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November 2008
>> TOP DECK The Industry's Most Influential Players NOVEMBER 2008 THE LEADING GAME INDUSTRY MAGAZINE >> BUILDING TOOLS >> PRODUCT REVIEW >> LITTLE TOUCHES GOOD DESIGN FOR NVIDIA'S PERFHUD 6 ARTISTIC FLOURISHES INTERNAL SYSTEMS THAT SELL THE ILLUSION CERTAIN AFFINITY'S AGEOFBOOTY 00811gd_cover_vIjf.indd811gd_cover_vIjf.indd 1 110/21/080/21/08 77:01:43:01:43 PPMM “ReplayDIRECTOR rocks. I doubt we'd have found it otherwise. It turned out to be an occasional array overwrite that would cause random memory corruption…” Meilin Wong, Developer, Crystal Dynamics BUGS. PETRIFIED. RECORD. REPLAY. FIXED. ReplayDIRECTOR™ gives you Deep Recording. This is much more than just video capture. Replay records every line of code that you execute and makes certain that it will Replay with the same path of execution through your code. Every time. Instantly Replay any bug you can find. Seriously. DEEP RECORDING. NO SOURCE MODS. download today at www.replaysolutions.com email us at [email protected] REPLAY SOLUTIONS 1600 Seaport Blvd., Suite 310, Redwood City, CA, 94063 - Tel: 650-472-2208 Fax: 650-240-0403 accelerating you to market ©Replay Solutions, LLC. All rights reserved. Product features, specifications, system requirements and availability are subject to change without notice. ReplayDIRECTOR and the Replay Solutions logo are registered trademarks of Replay Solutions, LLC in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners. []CONTENTS NOVEMBER 2008 VOLUME 15, NUMBER 10 FEATURES 7 GAME DEVELOPER'S TOP DECK Not all game developers are cards, but many of them are unique in their way—in Game Developer's first Top Deck feature, we name the top creatives, money makers, and innovators, highlighting both individual and company achievements. -
Rules of the Cyberpunk 2077 Cosplay Contest
CD PROJEKT S.A. ul. Jagiellońska 74, 03-301 Warszawa | tel. +48 22 519 69 00 thewitcher.com | cyberpunk.net | cdprojektred.com RULES OF THE CYBERPUNK 2077 COSPLAY CONTEST § 1 GENERAL PROVISIONS 1. This document (further: “Rules”) describes the terms and conditions of the Cyberpunk 2077 Cosplay Contest (further: “Contest”). 2. Within the Contest we invite you (further: “Contestant”) to create cosplay outfit based on any character showed in the official Cyberpunk 2077 video game materials released by Organiser (“Costume”) and participate in Online or Offline Qualifiers. The prizes will go to the Contestants whose Costumes are the most accurate, creative, of the highest quality and best overall look. 3. The Contest is open for Contestants all around the world. 4. The Contest is organised by us, the company CD PROJEKT S.A., with its registered office in Warsaw, Poland, ul. Jagiellońska 74, 03-301 Warszawa, registered by the District Court for Warsaw in Warsaw, 13th Commercial Department of the Polish Court Register, under Polish Court Register number KRS 0000006865, tax identification number NIP 7342867148, statistical number REGON 492707333; share capital of PLN 96,120,000.00, paid up in full (further: “we” or the “Organiser”). § 2 WHO CAN PARTICIPATE? 1. You can participate in the Contest if you are at least 18 years old on the day of entering the Contest and you have full legal capacity, i.e. you can independently enter into legal transactions, including binding contracts, in accordance with your local law. 2. You cannot participate in the Contest if you are an employee of the Organiser or of its affiliates, subsidiaries, manufacturers, sales representatives or advertising agencies; or a member of such employee’s immediate family. -
Modelos De Negocio En Esports: El Rol De ESL En El Desarrollo De CS:GO
Modelos de negocio en eSports: El rol de ESL en el desarrollo de CS:GO Diana Carolina Gil Silva Trabajo Final de Maestría presentado como requisito parcial para optar al título de: Magister en Administración Director (UNAL Colombia): Prof. Dr. Sebastian Robledo Co-director: Prof. Dr. Eduardo Villegas Director (EUV Alemania): Prof. Dr. Georg Stadtmann Supervisor: Philipp Barth Universidad Nacional de Colombia Facultad de Administración, Maestría en Administración Manizales, Colombia 2019 Modelos de negocio en eSports: El rol de ESL en el desarrollo de CS:GO Resumen Los deportes electrónicos se han convertido en una industria potencial para hacer negocios, para atraer jugadores, equipos y aficionados. Sin embargo, ¿cómo son los modelos de negocio en eSports? ¿Y cuál es el rol de ESL en el desarrollo de CS:GO? Esta tesis analiza el modelo de negocio del organizador de torneos ESL mediante la herramienta Business Model Canvas (BMC). El énfasis está en cuatro importantes building blocks: propuesta de valor (value proposition, VP), segmentos de clientes (customer segments, CS), socios clave (key partners, KP) y flujos de ingresos (revenue streams, R$). La autora explora los stakeholders de los eSports, y describe fuentes secundarias, literatura académica y cifras específicas de eSports orientadas al crecimiento y desarrollo de la industria. Los resultados indican que ESL tiene un papel como mediador en la industria, y además se encarga de hacer alianzas estratégicas con stakeholders de los eSports. Además se evidencia que ESL está trabajando por la estabilidad a largo plazo del modelo de negocio of CS:GO. Gracias a las ligas y torneos, CS:GO tiene una presencia activa en todo el mundo. -
TOKYO GAME SHOW 2020 ONLINE Starts !
The Future Touches Gaming First. Press Release September 24, 2020 TOKYO GAME SHOW 2020 ONLINE Starts ! Official Program Streaming from 20:00, September 24 in JST/UTC+9 Computer Entertainment Supplier’s Association Computer Entertainment Supplier’s Association (CESA, Chairman: Hideki Hayakawa) announces that TOKYO GAME SHOW 2020 ONLINE (TGS2020 ONLINE: https://tgs.cesa.or.jp/) has opened for the five- day period from September 23 (Wed.) to 27 (Sun.), 2020. Online business matching started yesterday, and official program streaming will kick off with the Opening Event from 20:00, Thursday, September 24 (JST/ UTC+9) featuring the Official Supporter Hajime Syacho and other popular figures. The Official Program page offers 35 Exhibitor Programs delivering the latest news and 16 Organizer’s Projects including Keynote Speech, four competitions of e-Sports X, the indie game presentation event SENSE of WONDER NIGHT (SOWN), and the announcement and awarding for each category of Japan Game Awards. No pre-registration or log-in is required to enjoy viewing the programs for free of charge. Keynote Speech, Grand Award of Japan Game Awards 2020 and SOWN will be streamed in English as well as Japanese for global audience in Asia and other parts of the world. In TGS2020 ONLINE, 424 companies and organizations from 34 countries and regions exhibit in a virtual space, providing the updates on newly-released titles and services through streaming and each exhibitor’s page. By region, more companies and organizations from overseas (221) exhibit in this year’s TGS than those from Japan (203). Ten or more exhibitors participate from South Korea (46), China (22), Canada (20), Taiwan (19), the United States (17), Poland (13), and Colombia (10). -
Producing Original Content
Gamescom is arguably the world’s largest gaming event that normally attracts over 250,000 visitors to Germany. But due to the global pandemic this year Gamescom was all virtual. I spent countless hours watching new game demos and then downloading PressKits of those new Triple-A and indie games. I will be dropping my top 25 list of Gamescom games soon after this article is posted. And when I am reviewing or promoting newly released games featured at Gamescom, Devcom, E3, IndieCade or USC Game Expo, I always make sure to look out for new Black game designers and any games with Black or POC game characters. I will write up my top 10 of POC games being released in 2020 and 2021 as well. But before I digress, I just happened to follow up with Gregor Ebert who is the PR Manager at Dueren, Germany’s Headup Games about their Gamescom 2020 new games White Shadows and Bridge Constructor: The Walking Dead. GAMESCOM 2020 – NEIL JONES INTERVIEW: 9-25-2020 - Written By: David L. $Money Train$ Watts – Journalist/Web Host/Editor – FuTurXTV/Metacafe.com, Rattle Radio & HHBMedia.com – David Velo Stewart – Journalist/Editor – HHBMedia.com Aerial Knight’s Never Yield Reveal Trailer Link: https://www.metacafe.com/watch/12118965/aerial-knight-s-never-yield-trailer- developer-neil-jones-publisher-headup-games-gamescom-2020-devcom-2020-e3- gdc-tokyo-game-show-brazil-game-show/ or https://tinyurl.com/y6s5225o Gamescom 2020 • Neil Jones Interview • David L. $Money Train$ Watts • @MoneyTrain • FuTurXTV • Metacafe.com • www.hhbmeedia.com Survive a Tokyo style Detroit in this 3D runner that tells the story of Wally who has uncovered the evidence that can change his city forever. -
DIGITAL GAMING and the MEDIA PLAYGROUND Video Games As a Form of Story
Chapter 3 DIGITAL GAMING AND THE MEDIA PLAYGROUND Video Games as a Form of Story World of Warcraft Ushered in the era of the completely immersive online game Featured a beginner’s guide that read like the narrative of an epic novel Expansions added settings, characters, and play features. Offers players the ability to create their own narratives THE DEVELOPMENT OF DIGITAL GAMING Industrial Revolution Promoted mass consumption Emergence of leisure time Digital games Evolved from their simplest forms in the arcade into four major formats: television, handheld devices, computers, and the Internet MECHANICAL GAMING Coin-operated counter machines First appeared in train depots, hotel lobbies, bars, and restaurants Penny arcade Helped shape future media technology Automated phonographs → jukebox Kinetoscope → movies Bagatelle → pinball machine THE FIRST VIDEO GAMES Cathode Ray Tube Amusement Device Key component of the first video games: the cathode ray tube (CRT) Odyssey First home television game Modern arcades Gathered multiple coin-operated games together THE FIRST VIDEO GAMES (CONT.) Atari Created Pong Kept score on the screen Made blip noises when the ball hit the paddles or bounced off the sides of the court First video game popular in arcades Home version was marketed through an exclusive deal with Sears. ARCADES AND CLASSIC GAMES Late 1970s and early 1980s Games like Asteroids, Pac-Man, and Donkey Kong were popular in arcades and bars. Signaled electronic gaming’s potential as a social medium Gaming included the use of joysticks and buttons. Pac-Man featured the first avatar. CONSOLES AND ADVANCING GRAPHICS Consoles Devices specifically used to play video games The higher the bit rating, the more sophisticated the graphics Early consoles Atari 2600 (1977) Nintendo Entertainment System (1983) Sega Genesis (1989) CONSOLES AND ADVANCING GRAPHICS (CONT.) Major home console makers Nintendo Wii Microsoft Xbox and Kinect Sony Playstation series Not every popular game is available on all three platforms. -
E3, Gamescom E Tokyo Game Show Verso Il Declino?
E3, Gamescom e Tokyo Game Show verso il declino? La Gamescom di Colonia si è appena conclusa e ha portato con sé non troppe novità: degne di menzione le nuove schede grafiche della serieRTX di Nvidia, componenti che, una volta sul mercato, faranno davvero la differenza nel campo del PC gaming. Per il resto, tranne pochissime nuove IP, si è parlato di titoli già esistenti o annunciati durante il trimestre estivo o precedente. Similmente accadde lo scorso giugno, quando molti dei giochi che ci si aspettava di vedere per la prima volta all’E3 furono invece annunciati pochi giorni prima della conferenza, tra leak e pubblicazioni volute dagli stessi produttori, rendendo l’esposizione più un momento di conferma che di novità. Dopotutto siamo nell’era dell’Internet 3.0, divulgare informazioni non è mai stato così immediato e semplice e questa non poteva che essere una delle conseguenze dirette, complice anche il fatto che ormai l’utenza media vuole esige hype costante come fosse una droga, con informazioni sui giochi che fanno leva sull’emotività di ognuno. Viene quindi da pensare che i tre appuntamenti annuali, Gamescom, E3 e Tokyo Game Show, per quanto grandi sia per dimensione che per importanza, potrebbero non essere più abbastanza, considerando anche che sono tutti concentrati nel quadrimestre Giugno-Settembre e, come già ribadito, il pubblico ha sempre bisogno di novità. Per coprire il gap durante il periodo invernale e primaverile, oltre aileak e qualche “notizia bomba” di tanto in tanto, alcuni colossi dell’industria creano degli eventi specifici per tenere aggiornati i suoi utenti riguardo a cosa è attualmente in produzione e cosa si vorrebbe produrre: si pensi alla PlayStation Experience (che manca da due anni all’appuntamento invernale essendo stata spostata ad agosto) e ai vari Nintendo Direct, che in verità non hanno una cadenza fissa e che anzi, vengono letteralmente annunciati da un giorno all’altro, più volte l’anno. -
Cyber Tournaments and Tourism
University of South Bohemia Faculty of Economics Department of Trade and Tourism BACHELOR THESIS Cyber tournaments and tourism Written by: Dmitriy Medvedev Supervisor: prof. JUDr. Ludmila Novacká, Ph.D. České Budějovice 2017 Prohlašuji, že svoji bakalářskou práci jsem vypracoval samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47 zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikač- ních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích 15. 4. 2017 …………………………………. Medvedev Dmitriy Acknowledgement First and foremost, I would like to thank my supervisor prof. JUDr. Ludmila Novacká, Ph.D. for her guidance and valuable advice that she offered me. She believed in my idea and gave me a chance to write this bachelor thesis. I would also like to thank Jiřina Juřenová and Švecová Eva, Ing. for the help they provided me. They are people, who greatly supported and encouraged me. I would also like to thank RNDr. Renata Klufová, Ph.D. and Viktor Vojtko, Ing., Ph.D. -
TOKYO GAME SHOW 2005 Visitors Survey Report
TOKYO GAME SHOW 2005 Visitors Survey Report November 2005 Computer Entertainment Supplier's Association ■ Contents ■ Outline of Survey 3 Ⅰ.Visitors' Characteristics 4 1.Gender --------------------------------------------------------------------------- 4 2.Age ---------------------------------------------------------------------------- 4 3.Residential area -------------------------------------------------------------------- 5 4.Occupation ------------------------------------------------------------------------ 5 5.Hobbies and interests ----------------------------------------------------------------- 6 Ⅱ.Household Videogames 7 1.Hardware ownership ------------------------------------------------------------------ 7 2.Hardware the respondents wish to purchase ---------------------------------------------- 8 3.Preference of color for the body of a household game machine ------------------------------ 9 4.Favorite game genres ----------------------------------------------------------------- 11 5.Favorite game types ------------------------------------------------------------------ 14 6.Old game software the users wish to play on the latest consoles ----------------------------- 17 7.Frequency of game playing ------------------------------------------------------------- 18 8.Duration of game playing (on a daily basis) ----------------------------------------------- 19 9.Software packages purchased ---------------------------------------------------------- 20 10.Interest in functions of portable game machines ------------------------------------------ -
BPP IT ICT Wersja VI Z 01.03.17 Text
Program promocji bran ży IT/ICT- informacja dla przedsi ębiorców wersja nr VI z dnia 01.03.17 r. I. Informacje o programie promocji. Program promocji bran ży IT/ICT opracowany został w ramach poddziałania 3.3.2 „Promocja gospodarki w oparciu o polskie marki produktowe – Marka Polskiej Gospodarki – Brand” Programu Operacyjnego Inteligentny Rozwój (PO IR). Udział przedsi ębiorców w programie promocji sfinansowany zostanie ze środków poddziałania 3.3.3 „Wsparcie M ŚP w promocji marek produktowych – Go to Brand” PO IR, za którego realizacj ę odpowiada Polska Agencja Rozwoju Przedsi ębiorczo ści. W ramach programu opracowany został wykaz działa ń promocyjnych przeznaczonych dla przedsi ębiorców, który uzupełniony został o tzw. działania ogólne promuj ące polsk ą bran żę IT/ICT. Program promocji przygotowany został w taki sposób, aby zapewni ć komplementarno ść działa ń podejmowanych na rzecz promocji polskich produktów i usług IT/ICT. II. Adresaci programu promocji. 1. Program skierowany jest do Mikro, Małych i Średnich przedsi ębiorców 1, którzy prowadz ą działalno ść gospodarcz ą w ramach przynajmniej jednej z poni ższych kategorii działalno ści (PKD 2007) 2: a. 26.1 – produkcja elektronicznych elementów i obwodów drukowanych b. 26.2 – produkcja komputerów i urz ądze ń peryferyjnych c. 26.3 – produkcja sprz ętu d. 26.4 – produkcja elektronicznego sprz ętu powszechnego u żytku e. 26.8 – produkcja magnetycznych i optycznych niezapisanych no śników informacji f. 58.2 – działalno ść wydawnicza w zakresie oprogramowania g. 62.0 – działalno ść zwi ązana z oprogramowaniem i doradztwem w zakresie informatyki oraz działalno ść powi ązana h. 63.1 – przetwarzanie danych; zarz ądzanie stronami internetowymi. -
The Japanese Gaming Cluster
The Japanese Gaming Cluster Tatsuya Hasegawa, Takeru Ito, Ryu Kawano, Koichi Kibata, Ken Nonomura 1 Table of Contents 1. Japan Competitiveness ............................................................................................................................ 3 1.1 Country Background ......................................................................................................................... 3 1.2 The Economic Performance of Japan after WW II ............................................................................ 4 1.3 Macroeconomic and Political Risks .................................................................................................. 5 1.4 Social infrastructure .......................................................................................................................... 7 1.5 Microeconomic competitiveness and national diamond analysis ...................................................... 7 1.5.1 Context for Firm Strategy and Rivalry ....................................................................................... 8 1.5.2 Demand Condition ..................................................................................................................... 8 1.5.3 Supporting and Related Industry ................................................................................................ 8 1.5.4 Factor Condition ........................................................................................................................ 9 1.6 National Cluster mapping and industrial -
Program Promocji Branży Meblarskiej
Program promocji branży IT/ICT - informacja dla przedsiębiorców – wersja z dnia 20.08.2019 r. I. Informacje o programie promocji. Program promocji branży IT/ICT opracowany został w ramach poddziałania 3.3.2 „Promocja gospodarki w oparciu o polskie marki produktowe – Marka Polskiej Gospodarki – Brand” Programu Operacyjnego Inteligentny Rozwój (PO IR). Udział przedsiębiorców w programie promocji sfinansowany zostanie ze środków poddziałania 3.3.3 „Wsparcie MŚP w promocji marek produktowych – Go to Brand” PO IR, za którego realizację odpowiada Polska Agencja Rozwoju Przedsiębiorczości. W ramach programu opracowany został wykaz działań promocyjnych przeznaczonych dla przedsiębiorców, który uzupełniony został o tzw. działania ogólne promujące polską branżę IT/ICT. Program promocji przygotowany został w taki sposób, aby zapewnić komplementarność działań podejmowanych na rzecz promocji polskich produktów i usług IT/ICT. II. Adresaci programu promocji. 1. Program skierowany jest do Mikro, Małych i Średnich przedsiębiorców1 promujących markę produktową przedsiębiorcy, którzy prowadzą działalność gospodarczą w ramach przynajmniej jednej z poniższych kategorii działalności (PKD 2007)2: a) 26.1 – produkcja elektronicznych elementów i obwodów drukowanych b) 26.2 – produkcja komputerów i urządzeń peryferyjnych c) 26.3 – produkcja sprzętu d) 26.4 – produkcja elektronicznego sprzętu powszechnego użytku e) 26.8 – produkcja magnetycznych i optycznych niezapisanych nośników informacji f) 58.2 – działalność wydawnicza w zakresie oprogramowania g) 62.0 – działalność związana z oprogramowaniem i doradztwem w zakresie informatyki oraz działalność powiązana h) 63.1 – przetwarzanie danych; zarządzanie stronami internetowymi. 2. Termin realizacji programu – 5 kwietnia 2018 r. – 30 czerwca 2020 r. 1 Definicja Małego i Średniego przedsiębiorcy jest określona w załączniku nr I do rozporządzenia KE nr 651/2014.