a definite individual, marked off from all others of his race in unique individuality, remains a fixed and immu- table ego, however much it may develop and expand, or degenerate and fail. Death itself, which destroys the accidents of earthly housing, cannot touch the immortal soul .or diminish its integrity, though the visible manifestation may differ as much from that of its earthly habitation as the moth differs from the chrysalis or the ante- cedent worm. So in the case of the Holy Sacrament of the Altar, the words of con- [v] M668034 PREFACE secration and the miracle that follows thereon have no effect on the accidents of form, shape, colour, ponderability, but the substance has been wholly changed, and though to the senses the wafer is still but a white disk of unleavened bread, the wine but the fermented juice of the grape, the one has become, in substance, the very Body of Christ, the other His sacred Blood. -
A Papal Hall of State: Ceremony And
A PAPAL HALL OF STATE: CEREMONY AND MULTIFUNCTIONALITY IN THE BORGIA APARTMENT by EMILY BROWN KELLEY TANJA JONES, COMMITTEE CHAIR HEATHER MCPHERSON MINDY NANCARROW A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the joint program in Art History in the Graduate Schools of The University of Alabama and The University of Alabama at Birmingham TUSCALOOSA, ALABAMA 2014 Copyright Emily Brown Kelley 2014 ALL RIGHTS RESERVED ABSTRACT Situated on the second level (piano nobile) of the Vatican Palace, overlooking the south side of the Belvedere Courtyard, are eight rooms or sale that comprised the papal apartment of the Spanish native, Pope Alexander VI (Rodrigo Borgia, born c. 1431; r. 1492-1503). These spaces once hosted powerful cardinals and heads of state for diplomatic or religious matters. They also served as Alexander VI’s private living spaces. During meetings or meals with the Borgia pope, guests encountered a visual array of opulent fresco programs that included fictive tapestries along the lower half of the wall surface, vibrant narrative lunettes on the upper half, and lavishly gilded vault programs decorated by Bernardino Pinturicchio (1454-1513) and his workshop during 1492-94. Combining iconographic study, examination of primary source documents regarding court ceremony and use of the space, and architectural analyses of Roman palazzi from the period, this thesis offers the first sustained consideration of the multiple, and often overlapping, functions that the eight rooms of the Borgia apartment likely served during Alexander VI’s pontificate. Such an effort is especially important as Alexander VI’s apartment in the Vatican Palace represents the oldest surviving decorated papal apartment in Rome. -
Lot 1 from Mr
LOT 1 FROM MR. JOHN OSBORNE 1 Hoist The Flag Alleged Shantou (USA) Princess Pout Shaima Shareef Dancer CHESNUT FILLY Oh So Sharp (IRE) Pine Bluff Danzig February 6th, 2007 La Panthere (USA) Rowdy Angel (1994) La Tritona Touching Wood La Mirande E.B.F. Nominated. 1st dam LA PANTHERE (USA): ran on the flat in France at 2 years; dam of 6 winners from 6 runners and 8 foals of racing age; Tritonix (IRE) (2003 g. by Linamix (FR)): 5 wins, £64,199: 2 wins at 2 and 3 years, 2006 in France and £43,059 and placed 6 times inc. 3rd G. P. de Clairefontaine- Haras du Logis, Clairefontaine, L. and Prix Turenne, Chantilly, L.; also 3 wins over hurdles at 3 and 4 years, 2007 and £21,140 and placed once. La Premia (FR) (1999 f. by Priolo (USA)): 7 wins at 2 to 4 years in France and £52,279 and placed 15 times. Le Tigre d'Or (FR) (2002 c. by Indian Ridge): 4 wins at 4 and 5 years, 2007 in France and £23,239 and placed twice. L'Impressioniste (FR) (2004 c. by Peintre Celebre (USA)): 3 wins at 3 and 4 years, 2008 in France and £28,981 and placed twice. La Limite (IRE) (1998 f. by Dr Devious (IRE)): 2 wins at 2 and 3 years in France and £23,944 and placed 5 times; dam of 2 winners: Pres des Etoiles (FR): 2 wins at 2 years, 2007 in France, £11,559, placed twice. Mefiat (IRE): winner at 3 years, 2007 in France and placed once. -
The Borgias Free Ebook
FREETHE BORGIAS EBOOK Christopher Hibbert | 336 pages | 07 Jul 2011 | Little, Brown Book Group | 9781849019941 | English | London, United Kingdom The Borgias (TV Series –) - IMDb Lucrezia is The Borgias after Paolo's death, but it is ruled a suicide as King Charles marches north to revenge themselves on the Pope and the Eternal City. The Pope excommunicates Friar Savanarola and he fails a test by fire while Giovanni haunted by shame and the agonies of syphilis threatens Lucrezia's son. From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. See the full gallery. The rise to power, and start of a dynasty, of the Borgia family. The position brings with it many enemies, internal and state- based, and he has to use all of his abilities of diplomacy, ruthlessness, charm, and the power of the church to stay in power, and alive. Luckily, his children are equally ambitious. Written by grantss. The best word The Borgias describe this show is 'beautiful'. The sets and costumes, like other reviewers have pointed out, The Borgias stunning. Everything flows together The Borgias, and nothing feels The Borgias of place or awkward. Going into this show, from the buzz surrounding it, I was expecting a The Borgias opera, akin to The Tudors. Calling it a soap opera, however, really doesn't do the show justice. Sure, it shares some elements with soap operas, but it's so much more. It's hard to describe without giving out spoilers, though, so you'll just have to see for yourself.