Nanuet, New York Brief Biography: Rupert Holmes Was Born

Total Page:16

File Type:pdf, Size:1020Kb

Nanuet, New York Brief Biography: Rupert Holmes Was Born 11. Name: Rupert Holmes Years: February 24, 1947 – Present Residence: Nanuet, New York Brief Biography: Rupert Holmes was born under the name David Goldstein in Northwich, Cheshire, England. His father was an American army officer and his mother was an English woman. His family was musically inclined, evidenced by his father being a band leader and his brother growing up to be an opera singer. His family relocated after a few years to Nanuet, New York, where Holmes grew up and attended nearby Nyack High School. After graduating, Holmes went on to study at the Manhattan School of Music where he majored in clarinet. He married in 1969 to Elizabeth Dreifuss, whom he had three children with. In his twenties, Holmes was a session musician (composing, playing, and recording) and worked with groups such as The Cuff Links, The Buoys, and The Archies. It was at this time that he made his first appearances on the billboard charts. He went on to be a recording artist in his own right by 1974. His work was noticed by Barbra Streisand and was utilized in the movie A Star Is Born. "Escape" debuted on Holmes' fifth album, Partners in Crime, and reached the Hot 100 No. 1 Hits of 1979 becoming the last number one song of the 1970s. A number of his songs such as “Town Square” and “Terminal,” directly or indirectly reference where he grew up around Nyack. He wrote a single for The Jets called "You Got It All" which was later rerecorded by Britney Spears in 2000. Holmes also went on to become a playwright with plays such as The Mystery of Edwin Drood, the Tony Award-nominated ("Best Play 2003") Say Goodnight, Gracie, and musical theatre version of the film The First Wives Club. He also wrote novels such as Swing, and created several television series such as Remember WENN. More Information: Gordon, Meryl. "Escape From Piña Coladaville", New York Magazine interview (August 11, 2003), pp. 42–45, 88 References: http://www.rupertholmes.com/bio.html, http://seedyroad.com/nanuet/songs.htm, http://www.artistdirect.com/nad/music/artist/bio/0,,445139,00.html?artist=Rupert%2bHolmes. .
Recommended publications
  • Marcia Milgrom Dodge Curriculum Vita Overview
    MARCIA MILGROM DODGE CURRICULUM VITA OVERVIEW • Freelance director and choreographer of classic and world premiere plays and musicals in Broadway, Off-Broadway, Regional, Summer Stock and University venues in the United States and abroad. More than 200 credits as director and/or choreographer. Also a published and produced playwright. • First woman Director/Choreographer hired by The John F. Kennedy Center for the Performing Arts to direct and choreograph a major musical. • Adjunct Faculty and Guest Director at American Musical and Dramatic Academy. Also at New York University’s CAP 21, Marymount Manhattan College, Fordham University and University at Buffalo. Responsibilities include teaching undergraduate classes in acting, musical theatre and dance, since 1996 • Member of Stage Directors and Choreographers Society (SDC), since 1979. Fourteen (14) years of Executive Board service. • BA from the University of Michigan; includes membership in the Michigan Repertory Theatre and M.U.S.K.E.T. • Member of Musical Theatre Educators Alliance-International (MTEA), an organization of teachers in musical theatre programs from the United States, England and Europe, since 2009. • Resident Director, Born For Broadway, Annual Charity Cabaret, Founder/Producer: Sarah Galli, since 2009 • Advisory Board Member, The Musical Theatre Initiative/Wright State University, since 2013 • Associate Artist, Bay Street Theatre, Sag Harbor, NY, since 2008 • The Skylight Artists Advisory Board, Skylight Theatre, Los Angeles, since 2014 • Resident Director, Phoenix Theatre Company at SUNY Purchase, 1993-1995 • Associate Member of the Dramatists Guild, 2001-2015 • Member of Actors Equity Association, 1979-1988 EDUCATION & TRAINING BA in SPEECH COMMUNICATIONS & THEATRE, University Of Michigan, 1977 Dance Minor - Modern techniques include Martha Graham, Merce Cunningham, Horton, Luigi, Ethnic dance.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • Meet the Spqitful Cast of the Sweet Potato Queens
    Meet The SPQitful Cast of The Sweet Potato Queens For Immediate Release February 23, 2016 Artwork: Logo Headshots are linked in bios Media Contacts: Lisa Holmes, Manager, Public Relations (713) 558-2654, [email protected] Laura Pettitt, Assistant Director, Marketing (713) 558-2653, [email protected] (HOUSTON) – TUTS Underground presents the world premiere of The Sweet Potato Queens in March 2016. This new musical is brought to the stage in partnership with writer Rupert Holmes (Tony® Award winner for Best Musical, Best Book, and Best Music and Lyrics for The Mysteries of Edwin Drood), Grammy® Award- winning composer Melissa Manchester, and Oscar-nominated lyricist Sharon Vaughn. TUTS Underground not only brings a wider musical theatre experience to Houston, but also serves as a launchpad – giving the TUTS Underground audience first view of new, emerging works. Based on The New York Times best-selling series (with a cult following) The Sweet Potato Queens ® by author Jill Connor Browne, the musical version is loosely based on Browne’s life – showcasing the juxtaposition between her life before creating the larger-than-life character of a Sweet Potato Queen, and after. An uplifting, empowering tale of perseverance and following dreams, The Sweet Potato Queens reminds audiences that everyone deserves to be special. Susan Koozin stars as Queen Jill with Kathryn Porterfield in the role of Jackson Jill. Her friends – all named Tammy – are Christina Stroup as Floozie Tammy, Julia Krohn as Flower Tammy and, new to the TUTS Underground stage, Kerissa Arrington as Too Much Tammy. The rest of the cast includes Dylan Godwin as George, Adam Gibbs as Tyler, Theresa Nelson as Mama and Kevin Cooney as Daddy.
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Story Matters Here: AMC No Campo De Produção De Seriados Televisivos
    Story Matters Here: AMC no campo de produção de seriados televisivos Story Matters Here: AMC in the field of original television series production Marcelo LIMA1 Lara CARVALHO2 Maria Carmen Jacob de SOUZA3 Resumo O presente artigo problematiza a importância dos projetos institucionais dos canais de televisão para a promoção da inovação nas séries televisivas, tendo como referência o pensamento do sociólogo francês Pierre Bourdieu e sua teoria sobre os campos sociais. A trajetória do canal AMC no campo das produtoras de séries televisivas nos Estados Unidos foi analisada, tendo como corpus os seriados Breaking Bad e The Walking Dead, para mostrar como as estratégias da emissora na criação e divulgação destes produtos associaram a busca da qualidade e da inovação das séries com a promoção do reposicionamento de sua marca. Argumentamos que as estratégias da AMC foram bem sucedidas e alçaram as séries e o canal a uma posição privilegiada no campo. Palavras-chave: AMC. Campo da ficção seriada. Breaking Bad. The Walking Dead. Abstract This paper problematizes the importance of television channels‟ institutional projects regarding the promotion of innovation in original television series production, using as its main reference the thoughts of French sociologist Pierre Bourdieu and his theory on social fields. AMC‟s trajectory in the field of original television series‟ production in the United States was analysed, using as corpus the series Breaking Bad and The Walking Dead to show how the channel‟s strategies in creating and promoting these products associated the search for quality and innovation in television series with the 1 Mestrando do Programa de Pós-Graduação em Comunicação e Cultura Contemporâneas da Universidade Federal da Bahia UFBA.
    [Show full text]
  • PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
    PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.
    [Show full text]
  • PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer)
    PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer) Courtney Kemp Agboh started her career in the magazine world, publishing articles in GQ, Vibe, and Marie Claire. She then left New York to pursue television writing, starting out in comedy on “The Bernie Mac Show” (Fox), and transitioning into one-hour drama, with stints on “Eli Stone” (ABC) and “The Good Wife” (CBS), among others. She is the creator and show runner of “Power,” which in its first season doubled viewership from its premiere episode to its finale and generated the largest concentration of African American viewership of any scripted premium series since 2006. Kemp Agboh holds a B.A. from Brown University in English Literature and received her M.A. in English literature from Columbia University. She lives in Los Angeles. DAVID KNOLLER (Executive Producer, Director Episodes 203, 205) Working first as an actor in theater, television and film, David Knoller segued into live television producing, while still directing theater and teaching acting in the Los Angeles area. He produced Specials for CBS and HBO, and was soon asked to join Home Box Office as an executive. While at HBO, David produced the concert feature film Martin Lawrence: You So Crazy and the award winning mini-series “America’s Dream” with Danny Glover and Wesley Snipes. David also oversaw the productions of HBO’s “Comic Relief,” “One Night Stand,” “Women of the Night,” “Dream On” and “Larry Sanders,” along with pilots and series for its upstart HBO Independent Productions, which included FOX’s “Roc,” “Down The Shore” and “Martin”.
    [Show full text]
  • Iiy &Rert Rfo/Mes
    Kentwood Players presents Iiy &rert rfo/mes Directed by Catherine Rahm September 7 through October 20, 2007 Westchester Playhouse 8301 Hindry Avenue Westchester, California 90045-3205 Reservations: (310) 645-5156 The Mystery of Edwin Drood by Rupert Holmes Director Catherine Rahm Choreographer Vicki Rovel-Kirk Producer Lori A. Marple- Pereslete Set Design Light Design Joey Bell Tom Brophey Costume Design Sound Design Maria Cohen Kirk Larson Cast (in alphabetical order) Alice/Drood Elizabeth Bouton AngelaiPuffer Susie McCarthy Cedric/Crisparkle Greg Abbott Chairman! Mayor Sapsea Ben Lupejkis Clive/Jasper Jon Sparks Deidre/Rosa Rihana Ray Felicia Bax/Bazzard Vicki Rovel-Kirk Florence Julia Aks Horace Cory Pierce Isobel Kimberly Berg Jack Jack Mattiza JanetiHelena Patricia Butler Nickie/Durdles Vada Foster Nick/Deputy Andy Abbott VictorlNeville Shawn Summerer Produced by special arrangement with Tams-Witmark Music Library, Inc Synopsis of Scenes and Musical Numbers Act One THE SITUATION r t' Scene 1 John Jasper's home, a morning in December ~ Scene 2 The Nun's House, later that morning Scene 3 Princess Puffer's Opium Den, the next day Scene 4 Cloisterham High Street, the following afternoon Scene 5 Graveyard at Cloisterham Cathedral, Christmas Eve Scene 6 John Jasper's home, a short time later Scene 7 Cloisterham High Street, Christmas Day There will be a IS-minute intermission between Act One and Act Two. Decaf coffee will be served at the intermission, courtesy of Kentwood Players. Act Two ACTn THE SLEUTHS Scene 1 Cloisterham Station, 6 months later THE VOTING Stage of the Music Hall Royale THE SOLUTION Cloisterham High Street, Dawn Act One There You Are Chairman & Company Two Kinsmen Drood & Jasper A Man Could go Quite Mad Jasper Moonfall Rosa Moonfall (reprise) Rosa, Helena, Flo, Isobel The Wages of Sin Princess Puffer A British Subject Neville, Helena, Crisparkle, ...................................................................
    [Show full text]
  • At the OLD GLOBE THEATRE JULY 2009 Welcome
    performances at the OLD GLOBE THEATRE JULY 2009 Welcome Dear Friends, UPCOMING Welcome to the world premiere of The First Wives Club - A New Musical. The birth of a musical is always a reason to celebrate, and THE MYSTERY OF with the talent that is assembled IRMA VEP for this production, it is much July 31 - Sep. 6, 2009 more than that. Some of today's The Old Globe Arena Stage at most sought-after artists have the James S. Copley joined forces to bring us this Auditorium, exciting production. The creative San Diego Museum of Art team, comprised of inter- nationally renowned director ❖❖❖ Francesca Zambello, Tony Award®-winning book writer Rupert Holmes and music and SAMMY lyric Motown legends Brian Holland, Lamont Dozier and Eddie Holland, Sep. 17 - Nov. 1, 2009 is just about unbeatable. Starting out with a hugely popular movie (and Old Globe Theatre book) is both an amazing opportunity and a serious challenge. How do we now make this story work for the stage? Theatre is a vastly different ❖❖❖ art form than film and the wisest creators work to bring us something new and fresh. They use the convention of the imaginary "fourth wall" to breathe new life into well-known stories. Bringing an innovative twist T H E SAVA N N A H to a familiar story, a surprising new voice to a known character — these DISPUTATION are some of the key elements in the creation of this show, and you are Sep. 26 - Nov. 1, 2009 the first ones to see the journey from the creators’ vision to the The Old Globe Arena Stage at production fully-realized and on stage.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]
  • Table of Contents
    GEVA THEATRE CENTER PRODUCTION HISTORY TH 2012-2013 SEASON – 40 ANNIVERSARY SEASON Mainstage: You Can't Take it With You (Moss Hart and George S. Kaufman) Freud's Last Session (Mark St. Germain) A Christmas Carol (Charles Dickens; Adapted/Directed by Mark Cuddy/Music/Lyrics by Gregg Coffin) Next to Normal (Music by Tom Kitt, Book/Lyrics by Brian Yorkey) The Book Club Play (Karen Zacarias) The Whipping Man (Matthew Lopez) A Midsummer Night's Dream (William Shakespeare) Nextstage: 44 Plays For 44 Presidents (The Neofuturists) Sister’s Christmas Catechism (Entertainment Events) The Agony And The Ecstasy Of Steve Jobs (Mike Daisey) No Child (Nilaja Sun) BOB (Peter Sinn Nachtrieb, an Aurora Theatre Production) Venus in Fur (David Ives, a Southern Repertory Theatre Production) Readings and Festivals: The Hornets’ Nest Festival of New Theatre Plays in Progress Regional Writers Showcase Young Writers Showcase 2011-2012 SEASON Mainstage: On Golden Pond (Ernest Thompson) Dracula (Steven Dietz; Adapted from the novel by Bram Stoker) A Christmas Carol (Charles Dickens; Adapted/Directed by Mark Cuddy/Music/Lyrics by Gregg Coffin) Perfect Wedding (Robin Hawdon) A Raisin in the Sun (Lorraine Hansberry) Superior Donuts (Tracy Letts) Company (Book by George Furth, Music, & Lyrics by Stephen Sondheim) Nextstage: Late Night Catechism (Entertainment Events) I Got Sick Then I Got Better (Written and performed by Jenny Allen) Angels in America, Part One: Millennium Approaches (Tony Kushner, Method Machine, Producer) Voices of the Spirits in my Soul (Written and performed by Nora Cole) Two Jews Walk into a War… (Seth Rozin) Readings and Festivals: The Hornets’ Nest Festival of New Theatre Plays in Progress Regional Writers Showcase Young Writers Showcase 2010-2011 SEASON Mainstage: Amadeus (Peter Schaffer) Carry it On (Phillip Himberg & M.
    [Show full text]
  • Smash Hits Volume 36
    4pril 17-30 ^ 1980 m 30p 1 4. \ t, i% \ '."^.iiam 1 \ # »^» r ,:?^ ) ^ MARNF B. A. ROBERTSON NONKEES THE originals/ The Atlantic Masters — original soul music from the Atlantic label. Ten seven inch E.P.s, each with four tracks and at least two different artists. Taken direct from the original master tapes. Re-cut, Re-issued, Re-packaged. £1.60^ 11168 2 SMASH HITS April 17-30 1980 Vol 2 No. 8 WILL I HOLD IT right there! Now before WHAT DO WITHOUT YOU? you all write in saying how come Lene Lovich 4 there's only four of Madness on CLEAN CLEAN the cover, we'll tell ya. That heap of metalwork in the background The Buggies 5 IS none other than the Eiffel DAYDREAM BELIEVER Tower and the other trois {that's i'our actual French) scarpered off The Monkees 7 up it instead of having their photo MODERN GIRL taken. Now you know why Sheena Easton 8 they're called Madness! More nuttiness can be found on pages SILVER DREAM RACER 12 and 13, and other goodies in David Essex 14 this issue include another chance to win a mini-TV on the I'VE NEVER BEEN IN LOVE crossword, a binder offer for all Suzi Quatro 15 your back issues of Smash Hits CHECK OUT THE GROOVE (page 36), another token towards Mandging Editor your free set of badges (page 35) Nick Logan Bobby Thurston 19 and our great Joe Jackson SEXY EYES competition featuring a chance to Editor himself! (That's Dr. Hook 22 meet the man on Ian Cranna page 28).
    [Show full text]