Best of 2015 Lists
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Lt. Dan Rocks Out
HIGH DESERT WARRIOR Volume 6, Number 11 www.irwin.army.mil March 18, 2010 Published in the interest of the National Training Center and Fort Irwin community Change of Responsibility 916th Support Brigade will hold a Bri- gade Command Sergeant Major Change of Responsibility ceremony. The ceremony will take place on Monday, 4 p.m., at Jack Rabbit Park. Legal Assistance Hours Fort Irwin Legal Assistance Office hours have changed. The new schedule is as follows: Monday, Tuesday, Wednesday, and Friday: 8 a.m.-4:30 p.m.; Thursday: 8 a.m.-3 p.m. Notary Services: 8 a.m.-3 p.m., Everyday, walk-in basis. Appointment calendars open: Fridays at 1 p.m. Audie Murphy Club Members of the Sgt. Audie Murphy Club will hold its monthly meeting at the SAMC Hall, located at the NTC Museum, Bldg. 587, Room 11, 12-1 p.m., March 30. For more information, contact Sgt. 1st Class Catherine Harris at 380-8386. Battle Staff Graduation Fort Irwin community is invited to at- tend the graduation ceremony of noncom- Actor Gary Sinese, performs with the Lt. Dan Band at Fort Irwin’s Army Field, March 12. The Lt. Dan Band performed a free missioned officers who will graduate from concert for the Fort Irwin community as part of his 41st USO tour. See more photos on Pages 10 and 11. Battle Staff Class 14-10 at the Post Theater, at 9 a.m., March 26. For more information, call 380-3880. Lt. Dan rocks out NTC STORY AND PHOTOS mate message to troops and their families is that was cut short because he got injured and lost Puerto Rican Birth Certificates BY SGT. -
'Judas Priest-On Tour' Violators Attacked
MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor to anyway? ror Picture Show and working over It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
Som Musikprojekt Har Dungen Pågått Sedan 1998. Det Startades Av Gustav Ejstes Som Sedan Dess Skriver Och Arrangerar Musiken
Dungen Tio Bitar (SUBCD24) Som musikprojekt har Dungen pågått sedan 1998. Det startades av Gustav Ejstes som sedan dess skriver och arrangerar musiken. På så vis är Dungen en persons verk; det är en person som skapar låtarna. Men Dungen hade inte varit det det är om det inte vore för musikaliska möten. Ett av de möten som fått en central betydelse för hur Dungen låter är det med gitarristen Reine Fiske. Gustav och Reine träffades redan ett par år efter projektets födelse och sedan dess har gitarristens påverkan på låtarna bara blivit större. ”Reine Fiske har ett säreget tonspråk och uttryck”, säger Gustav. ”Han har ett sätt att traktera elgitarren som inte många har.” Det sättet ligger mycket nära Gustavs ljudmässiga vision och det har satt sina avtryck. Allra helst i den nya skivan. Om Gustav spelade mer själv på de förra albumen (Dungen, Stadsvandringar, Ta det lugnt) - gitarr, bas, trummor, flöjt, blev det i skapelseprocessen av den senaste plattan än mer av Reines bas och gitarr. Grunden till låtarna lägger de tillsammans. Gustav spelar en del och instruerar, Reine spelar. Efter det bjuder Gustav in andra musiker för, som han säger, ”resultatets bästa”. Det sättet jobbar han helst på, med en person i taget. ”Det fungerar i någon mening som i hip-hopen. En producent ligger ofta bakom allt och i det här fallet är jag producenten.” Inför arbetet med den nya skivan gjorde Gustav som med det förra albumet. Han isolerade sig några månader i ett hus i Småland i södra Sverige; för att kunna fokusera, ”för att hålla influenserna på avstånd”. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
THE BENNINGTON FREE PRESS Dr.Randy on the H1N1 Bvjonah LIPSKY '12 Do, Which Is Contain the Spread of Diabetes
THEBENNINGTON Financial Freeze Concerns BYCONNIE PANZARIELLO '12 etc.), Vice President for Plan which was put into effect in June, be a financially prudent option FEATURESEDITOR ning and Special Programs Joan happened at a time when it still for saving money. While Morgan Goodrich and College President didn't look like our nation was said that he wouldn't characterize ogic at our school is Liz Coleman. Morgan firmly going to be experiencing much the measure as "precautionary," a rare find. We tend denied the rumor going around economic recovery. According to it will help us save some money Lto skip some steps, that Goodrich and Coleman gave Morgan, this has an effect on our in other areas such as the always jump around, and themselves pay raises. before the donors, who are more reluctant to needed financial aid. As for elim hope things will work out for the freeze happened. Not only is this give us funds at a time of finan inating faculty positions Morgan best. Thankfully, the person who incorrect (and trust me, I asked cial crisis. said, "you never know, but I don't handles our financial matters pos the man five times, in various Also not helping the situation foresee it and it's not in our cur sesses logic in bulk, and that's ways), it is impossible: they sim is the fact that "not surprisingly rent plans." . New hires will also all that really matters, right? Bill ply do not have the power. Pay the need for financial aid has in be decided by who they are and Morgan was nice enough to clear raises have to go through the bud creased." Morgan also reiterated what position they are filling, in up the always-impressive gossip get and be approved by the Board something that we should all be tenns of salary. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
UNC Seeks Consistency in ACC Play Parking and Park-And-Ride Permit Fees to Avoid Losing by Aaron Taube “Last Year, I Wasn’T As Confident,” Mcdonald Said
Serving UNC students and the University community since 1893 The Daily Tar Heel VOLuME 118, IssuE 131 thursday, january 13, 2011 www.dailytarheel.com Junior forward Tyler Zeller leads Student: UNC MEN’S BASKETBALL the frontcourt and team with Subject Comments dive | page 5 14.5 points per game and is Frontcourt UNC’s frontcourt has quickly become the team’s stron- BEST IN SHOW second with 7.6 gest point. Tyler Zeller is ninth in the ACC in scoring Diversions recalls the greatest rebounds. and tied for eighth in rebounding. John Henson entered the season about 30 pounds heavier and has developed movies, national albums and A- his post game nicely. Reserve forward Justin Knox has local albums of 2010, and sits DTH/BJ DwORAK filled out the frontcourt well. down with Reigning Sound Backcourt Larry Drew II has improved since last season despite frontman Greg Cartwright. playing only 24 minutes a game, thanks to the emer- Freshman gence of freshman Kendall Marshall. Sophomore off- Kendall Marshall B guard Dexter Strickland has shown to be a force on has shown his fast breaks and defensively. passing abilities while playing sig- Bench If nothing else, Roy Williams has plenty of options off nificant minutes the bench. Leslie McDonald has improved dramatically from the bench. as an outside shooter since his freshman season. Knox has solidified the frontcourt, chipping in 6.2 points B+ and 4.4 rebounds per game. Harrison Barnes has not been bad this season — his 11.7 WORAK Freshmen DTH/BJ D points per game rank second on the Tar Heels — but fans and pundits, perhaps unreasonably, expected more from Barnes than the 38 percent he has shot from the field thus far. -
John Carpenter Lost Themes II
John Carpenter Lost Themes II track listing: 1 Distant Dream (3:51) 2 White Pulse (4:21) 3 Persia Rising (3:40) 4 Angel’s Asylum (4:17) 5 Hofner Dawn (3:15) 6 Windy Death (3:40) 7 Dark Blues (4:16) 8 Virtual Survivor (3:58) 9 Bela Lugosi (3:23) 10 Last Sunrise (4:29) 11 Utopian Facade (3:48) 12 Real Xeno (4:30) (cD bonus track) key information / selling Points: Hometown / Key Markets: • Los Angeles, New York, Philadelphia, Chicago Selling Points / Key Press: • Lost Themes charted at #44 on Billboard Top Albums • More than 26,000 units of Lost Themes have shipped to date; Soundscan LTD is 14,733 On Halloween 2014, the director and composer John Carpenter introduced • Lost Themes is the highest selling album in label’s history the world to the next phase of his career with “Vortex,” the first single fromLost • Worldwide tour planned – playing live for the first time Themes, his first-ever solo record. In the months that followed,Lost Themes right- ever – with full band and stage production, May-Nov. 2016 fully returned Carpenter to the forefront of the discussion of music and film’s • Primavera, ATP Iceland, and ATP Release the Bats crucial intersection. Carpenter’s foundational primacy and lasting influence on already confirmed genre score work was both rediscovered and reaffirmed. So widespread was the • Secretly Distribution/ADA exclusive Purple & White Swirl acclaim for Lost Themes, that the composer was moved to embark on something Vinyl, edition of 2500 he had never before entertained – playing his music live in front of an audience. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
Narcocorridos As a Symptomatic Lens for Modern Mexico
UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Vol. 1, No. 2 “Grave-Digging Crate Diggers: Retro “The Narcocorrido as an Ethnographic Fetishism and Fan Engagement with and Anthropological Lens to the War Horror Scores” on Drugs in Mexico” Spencer Slayton Samantha Cabral “Callowness of Youth: Finding Film’s “This Is Our Story: The Fight for Queer Extremity in Thomas Adès’s The Acceptance in Shrek the Musical” Exterminating Angel” Clarina Dimayuga Lori McMahan “Cats: Culturally Significant Cinema” Liv Slaby Spring 2020 Editor-in-Chief J.W. Clark Managing Editor Liv Slaby Review Editor Gabriel Deibel Technical Editors Torrey Bubien Alana Chester Matthew Gilbert Karen Thantrakul Graphic Designer Alexa Baruch Faculty Advisor Dr. Elisabeth Le Guin 1 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 2 Spring 2020 Contents Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement 2 with Horror Scores Spencer Slayton Callowness of Youth: Finding Film’s Extremity in Thomas Adès’s 10 The Exterminating Angel Lori McMahan The Narcocorrido as an Ethnographic and Anthropological Lens to 18 the War on Drugs in Mexico Samantha Cabral This Is Our Story: The Fight for Queer Acceptance in Shrek the 28 Musical Clarina Dimayuga Cats: Culturally Significant Cinema 38 Liv Slaby Contributors 50 Closing notes 51 2 Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement with Horror Scores Spencer Slayton he horror genre is in the midst of a renaissance. The slasher craze of the late 70s and early 80s, revitalized in the mid-90s, is once again a popular genre for Treinterpretation by today’s filmmakers and film composers.