DOCSLIB.ORG

Finding Aid to the Wargaming.Net Records, 2009-2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Finding Aid to the Wargaming.Net Records, 2009-2018 Brian Sutton-Smith Library and Archives of Play Wargaming.net Records Finding Aid to the Wargaming.net Records, 2009-2018 Summary Information Title: Wargaming.net records Creator: Wargaming.net (primary) ID: 118.2333 Date: 2009-2018 (inclusive) Extent: 815 GB (digital) Language: This collection is mainly in English and Russian, with some instances of Japanese, French, German, and other Eastern European languages. These are indicated in the Contents List section of this finding aid. Abstract: The Wargaming.net records are a compilation of photos, videos, graphics, presentations, and text documents created by staff at Wargaming.net. Materials include product photos, convention photos, staff information, studio documentation, promotional videos, press releases, and more. The bulk of the materials are dated between 2012-2018. Repository: Brian Sutton-Smith Library and Archives of Play at The Strong One Manhattan Square Rochester, New York 14607 585.263.2700 [email protected] Administrative Information Conditions Governing Use: This collection is open for research use by staff of The Strong and by users of its library and archives. Though the donor has not transferred intellectual property rights (including, but not limited to any copyright, trademark, and associated rights therein) to The Strong, they have given permission for The Strong to make copies in all media for museum, educational, and research purposes. Conditions Governing Access: At this time, digital videos in this collection are limited to on- site researchers only. It is possible that certain formats may be inaccessible or restricted. Please see The Strong’s Digital Games Files Access Policy. Custodial History: The Wargaming.net collection was donated to The Strong in April 2018 as a gift from Wargaming Group Ltd. The digital files were accessioned by The Strong under Object ID 118.2333 and were received from Tracy Spaight. Preferred citation for publication: Wargaming.net records, Brian Sutton-Smith Library and Archives of Play at The Strong Processed by: Julia Novakovic, March-April 2019 Controlled Access Terms Personal Names • Burkatovskiy, Sergey • Kislyi, Victor • Makarov, Slava • Spaight, Tracy April 2019 Page 1 Brian Sutton-Smith Library and Archives of Play Wargaming.net Records • Yarantsev, Andrew Corporate Names • Wargaming Group Limited • Wargaming.net Subjects • Computer games • Electronic games • Esports • Internet games • Role playing • Role playing games • Shared virtual environments • Simulation games • Video games industry • Video games--History • War games • Wargaming in history • Wargaming.net • World of Tanks (Game) • World of Warplanes (Game) • World of Warships (Game) Historical Note Wargaming.net (also called Wargaming Group Limited or Wargaming) is a multinational video game company headquartered in Nicosia, Cyprus. They are best known for their award-winning online game World of Tanks. Victor Kislyi founded game company Wargaming in Minsk, Belarus in 1998. For more than a decade, Wargaming produced turn-based strategy games DBA Online and Massive Assault, later shifting to real-time strategy games such as Order of War. In 2010, Wargaming released its first online title World of Tanks, a massively multiplayer online (MMO) game showcasing mid-20th century combat vehicles; this historical war game is free to play, with users opting in to pay a fee for use of premium game features. World of Tanks benefited from conventional war gamers’ enthusiasm for customizing miniatures and model vehicles. In the game, players selected a nation; outfitted a tank, tank destroyer, or self-propelled gun; and waged war in massive multiplayer battles. Players personalized their own vehicles with camouflage schemes or enhanced weaponry purchased with in-game credits. The company then capitalized on its gamification of military tanks, developing World of Warplanes and World of Warships. During the 2010s, Wargaming acquired several game studios across the globe (including Lesta Studio in St. Petersburg, Russia; Persha Studio in Kiev, April 2019 Page 2 Brian Sutton-Smith Library and Archives of Play Wargaming.net Records Ukraine; and Edge Case Games in Guildford, England) while establishing new offices in Berlin, Helsinki, Moscow, and the United States. Wargaming operated its own esports league, the Wargaming.net League, from 2013-2017. The league began with games in the European Union, later expanding to North America and Asia. Seasons culminated in the Grand Finals, with the winning teams earning a significant cash prize. As of 2019, Wargaming continues to produce gaming experiences and services for players across PC, console, and mobile platforms. Collection Scope and Content Note The Wargaming.net records contain digital files created by Wargaming.net, a developer of military strategy games. Company history materials include staff member biographies, photographs, project information, and product photographs. Within the marketing and public relations files are press releases, media coverage and awards tracking, project information, and videos. Also included in this collection are photos and videos from conventions, award shows, and events, as well as video interviews with staff members. The bulk of the materials are dated between 2012 and 2018. Additional scope and content information can be found in the Contents List section of this finding aid. The Wargaming.net records have been arranged into six series, one of which has been further divided into subseries. This digital collection can be accessed on-site at The Strong. Related Materials The Strong also houses various promotional items for World of Tanks (including Matryoshka dolls, a canteen, and fan-created sculptures) as well as ephemera from company projects. The online exhibit World of War Games: A History of Wargaming was produced by The Strong in 2018. System of Arrangement Series I: Company history, 2012-2018 Series II: Marketing and public relations, 2009-2018 Subseries A: Marketing projects Subseries B: Press releases Subseries C: Media coverage Subseries D: Awards Subseries E: Videos Series III: Conventions and award shows, 2009-2017 Series IV: Events, 2012-2018 Series V: Staff interviews, 2012-2016 Series VI: Player-generated content, 2017-2018 April 2019 Page 3 Brian Sutton-Smith Library and Archives of Play Wargaming.net Records Contents List Series I: Company history, 2012-2018 Scope and Content Note: This series contains digital files relating to the company history of Wargaming.net. Materials include brief staff member biographies, photographs of staff and offices, Corporate Social Responsibility Marketing (CSRM) project information, and product images. Projects include battle reenactments, events at the Bovington Tank Museum, a Google Cardboard collaboration, battleship preservation support, charity sponsorships, and more. Folders and files have retained their original naming conventions from the donor when possible. Descriptions of file contents are indicated in brackets where needed. Some text is in Russian. Digital – I Folder 1 Folder 01_Staff bios 01. PDF [1 file] ▪ “01. Combined_Staff bio pages_2018” - .PDF, 2018 02. Separate files [58 files] ▪ “01. Richard_Cutland_Bio” - .doc, 2016 ▪ “02. WG_Bio_2015.10.29_Deon_Pek_Eng_Finale” - .doc, 2015 ▪ “03. WG_Bio_2015.10.29_Jini_Jun_Eng_Finale” - .doc, 2015 ▪ “04. WG_Bio_2015.10.29_Oscar_Miranda_Eng_Finale” - .doc, 2015 ▪ “05. WG_Bio_2015.11.09_Vadim_Pateshkin_Eng_Finale” - .doc, 2015 ▪ “06. WG_Bio_2016.02.05_Alex_Babko_Eng_Finale” - .doc, 2016 ▪ “07. WG_Bio_2016.02.05_Matt_Daly_Eng_Finale” - .doc, 2016 ▪ “08. WG_Bio_2016.02.05_Natallia_Pershyts_Eng_Finale” - .doc, 2016 ▪ “09. WG_Bio_2016.02.05_Tracy_Spaight_Eng_Finale” - .doc, 2016 ▪ “10. WG_Bio_2016.02.11_Chris_Keeling_Eng_Finale” - .doc, 2016 ▪ “11. WG_Bio_2016.02.12_George_Rodionov_Eng_Finale” - .doc, 2016 ▪ “12. WG_Bio_2016.03.18_Alexey_Kornushev_Eng_Finale” - .doc, 2016 ▪ “13. WG_Bio_2016.03.18_Frederic_Menou_Eng_Finale” - .doc, 2016 ▪ “14. WG_Bio_2016.03.18_Markus_Schill_Eng_Finale” - .doc, 2016 ▪ “15. WG_Bio_2016.03.18_Nicolas_Pessemard_Eng_Finale” - .doc, 2016 ▪ “16. WG_Bio_2016.06.21_Sergey_Laptenok_Eng_Finale” - .doc, 2016 ▪ “17. WG_Bio_2016.06.21_Sergey_Vorobyev_Eng_Finale” - .doc, 2016 ▪ “18. WG_Bio_2016.06.23_Mike_Zhivets_Eng_Finale” - .doc, 2016 ▪ “19. WG_Bio_2016.07.29_Artiom_Muraska_Eng_Finale” - .doc, 2016 ▪ “20. WG_Bio_2016.07.29_Jacek_Pudlik_Eng_Finale” - .doc, 2016 April 2019 Page 4 Brian Sutton-Smith Library and Archives of Play Wargaming.net Records ▪ “21. WG_Bio_2016.08.01_Alberto_Delgado_Eng_Finale” - .doc, 2016 ▪ “22. WG_Bio_2017.06.16_Y_Oganova_Eng_Finale” - .doc, 2017 ▪ “23. WG_Bio_2017.09.07_Max_Chuvalova_Eng_Finale” - .doc, 2017 ▪ “24. WG_Bio_Aleksandr_Bogomolskiy_Eng_Finale” - .doc, 2018 ▪ “25. WG_Bio_Aleksandr_Zotikov_Eng_Finale” - .doc, 2018 ▪ “26. WG_Bio_Aleksey_Kuznetsov_Eng_Finale” - .doc, 2018 ▪ “27. WG_Bio_Alex_Zezulin_Eng_Finale” - .doc, 2018 ▪ “28. WG_Bio_Alexander_deGiorgio_Eng_Finale” - .doc, 2018 ▪ “29. WG_Bio_Alexander_Derkach_Eng_Finale” - .doc, 2018 ▪ “30. WG_Bio_Anton_Oparin_Eng_Finale” - .doc, 2018 ▪ “31. WG_Bio_Anton_Pankov_Eng_Finale” - .doc, 2018 ▪ “32. WG_Bio_Artur_Plociennik_Eng_Finale” - .doc, 2018 ▪ “33. WG_Bio_Artur_Tokhtash_Eng_Finale” - .doc, 2018 ▪ “34. WG_Bio_Chad_Stiengraber_Eng_Finale” - .doc, 2018 ▪ “35. WG_Bio_Chris_Taylor_Eng_Finale” - .doc, 2018 ▪ “36. WG_Bio_Chris_Cook_Eng_Finale” - .doc, 2018 ▪ “37. WG_Bio_Danny_Volkov_Eng_Finale” - .doc, 2018 ▪ “38. WG_Bio_Eugene_Mikhno_Eng_Finale” - .doc, 2018 ▪ “39. WG_Bio_Hideyo_Ikeda_Eng_Finale”
Load more

Recommended publications
  • 620-100531B E3 Emerge UL Installation Instructions.Indd
    PRINTER’S INSTRUCTIONS: e3 eMerge Access Control System Document Number: 620-100531, Rev. B Installation Instructions SIZE: FLAT 17.000” X 11.000”, FOLDED 8.500” X 11.000” - FOLDING: ALBUM FOLD - BINDING: SADDLE STITCH - SCALE: 1-1 SADDLE STITCH - SCALE: FOLD - BINDING: ALBUM - FOLDING: X 11.000” X 11.000”, FOLDED 8.500” 17.000” FLAT SIZE: MANUAL,INSTALLATION,E3 EMERGE,UL - P/N: 620-100531 B - INK: BLACK - MATERIAL: GUTS 80G WOOD FREE, COVER 157G COATED GLOSS ART 157G COATED FREE, COVER WOOD GUTS 80G - MATERIAL: BLACK 620-100531 B - INK: EMERGE,UL - P/N: MANUAL,INSTALLATION,E3 Notices All rights strictly reserved. No part of this document may be reproduced, copied, adapted, or transmitted in any form or by any means without written permission from Nortek Security & Control LLC. Standards Approvals This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense. e3 eMerge systems are Level I UL 294 listed devices and must be installed in controlled locations. Corporate Office Nortek Security & Control LLC 1950 Camino Vida Roble, Suite 150 Carlsbad, CA 92008-6517 Tel: (800) 421-1587 / 760-438-7000 Fax: (800) 468-1340 / 760-931-1340 Technical Support Tel: (800) 421-1587 Hours: 5:00 AM to 4:30 PM Pacific Time, Monday - Friday Notice It is important that this instruction manual be read and understood completely before installation or operation is attempted.
    [Show full text]
  • How World of Warships Doubled Referrals with Amazon Moments
    How World of Warships doubled referrals with Amazon Moments 100% 38% 20% 42% increase in increase in average increase in conversions decrease in cost referrals revenue per user to payers per action CHALLENGES World of Warships is a free-to-play naval warfare-themed multiplayer online game produced and published by Wargaming. World of Warships had an existing referral program targeted at both acquiring new players and winning back lapsed players (over 90 days inactive) but wanted to improve the participation numbers and make it more valuable for players to refer their friends. In addition, they were looking to explore the potential of a rewards powered referral program as a more cost effective user acquisition channel. World of Warships had previously tested a small pilot campaign to enable rewards for referrals but needed a more streamlined solution for providing rewards across multiple countries. Amazon Moments allowed World of Warships to easily deliver valuable, real-world rewards to players to drive acquisition and winback and lower acquisition costs. SOLUTION To increase player referrals and drive stickiness for new and returning users, World of Warships launched a Moments-powered campaign that provided Amazon credits to players who referred a friend (a recruit). Recruits were invited to join or return to the game via personal referral links sent by World of Warships players. To qualify for the referral reward, new recruits needed to play a battle on a non-premium tier 6 ship, and returned players needed to win 25 battles. To participate in the referral program, players needed to have at least 15 battles played on their account.
    [Show full text]
  • November 2008
    >> TOP DECK The Industry's Most Influential Players NOVEMBER 2008 THE LEADING GAME INDUSTRY MAGAZINE >> BUILDING TOOLS >> PRODUCT REVIEW >> LITTLE TOUCHES GOOD DESIGN FOR NVIDIA'S PERFHUD 6 ARTISTIC FLOURISHES INTERNAL SYSTEMS THAT SELL THE ILLUSION CERTAIN AFFINITY'S AGEOFBOOTY 00811gd_cover_vIjf.indd811gd_cover_vIjf.indd 1 110/21/080/21/08 77:01:43:01:43 PPMM “ReplayDIRECTOR rocks. I doubt we'd have found it otherwise. It turned out to be an occasional array overwrite that would cause random memory corruption…” Meilin Wong, Developer, Crystal Dynamics BUGS. PETRIFIED. RECORD. REPLAY. FIXED. ReplayDIRECTOR™ gives you Deep Recording. This is much more than just video capture. Replay records every line of code that you execute and makes certain that it will Replay with the same path of execution through your code. Every time. Instantly Replay any bug you can find. Seriously. DEEP RECORDING. NO SOURCE MODS. download today at www.replaysolutions.com email us at [email protected] REPLAY SOLUTIONS 1600 Seaport Blvd., Suite 310, Redwood City, CA, 94063 - Tel: 650-472-2208 Fax: 650-240-0403 accelerating you to market ©Replay Solutions, LLC. All rights reserved. Product features, specifications, system requirements and availability are subject to change without notice. ReplayDIRECTOR and the Replay Solutions logo are registered trademarks of Replay Solutions, LLC in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners. []CONTENTS NOVEMBER 2008 VOLUME 15, NUMBER 10 FEATURES 7 GAME DEVELOPER'S TOP DECK Not all game developers are cards, but many of them are unique in their way—in Game Developer's first Top Deck feature, we name the top creatives, money makers, and innovators, highlighting both individual and company achievements.
    [Show full text]
  • From the Director's Chair
    Newsletter of the Battleship Texas Foundation Spring 2018 In this issue . From The Director's Chair The Director's Chair Pg1 I wanted to share with you the highly successful partnership we have done with Wargaming.net. FTV Report Pg3 Battleship Texas Foundation Announces Partnership with OEP Report Pg4 Wargaming to Preserve Battleship TEXAS, Project VALOR Curators Corner Pg5 HOUSTON (Jan. XX, 2018) – Battleship Texas Foundation has announced its joint partnership with Wargaming.net, a Supporters Pg6 leading online game developer and publisher, to preserve In Memory Of Pg7 the historic naval ship, Battleship TEXAS. The Foundation and Wargaming collaborated to create World of Warships, a Membership Forms Pg8 free, online historical combat game, that allows participants to command ships from massive naval fleets with history’s most iconic vessels. World of Warships is part of the Project VALOR (Veterans and Loved Ones Responsibility) campaign, Wargaming’s Navy Poster . four-part charity program emphasizing family, home, remembrance and giving thanks. To date, the campaign has raised more than $281,000 from World of Warships’ players. All proceeds garnered will support the restoration of Battleship TEXAS. A 34-year veteran and hallmark of honor and strength, the Battleship TEXAS served the United States in both World War I and World War II. Commissioned in 1914 as the most powerful weapon in the world, she is credited with the introduction and innovation of advances in gunnery, aviation and radar. She is the last surviving dreadnought and the only battleship in existence today that fought in both world wars. continued on next page Battleship TEXAS Foundation From The Director's Chair continued Advisory Directors Hon.
    [Show full text]
  • Сonference Program "SQA Days - 25"
    Сonference program "SQA Days - 25" Legend Test management Automaon tesng Mobile tesng Performance/Security tesng Test design and so on Psychology, learning Funconal tesng New technologies tesng (AI, blockchains, IoT, etc.) Other 31.05.2019 – First Day Secon A (330 people) Secon B (300 people) Secon C (250 people) 08:30 Registraon, morning tea/coffee 09:30 Opening ceremony 10:00 10:40 Andrey Ladutko Nikita Belkovskiy Yana Korsunskaya PandaDoc АО "Аркадия" BPMobile Minsk, Belarus Taganrog, Russia Minsk, Belarus OKR and QA - praccal advices Tesng SQL Server code with Features of subscripons tesng Regular Talk (1 h 30 min) tSQLt in iOS Regular Talk (40 min) Regular Talk (40 min) 10:55 11:35 Vitaliy Roschupkin Vitaliy Pedash ЗАО "ПФ "СКБ Контур" TDNA Ekaterinburg, Russia Zaporozhe, Ukraine Lead developers taught me how Perfomance tesng of iOS app to write automated tests via Xcode Regular Talk (40 min) Regular Talk (40 min) 11:50 12:30 Sergey Atroschenkov Igor Ershov Lunch. 1st shi EPAM, Radio-QA АО "Калуга Астрал" Kaluga, Russia Buzzword Driven Management Regular Talk (40 min) From Page Object to MVC using .NET Regular Talk (40 min) 12:45 13:25 Kateryna Chernikova Liliya Sapurina Krisna Stolyarenko Wix Deutsche Bank ООО "Клин.ру" Dnepropetrovsk, Ukraine Saint Petersburg, Russia Moscow, Russia Lean QA - A/B tesng, Tips and tricks: test syntax Money as a metric to bugs monitoring, automaon simplifying and mul- priorisaon Regular Talk (40 min) environment tesng Regular Talk (40 min) Regular Talk (40 min) 13:40 14:20 Nataliya Borisova Sergey Khrenov
    [Show full text]
  • 4. Wargaming the Middle East: the Evolution of Simulated Battlefields from Chequerboards to Virtual Worlds and Instrumented Artificial Cities
    4. Wargaming the Middle East: The Evolution of Simulated Battlefields from Chequerboards to Virtual Worlds and Instrumented Artificial Cities Janina Schupp Abstract Shortly after the end of a tank combat during the Gulf War, a team of US Army historians, scientists, and engineers flew to Iraq to gather detailed data of the battle. The collected information was used to create an exact virtual simulation of the combat for training. The mapping capability – offered by the resulting simulation game 73 Easting – to visualize the battlefield from any position and point in time revolutionized military exercises. With ongoing conflicts in the Middle East, these digital training cartographies are now linked to real bodies and vehicles through digital and mobile technologies during live training in artificially constructed villages. This chapter analyses this evolution and critically investigates the growing ‘gamification’ ensuing in these representations of Middle Eastern battlefields. Keywords: Wargames, Middle East, interactive battlespace, live simulations In war the experienced soldier reacts in the same way as the human eye does in the dark: the pupil expands to admit what little light there is, discerning objects by degrees, and finally seeing them indistinctly. By contrast, the novice is plunged into the deepest night. […] It is immensely important that no soldier, whatever his rank, should wait for war to expose him to those aspects of active service that amaze and confuse him when he first comes across them. (Clausewitz 1989, p. 122) Strohmaier, A. and A. Krewani (eds.), Media and Mapping Practices in the Middle East and North Africa: Producing Space. Amsterdam: Amsterdam University Press, 2021 doi 10.5117/9789462989092_ch04 96 JANINA SCHUPP The act of playing at war is deeply engrained in human history and has per- sisted to the present day in both professional and hobby culture.
    [Show full text]
  • REGAIN CONTROL, in the SUPERNATURAL ACTION-ADVENTURE GAME from REMEDY ENTERTAINMENT and 505 GAMES, COMING in 2019 World Premiere
    REGAIN CONTROL, IN THE SUPERNATURAL ACTION-ADVENTURE GAME FROM REMEDY ENTERTAINMENT AND 505 GAMES, COMING IN 2019 World Premiere Trailer for Remedy’s “Most Ambitious Game Yet” Revealed at Sony E3 Conference Showcases Complex Sandbox-Style World CALABASAS, Calif. – June 11, 2018 – Internationally renowned developer Remedy Entertainment, Plc., along with its publishing partner 505 Games, have unveiled their highly anticipated game, previously known only by its codename, “P7.” From the creators of Max Payne and Alan Wake comes Control, a third-person action-adventure game combining Remedy’s trademark gunplay with supernatural abilities. Revealed for the first time at the official Sony PlayStation E3 media briefing in the worldwide exclusive debut of the first trailer, Control is set in a unique and ever-changing world that juxtaposes our familiar reality with the strange and unexplainable. Welcome to the Federal Bureau of Control: https://youtu.be/8ZrV2n9oHb4 After a secretive agency in New York is invaded by an otherworldly threat, players will take on the role of Jesse Faden, the new Director struggling to regain Control. This sandbox-style, gameplay- driven experience built on the proprietary Northlight engine challenges players to master a combination of supernatural abilities, modifiable loadouts and reactive environments while fighting through the deep and mysterious worlds Remedy is known and loved for. “Control represents a new exciting chapter for us, it redefines what a Remedy game is. It shows off our unique ability to build compelling worlds while providing a new player-driven way to experience them,” said Mikael Kasurinen, game director of Control. “A key focus for Remedy has been to provide more agency through gameplay and allow our audience to experience the story of the world at their own pace” “From our first meetings with Remedy we’ve been inspired by the vision and scope of Control, and we are proud to help them bring this game to life and get it into the hands of players,” said Neil Ralley, president of 505 Games.
    [Show full text]
  • Rules of the Cyberpunk 2077 Cosplay Contest
    CD PROJEKT S.A. ul. Jagiellońska 74, 03-301 Warszawa | tel. +48 22 519 69 00 thewitcher.com | cyberpunk.net | cdprojektred.com RULES OF THE CYBERPUNK 2077 COSPLAY CONTEST § 1 GENERAL PROVISIONS 1. This document (further: “Rules”) describes the terms and conditions of the Cyberpunk 2077 Cosplay Contest (further: “Contest”). 2. Within the Contest we invite you (further: “Contestant”) to create cosplay outfit based on any character showed in the official Cyberpunk 2077 video game materials released by Organiser (“Costume”) and participate in Online or Offline Qualifiers. The prizes will go to the Contestants whose Costumes are the most accurate, creative, of the highest quality and best overall look. 3. The Contest is open for Contestants all around the world. 4. The Contest is organised by us, the company CD PROJEKT S.A., with its registered office in Warsaw, Poland, ul. Jagiellońska 74, 03-301 Warszawa, registered by the District Court for Warsaw in Warsaw, 13th Commercial Department of the Polish Court Register, under Polish Court Register number KRS 0000006865, tax identification number NIP 7342867148, statistical number REGON 492707333; share capital of PLN 96,120,000.00, paid up in full (further: “we” or the “Organiser”). § 2 WHO CAN PARTICIPATE? 1. You can participate in the Contest if you are at least 18 years old on the day of entering the Contest and you have full legal capacity, i.e. you can independently enter into legal transactions, including binding contracts, in accordance with your local law. 2. You cannot participate in the Contest if you are an employee of the Organiser or of its affiliates, subsidiaries, manufacturers, sales representatives or advertising agencies; or a member of such employee’s immediate family.
    [Show full text]
  • Checklist for Submission to Gamescom Award 2020
    DEADLINE Friday, August 7th 2020 gamescom award honors outstanding games and products presented within the frame of gamescom 2020. Organizer of the award is the Digital Gaming Culture Foundation. To evaluate and rate the award submissions, the organizer composes an independent and internationally-staffed jury. By submitting a game or product to gamescom award, a company agrees to the regulations of gamescom award 2020. They can be found here (German) or here (English), near the bottom of the page, under the respective subheader. Checklist for submission to gamescom award 2020 For a successful submission to the gamescom award it is necessary to comply with the following regulations. Need help? Call +49 30 29 04 92 92 Please make sure that your game / product is not in Any questions? [email protected] conflict with any of the following criteria. Otherwise, its submission cannot be accepted. The submitted game / product has never been submitted for gamescom award in previous years.* The submitted game / product will be released in Germany or in my company‘s domestic market between the beginning of gamescom 2020 and the beginning of gamescom 2021 Benjamin Rostalski Tobias Lo Coco I’ve specifiedat least one contact person (see page 3) responsible for the game / product during the submission process, who is eligible to be called during a live streamed award ceremony. I am submitting this submission form prior to the Gameplay footage will be submitted alongside deadline on Friday, August 7th 2020 as a writable this form via link on page 3. PDF containing verified and copyable links, Footage must feature: contact details etc.
    [Show full text]
  • Modelos De Negocio En Esports: El Rol De ESL En El Desarrollo De CS:GO
    Modelos de negocio en eSports: El rol de ESL en el desarrollo de CS:GO Diana Carolina Gil Silva Trabajo Final de Maestría presentado como requisito parcial para optar al título de: Magister en Administración Director (UNAL Colombia): Prof. Dr. Sebastian Robledo Co-director: Prof. Dr. Eduardo Villegas Director (EUV Alemania): Prof. Dr. Georg Stadtmann Supervisor: Philipp Barth Universidad Nacional de Colombia Facultad de Administración, Maestría en Administración Manizales, Colombia 2019 Modelos de negocio en eSports: El rol de ESL en el desarrollo de CS:GO Resumen Los deportes electrónicos se han convertido en una industria potencial para hacer negocios, para atraer jugadores, equipos y aficionados. Sin embargo, ¿cómo son los modelos de negocio en eSports? ¿Y cuál es el rol de ESL en el desarrollo de CS:GO? Esta tesis analiza el modelo de negocio del organizador de torneos ESL mediante la herramienta Business Model Canvas (BMC). El énfasis está en cuatro importantes building blocks: propuesta de valor (value proposition, VP), segmentos de clientes (customer segments, CS), socios clave (key partners, KP) y flujos de ingresos (revenue streams, R$). La autora explora los stakeholders de los eSports, y describe fuentes secundarias, literatura académica y cifras específicas de eSports orientadas al crecimiento y desarrollo de la industria. Los resultados indican que ESL tiene un papel como mediador en la industria, y además se encarga de hacer alianzas estratégicas con stakeholders de los eSports. Además se evidencia que ESL está trabajando por la estabilidad a largo plazo del modelo de negocio of CS:GO. Gracias a las ligas y torneos, CS:GO tiene una presencia activa en todo el mundo.
    [Show full text]
  • Inaugural DICE Europe
    THE ACADEMY OF INTERACTIVE ARTS AND SCIENCES CROSSES THE POND TO LONDON TO DEBUT D.I.C.E. EUROPE Partners with Video Game Intelligence to Launch Premier European Interactive Entertainment Gathering LOS ANGELES and LONDON – June 7, 2013 – The Academy of Interactive Arts & Sciences (AIAS), in partnership with Video Games Intelligence (VGI), today announced the inaugural D.I.C.E. (Design, Innovate, Communicate, Entertain) Europe conference that will premiere Sept. 24-25, 2013 at the Royal Garden Hotel. Like the annual D.I.C.E. Summit in Las Vegas, which draws some of the brightest and most influential interactive entertainment industry leaders, decision makers and visionaries, D.I.C.E. Europe will offer an unparalleled experience highlighted by premium networking opportunities and a stellar speaker lineup. This two-day event will open Tuesday, Sept. 24, with a full day of networking events for attendees to flex their competitive muscles; organizers will reprise many of the popular events from D.I.C.E. Vegas with a go-karting tournament and a casino poker night. On Wednesday, Sept. 25, there will be a full day of speaker sessions to address the dynamic changes and growth of the industry. The D.I.C.E. Summit speaker program is renowned for jump starting the key industry conversations that resonate throughout the year, and impact the trends directly affecting the industry. The first speakers exemplify the types of industry luminaries who will enlighten, inspire and challenge the attendees. • Rich Hilleman, Chief Creative Director of Electronic Arts, who started developing product with Chuck Yeager's Flight Simulator and continued on with some of the most beloved EA titles.
    [Show full text]
  • Zalacznik Nr 2 Sprawozdanie Z
    BLOOBER TEAM S.A. Sprawozdanie z działalności grupy kapitałowej za okreS 01.01.2020-31.12.2020 DATA PUBLIKACJI: 28 KWIETNIA 2021 Spis treści 1. Informacje ogólne o Spółce Dominującej 3 2. Opis organizacji grupy kapitałowej Bloober Team z uwzględnieniem Spółki dominującej, podmiotów zależnych oraz dodatkowo - podmiotów stowarzyszonych 5 3. Zdarzenia, które istotnie wpłynęły na działalność oraz wyniki finansowe Grupy Kapitałowej, jakie nastąpiły w okresie 01.01.2020-31.12.2020 13 4. Istotne zdarzenia i tendencje po zakończeniu 2020 roku 34 5. Przewidywany rozwój grupy kapitałowej 40 6. Czynniki ryzyka i zagrożeń 41 7. Ważniejsze osiągnięcia w dziedzinie badań i rozwoju 43 8. Personel i świadczenia socjalne 44 9. Sytuacja majątkowa, finansowa i dochodowa 44 10. Nabycie udziałów (akcji) własnych 45 11. Posiadane przez podmioty wchodzące w skład grupy kapitałowej oddziały (zakłady) 46 12. Stosowanie zasad ładu korporacyjnego 47 13. Instrumenty finansowe i prognozy finansowe 47 14. Wskaźniki finansowe i niefinansowe 48 SPRAWOZDANIE ZARZĄDU Z DZIAŁALNOŚCI GRUPY KAPITAŁOWEJ 2 ZA OKRES 01.01.2020–31.12.2020 Informacje ogólne o Spółce Dominującej 1. Informacje ogólne o Spółce Dominującej Firma Bloober Team Spółka Akcyjna (dalej również jako „Spółka”, „Emitent”, „Spółka Dominująca”) Skrót firmy Bloober Team S.A. Siedziba Kraków Adres siedziby ul. Cystersów 9, 31-553 Kraków Telefon + 12 35 38 555 Faks + 12 34 15 842 Adres poczty elektronicznej [email protected], [email protected] Strona internetowa blooberteam.com NIP 676-238-58-17 REGON 120794317
    [Show full text]