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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Legislative Assembly
13257 LEGISLATIVE ASSEMBLY Wednesday 11 March 2009 ______ The Speaker (The Hon. George Richard Torbay) took the chair at 10.00 a.m. The Speaker read the Prayer and acknowledgement of country. BUSINESS OF THE HOUSE Notices of Motions General Business Notices of Motions (General Notices) given. CHILDREN AND YOUNG PERSONS (CARE AND PROTECTION) AMENDMENT (CHILDREN'S EMPLOYMENT) BILL 2009 Agreement in Principle Debate resumed from 4 March 2009. Ms PRU GOWARD (Goulburn) [10.10 a.m.]: The Opposition does not oppose the Children and Young Persons (Care and Protection) Amendment (Children's Employment) Bill 2009. The bill seeks to amend the Children and Young Persons (Care and Protection) Act 1988 and related legislation with respect to the employment of children. The amendments will extend the existing safeguards relating to the employment of children less than 15 years of age to children aged 15 years and over but less than 16 years and who, in particular, are employed as models. The amendments will include an increase in the maximum penalty for certain offences in relation to the employment of children from 10 penalty units, or $1,100, to 100 penalty units, or $11,000. A consequential amendment will also be made to the code of practice in the Children and Young Persons (Care and Protection Child-Employment) Regulation 2005, which will include children between the ages of 15 to 16 years. It is useful to remember the background to this amendment bill. In 2008 Kirstie Clements, the editor of Vogue, called for a 14-year-old model to be pulled from the Australian Fashion Week. -
Zu Ella Fitzgerald Vom 2.12.2019
Ella Fitzgerald Story auf Radio 700 vom Montag, den 2.12.2019, 18.55 - 21.00 Uhr Autoren: Klaus Huckert/Uwe Lorenz Einleitungsmusik: A Tisket, A Tasket Anmoderation: In der heutigen Sendung des Jazz-Cocktails wollen wir uns mit dem Star des Vocal- Jazz Ella Fitzgerald beschäftigen. Im 20.Jahrhundert prägte keine andere Stimme den Jazz so sehr wie die von Ella. Ihre Beinamen waren „The Queen of Jazz“ oder „The first Lady of Jazz“ bzw. auch „The first Lady of Song“. Zur Eröffnung haben wir bereits ihren ersten Millionen-Hit „A Tisket, A Tasket“ aus dem Jahr 1938 gehört. In der fast sechzig Jahren währenden Welt-Karriere nahm die Sängerin mehrere hundert Platten auf, erhielt 14 Grammys und eine Vielzahl an Ehrungen. Schnelle Tempi im Bebop-Gesang, melancholischer Grundton bei Balladen, mitreißender Groove bei Swing-Nummern und hochinteressante Scat-Einlagen kennzeichneten ihren Stil. Basis ihres Könnens war eine Genauigkeit in der Intonation und glasklare Töne, wie man sie heute selten findet. Ihr Repertoire umfasste den Swing, Bebop, Blues, Bossa Nova und Gospel. Musik aus dem genannten Repertoire (Swing, Bebop, Blues, Bossa Nova und Gospel) z.B. „Please don’t talk about it when I am gone“ (Swing“) CD „Count Basie/Ella Fitzgerald: The perfect Match“, „One note Samba“ (CD „Ella & Pass …Again“) Track 14, „St. Louis Blues“ (CD „Ella & Basie The Perfect Match Track 10), „Mack the Knife“ (Swing) (CD Ella in Berlin, (10er Pack REEL TO REEL) …….. Die Anfangsjahre von Ella Fitzgerald (Take 1) Ella Jane Fitzgerald – geboren 1917 in Newport News/Virginia, verstorben 1996 in Beverly Hills/Kalifornien -, hatte eine relativ schwierige Kindheit. -
A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
John Mortimer (Estate) Playwright/Author
John Mortimer (Estate) Playwright/Author John Mortimer was a playwright, novelist and, prior to that, a practising barrister. During the war he worked for the Crown Film Unit and published a number of novels before turning to the theatre. He wrote many film scripts and radio and television plays including six plays on the life of Shakespeare for ATV, SHADES OF GREENE for Thames, UNITY MITFORD for BBC, the adaptation of Evelyn Waugh's novel BRIDESHEAD REVISITED for Granada, a television adaptation of his highly-successful stageplay A VOYAGE ROUND MY FATHER for Thames Television, TTHE EBONY TOWER (an adaptation of John Fowles' Agents Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes A VOYAGE ROUND MY FATHER WEST END THE HAIRLESS DIVA THE PALACE THEATRE WATFORD FULL HOUSE THE PALACE THEATRE WATFORD NAKED JUSTICE WEST YORKSHIRE PLAYHOUSE / BIRMINGHAM HOCK AND SODA WATER CHICHESTER FESTIVAL THEATRE A LITTLE HOTEL ON THE SIDE A VOYAGE ROUND MY FATHER WEST END A VOYAGE ROUND MY FATHER United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes COME AS YOU ARE THE WRONG SIDE OF THE PARK THE DOCK BRIEF SHALL WE TELL CAROLINE Television Production Company Notes LOVE AND WAR IN THE McGee Street Productions/Hall of Calum Blue APPENINES Fame DON QUIXOTE Hallmark/Robert Halmi/Turner Starring John Lithgow -
Ella Fitzgerald from Wikipedia, the Free Encyclopedia
Ella Fitzgerald From Wikipedia, the free encyclopedia Background information Birth name Ella Jane Fitzgerald Born April 25, 1917 Newport News, Virginia, United States Died June 15, 1996 (aged 79) Beverly Hills, California, United States Genres Swing, bebop, traditional pop, vocal jazz Occupation(s) Singer, actress Instruments Vocals Years active 1934–1993 Labels Capitol, Decca, Pablo, Reprise, Verve, Brunswick, HMV Website ellafitzgerald.com Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After tumultuous teenage years, Fitzgerald found stability in musical success with performances on many stages in the Harlem area, including her rendition of the nursery rhyme "A-Tisket, A-Tasket" that helped boost her to fame. In 1942, Fitzgerald left the amateur performances behind, signed a deal with Decca Records, and started her solo career by redefining the art of scat singing. It was not until her manager, Norman Granz, built Verve Records based on her vocal abilities that she recorded some of her more widely noted works. Under this label, Fitzgerald focused more on singing than scatting, providing perhaps her most career-defining works in her interpretation of the Great American Songbook. While Fitzgerald appeared in movies and as guests on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and Bill Kenny and the Ink Spots were some of her most notable acts outside of her solo career. -
Introduction to the Inquiring Lawyer by Ronald M
Reproduced by permission. ©2015 Colorado Bar Association, 44 The Colorado Lawyer 35 (April 2015). All rights reserved. THE INQUIRING LAWYER Introduction to The InQuiring Lawyer by Ronald M. Sandgrund, Esq., InQ. The InQuiring Lawyer column addresses a topic that Colorado nation. I take full responsibility for these forays, and I recognize lawyers may consider often but may not discuss publicly in much that I may be subject to assessment and criticism myself. (Please be depth. The topics in this column are being explored through dia- gentle!) If you have an idea for one of these columns, I hope you logues that may involve lawyers, judges, law professors, law stu- will share it with me via e-mail at [email protected]. dents, and law school deans, as well as entrepreneurs, journalists, This month’s article is the last of a four-part conversation about business leaders, politicians, economists, psychologists, academics, the effects, if any, of popular culture—TV, movies, books—on juror children, gadflies, and know-it-alls (myself included). perceptions and lawyers’ and judges’ courtroom behavior. Reader These discussions may tread on matters sometimes considered feedback on this series is welcomed. too highly regarded to be open to criticism or even simple exami- Dialogue: Does Popular Culture Influence Lawyers, Judges, and Juries?—Part IV Participants Ron Sandgrund Ron Sandgrund, of counsel with the Sullan Construction Defect Group of Burg Simpson Eldredge Hersh Jardine, P.C., has been a trial and appellate attorney since 1982, representing, early in his career, primarily product manufacturers, insur- ance companies, and small businesses, including real estate developers and builders, and then later, representing mainly property owners and homeowner associations in construction defect, insurance coverage, and class action disputes. -
Tijtietfi (Reunion May 19-21, 2000
THE CLASS OF 1950 Cranford High School Cranford, NJ THE GOLDEN ANNIVERSARY YEARBOOK SUPPLEMENT Tijtietfi (Reunion May 19-21, 2000 oiaenCde 1950 R 373.05 Cra \ For Reference Not to be taken from this library SEP 2 2 2000 The Class of 1950 Cranford High School Cranford, NJ The Golden Anniversary Yearbook Supplement Cranford Public Library CRANFORD, NEW JERSEY Donated by: John W. Sloat June, 2000 Fiftieth Reunion May 19-21-2000 Qelden 1950 Above—New High School. Left—Cleveland School. Right—Grant School. Lower Leit—Roosevelt School. Lower Center—Sherman School. Lower Right Lincoln School. Dedicated to the Memory of The Deceased Members of the Class of 1950 No date 1987 Ralph Daniel Dorsey Hariette King Maney Ruth Ann Hanson 1950 William L. Collins Ruth Naomi Price 1989 1952 Irene Roberts Koobs David Lester Hamilton 1991 1957 Elizabeth Lennon Courter George A. Rankin 1993 1963 Robert Leo Varley Jules Albert Gilbert George Bochnovich Berhard Albert Wagenblast 1966 Edward David Rouvet 1994 Mary Elizabeth Kelsey Davis 1974 Suzanne Joerndt Reveille John Richard Meyer Patricia Darby Hulse Adele Keith Bradbee David Gerald Sanyour 1995 Barbara Louise Sudimack 1977 Raymond Wayne Plisco Edgar Charles Morganweck, Jr. Dolores Carter Mickens Joan Karaffa Angle 1982 George Robbins Shepherd 1997 Alice Schacht Bradford 1984 Jean Mackiewicz Anderson Lois Watson Wessells Harvey William Merwede 1985 1999 Joan Anderson Suttles Walter Keyser Roger William Sherman 1986 Albert Gerald Barnes 2000 John Francis Greer James Prentiss Hale Virginia Kiamie Anter Class Roster Cranford Hiah School Class of 1950 Bold - Biographies included in the supplement 1Jnderlined - Deceased Italics - Lost And Gillings MacConnell Sanyour Austin Giordano Mackiewicz Schacht Barnes Goodman Mandoni Schait Bennis Grant Markey Schermerhorn Benoit Greer F. -
Topical Weill: News and Events
Volume 14 Number 2 topical Weill Fall 1996 A supplement to the Kurt Weill Newsletter news &news events news &news events Behind the Scenes of Psychology and Passion: Thomas Hampson Talks About Singing Weill “One of the most campy, wonderful, humorous scores I’ve sometimes hard to digest, sometimes unrelenting. Weill’s ever heard,” is how Thomas Hampson describes The music had a rough ride in America, but it takes a tremen- Firebrand of Florence, a work he highlights in his new EMI dous look behind the scenes of psychology and passion.” recording “Kurt Weill on Broadway” (now available in Comparing Weill’s operatic output to Berg’s Wozzeck, Europe and scheduled for U.S. release in Spring 1997). Hampson praises both composers as powerful creative Recorded in London in June of 1994, the new CD fea- forces because they “cut to the quick. Weill’s songs are like tures some of Weill’s lesser-known wide and deep brush paintings of people’s American songs in their original keys lives. His vocal lines are a dream to sing— and orchestrations, including the entire expansive leaps with portamento. There is opening scene of The Firebrand of so much emotion in that kind of move- Florence. During the recording sessions, ment, which is lost when a singer just chas- Hampson recalled having to do a few es pitches and rhythms.” retakes because “Gershwin’s clever Is it appropriate for an opera singer to Firebrand lyrics left us all in stitches.” perform Broadway show tunes? Hampson “This project started with Love Life. -
Songs by Title
Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No. -
Ira Gershwin 6 December 1896-17 August 1983 100 Years Bruce D
Volume 14 Kurt Weill Number 2 Newsletter Fall 1996 Ira Gershwin 6 December 1896-17 August 1983 100 Years bruce d. mcclung and miles kreuger examine the weill-gershwin collaboration Volume 14 In this issue Kurt Weill Number 2 Newsletter Fall 1996 Ira Gershwin—100 Years Life after George: The Genesis of Lady in the Dark’s Circus Dream 4 bruce d. mcclung ISSN 0899-6407 Some Words About © 1996 Kurt Weill Foundation for Music Where Do We Go From Here? 10 7 East 20th Street Miles Kreuger New York, NY 10003-1106 tel. (212) 505-5240 Books fax (212) 353-9663 Die Dreigroschenoper: A Facsimile of the Holograph Full Score (Kurt Weill Edition) 13 The Newsletter is published to provide an open forum Hermann Danuser wherein interested readers may express a variety of opin- The American Musical Theatre Song Encyclopedia ions. The opinions expressed do not necessarily represent by Thomas S. Hischak 14 the publisher’s official viewpoint. The editor encourages the Celso Loureiro Chaves submission of articles, reviews, and news items for inclusion in future issues. Ira Gershwin: The Art of the Lyricist by Philip Furia 16 David Anthony Fox Teaching New Classicality: Ferruccio Busoni’s Master Staff Class in Composition by Tamara Levitz 17 David Farneth, Editor Lys Symonette, Translator Stephen Hinton Edward Harsh, Associate Editor Dave Stein, Production Performances Joanna Lee, Associate Editor Brian Butcher, Production One Touch of Venus in New York 18 Kurt Weill Foundation Trustees Jon Alan Conrad Kim Kowalke, President Paul Epstein Der Protagonist in New -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy