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A Sheffield Hallam University Thesis
How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University. -
How the Experience of Cyberspace Contributes to the Emerging Story of Self in Young People
Morph Constructing identity: how the experience of cyberspace contributes to the emerging story of self in young people. Jill Lesley Clough Thesis submitted towards the degree of Doctor of Philosophy in the School of English Literature Language, and Linguistics Newcastle University April 2013 Awarded October 2013 Supervisors: Professor Linda Anderson, Professor Jackie Kay Abstract for Morph. Constructing identity: how the experience of cyberspace contributes to the emerging story of self in young people. This thesis develops from the belief that young people construct identities for themselves which inevitably surprise their parents, particularly where so much of their coming-of-age is influenced by hidden virtual experiences. The novel which explores this is Morph. Joey, the protagonist, is uneasy about her gender. She has a loving family, intelligence, a satisfying way of life, but loathes her body. She investigates alternative futures, initially online. Her closest friend also has a secret, revealed after a suicide attempt that Joey averts: sexual abuse by her father. Each has to discover how to live with the evolving sense of self. If Joey wishes to change gender her character may alter, too; she finds she can be violent when confronting the abusive father. The story is told through Joey’s eyes and activities in cyberspace, which she thinks of as a free place, parallel to the mountains over which she loves to run. She feels at ease in both places. Eventually she decides to live as both male and female (Other) because she does not have a ‘condition’ needing to be cured. Classification in the natural world allows for infinite variety, and she want similar opportunities for herself. -
I's the Merb'y: Masculinity, Mermen and Contemporary Newfoundland
I’S THE MERB’Y Masculinity, Mermen and Contemporary Newfoundland [Received 22nd April 2018; accepted 29th July 2018 – DOI: 10.21463/shima.12.2.17] Philip Hayward University of Technology Sydney <[email protected]> Cory W. Thorne Memorial University of Newfoundland <[email protected]> ABSTRACT: In late 2017 initial, low-key publicity for a charity calendar featuring a range of bearded Newfoundlanders posing as mermen resulted in international media coverage that discussed and commended the non-stereotypical images produced for the project. This article situates the calendar’s imagery within the history of regional folklore concerning mermen and mermaids, the socio-cultural character of the island of Newfoundland and, in particular, the milieu of its port capital, St. John’s. Through these perspectives, the article analyses aspects of masculinity present in an island society that has experienced significant transitions in recent decades in relation to the decline of its fishery, the increasing work- related mobility of former fisherpeople, increasing ethnic diversity and immigration, and the breaking down of once strongly held attitudes of Newfoundland as being isolated, homogenous and tradition-based. In terms of Island Studies discourse, this has involved the island’s transition from being a relatively autonomous aquapelagic assemblage to an increasingly post-aquapelagic one firmly incorporated within a nation-state. Long viewed as a quintessential “folk setting”, Newfoundland is in a state of change that includes the gradual modification of regional stereotypes of masculinity. The revised images and roles presented in the calendar can be seen to represent new, more fluid definitions of masculinity appropriate for an increasingly more cosmopolitan — yet proudly unique — island society. -
Stephen Jones Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Stephen Jones And the Accent of Fashion Hanish Bowles ISBN 9781851496525 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 240 Pages Illustrations 297 color Price £45.00 First monograph on the work of the celebrated milliner Stephen Jones With a preface by John Galliano and texts by authorities such as Hamish Bowles, Andrew Bolton, Suzy Menkes and Anna Piaggi, with new photography by Nick Knight and David Bailey "Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. -
THE I-STUBBLEPRO TOOL TIPS Ultimate Precision Shorter Beard & Designer Stubble Trimmer
THE i-STUBBLEPRO TOOL TIPS ultimate precision shorter beard & designer stubble trimmer. VSM7896A HEY YOU! TAKE A BOW FINE SIR. THINGS ARE LOOKING UP & YOU’VE JUST MADE A QUALITY PURCHASE WITH THIS NEW GROOMING TOOL. WE KNOW YOU’VE GOT THIS, BUT BEFORE YOU JUMP INTO USING YOUR NEW SIDE KICK, HERE’S A FEW TIPS & TRICKS TO KNOW BEFORE LETTING YOUR CREATIVITY RUN LOOSE. HIT UP VSFORMEN.COM.AU FOR MORE GROOMING & INSPIRATION OR FOLLOW US ONLINE 2 THE i-STUBBLE PRO / TOOL TIPS 3 THE i-STUBBLE PRO / TOOL TIPS IMPORTANT SAFETY INSTRUCTIONS - This appliance is not intended for use by persons (including children) with reduced physical, sensory or mental capabilities, or lack of experience and knowledge, unless they have been given supervision or instruction concerning use of the appliance by a person responsible for their safety. - Children should be supervised to ensure that they do not play with the appliance. - This appliance is only to be used with the power supply unit provided with the appliance. - This appliance must only be supplied at safety extra low voltage corresponding to the marking on the appliance. When using electrical appliances, especially when children are present, basic safety instructions should always be followed, including the following: Polythene bags over product or package may be dangerous. To avoid danger of suffocation, keep this wrapper away from babies and children. This bag is not a toy. DANGER: When the unit is used in a bathroom, unplug it after use since the proximity of water presents a hazard even when the appliance is switched off WARNING: Do not use or leave the AC power adaptor in a position where it can become wet or there is a danger of it falling into a basin or other vessels containing water. -
Dupont™ Corian® World
DuPont™ Corian® World INSPIRIERENDE MOMENTE EINER OBERFLÄCHE MIT GLÄNZENDER ZUKUNFT DuPont™ Corian® World EINLEITUNG 3 GASTRONOMIE 5 WASSER 17 GEBÄUDEHÜLLE 27 EINRICHTUNG 33 LICHT 37 LADENBAU 43 ÖFFENTLICHE RÄUME 47 GESUNDHEIT 53 TRANSPORT 57 KONTAKTE 61 Innovative Denkansätze Willkommen in der Welt der unzähligen Möglichkeiten von DuPont™ Corian® - dem originalen Oberflächenmaterial, das zu völlig neuen Designansätzen einlädt. Mit seiner raffinierten Kombination aus Schönheit, Kraft und Vielseitigkeit bietet sich Corian® für eine Vielzahl von Anwendungslösungen an: im Innen- und Außenbereich, mit sanften Kurven oder klaren Linien, einladend glatt oder aufregend strukturiert, funktional oder dekorativ. Corian® wurde von vorausschauenden Menschen für kreative Geister entwickelt. Seine Vielfalt zeigt sich in immer wieder neuen Anwendungsbeispielen und Designkonzepten, während gleichzeitig viele der ursprünglichen Installationen heute noch Bestand haben und mit ihrem attraktiven Äußeren überzeugen. Pur, massiv und haltbar lässt sich Corian® problemlos verarbeiten und bei Bedarf reparieren. Es nimmt eine fast unendliche Anzahl von Formen an. Dabei kommt ihm seine glatte, porenlose Oberfläche zu Gute, die ohne sichtbare Fugen verarbeitet werden kann. Sicher haben auch Sie Ideen und Vorschläge - wir freuen uns darauf und sind schon jetzt gespannt, wie sich das Material auch in Zukunft immer weiter entwickeln wird. Links: Privatvilla, Kroatien, Projekt von DVA Arhitekta, Foto: Marko Jukic 3 Wahrlich schmackhaft ORTE FÜR DIE ZUBEREITUNG VON NAHRUNGSMITTELN -
A Critical Study of Transsexual Transition in a Familial Context
1 Straddling the scalpel of identity: a critical study of transsexual transition in a familial context Claire Elizabeth Jenkins Doctor of Philosophy Sociological Studies December 2012 2 Acknowledgements Many have helped me. Firstly I would like to thank my immediate family, my ex-wife and my four children, for sharing in my transition which was the genesis of this research. I very much appreciate the invaluable help given by Dr Emily Gray in formulating my original research proposal. Perlin Dobson and David Jackson, my dear friends, have consistently supported me through transition to submission. David read many of my drafts and gave me critical feedback. Perlin gave emotional support when times were difficult. I am very appreciative of the invaluable advice and support given by Kevin Mahoney of Sheffield University Careers Service. These friends together with Nirmal Fernando, David Jones, Professor Stephen Whittle, Dr Roshan das Nair, Jayne Tulip and Imogen Hale were especially helpful when I experienced a major setback. They helped me to re-continue afterwards. I would also like to more formally thank my supervisors, Dr Victoria Robinson, Dr Lorna Warren and Professor Jenny Hockey, who taught me much about sociological writing and thought and who gave extensive critical feedback. Dr Warren has especially helped me regain academic confidence during 2012. I am also grateful for the informed critiques received from Professor Ruth McDonald, Professor Brendan Gough and David Miers. I am especially grateful to Brenda Stephenson and Dawn Montiel for the proof reading early drafts. I would also like to thank Duncan Macmillan House Staff Library and Nottingham Trent University Library Staff for supporting me locally through book acquisition, loans and for obtaining journal articles. -
(+232 Lbs ) KINGS of the RING WORLD SERIES
OPEN SUPER HEAVYWEIGHT +105 kg (+232 lbs ) Japanese boxing - Shootboxing rules Super world champion Date, Place VACANT 14 World champion Date, Place VACANT Thai boxing - Full muaythai rules Thai boxing - International muaythai rules SUPER WORLD CHAMPION Date, Place SUPER WORLD CHAMPION Date, place VACANT VACANT WORLD CHAMPION Date, Place WORLD CHAMPION Date, Place 09.02.2008 LLOYD VAN DAMS ( NL ) 29.05.2004 TONY GREGORY ( FRA ) Auckland- = 289 pts Venice-ITA = 413 pts NZ OPBU EURO-AFRICAN CHAMPION Date, Place OPBU EURO-AFRICAN CHAMPION Date, Place VACANT VACANT Japanese boxing - K -1 rules Japanese boxing - Oriental Kick rules SUPER WORLD CHAMPION Date, Place SUPER WORLD CHAMPION Date, Place VACANT VACANT WORLD CHAMPION Date, Place WORLD CHAMPION Date, Place VACANT VACANT OPBU EURO-AFRICAN CHAMPION Date, Place OPBU EURO-AFRICAN CHAMPION Date, Place VACANT VACANT KINGS OF THE RING WORLD SERIES WIPU ORIENTAL PRO BOXING RULES SUPER WORLD CHAMPION Date, place VACANT e-mail : [email protected] mobile phone : +385 98 421 300 www.wipu-kings.com OPEN SUPER HEAVYWEIGHT +105 kg (+232 lbs ) 1. Semmy Schilt ( NL ) = 964 pts 2. Peter Aerts ( NL ) = 645 pts 3. Jerome Lebanner ( FRA ) = 571 pts 4. Alistar Overeem ( NL ) = 524 pts 5. Alexei Ignashov ( BLR ) = 432 pts 6. Daniel Ghita ( ROM ) = 362 pts 7. '' MIGHTY MO '' Siligia ( USA ) = 362 pts 8. Anderson '' Bradock '' Silva ( BRA ) = 344 pts 9. Mladen Brestovac ( CRO ) = 311 pts 10. Ismael Londt ( NL ) = 290 pts 11. Rico Verhoeven ( NL ) = 275 pts 12. Ben Edwards ( AUS ) = 258 pts 13. Peter Graham ( AUS ) = 243 pts 14. Alexandre Pitchkounov ( RUS ) = 236 pts 15. -
The Art of a Beard
The Art Of A Beard From designer stubble to a full grown man, it’s clear to see that the beard is becoming more standard procedure than the sign of being homeless in recent years. With celebrities such as Johnny Depp, Brad Pitt and David Beckham sporting facial fur it’s become an unwritten rule that a fashionable man cannot be without a beard. With dedicated websites to the beard that include step by step guides to growing a beard, featured beards and beard galleries, the modern man has all the information he needs at his fingertips to shape colour or groom his beard into any style he wants. So how comes beards are seen as more of a fashion statement than just pure laziness? Do us gents perceive the beard as a manly statement rather than a result of being scruffy? Whether you like the beard of not, it’s become more and more acceptable to have a beard in the office. In fact, it has been said that the vast majority of men now sport beards, and that it’s moved from sticking out like a sore thumb with a beard to looking out of place if you don’t have a beard. There’s even a sponsored facial hair growing month. ‘During November each year, Movember is responsible for the sprouting of moustaches on thousands of men’s faces in the UK and around the world. The aim of which is to raise vital funds and awareness for men’s health, specifically prostate cancer and other cancers that affect men.’ Says Movember.com. -
Places to Go, People To
Hanson mistakenINSIDE EXCLUSIVE:for witches, burned. VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s OCTOBER 28—NOVEMBER 3, 2009 VOL. 47, NO. 23 VANDY FALL FASHION We found 10 students who put their own spin on this season’s trends. Check it out when you fl ip to page 9. Cinematic Spark Notes for your reading pleasure on page 4. “I’m a mouse. Duh!” Halloween costume ideas beyond animal ears and hotpants. Turn to page 8 and put down the bunny ears. PLACES TO GO, PEOPLE TO SEE THURSDAY, OCTOBER 29 FRIDAY, OCTOBER 30 SATURDAY, OCTOBER 31 The Regulars The Black Lips – The Mercy Lounge Jimmy Hall and The Prisoners of Love Reunion Show The Avett Brothers – Ryman Auditorium THE RUTLEDGE The Mercy Lounge will play host to self described psychedelic/ There really isn’t enough good to be said about an Avett Brothers concert. – 3rd and Lindsley 410 Fourth Ave. South 37201 comedy band the Black Lips. With heavy punk rock infl uence and Singing dirty blues and southern rock with an earthy, roots The energy, the passion, the excitement, the emotion, the talent … all are 782-6858 mildly witty lyrics, these Lips are not Flaming but will certainly music sound, Jimmy Hall and his crew stick to the basics with completely unrivaled when it comes to the band’s explosive live shows. provide another sort of entertainment. The show will lean towards a songs like “Still Want To Be Your Man.” The no nonsense Whether it’s a heart wrenchingly beautiful ballad or a hard-driving rock punk or skaa atmosphere, though less angry. -
GLORY 42 PARIS : L’Evénement International De Kick Boxing De L’Année Revient À Paris, Le 10 Juin 2017 À L’Accorhotels Arena
BernasCOM Communiqué de Presse GLORY 42 PARIS : l’Evénement international de kick boxing de l’année revient à Paris, le 10 juin 2017 à l’AccorHotels Arena Le samedi 10 juin, la plus grande ligue mondiale de kick boxing retrouve la célèbre AccorHotels Arena de Paris pour GLORY 42 Paris. En partenariat avec la prestigieuse salle parisienne pour plusieurs années, les Glory World Series débarque pour la seconde fois à Paris pour une soirée exceptionnelle. Après le succès de leurs 3 premières éditions à Lille, Paris et Nice, le Glory World Series, revient en France pour offrir aux 10 000 spectateurs attendus plus de 3 heures de show. En direct à la télévision, les meilleurs combattants de la planète, dont de nombreux français, s’affronteront lors de cet événement unique & intense ! Conscient que la France possède une riche tradition et de très nombreux fans dans ce sport, le "Glory" souhaite renforcer la position française dans le circuit mondial, et offrir aux meilleurs combattants tricolores une opportunité de gagner leur place sur la plus prestigieuse scène mondiale : C’est le cas avec Cédric Doumbé qui sera la tête d’affiche de l’évènement ! CEDRIC DOUMBE vs NIEKY KOLZKEN : LA REVANCHE POUR LE TITRE DE CHAMPION DU MONDE IMMANQUABLE Le combat star de la soirée opposera le français Cédric Doumbé, le premier français détenteur de la ceinture du Glory, face à Nieky Kolzken. Le combat s’annonce explosif : déchu de son titre par Cédric Doumbé en décembre dernier en Allemagne, Nieky Kolzken, qui était considéré jusqu’à sa défaite comme le meilleur kick boxeur du Monde toutes catégories confondues, voudra plus que tout récupérer la ceinture et Cédric devra défendre son titre devant son public sur le ring de l’AccorHotels Arena. -
1 the Driver Mr Tahsin Cilekbileckli
F.html 07/12/2009 11:44 1 the driver Mr Tahsin Cilekbileckli Outward appearance Like Antonio Banderas in Interview with the Vampire, down to the long black hair. Neatly pressed London Underground uniform, except for the jacket, which is slung over the back of his chair. Unshaven, baggy-eyed. His Hush Puppy shoes are worn along one edge. Inside information A qualified [[136]] Turkish political scientist living in Britain with a British wife. He walks splay footedly because his feet were beaten while he was in prison. His name means Perfection With Steel Wrists. Turkish surnames are new this century, added under the rule of Ataturk -- Father Turk. Such names sound beautiful to them. What he is doing or thinking The train pulls out, Tahsin sighs with despair and exhaustion. Last night he argued with his two best friends about Islamic fundamentalism. Tunc teaches at the [[ftnt1]] School of Oriental and African Studies and is from an old Ottoman family. "There are only a million modern Turks, but we have all the power," Tunc said, heavy lidded with superiority. Tahsin's other friend Umut is a failed actor, drinking himself to death. "There would be no more wine," Umut complained. "Umut" means Hope. Tahsin lost his temper with both of them. Tahsin is from Marash, a town famous only for its rubbery ice cream. His mother and father are illiterate and faithful. "My modern son," sighs his father on the phone with pride when told Tahsin is writing a book on a computer. After all the other isms, Islam at least feels native.