Montana Kaimin, January 16, 1991 Associated Students of the University of Montana

Total Page:16

File Type:pdf, Size:1020Kb

Montana Kaimin, January 16, 1991 Associated Students of the University of Montana University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 1-16-1991 Montana Kaimin, January 16, 1991 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, January 16, 1991" (1991). Montana Kaimin, 1898-present. 8309. https://scholarworks.umt.edu/studentnewspaper/8309 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Montana Kaimin University of Montana Wednesday, Jan. 16,1991 Vol. 93, Issue 41 Protesters: ’Hell no, we won't go...' MARK HUTCHINSON (top) gets support from his friend Shawn Trueman, ASUM SENATOR John Crocker raises an arm in anger while speaking to crowd outside Main Hail. sophomores from Helena. Doug Harding and freshman Gabrielle Gerace (below). '...we won't fight for Texaco' Thousands gather, protest Mideast war UN deadline marked with speakers, rally and peace vigil on oval Dan McComb/Kaimin By Dave Ojala Uz Hahn/Kaimin papers, and that stories about protests can ment and go,” he said. “But I’ll never take up hoped “they give it(peace) a shot.” for the Kaimin lead to bad morale. arms against another human being, and they He said the nice thing about the protest About 3,000 people gathered on the Oval “Bad morale leads to bad soldiers, and can’t make me do that” was that “you don’t have to be a so-called Tuesday to protest the American bad soldiers die,” he said. “I don ’ t want to see Alice Campbell spoke for Missoula dove to be here. You vould be a hawk or government’s rush toward war in the Middle that happen.” Women for Peace, and asked if Congress military person and hope they don’t jump East. ASUM Senator John Crocker said the and George Bush were going to war against into it” The rally started with a number of speak­ Bush administration is giving the public the wishes of the American people just so ers, after which about 2,600 people marched “sound bites instead of reasons” to justify Bush can “kick some butt and save face.” After reaching the courthouse, organizers to the Missoula County Courthouse to begin military action in the Gulf. After the speakers, the crowd, which had of the tally led the crowd in an emotional a 24-hour peace vigil. He also reminded the crowd about the thinned to about 2,600, marched to the court­ singing of “We Shall Overcome.” After the William D. Sparks, a Vietnam veteran, importance of Martin Luther King, Jr to all house. song, most of the crowd left, but many yelled opened the round of speakers, and told the Americans, and told them not to forget his Along the way, a person from Clark Fork out promises to return in the evening. crowd he agrees with the call for peace, but lessons. Realty came out of the office to complain On their way out of the courthouse yard, that he wanted to deliver a different message. “Never stop believing that the energies of about an American flag that a protester was a woman and her young son paused in front “Most of this crowd is not old enough to peace can be more powerful than the weap­ flying upside down. of a nearly empty “peace chest” placed on the remember Vietnam,” he said. “The anti-war ons of violence,” he said. “I don’t have a problem with demonstra­ steps. movement then became an anti-warrior Ed Tinsley, another member of the ASUM tions,” she yelled, “but I don’t like the flag “Is that the war chest?” asked the boy. movement. Please don’t do this again.” Senate, said he is a veteran of four years of being upside down.” “No, the war chest is in Washington, D.C. In an interview after he spoke, Sparks said military service, and that he has three more As the march neared the courthouse, This is a peace chest,” the mother said. “The he wanted to remind protesters that soldiers years of commitment left in the Reserves. Aubrey Dunkum, a retired Missoula resi­ war chest is filled with dollars, and this chest in the Gulf will receive their hometown news- “If the call comes, I’ll honor my commit­ dent, said he joined the march because he is filled with hope.” UM sophomore refuses to serve in Mideast By Dave Hastings Sargeson said he joined the Marine Corps right, only who’s left.” him to think that way, and it was not until Kaimin Reporter after his graduation from high school because Following his active duty, Sargeson said, three years ago that he began to think for A UM studen t and member of the National a recruiter “took me and four buddies out for he joined a Billings reserve unit. When he himself. Guard said Tuesday he will not go to the beer and convinced us that we could have a enrolled at UM, Sargeson transferred to the Sargeson said he became active in the Middle East if called. blast in the Marine Corps. National Guard, where he serves as a combat movement to provide aid to Nicaragua, Fred Sargeson, a 23-year-old sophomore “I know that my decision to refuse service engineer. adding that he “learned the truth about what studying political science, and a corporal in in the Gulf may have far- reaching conse­ Before enrolling at the university, Sarg­ was happening there and began to come to the National Guard, said “war is morally quences.” eson said he had “a bumper sticker on my car my own conclusions about what was right repugnant,” and “I will not fight in the Sargeson woreabutton on his black leather that said T love to kill Communists’.” Persian Gulf, I cannot.” jacket that stated, “War doesn’t decide what’s Sargeson said the military personnel told See "Refusal," page 12. Montana Kaimin Wednesday, Jan. 16,1991 ADSUM still seeks access By Karen Coates Watson, who graduated last quar­ problems, to the Office of Civil Kaimin Reporter ter. The current five-member Rights last week. He said he could not specifically name the listed The chairman of the Alliance for ADSUM board will soon be ex­ problems because of legal and Disabilities and Students at UM panded to seven members. Penn said he has three immedi­ privacy reasons. may be new to his position, but he is intent on making UM a barrier-free ate objectives for ADSUM: • To spread the word that acces­ “These are things that we’ve campus for disabled students. talked about and talked about and Bill Penn said at Tuesday’s first sibility is a civil right that must be talked about” in the past, he said ADSUM meeting of thequarter that guaranteed at UM. • To provide interpreters for “and nothing’s ever been done.” he met with Dean of Students Bar­ “We’re not pointing fingers at bara Hollmann last week and we UM’s hearing impaired students. any individual in the administra­ both agreed it is our civil right to • To guarantee learning-disabled tion,” Penn said. ‘ attend this university barrier-free.” students an equal opportunity to “I don’t want the impression that learn. “We want to work with the Ben Conard/Kaimin administration hand-in-hand,” he what we’re doing here is extra­ Penn said three hearing impaired SHANE FINDLAY, sophomore forestry, pitches a keg during "boondockers" day, said. curricular,” he said, adding that an students are scheduled to start here while protesters assemble to make a pitch for peace despite forester traditions. He added that his meeting with accessible campus is a right rather next fall, yet UM has no interpret­ Hollmann was productive rather than a privilege. ers to offer them. Crowd waits in vain Penn was chosen as ADSUM’s Penn said he sent an 8-inch than “vicious”. Hollmann was not available for comment. chairman by former president Larry packet, listing UM’s accessibility for ball tickets Tietz bids farewell to UM By Adina Harrison for the Kaimin By Christopher L. Moore Tietz said he hoped he had cre­ Kaimin reporter ated “very strong relations” be­ The early bird usually gets the each line to be redeemed for tickets tween MSU, UM and other Mon­ worm, but UM students who woke at noon. Tinsley said he did so in Outgoing Montana State Uni­ tana schools in his years as presi­ up early Tuesday in hopes of buy­ order to keep “peace and order” versity PresidentWilliam Tietz said dent. ing Saturday night tickets for the and clear out the UC. Tuesday the relationship between Given the “meager” resources Foresters’ Ball didn’ t have a Forestry student Scott Ripple MSU and UM would “improve” Montana universities have at their chance. said extra steps were taken this with the phasing in of a new presi­ disposal, they must work together Students who arrived at the UC year to make ticket sales more effi­ dent at MSU. to reach their goals and objectives, as early as 4:30 a.m. were told later cient. Two booths were set up in­ “It’s appropriate to have changes he said.
Recommended publications
  • NZ Music Stats | Q 4 201 5 Report F Or the NZ Music Industry Commission
    NZ Music Stats | Q 4 201 5 Report f or the NZ Music Industry Commission 2015 – Fourth Quarter Summary This is the fourth statistical report of 2015 by RadioScope for the NZ Music Industry Commission, designed to track the health of the New Zealand music market. Where possible, we’ve backdated data to the same quarter in 2014 to provide context for the current quarter’s results and allow comparison with quarter just gone as well as the equivalent period 12 months earlier. At A Glance… vs Same Quarter Last Year Retail Sales (Physical and Digital): Sales of Singles by NZ artists were down -53.13% on the same period last year to 70,927 units. (There was -30.18% decline across the single market as a whole). Sales of Albums by NZ artists were up +28.22% on the same period last year to 104,389 units. (There was -2.47% decline across the album market as a whole). Sales of Compilations by NZ artists were down -58.29% on the same period last year to 2011 units. (There was -29.04% decline across the compilation market as a whole). Sales of DVDs by NZ artists were down -93.60% on the same period last year to 1491 units. (There was -61.86% decline across the DVD market as a whole). Radio: Airplay of songs by NZ artists across all contemporary radio (RBA members and non-members) was down -2.24% on the same period last year to 17.20% (based on 277,794 spins ). Total Sales of ALBUMS by NZ Artists: Fourth quarter of 2015: 104,389 15.53% Third quarter of 2015: 49,887 Same quarter last year: 81,417 Top Sellers this quarter : On Another Note / Sol3 Mio (Universal)
    [Show full text]
  • Dunedin Sound Sources at the Hocken Collections
    Reference Guide Dunedin Sound Sources at the Hocken Collections ‘Thanks to NZR Look Blue Go Purple + W.S.S.O.E.S Oriental Tavern 22-23 Feb’, [1985]. Bruce Russell Posters, Hocken Ephemera Collection, Eph-0001-ML-D-07/09. (W.S.S.O.E.S is Wreck Small Speakers on Expensive Stereos). Permission to use kindly granted by Lesley Paris, Norma O’Malley, Denise Roughan, Francisca Griffin, and Kath Webster. Hocken Collections/ Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the Dunedin Sound held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu.
    [Show full text]
  • In This Issue: the Art of Flying Nun 01 Being an Urban Artist 02 the Den 03 at the Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie Van Hout 10
    Issue 31 Exhibitions Ōtautahi www.artbeat.org.nz August 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: The Art of Flying Nun 01 Being an Urban Artist 02 The Den 03 At The Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie van Hout 10 Hellzapoppin’! The Art of Flying Nun writer Warren Feeney The opening of Hellzapoppin’! The Art of → Flying Nun Sneaky Feelings in August 2021 at the Christchurch Be My Friend Art Gallery Te Puna o Waiwhetū is no coinci- 1982. 7-inch dence. It celebrates to the month, forty years single, designed by Ronnie van ago that Roger Shepherd, then a record Hout store manager in Christchurch established →→ Flying Nun, its first ten years of recording the Tall Dwarfs Slug- predominant subject of a survey exhibition of buckethairy- the original artwork, record covers, posters, breathmonster videos, photographs, design and paintings by 1984. EP Designed by members of the labels’ various bands, musi- Chris Knox cians and associated designers and artists. While debate still fires up among music critics and musicians in Aotearoa about the critical role that Flying Nun played in the post-punk music scene in the 1980s, while Wellington and Auckland saw the emergence of bands that included Beat Rhythm Fashion and The Mockers, (both from Wellington) the anchor of a record label with a distinct attitude and personality has seen Shepherd’s Flying Nun remembered as the sound of that period. Certainly, The Clean, Straitjacket Fits and The Chills are high on the list of bands contributing to such perceptions and memories.
    [Show full text]
  • Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
    "KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords.
    [Show full text]
  • The Complete Ask Scott
    ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me.
    [Show full text]
  • Our Contemporary Jewellery Artists Shine at Schmuck
    feature Our contemporary jewellery artists shine at Schmuck What has New Zealand jewellery got going for it? Pretty much everything, Philip Clarke explains in this survey of some of our jewellery Olympians and their exploits overseas. chmuck’, the German word, rhymes with book about “the stages of schmuck; denial, anger, acceptance”. and means jewellery. ‘Schmuck’ the Yiddish word In 2017, work by four New Zealand jewellers was ‘S rhymes with yuck and means obnoxious person. selected for Schmuck – five if you include Flora Sekanova, But Schmuck is a jewellery exhibition, the centrepiece of who is now Munich-based. From 700 applications, 66 and shorthand name for the annual Munich Jewellery Week were accepted – and the New Zealand works, by Jane (MJW), described by Damian Skinner as “the Olympics of Dodd, Karl Fritsch, Kelly McDonald, Shelley Norton and ornament, the Venice Biennale of cerebral bling”. Sekanova, represent a stronger showing than the United The global contemporary jewellery calendar is States. Fritsch and Norton have had their work selected coordinated around Schmuck, and about 5000 curators, on multiple occasions and New Zealander Moniek Schrijer collectors, dealers, fans, makers and teachers attend. It’s a won a 2016 Schmuck best-in-show, a coveted Herbert marathon: tribal, fun, important, trivial – and shameless. In Hofmann Prize, as Fritsch has previously. Yet again, it 2014 I was approached at a metro station after midnight by seems, New Zealand is ‘punching above its weight’ – this an attractive young curator who advised, staring intently time in contemporary jewellery. at my Caroline Thomas brooch, that her museum acquired Auckland jeweller Raewyn Walsh has been to MJW “contemporary jewellery by donation”.
    [Show full text]
  • Udspace Home
    Buckling up saves student's life Men defeat Army in the field ~0 page9 THE EVIEWA FOUR-STAR ALL-AMERICAN NEWSPAPER TUESDAY Students Driver replenish card plan beaches supports By Allison Graves sobriety Staff Reporter By Alan Grellsamer LEWES - Members of the Wildlife Staff Reporter Conservation Club (WCC) and the Student Environmental Action Coalition planted The Delaware Undergraduate Student beach grass on dunes to prevent erosion. Congress (DUSC) will distribute cards About 300 volunteers planted 100,000 which allow designated drivers to receive units of American beach grass at Lewes, free non-alcoholic drinks at local bars and Fenwick Island and Broadkill beaches restaurants, a DUSC spokeswoman said. Saturday morning. The designated-driver card entitles t.he This is the first year community members bearer to free non-alcoholic drinks when participated in the planting, which lasted accompanying at least two people over 21 from 9 a.m. until noon, said Sheila Colpo, years old who are drinking alcohol, DUSC DNREC volunteer coordinator. President Jeff Thomas (BE 90) said. The planting was a state project coordinated by the Department of Natural Resources and Environmental Control see editorial page 6 [DNREC]. Prisoners used to plant the grass, but they "It was something that DUSC had to frequently tried to finish the job quickly by do," said DUSC secretary Elaina Deming stuffing bunches haphazardly into the (BE 91). "The program, which will begin ground, said Anthony Pratt, director of the after Spring Break, will make people beach preservation section of DNREC. The aware of [the dangers of] drinking and new strategy aims to "involve citizens in Allison Graves driving." (From lett) Brian Gallagher (AS 90), Chris Candela (AS 91), Sue Wolf (AS 91) and Anne-Marie Menzel (AG 90) dig In see BEACHES page 5 Saturday to help stabilize the sand and prevent dune erosion along the Delaware coast.
    [Show full text]
  • Best of 2015 Lists
    BEST OF 2015 LISTS LIBBY 1. Sleater-Kinney – No Cities to Love 2. Waxahatchee – Ivy Tripp 3. Pile – You’re Better Than This 4. Speedy Ortiz – Foil Deer 5. Metz – II 6. Chastity Belt – Time to Go Home 7. Palehound – Dry Food 8. Hop Along – Painted Shut 9. Beach House – Depression Cherry 10. Screaming Females – Rose Mountain 11. Ought – Sun Coming Down 12. Shopping – Why Choose 13. Mourn – Mourn 14. Vundabar – Gawk 15. Krill – A Distant Fist Unclenching 16. Viet Cong – Viet Cong 17. Widowspeak – All Yours 18. Bully – Feels Like 19. Desaparecidos – Payola 20. Beach House – Thank Your Lucky Stars 21. Protomartyr – The Agent Intellect 22. Death Cab for Cutie – Kintsugi 23. Shamir – Ratchet 24. Jose Gonzalez – Vestiges & Claws 25. Kurt Vile – b’lieve I’m goin down BILL (not in order) Bill Fay - Who Is The Sender? Heartless Bastards - Restless ones Robert Pollard - Faulty Super Heroes Graham Parker - Mystery Glue Jessica Pratt - Your Own Love Again The Sword - High Country Public Image Limited - What The World Needs Now The Chills - Silver Bullets Julia Holter - Have You IN My Wilderness Sparks (FFS) - FFS Bob Dylan - Shadows Of The Night My favorite re-issues The Stones - Three Blind Mice Charlie Rich - So Lonesome I Could Cry Robin Gibb - Saved By The Bell Denny Lile - Hear The Bang Bob Dylan - Best Of The Cutting Edge 65-66/Bootleg Series Vol 12 Aftermath - Eyes of Tomorrow EDMUND Alex G – Beach Music Blanck Mass – Dumb Flesh Chelsea Wolfe - Abyss Godspeed You Black Emperor - Asunder, Sweet & Other Distress Heems – Eat Pray Thug The Zoltars – Self-Titled Tamaryn - Cranekiss Protomartyr – The Agent Intellect Max Richter – From Sleep Maserati - Rehumanizer Joey Badass – B4.DA.$$ Marsen Jules – Empire of Silence ALICIA Courtney Barnett - Sometimes I Sit and Think, And Sometimes I Just Sit Deaf Wish - Pain Deerhunter - Fading Frontier Elvis Depressedly - New Alhambra Eskimeaux - O.K.
    [Show full text]
  • Music Guide '89 for Big Play Match & Win Cash Prizes
    Music Guide '89 For Big Play Match & Win Cash Prizes J ENUFF V NUFF (ATCO) RADIO & RECORDS 41 KATHY MATTEA (MERCURY) 1927 (ATLANTIC) V 1 MELISSA ETHERIDGE (ISLAND) V :t//1!K a .Y... r,i ,. _ : r 6 ' % .n; Gvti# . MICHAEL McDONALD (FEPRISE) V 10DB (CRUSH K -TEL) Y 3 MARY'S DANISH (CHAMELEON) A BANG TANGO P. (MECHANIC/MCA) A MARY CHAPIN CARPENTER (COLUMBIA/CBS NASHVILLE) 1- OUEENSRYCHE (EMI) V NONA HENDRYX (PRIVATE MUSIC) o r. ¡ 1t IA +. 11 -<. r o a f , S 'IIT ° 1:¿S*111110: il- z A BAD ENGLISH (EPIC) GREGSON A 8 COLLISTER (RHINO) \ i D.A.D (WB) ,41/ i I 4 4 / A RICHARD SOUTHER (NARADA) -i . f _ ;l --_... 14'I, , á XYZ (ENIGMA) , A BILLY JOEL (COLUMBIA) -r r ' l A JUNKYARD (GEFFEN) 41 TREVOR RABIN (ELEKTRA) LENNY KRAVITZ (VIRGIN) More Than 650 New Releases WHAT CAN YOU EXPECT FROV COMPANY THAT BRINGS YOU THE MOST VARIED AND IVATING "USIC IN THE BUSINESS? MORE OF THE SAME! BRNK,S, -r STEPHEN E Ñ 1195P BANKSTATEMENT STEPHEN BISHOP DIRTY LOOKS BANKSTATEMENT (82007) BOWLING IN PARIS (87920) TURN OF THE SCREW (81992) JASON DONOVAN IIIKJONLS TEN GOOD REASONS .. a 4111 Tra#, AW . 11 A I 7.1 4 A 1 K M EA X . JASON DONOVAN MICK JONES MAX Q TEN GOOD REASONS (82oos) MICK JONES (81991) MAX O (82014) _ ' _, MGIM TGNEL,.L . .. 1":7 ..e11hKyll9, ,..... e i .n .. 192 _ : < . 1\IÁfyl ie a _---" ' c ir: ü . ilf i o o If - »S é. 0. e , A tr ° 4 M o o ishf= -'.
    [Show full text]
  • 92 by Greg Prickman-New Mu- Sic Director and Promotions Manager
    ARTS 4 DECEMBER 9,1992 Lists, Lists, Lists St. Entry, May 1-Their first songs float by in a perfect without a doubt fantastic. they were. The LP Pull is Greg's TOP 10 of '92 visit to the Twin Gties in '91 stretched out haze. The two Loose, relaxed, and friendly, out in March on Touch and by Greg Prickman-New mu- was a wee bit disappoiting. times I caught them live this they plowed through a set of Go, and if this single is any sic director and Promotions This show, however, was year were also fantastic - a all their classics. If only indication, it should be mag- Manager, WMCN. "Host" of loud, churning and intense. relaxed, mellow, in-your- every band could be this nificent. 8-10 pm new music show Gedge even busted all the living-room acoustic set at unpretentious and natural. Thursdays, WMCN. strings in his acoustic during Let it Be records on April 24, "Hey, you, BE NICE!" lO.Hammerhead- No specific "Brassneck." That may sound and a screaming hissing, show or recording here, but I know as soon as this is dumb and irrelevant, but if s frustrated set at Cedarfest. 8.Ladies and Gentlemen, at least they deserve mention printed 111 think of some The Suburbs Have Left the as the best hope for '93, since completely amazing thing an example of the energy and 6.Sugar, First Ave. Oct 16- Building-Sure, everybody their debut LP comes out in that I left out, and of course ferocity they put into the The Copper Blue LP isn't loved Husker Du and the January.
    [Show full text]
  • Dj Spooky Is Articulate, Articulates
    DJ SPOOKY IS ARTICULATE, OR IS IT BETTER TO SAY THAT HE ARTICULATES'? HE EXPRESSES HIMSELF WITH HIS MIXES AND WRITTEN THE PROCESS, WORKS; IN a COMMON SENSE CHARACTERIZING OF GIDDY CONFUSION AND EXCITEMENT WITH THE CONDITIONS OF CONTEMPORARY LIFE, WHILE DISPLAYING AN INFORMED, HISTORICALLY LOCATED, SENSE OF PLACE AKin ...^p ALSO: OLIVIA TREMOR CONTROL, |Hfc UULUHIHlb,30 SECOND MOTION PICTURE, SPEEDBUGGY, THE ELECTROSONICS, KANEVA AND SPACEKID. PLUS: SAVE THE CBCI .O \, 1176 GRANVILLE ST, G08-GATK APRIL 1997 ISSUE *171 APRIL CALENDAR FRI. 4th SAT. 5X1-1 BRICKHOUSE FEATURES WITH GUESTS BALL II THE ATROCITY EXHIBITION SAVE THE CBC 7 ONS SCANTY WEAR FASHION SHOW/ FRI. nth THE SADDLESORES 30 SECOND MOTION PICTURE 10 VANCOUVER POLK KIOSKS. TAROT. PERFORMERS OIIVIA TREMOR CONTROL 13 MUSIC FESTIVAL ^m^m^m^m^m^m^m^m^m^tm PRESENTS FROM ELEOROSONICS/SPACEKID/KANEVA/SPEEDBUGGY 14 SATr I2t SALNN FRANCISCFRANCISCOO I rSEL DJ SPOOKY 16 ELE MUSIC WASTE DBLE CO RE LI * i___fi2 ZOLTY CRACKEI THE COLORIFICS 20 ETS: -nCktfMASTER. If I W SMAK MHiHV#t, 11/ HOMECOMING SHOW BLACK SWAM I W I ' :'•' . I- *P—mmmml Columns FRI, iQth COWSHEAD CHRONICLES NOISE _ SATtJ9th VANCOUVER SPECIAL THERAPY | COLORIFICS DIARY of JONNIE LOAF BOY WITH QUEAZY 4fe INTERVIEW HELL GUESTS SUBCULT. GASIVI editrix BASSLINES 19 miko hoHman SA^, 2*9th PRINTED MATTERS 19 ort director •ea«(_©i_«*£K c«-c«_i<_ fcgo^ai kenny paul SEVEN INCH 21 FROM SAN FRANCISCO ad rep BETWEEN THE LINES 21 FRI, 25th kevin pendergraft TEMPEST UNDER REVIEW 22 production manager 24 MUSCLE barb yamazakf REAL LIVE ACTION BITCHE CHARTS 27 graphic design/layout WITH | STONY PLAIN RECORDING ARTISTS tania alekson, atomos, erin ON THE DIAL 29 hodge, ken paul, GUESTS.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The New Wave of Pop and Synth-pop (These are excerpts from my book "A History of Rock and Dance Music") Synth-pop 1979-84 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The melodic song was center stage in popular music for the entire 20th century. Pop was certainly not born with rock music. Pop was born with the record industry at the beginning of the century. Rock'n'roll forced a new form onto the pop song, by limiting the format to guitar, drums, bass and the occasional horns or keyboards. Indirectly, the spartan format of "pop" in "rock" music emphasized the melody itself: the Beach Boys or the Hollies could not rely on the orchestral flourishes of Burt Bacharach. Pop survived the new wave but underwent a radical transformation. On one hand the neurotic/futuristic arrangements that were almost mandated by the new wave ended up complicating what was supposed to be a simple "song". On the other hand, the punk aesthetics of down-to-earth conciseness pulled the song format in the opposite direction, towards a bare and slim melodic line. The net result of this bi-directional pull was to make pop songs much more interesting, to say the least.
    [Show full text]