Marcia Milgrom Dodge Curriculum Vita Overview
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Thursday Morning, Oct. 20
THURSDAY MORNING, OCT. 20 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View Christina Ricci; Kelli Live With Regis and Kelly (N) (cc) 2/KATU 2 2 (cc) (Cont’d) Garner. (N) (cc) (TV14) (TVPG) KOIN Local 6 at 6am (N) (cc) The Early Show (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) Newschannel 8 at Sunrise at 6:00 Today Food trends; Seattle. (N) (cc) Anderson (N) (cc) (TVG) 8/KGW 8 8 AM (N) (cc) Sit and Be Fit Wild Kratts (cc) Curious George Cat in the Hat Super Why! (cc) Dinosaur Train Sesame Street Hubert the Human Sid the Science Clifford the Big Martha Speaks WordWorld (TVY) 10/KOPB 10 10 Breathing. (TVG) (TVY) (TVY) Knows a Lot (TVY) (N) (TVY) Cannonball. (cc) (TVY) Kid (TVY) Red Dog (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) MORE Good Day Oregon The 700 Club (cc) (TVPG) Family Feud (N) Family Feud (cc) 12/KPTV 12 12 (cc) (TVPG) (TVPG) Portland Public Affairs Paid Paid The Magic School Willa’s Wild Life Through the Bible Zola Levitt Pres- Paid Paid Paid 22/KPXG 5 5 Bus (TVY7) ents (TVG) Changing Your John Hagee Rod Parsley (cc) This Is Your Day Kenneth Cope- Dean & Mary Life Change Cafe John Bishop TV Behind the Lifestyle Maga- James Robison Marilyn Hickey 24/KNMT 20 20 World (TVG) Today (cc) (TVG) (TVG) (cc) (TVG) land (TVG) Brown Scenes (cc) zine (cc) (TVG) (cc) The Steve Wilkos Show (cc) (TVPG) Paid Paid My Name Is Earl My Name Is Earl Swift Justice: Swift Justice: Maury (cc) (TV14) The Steve Wilkos Show (N) (cc) 32/KRCW 3 3 (TV14) (TV14) Jackie Glass Jackie Glass (TV14) Andrew Wom- Paid Law & Order: Criminal Intent Assis- The Jeremy Kyle Show (N) (cc) America Now (N) Divorce Court (N) Cheaters (cc) Cheaters (cc) America’s Court Judge Alex (N) 49/KPDX 13 13 mack tant DA kills hit man. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Pippin Buy Tickets
New York Subscribe to Time Out New York Search Things To Do Food & Drink Arts & Culture Film Music & Nightlife Shopping & Style City Guide Tickets & Offers Pippin Buy tickets Musicals Revival Music Box Theatre Until Sun Dec 22 Near Music Box Theatre Bars and Restaurants Shops pubs and cafés Photograph: Joan Marcus Paramount Bar and Grill Pippin Time Out rating: User ratings: Critics' pick Paramount Bar Rate this Comments 3 Time Out says Add + Marriott Marquis Hotel Thu Apr 25 2013 Like 406 Tweet 23 Theater review by Adam Feldman. Music Box Theatre (Broadway). 0 Book by Roger O. Hirson. Music and lyrics by Stephen Schwartz. Dir. Rum House Diane Paulus. With Matthew James Thomas, Patina Miller, Rachel Bay Jones. 2hrs 30mins. One intermission. The Living Room at the W Ladies and gentlemen, step right up to the greatest show of the Broadway season: Diane Paulus’s sensational cirque-noir revival of Pippin. Here, in all its grand and dubious glory, is musical-theater showmanship at its best, 1001 others, see all a thrilling evening of art and craftiness spiked with ambivalence about the nature of enthrallment. Chet Walker’s dances, which retain the pelvic thrust of Bob Fosse’s original choreography, are a viciously precise mockery of showbiz bump and grind, enacted by a sexy, sinister, improbably limber ensemble (in skintight carnival gear and medieval costumery). Circus elements created by Gypsy Snider—acrobatics, aerialism, contortionism, juggling, hula hoops—build momentum toward what the ringmaster assures us is “a climax you will remember for the rest of your lives.” That just might be true. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
YOU're a GOOD MAN, CHARLIE BROWN (Revised)
Town and Country Players Doylestown, PA Copyright © 2016 Playbill Online Inc. All marks used by permission. Town and Country Players PRESENTS YOU'RE A GOOD MAN, CHARLIE BROWN (Revised) Based on the Comic Strip "Peanuts®” by Charles M. Schulz Book, Music and Lyrics by Clark M. Gesner Additional Dialogue by Michael Mayer Additional Music and Lyrics by Andrew Lippa with Jane Ericksen Tim Blaikie Keith Kirkner Andy Kind-Rubin Amelia Arrigo-Ball Terry Fenningham Stage Manager Producer Asst. Stage Manager Meg Waldowski Sharon Rill-Soester Kris Ballerini Lighting Design Choreographer Scenic Design Scott Connard Karen Abrams Barb Emch Music Direction by Charles deMets Directed by Keith Soester Produced by Special Arrangement with Tams-Witmark Music Library, Inc. 560 Lexington Avenue New York, NY 10022 Copyright © 2016 Playbill Online Inc. All marks used by permission. MUSICAL NUMBERS Act 1 You're a Good Man, Charlie Brown Charlie Brown, Lucy, Linus, Sally Schroeder Schroeder, Lucy and Company Snoopy Snoopy My Blanket and Me Linus and Company Queen Lucy Lucy and Linus The Kite Charlie Brown The Doctor is In Lucy and Charlie Brown Beethoven Day Schroeder and Company Rabbit Chasing Snoopy, Sally and Company The Book Report Company Act 2 The Red Baron Snoopy My New Philosophy Sally and Schroeder The Baseball Game Company Glee Club Company Little Known Facts Lucy, Linus and Charlie Brown Suppertime Snoopy and Company Happiness Company There will be one 15 minute Intermission Please join us in the Clubroom for refreshments Copyright © 2016 Playbill Online Inc. All marks used by permission. CAST Charlie Brown Tim Blaikie Schroeder Keith Kirkner Linus Andy Kind-Rubin Lucy Amelia Ball Sally Jane Ericksen Snoopy Terry Fenningham SETTING A day in the life of Charlie Brown and his friends Copyright © 2016 Playbill Online Inc. -
Book Reviews 203 1472 and 1475. the Final Chapter Considers the Production Process Spierinc and Van Lathem Followed in Creating
Book Reviews 203 1472 and 1475. The final chapter considers Thoroughly researched and extremely the production process Spierinc and van readable, this book nevertheless suffers Lathem followed in creating the prayer from a number of editorial lapses. The book’s “documented core,” with discus- majority are simply errors in spelling, sions of the text’s elaborate mise-en-page, although occasionally words are omitted or layout; the patterns of rubrication, line or transposed; and, in one particularly fillers, and partial borders; and the the- important case at the beginning of the matic interplay between illustration and codicological description in Appendix 2, text. Throughout the chapter, de Schryver a mistake in numbering the manuscript’s addresses the uncertainties involved folios introduces unnecessary confusion. in definitively assigning responsibility Most of these errors are likely the result for the execution of calligraphic and il- of the author’s failing health and unfortu- lustrative elements in a work that was nate death during the final preparation of the product of multiple craftsmen. In the the text and the publisher’s rush to get the end, however, he succeeds in supporting book into print “as quickly as possible,” his original attribution of the illumina- and, although bothersome, do not detract tion and scribal work to van Lathem and from the overall quality of de Schryver’s Spierinc, respectively, along with associ- scholarship. ates from their ateliers working in similar Whether addressing specifi c questions and complementary styles. about the prayer book’s creators and Rounding out the book are fi ve ap- contents or more general issues related to pendices. -
Download Issue
THE DISTRICT MESSENGER THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON ROGER JOHNSON, 210 RAINSFORD ROAD, CHELMSFORD CM1 2PD no. 119 50th April 1992 Peter B. Spivak and Francine & Wayne Swift have passed on the sad news of two deaths among the stalwarts of the Baker Street Irregulars. Much the more famous was Isaac Asimov, one of the great science-fiction writers, who was also a commentator on the Bible and on Shakespeare, a communicator of science and history, a quick-witted deviser of scurrilous limericks, a writer of pure detective fiction, and a Sherlockian of note. W.T. (Bill) Rabe may be best-known for WE ALWAYS MENTION AUNT CLARA, his extraordinary investigation into the origins of the BSI's anthem, but he also contributed many articles to Holmesian publications, and was a genial leading member of The Old Soldiers of Baker Street of the Two Saults. Sherlock Publications (6 Bramham Moor, Hill Head, Fareham, Hampshire P014 3RU) has issued a new edition of Philip Weller's admirable THE DARTMOOR OF 'THE HOUND OF THE BASKERVILLES', in which the author has taken the opportunity to correct a few errors of earlier scholars that had found their way into the first edition, and to include a select bibliography. This handsome little book will be invaluable for those attending our Society's Dartmoor weekend in June, and indeed for anyone interested in tracing the locations of THE HOUND OF THE BASKERVILLES. Prices; UK (1st class post) £££ 5.50; Europe (air mail) £££ 6.00 / $ 12; rest of world (air mail) £££ 6.50 /$ 13. -
Tell Me on a Sunday – Amateur Uk & Eire
6 Catherine Street London WC2B 5JY +44 (0)20 3475 7923 TELL ME ON A SUNDAY – AMATEUR UK & EIRE TERMS & CONDITIONS Agreement between The Really Useful Group Ltd., 6 Catherine Street, London, WC2B 5JY, UNITED KINGDOM (“the Licensor”) and “The Licensee”. 1. DEFINITIONS 1. “the Play” shall mean an English language production of the dramatico-musical work entitled TELL ME ON A SUNDAY by Don Black and Andrew Lloyd Webber (“the Authors”). 2. “the Term” shall mean from the authorised start date to the authorised end date. 3. “the Stage Rights” shall mean the non-exclusive right to produce an amateur production of the Play during the Term at the authorised venue for the authorised number of performances. 4. “Box Office Receipts” shall mean the gross sums received by the Licensee and/or respective agents, employees, and affiliates of the Licensee from all sources whatsoever in respect of the sale of tickets of admission to any performances of the Play actually given pursuant to this Agreement after the deduction only of customary taxes and commissions. 5. INTENTIONALLY DELETED 2. GRANT OF RIGHTS 1. In consideration of the royalties provided for in Clause 5 below, the Licensor hereby grants to the Licensee the right to exercise the Stage Rights during the Term. 2. The Play will be performed in accordance with the material supplied by the Licensor or the Licensor’s agent. No alterations may be made to the storyline, text or the music without the express written consent of the Licensor which may be given or withheld at the Licensor’s absolute discretion. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Story Matters Here: AMC No Campo De Produção De Seriados Televisivos
Story Matters Here: AMC no campo de produção de seriados televisivos Story Matters Here: AMC in the field of original television series production Marcelo LIMA1 Lara CARVALHO2 Maria Carmen Jacob de SOUZA3 Resumo O presente artigo problematiza a importância dos projetos institucionais dos canais de televisão para a promoção da inovação nas séries televisivas, tendo como referência o pensamento do sociólogo francês Pierre Bourdieu e sua teoria sobre os campos sociais. A trajetória do canal AMC no campo das produtoras de séries televisivas nos Estados Unidos foi analisada, tendo como corpus os seriados Breaking Bad e The Walking Dead, para mostrar como as estratégias da emissora na criação e divulgação destes produtos associaram a busca da qualidade e da inovação das séries com a promoção do reposicionamento de sua marca. Argumentamos que as estratégias da AMC foram bem sucedidas e alçaram as séries e o canal a uma posição privilegiada no campo. Palavras-chave: AMC. Campo da ficção seriada. Breaking Bad. The Walking Dead. Abstract This paper problematizes the importance of television channels‟ institutional projects regarding the promotion of innovation in original television series production, using as its main reference the thoughts of French sociologist Pierre Bourdieu and his theory on social fields. AMC‟s trajectory in the field of original television series‟ production in the United States was analysed, using as corpus the series Breaking Bad and The Walking Dead to show how the channel‟s strategies in creating and promoting these products associated the search for quality and innovation in television series with the 1 Mestrando do Programa de Pós-Graduação em Comunicação e Cultura Contemporâneas da Universidade Federal da Bahia UFBA. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.