Poems for Catholics & Convents, and Plays for Catholic Schools
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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Zu Ella Fitzgerald Vom 2.12.2019
Ella Fitzgerald Story auf Radio 700 vom Montag, den 2.12.2019, 18.55 - 21.00 Uhr Autoren: Klaus Huckert/Uwe Lorenz Einleitungsmusik: A Tisket, A Tasket Anmoderation: In der heutigen Sendung des Jazz-Cocktails wollen wir uns mit dem Star des Vocal- Jazz Ella Fitzgerald beschäftigen. Im 20.Jahrhundert prägte keine andere Stimme den Jazz so sehr wie die von Ella. Ihre Beinamen waren „The Queen of Jazz“ oder „The first Lady of Jazz“ bzw. auch „The first Lady of Song“. Zur Eröffnung haben wir bereits ihren ersten Millionen-Hit „A Tisket, A Tasket“ aus dem Jahr 1938 gehört. In der fast sechzig Jahren währenden Welt-Karriere nahm die Sängerin mehrere hundert Platten auf, erhielt 14 Grammys und eine Vielzahl an Ehrungen. Schnelle Tempi im Bebop-Gesang, melancholischer Grundton bei Balladen, mitreißender Groove bei Swing-Nummern und hochinteressante Scat-Einlagen kennzeichneten ihren Stil. Basis ihres Könnens war eine Genauigkeit in der Intonation und glasklare Töne, wie man sie heute selten findet. Ihr Repertoire umfasste den Swing, Bebop, Blues, Bossa Nova und Gospel. Musik aus dem genannten Repertoire (Swing, Bebop, Blues, Bossa Nova und Gospel) z.B. „Please don’t talk about it when I am gone“ (Swing“) CD „Count Basie/Ella Fitzgerald: The perfect Match“, „One note Samba“ (CD „Ella & Pass …Again“) Track 14, „St. Louis Blues“ (CD „Ella & Basie The Perfect Match Track 10), „Mack the Knife“ (Swing) (CD Ella in Berlin, (10er Pack REEL TO REEL) …….. Die Anfangsjahre von Ella Fitzgerald (Take 1) Ella Jane Fitzgerald – geboren 1917 in Newport News/Virginia, verstorben 1996 in Beverly Hills/Kalifornien -, hatte eine relativ schwierige Kindheit. -
Essay Series Can the European Union Deliver for Working People?
Essay Series Can the European Union deliver for working people? John Cryer MP Billy Hayes Carolyn Jones Jonathan Michie Clare Moody Claude Moraes MEP April 2014 Authors John Cryer MP John is the Labour Member of Parliament for Leyton and Wanstead. Billy Hayes Billy is the General Secretary of the Communication Workers’ Union (CWU). Carolyn Jones Carolyn is Director of the Institute of Employment Rights (IER). Professor Jonathan Michie Jonathan is Professor of Innovation & Knowledge Exchange at the University of Oxford, where he is Director of the Department for Continuing Education and President of Kellogg College. Clare Moody Clare is a Unite official and is the lead candidate for Labour in the European elections in the South West. She also had a lead role in the campaign to establish the Agency Workers’ Directive. Claude Moraes MEP Claude is a Labour Member of the European Parliament for London and Deputy Leader of the European Parliamentary Labour Party (EPLP). Photo credit for John Cryer: Peter Arkel The views expressed in this paper do not represent the collective views of the Centre for Labour and Social Studies (Class), but only the views of the authors. The responsibility of Class is limited to approving this publication as worthy of consideration by the labour movement. 2 Can the European Union deliver for working people? Can the European Union deliver for working people? As the European Elections approach, the media spotlight is increasingly focussing in on Europe and, more specifically, the European Union. On the left of the British political spectrum, the EU takes its place as the ultimate “Marmite” issue and can often be heard being discussed with equal amounts of respect and disdain. -
A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Ella Fitzgerald from Wikipedia, the Free Encyclopedia
Ella Fitzgerald From Wikipedia, the free encyclopedia Background information Birth name Ella Jane Fitzgerald Born April 25, 1917 Newport News, Virginia, United States Died June 15, 1996 (aged 79) Beverly Hills, California, United States Genres Swing, bebop, traditional pop, vocal jazz Occupation(s) Singer, actress Instruments Vocals Years active 1934–1993 Labels Capitol, Decca, Pablo, Reprise, Verve, Brunswick, HMV Website ellafitzgerald.com Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After tumultuous teenage years, Fitzgerald found stability in musical success with performances on many stages in the Harlem area, including her rendition of the nursery rhyme "A-Tisket, A-Tasket" that helped boost her to fame. In 1942, Fitzgerald left the amateur performances behind, signed a deal with Decca Records, and started her solo career by redefining the art of scat singing. It was not until her manager, Norman Granz, built Verve Records based on her vocal abilities that she recorded some of her more widely noted works. Under this label, Fitzgerald focused more on singing than scatting, providing perhaps her most career-defining works in her interpretation of the Great American Songbook. While Fitzgerald appeared in movies and as guests on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and Bill Kenny and the Ink Spots were some of her most notable acts outside of her solo career. -
Poems of Love and Death by the Same Author
POEMS OF LOVE AND DEATH BY THE SAME AUTHOR LYRICS. ~s. THE KING'S LAST VIGIL 53. THE FLOWER SELLER. 5S. THE APOSTLE OF THE ARDENNES. 3S. 6d. net. THE PRAYER OF ST SCHOLASTICA. 3S. 6d. net. A CHRISTMAS POSY. 33. 6d. net. FROM A VENETIAN BALCONY. Vel. lum, 7S. 6d.; cloth, 2S. 6d. GODFREY'S QUEST. 3S. 6d. net. THE CHRISTMAS OF THE SORROW. FUL. Price 3d. LONDON KEGAN PAUL, TRENCH, TRUBNER & Co., LTD. ~OEMS OF LOVE AND DEATH BY LADY LINDSAY IND~Ar~A UN~VERSITY LIBRARY ES LONDON BLOOMINGTON ~G4N PAUL, TRENCH, TRPBNER & CO., LTD. 1907 All rights reserved. CONTENTS I. POEMS OF LOVE AND DEATH PAGE ~Ix ORACLE II i~' RAYMOND'S DREAM 25 RE MURDERER'S WIFE 28 ~RRY 36 P~s SHE A MISER? 40 ~u LADYRS OF HEARTBREAK CASTLE 49 ~IA ROBUsTI 54 OLIVE TREES OLD WOMAN'S FAITH EMPLOYED 64 REFRAIN 67 A SHAWL 68 ~ ELFREDA 69 5 CONTENTS PAGE IDLE WISHES 71 THE LIGHTHOUSE 72 AN OLD MAN'S RHYME 74 THE SAILOR Boy's MOTHER 76 II. TALMUDIC TRADITIONS ENOCH 8i THE DEATH OF ABEL g8 THE FIRST BURIAL 101 THE BLIND RABBI 103 THE JEWELS 106 A SHADOW 108 A MUSSULMAN TRADITION 109 III. NATURE'S VOICE THE ALMOND TREE 113 To A FIRE-FLY 121 WHY CARRIES A BOAT? 124 MOON AND CLOUDS 126 CONTENTS PAGE A. WOODLAND ROMANCE . 127 &.UTUMN IN THE GARDEN . 128 To SOME CHRYSANTHEMUMS . 130 THE PLANTING OF THE MAY. 132 WHEN THE SUN SINKS Low . 134 A GARDEN . 136 ~PR1NG-TIME . 137 ~N SURREY . -
Topical Weill: News and Events
Volume 14 Number 2 topical Weill Fall 1996 A supplement to the Kurt Weill Newsletter news &news events news &news events Behind the Scenes of Psychology and Passion: Thomas Hampson Talks About Singing Weill “One of the most campy, wonderful, humorous scores I’ve sometimes hard to digest, sometimes unrelenting. Weill’s ever heard,” is how Thomas Hampson describes The music had a rough ride in America, but it takes a tremen- Firebrand of Florence, a work he highlights in his new EMI dous look behind the scenes of psychology and passion.” recording “Kurt Weill on Broadway” (now available in Comparing Weill’s operatic output to Berg’s Wozzeck, Europe and scheduled for U.S. release in Spring 1997). Hampson praises both composers as powerful creative Recorded in London in June of 1994, the new CD fea- forces because they “cut to the quick. Weill’s songs are like tures some of Weill’s lesser-known wide and deep brush paintings of people’s American songs in their original keys lives. His vocal lines are a dream to sing— and orchestrations, including the entire expansive leaps with portamento. There is opening scene of The Firebrand of so much emotion in that kind of move- Florence. During the recording sessions, ment, which is lost when a singer just chas- Hampson recalled having to do a few es pitches and rhythms.” retakes because “Gershwin’s clever Is it appropriate for an opera singer to Firebrand lyrics left us all in stitches.” perform Broadway show tunes? Hampson “This project started with Love Life. -
EU Break-Up? Mapping Plausible Pathways Into Alternative Futures
LSE ‘Europe in Question’ Discussion Paper Series EU break-up? Mapping plausible pathways into alternative futures Niclas Meyer LEQS Paper No. 136/2018 August 2018 Editorial Board Dr Bob Hancke Dr Jonathan White Dr Sonja Avlijas Dr Auke Willems Mr Hjalte Lokdam All views expressed in this paper are those of the author and do not necessarily represent the views of the editors or the LSE. © Niclas Meyer EU break-up? Mapping plausible pathways into alternative futures Niclas Meyer * Abstract Following Brexit, the rise of populist Eurosceptics across the EU, Central Eastern Europe's flirtation with 'illiberal democracy' and the sovereign debt crisis, which essentially still remains unresolved ten years after it started, even some of the EU’s most enthusiastic supporters are today wondering whether the EU could actually break apart. In the paper, I propose the scenario-planning method to address this question and to think about the future of the EU in a structured way. While the method is already well established in the study of socio-technical systems, the paper tests its transferability to the political economy of the EU. Along two drivers, the material struggle to tame globalization and the ideational struggle to fill the void that is resulting from the deconstruction of neoliberalism, the paper maps four plausible pathways into alternative futures. I conclude with a discussion of the potential of scenario-planning to improve the transfer of knowledge from academia into practice. Keywords: EU, future, neoliberalism, populism, inequality * Fraunhofer Institute for Systems and Innovation Research ISI Email: [email protected] EU break-up? Table of Contents 1. -
Songs by Title
Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No. -
Sequoyah High School Literary Magazine 2020 Through 2021
Pinnacle Sequoyah High School Literary Magazine 2020 through 2021 Cover Art by Briana Redner 1 My dear reader, Thank you for picking up this magazine. This project is the culmination of this class's best pieces. Hours were spent on these creations, these extensions of self, and for you to open this magazine and read this message, means so much to us. So go on, and enjoy! --Dominic Lattanzio, Co-Chief Editor This magazine is the result of long, caffeine-filled nights filled with swimming words and splitting headaches. The pieces it contains are the results of the inner emotions of a classroom of writers. Personally, Lit Mag has been a place of growth, a sanctuary, an outlet from the onslaught of the outside world. Looking back on old pieces of mine not only shows me how immensely my writing has grown; it shows me how I have grown. I want to thank Dr. Murphy and this class for both these areas of growth, for offering the timid fourteen-year-old I once was an outlet. So, reader, as you flip through our magazine, be aware that each piece contains a piece of its author. Read them, listen to them, and you will hear each author’s story. Happy reading, Alison Eltz, Co-Chief Editor 2 Table of Contents POETRY--------------------4 PROSE--------------------46 PINNACLE-------------103 SENIOR QUOTES----123 3 POETRY Letter of Expectation-----------------------------------------5 An Ode to a Chosen Family----------------------------------7 Always and Forever Broken----------------------------------9 Cycle of Broken------------------------------------------------11 -
Ira Gershwin 6 December 1896-17 August 1983 100 Years Bruce D
Volume 14 Kurt Weill Number 2 Newsletter Fall 1996 Ira Gershwin 6 December 1896-17 August 1983 100 Years bruce d. mcclung and miles kreuger examine the weill-gershwin collaboration Volume 14 In this issue Kurt Weill Number 2 Newsletter Fall 1996 Ira Gershwin—100 Years Life after George: The Genesis of Lady in the Dark’s Circus Dream 4 bruce d. mcclung ISSN 0899-6407 Some Words About © 1996 Kurt Weill Foundation for Music Where Do We Go From Here? 10 7 East 20th Street Miles Kreuger New York, NY 10003-1106 tel. (212) 505-5240 Books fax (212) 353-9663 Die Dreigroschenoper: A Facsimile of the Holograph Full Score (Kurt Weill Edition) 13 The Newsletter is published to provide an open forum Hermann Danuser wherein interested readers may express a variety of opin- The American Musical Theatre Song Encyclopedia ions. The opinions expressed do not necessarily represent by Thomas S. Hischak 14 the publisher’s official viewpoint. The editor encourages the Celso Loureiro Chaves submission of articles, reviews, and news items for inclusion in future issues. Ira Gershwin: The Art of the Lyricist by Philip Furia 16 David Anthony Fox Teaching New Classicality: Ferruccio Busoni’s Master Staff Class in Composition by Tamara Levitz 17 David Farneth, Editor Lys Symonette, Translator Stephen Hinton Edward Harsh, Associate Editor Dave Stein, Production Performances Joanna Lee, Associate Editor Brian Butcher, Production One Touch of Venus in New York 18 Kurt Weill Foundation Trustees Jon Alan Conrad Kim Kowalke, President Paul Epstein Der Protagonist in New -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy