Music Guide '89 for Big Play Match & Win Cash Prizes

Total Page:16

File Type:pdf, Size:1020Kb

Music Guide '89 for Big Play Match & Win Cash Prizes Music Guide '89 For Big Play Match & Win Cash Prizes J ENUFF V NUFF (ATCO) RADIO & RECORDS 41 KATHY MATTEA (MERCURY) 1927 (ATLANTIC) V 1 MELISSA ETHERIDGE (ISLAND) V :t//1!K a .Y... r,i ,. _ : r 6 ' % .n; Gvti# . MICHAEL McDONALD (FEPRISE) V 10DB (CRUSH K -TEL) Y 3 MARY'S DANISH (CHAMELEON) A BANG TANGO P. (MECHANIC/MCA) A MARY CHAPIN CARPENTER (COLUMBIA/CBS NASHVILLE) 1- OUEENSRYCHE (EMI) V NONA HENDRYX (PRIVATE MUSIC) o r. ¡ 1t IA +. 11 -<. r o a f , S 'IIT ° 1:¿S*111110: il- z A BAD ENGLISH (EPIC) GREGSON A 8 COLLISTER (RHINO) \ i D.A.D (WB) ,41/ i I 4 4 / A RICHARD SOUTHER (NARADA) -i . f _ ;l --_... 14'I, , á XYZ (ENIGMA) , A BILLY JOEL (COLUMBIA) -r r ' l A JUNKYARD (GEFFEN) 41 TREVOR RABIN (ELEKTRA) LENNY KRAVITZ (VIRGIN) More Than 650 New Releases WHAT CAN YOU EXPECT FROV COMPANY THAT BRINGS YOU THE MOST VARIED AND IVATING "USIC IN THE BUSINESS? MORE OF THE SAME! BRNK,S, -r STEPHEN E Ñ 1195P BANKSTATEMENT STEPHEN BISHOP DIRTY LOOKS BANKSTATEMENT (82007) BOWLING IN PARIS (87920) TURN OF THE SCREW (81992) JASON DONOVAN IIIKJONLS TEN GOOD REASONS .. a 4111 Tra#, AW . 11 A I 7.1 4 A 1 K M EA X . JASON DONOVAN MICK JONES MAX Q TEN GOOD REASONS (82oos) MICK JONES (81991) MAX O (82014) _ ' _, MGIM TGNEL,.L . .. 1":7 ..e11hKyll9, ,..... e i .n .. 192 _ : < . 1\IÁfyl ie a _---" ' c ir: ü . ilf i o o If - »S é. 0. e , A tr ° 4 M o o ishf= -'. ' '_ MA KIM MITCHELL 1927 WRATHCHILD AMERICA ROCKLAND (81963) ...Ís11 (81986) CLIMBIN' THE WALLS (81889) THE MORE THINGS CHANGE,THE MORE THEY STAY THE SAME ...ON ATLANTIC RECORDS,CASSETTES AND COMPACT DISCS © 1989 Arlonn. Rr.ordAp Corp..' A Warner CommanKofiom Co i r. ti 11 Instant W,N Winners,- . f., . ` , Music Guide '89 f ' 89 BIG CASH WINNERS 85 Gold Winners 4 Platinum Winners of of $100 Cash $1,000 Cash tt+rs! ..u;;;; .11; x;: , 'ii¡':±>< .5 . r ,.: wTR v i*, w i Kí4 11.w er'f.4!;C'i4wti` P14 Pkk 0'e 4Y"ey2... 0; 4 M Easy to Play -- Your Lucky Number to... To claim your Easy to Win! You Must prize, follow Claim Your Prize instructions N2 10393 Find your R&R "Match & Win" by October 1, found in game 1989. rules. (See Lucky Number in this reverse.) + M R&R Music Guide '89, and R&R's "Match & Win" Game you're an instant winner! ,,. MATCH & WIN GAME RULES In order to determine if you are an instant winner, responsible for late, lost or misdirected mail. Proof match the lucky number on your special insert of mailing does not constitute proof of delivery. Be sheet to any winning number located on pages sure to make a photocopy of your lucky number In- throughout R&R's Music Guide '89. If any of the sert for your files. Upon verificaton of your lucky numbers match, you have won the prize listed next number as a winning number, you will be notified to the winning number. by mail or telephone. All unclaimed prizes will be forfeited and not awarded. Decisions of the judges Pie purchase necessary. Winning numbers and cor- are final and binding. responding prizes are located on multiple pages of the Radio & Records Music Guide '89. PRIZES: Four (4) cash awards of $1,000, and eighty-five (85) A copy of R&R's Music Guide '89 can be obtained awards of $100. Odds of winning are 89:12,000. All taxes, if any, will be sole by mailing a request to Radio & Records, ATTN: the responsibility of the pnze winner. Only Match & Win Lucky Number, 1930 Century Park one prize will be awarded person. West, Los Angeles, California 90067. per The sweepstakes is limited to residents of the To claim your prize, mail (registered mail, return United States, 18 years and older in age. Employees receipt requested) your lucky number insert sheet of Radio & Records and Westwood One com- -- no facsimiles, copies or reproductions accepted panies, its advertising and promotion agencies, and -- along with your name, address, city, state, zip their families are not eligible. Void wherever pro- code and telephone number, to Match & Win, c/o hibited or restricted by law. A list of prize winners Radio & Records, 1930 Century Park West, Los will be available by sending a self-addressed Angeles, California 90067. All winning numbers stamped envelope to: Winners List, c/o Radio & must be received no later than October 1, 1989 Records, 1930 Century Park West, Los Angeles, CA (allow seven days for postal delivery). R&R is not 90067. Contents IYs Going To Be Spotlight On ÁWaiWintei Breakout Artists A showcase for acts approaching a mass breakthrough, a jump to a new artistic level, or a significant change in direction. New Release Listings More than 650 forthcoming releases from labels large and small, listed alphabetically by artist. Record Company Directory Key label contacts at your fingertips. Artist Listings Index A handy at -a -glance reference listing all artists appearing in the R&R Music Guide. Play "Match & Win" 89 Lucky Numbers For Big Cash Prizes Staff PUBLISHER: Bob Wilson EXEC. VPIGM: Dick Krizman SR. VP/SALES: Bill Clark SR. VP/EDITOR: Ken Barnes VP/EXEC. EDITOR: Gail Mitchell RADIO & RECORDS ART DIRECTOR: Richard Zumwalt The listings in the 1989 R&R Music Guide were provided by the record MUSIC GUIDE EDITOR: Lynn McDonnell companies. All known labels were ASSISTANT EDITORS: Ron Rodrigues, Maryanne invited to contribute, and all sub- Oliviá NewtonJohn Caruso, Paul Colbert, Barry Holdship, Kevin McKie, Karen missions received before deadline Mumaw, Frank Roth, Ann Schnieders, Mike Wheaton were used. All reasonable care taken but no responsibility assumed arm -and Tend -ex for errors and omissions. All rights PRODUCTION: Richard .Agate, Teresa Dovidio, Tim reserved. Published August 1989 Kummerow, Bill Mohr, Lucie. Morris, w11111D1 Kent Thomas, Gary © 1989 Radio & Records Her.New AlkOt.í qg n OctoSer Van Der Steur, Roger Zumwalt A Westwood One Company { For More Copies Call (213) 553-4330 GEFFEN 0 19891ie David Geffen Cola/mull TM ISLAND PROMOTION Bob Catania Andy Allen Lisa Velasquez Steve Leavitt v. P. Promotion V.P. Album Promotion Nat'l Promo Director Nat? Promo Director (212) 995-7800 (212) 995-7800 (212) 995-7800 (213) 276-4500 John Souchack Pat Marsicano Stephanie Seymour Nat'l Album Manager Nat'l Promo Manager Nat'l College Manager (212) 995-7800 (212) 995-7800 (212) 995-7800 Paul Barrette Lynn Oakes Jay Hart Lee Durham New Eng/Cleve/Pitts Mid -Atlantic Midwest Southeast (617) 935-6368 (212) 691-5013 (312) 465-0303 (404) 875-5079 Becky Cohee Dave Darus Bob Myers Southwest West Coast . Northwest/Denver (214) 401-3077 (213) 276-4500 (206) 621-9443 Barbara Shebell Howie Miura Promo Coordinator/East Promo Coordinator/West (212) 995-7800 (213) 276-4500 THE ISLAND FAMILY OF LABELS "" or, L Lv B' JNI' RaR Music Guide '89.3 Breakout Artists BAD ENGLISH BANG TANGO Band Members: John Waite (vo- cals), Neal Schon (guitar), Jonathan Cain (keyboards), Ricky Phillips B3nd Members: Tigg Ketler They were signed out of the L.A. (drums), (bass), Dean Castronovo (drums) Mark Knight (guitars), Kyle club scene within a year of their first Home Base: West Coast (Los An- Kyle (bass, background vocals), show together. The quintet packed Joe (lead geles and San Francisco) LeSte' vocals), Kyle over 70 performances into their Stevens LP Title: "Bad English" ;4 (guitar, background vo- first nine months playing the club cals) 1 Record Label: Epic 1 scene. Between their vociferous Q Home Scheduled Release Date: 7/89 pdi Base: Los Angeles following and the relentless busi- LP Title: Emphasis Track/Single: "Forget "Psycho Cafe" ness talent scouts, the "buzz" on 1 Record Me Not," co -written by John Waite Label: (Mechanic/MCA) the band was all that was needed to and Jonathan Cain. Scheduled Release Date: 6/89 secure the group a major recording t Format Format Appeal: AOR, CHR Appeal: AOR, Metal contract. Previous Affiliations: John Waite, Produce' Howard Benson (TSOL, "Psycho Cafe," a ten -song col- Jonathan Cain, and Ricky Phillips Santuary. Wild Seeds, Pretty Boy lection of scorching blues-based Floyd) are former members of the Babys. hard rock, features a spectrum of 1g Waite later launched a solo career stylistic sidesteps, from the urban groove -rock "Breaking A and scored a Number 1 hit with of Up "Missing Phillips T. music business insiders, Heart Of Stone" to the elegant You." played ses- ty: "Heaven Is A 4 -Letter Word," but two songs on the album. sions and on several film the notion of an "overnight power of "Attack Of Life." The band scores; "Tough Times Don't Last," "Rockin' Though the members of Bad Eng- Jonathan Cain joined Neal in success" is pretty much themselves describe their music as e Schon Horse," "Ghost In Your Heart," lish have already achieved much on the hugely popular Journey. dismissed as nonsense. Years of upbeat groove -rock. Their appeal Drum- "The Restless Ones." an individual level, Neal Schon in- mer Dean dues -paying, rehearsing, wood - has as much to do with their on- Castronovo is a new- The seeds of Bad English took sists, "We have the same hunger comer, shedding and club gigging are stage sensuality as it does with already revered in percus- root last year. John Waite was set as any new band." And Jonathan sion circles. usually logged before an artist gets their musical sensibility. Both of to record a solo album for Epic, but Cain adds, "This is not a casual pro- Producer.
Recommended publications
  • Historic Hire for Down Syndrome Community of Central Texas
    Down in the Heart DSACT of Texas Down Syndrome Association of Central Texas Asociacion de Sindrome Down del Centro de Texas Volume 7, Issue 4 Historic Hire for Down Syndrome Inside this Issue: Community of Central Texas Historic Hire Pg. 1-2 After an extensive search process for the Down Syndrome Association of Central Texas’ first Executive Director, the Board has selected Cleofas Rodriguez Jr., an New Parent Corner Pg. 2 outstanding individual who fits not only our current needs, but our vision of growth for the future. Encourage Speech Pg. 2-3 Mr. Rodriguez has 15 years experience in non-profit management of organizations, Rx for Health Pg. 4-5 including support for high-risk children, children with disabilities, youth, families, and their communities. Most recently he served as Program Director for the Austin Education Exclusive Pg. 6-8 Travis County Advocate Program, where he was responsible for administering all aspects of local programming, organization management, and the recruitment and Smart IEPs Pg. 9-10 management of staff, volunteers, and interns. Additionally, Mr. Rodriguez served 6 years as Executive Director of Texas Head Start Association, Inc., where he President’s Column Pg. 11 initiated membership growth, increased revenue, and worked efficiently with a state-wide Board of Directors. What’s up at DSACT? Pg. 11-12 Through Mr. Rodriguez’s extensive non-profit experience and community activism, he has developed skills that have crafted him to become a focused and effective Buddy Walk Pg. 13-14 leader. With comprehensive knowledge of program development, special event coordination, community outreach, and fund donations, Mr.
    [Show full text]
  • Friday, April 30, 2004
    Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Spring 4-30-2004 Volume 39 - Issue 24 - Friday, April 30, 2004 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 39 - Issue 24 - Friday, April 30, 2004" (2004). The Rose Thorn Archive. 274. https://scholar.rose-hulman.edu/rosethorn/274 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY TERRE HAUTE, INDIANA Friday, April 30, 2004 Volume 39, Issue 24 News Briefs College Bowl goes national Nicole Hartkemeyer have competed in the pro- News Editor Emeritus gram.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Abraham Laboriel Thomas Risell Alfonso Cifo
    Sep-Oct 2012 Número 9 / Entrevistamos Abraham Laboriel Thomas Risell Alfonso Cifo Analizamos Yamaha TRB1005J EBS Microbass II Software: Hybrid Tools y Vivace Y además Didáctica con la colaboración especial de Igor Saavedra, Taller, Multimedia... SUMARIO EDITORIAL NÚMERO 9 3 Entrevistas aludos amigos, un número más y seguimos no defraudar a nadie. Ello me lleva a dar las fieles a la cita con todos vosotros, los gracias a todos los colaboradores sin los Abraham Laboriel S Alfonso Cifo seguidores del mundo del bajo. Para esta cuales no sería posible este sueño. Como Thomas Risell ocasión contamos con unos contenidos siempre os recomiendo visitar las webs de variados y de mucha calidad, solo hay que nuestros anunciantes, están a un click en la 19 Reviews nombrar a Abraham Laboriel entrevistado en revista y tienen propuestas muy interesantes exclusiva y nuestro bajista de portada. Thomas que en nada envidian a otras europeas. Yamaha TRB1005J Risell, el danés conocido como Marlowe DK, Gracias por estar ahí. EBS Microbass II toda una estrella en la didáctica a través de Internet nos cuenta su fascinante historia. 27 Taller Marcas de gran prestigio en el mundo del Convolución bajo como EBS y Yamaha ocupan nuestras José Manuel López reviews. Damos la bienvenida a Mariano Director de Bajos y Bajistas. 30 Didáctica Martos a nuestra sección de didáctica cada Bajo Flamenco vez más completa y abarcando mayor número Love Games de técnicas y estilos, como siempre con Simon Karma Police Fitzpatrick al frente. Acordes al vez sea el momento de reflexionar 38 Software Tdespués de un año y medio del inicio del Hybrid Tools proyecto, ya consolidada realidad, que es Vivace Bajos y Bajistas y desde luego no podemos sentirnos más satisfechos de la aceptación 42 Multimedia tenida en todo el mundo del bajo, ese feedback nos llena de energía para seguir trabajando y Abraham Laboriel La personalidad y la libertad al bajo.
    [Show full text]
  • Yamaha Corporation of America Winter Namm 2012 Press Kit
    YAMAHA CORPORATION OF AMERICA WINTER NAMM 2012 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2012 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION LISA CESARANO [email protected] 914-414-1556 (MOBILE) ELISE COOPER 914-584-7952 BAND AND ORCHESTRAL DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) PAC, LIVE SOUND,MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE POPULAR YAMAHA JUNIOR ORIGINAL CONCERT SERIES RETURNS TO NAMM —Talented Young Musicians Take to the Stage at Annual Winter NAMM Crowd Favorite — ANAHEIM, Calif.—The Yamaha Music Education System will present its perennially captivating Junior Original Concert (JOC) on Thursday, January 19. For the first time, the young musicians will perform at two NAMM venues: 8:30 a.m. at the NAMMU Dealer Breakfast in the Pacific Ballroom, Hilton Anaheim Hotel and 1:00 p.m. at the Yamaha Booth, Keyboard Division area, Marquis Ballroom at the Anaheim Marriott Hotel. All NAMM attendees are invited to enjoy the free 1 p.m. concert event, which will feature young talented Yamaha Music School students performing their own original compositions. Nine-year-old Alexander Hurvitz, a student at Harmony Music World, Fullerton, Calif., will perform his original piano solo composition, “Pushy Cat and Nutty Squirrels.” Chloe Li, also age 9 and a JSAC student at the Irvine Yamaha Music Center, will play the Clavinova CVP-509 in her original ensemble composition, “First Flight.” Chloe will play along with percussionists Dominic Primo, Sarah Chen and Lauren Chen, as well as her sister Claire Li, who will be performing on a second CVP-509.
    [Show full text]
  • WESTFIELD LEADER the Leading and Moat Widely Cireutated Weekly Newspaper in Union County M O •
    ,"••*,: •;c.V-'-rig|^Hf 0*- TJ1 : i -•".''•.^:'>;V 'V. "•• " • WESTFIELD LEADER The Leading and Moat Widely Cireutated Weekly Newspaper In Union County m o •- Sacond Obuu P»Uo P»liJ l'ubllshod 24 Pafirea—15 Cents f > •£ g] VENTH YEAR — NO- '48 at .Wutfleld, N. J. WESTFIELD, NEW JERSEY, THURSDAY, JUNE 23, 1977 Every Thursday x idyers' Appeal 578 Graduate from WHS Donna Anthony and Leonard Shen were Postponed 'til July recognized as the top students among five who Hearing on a Community for the building of the council which they felt was achieved perfect 4.0 Players, appeal to permit clubhouse extension which discriminatory to their averages at Westfield High the local theater group to contains a theater. operation. School during com- . hold more than four Area residents on a Also postponed, before of mencement exercises productions a year at its number of occasions have a lengthy zoning board Tuesday night. The other clubhouse at 1000 North Ave. expressed concern over agenda, was the appeal by three are Nancy Chapman, was held over to the July parking and traffic, noise Frank J. and Theresa M. Susan Grausam and Jeanne 18 meeting of the Board of and other factors connected Cardillo for permission to Steele. Adjustment at a meeting with the theate's operation, install a below ground pool Diplomas were awarded Monday of the zoning board: and last year the Players at 1101 Wychwood Rd. to 578 seniors by Clark S. The Players were themselves appeared before Scheduled for a fourth Leslie, president of the restricted to the four the Town Council to object hearing next month was Westfield Board .
    [Show full text]
  • Issue 209 Music & Mornings Many Factors Determine the Amount of Music a Country Station Plays in Morning Drive
    September 13, 2010 Issue 209 Music & Mornings Many factors determine the amount of music a Country station plays in morning drive. The competitive situation, spot load, caliber of air talent and even a change in morning shows are among them. Most recently, PPM ratings have led a number of programmers to increase the amount of music heard between 6-10am. For purposes of this week’s study, we looked at a variety of market situations to see how many songs were played in morning drive on a Wednesday for the last 12 months (excluding December 2009). As always, all airplay information comes from our friends at Mediabase 24/7. Stand Alone PPM Markets KKGO/Los Angeles has added a couple of songs per hour in the Medal Heads: “Not bad for an old radio guy!” says WGH-FM/AM/Norfolk last three months. It averaged about 12 songs between 6-9am up Dir. of Programming and Operations John Shomby. He and his niece Sara until about three months ago when it bumped to 14-15 songs in that (left) cheese for the camera after running the Virginia Beach Rock & Roll Half Marathon. At right (l-r), WWFG/Salisbury-Ocean City morning host time frame. Its 9am hour has stayed steady at 14 tunes throughout John Trout (5k), MM Jefferson Ward and Clear Channel’s Diane Walsh the last year. (both half-marathon) celebrate completing the local Hidden Treasures WUSN/Chicago has been stable in its morning airplay. It routinely runs. Each earned a podium finish in their age groups. has aired six-seven songs in the first hour of morning drive, seven- eight songs in the second hour, eight-nine songs in the third hour and McGraw’s Super In Dallas 10-11 songs in the final drive-time hour.
    [Show full text]
  • CLIFFS of DOVER As Recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson
    CLIFFS OF DOVER As recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson A Intro Free Time C DR P 8vaP P P 1 g 4 P V V V V V V V P V V V R V V V V V V V V V I 4 z u V z V P V V V W 3 Gtr I 1 1/2 Full M Full[[[[ Full 15 (15)M (15) 15 12 14 12 M 12 M 12 15 14 12 14 15 T 15 12 15 (15) 15 12 12 15 15 15 12 A 14 (14) B 0 P P 8va 3 V eV 4 g R R V V V V V 5 V V V V V V V P V V V P V V V V V V V V V V V V V I 4 V V 3 3 V 3 3 Full Full 12 M M 5 7 6 5 T 15 15 12 15 12 15 12 5 8 8 5 5 7 5 3 14 14 (14) 14 (14) (14) 12 7 7 4 4 2 A O 14 5 B P P P P P 3 3 V P V V V V 6 g P V V V V V V 4 V V 3 z j 4 V V V z I 4 V V V V V V V V 4 4 V V V V V V V 1/4 Full M M 7 8 10 8 T 8 (8) 5 7 8 10 10 12 4 2 O A 5 2 5 2 2 7 9 B 5 5 2 5 2 3 5 5 3 0 P sl.
    [Show full text]
  • August 2012 Newsletter
    August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th.
    [Show full text]
  • Thompson Twins King for a Day (キング・フォー・ア・デイ) Mp3, Flac, Wma
    Thompson Twins King For A Day (キング・フォー・ア・デイ) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: King For A Day (キング・フォー・ア・デイ) Country: Japan Released: 1986 Style: Synth-pop MP3 version RAR size: 1525 mb FLAC version RAR size: 1842 mb WMA version RAR size: 1955 mb Rating: 4.8 Votes: 967 Other Formats: WAV MMF DTS AA AIFF WMA AUD Tracklist Hide Credits King For A Day A 4:07 Edited By [Re-edit By] – Tom Bailey B Rollunder 6:34 Companies, etc. Phonographic Copyright (p) – Arista Records Ltd. Copyright (c) – Arista Records Ltd. Manufactured By – Nippon Phonogram Co., Ltd. Credits Producer – Nile Rodgers, Tom Bailey Written-By – Alannah Currie, Joe Leeway, Tom Bailey Notes © 1985 Arista Records Ltd. "King For A Day" lyrics are printed on the insert. "Rollunder" is the 12" mix, not the 7" mix found on most 7" versions of this release. Barcode and Other Identifiers Matrix / Runout: 〄 B TWINS-7A 111 N Matrix / Runout: TWINS-7B 111 Z Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year TWINS 7, TW Thompson King For A Day (7", Single, Arista, TWINS 7, TW UK 1985 INS 7 Twins Blu) Arista INS 7 7RS-134, Thompson King For A Day (キング・フォー・ Arista, 7RS-134, Japan 1986 TWINS 7 Twins ア・デイ) (7") Arista TWINS 7 Thompson King For A Day (U.S. Re- TWINS 227 Arista TWINS 227 UK 1985 Twins Mix) (12", Single) Thompson King For A Day (7", 107 776 Arista 107 776 Europe 1985 Twins Single) Thompson King For A Day (7", Single, A-107776 Ariola A-107776 Spain 1985 Twins Promo) Related Music albums to King For A Day (キング・フォー・ア・デイ) by Thompson Twins Thompson Twins - Watching Thompson Twins - Sister Of Mercy Thompson Twins - Side Kicks Thompson Twins - Don't Mess With Doctor Dream Thompson Twins - Love On Your Side (Rap Boy Rap) Thompson Twins - Doctor! Doctor! Thompson Twins - Lies Thompson Twins - Get That Love Thompson Twins - Revolution (Extended Mix) Thompson Twins - Lay Your Hands On Me.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • Louis Johnson by E.E
    Thumbs Of Lion EL DEC o Thunder SA BY CC STER The Hard-Hitting Legacy Of Louis Johnson By E.E. Bradman 22 bassplayer.com / september2015 Johnson with Leo Fender The Ernie Ball Music Man In an era saturated wIth StingRay: monstrously influential players, Louis Early Days Johnson streaked across the sky as few others did. With a wide array of techniques at his By JOnaTHan Herrera command, a signature tone, and unmatched intensity, Johnson managed to balance ridic- Few players are more ulously successful, concurrent careers as a associated with a bass than Louis Johnson and his Music Man StingRay. The kinship went beyond versatile studio musician at the top of his a visual aesthetic—the StingRay’s uniquely bright, slightly scooped tone was a driving force behind game and an in-your-face bass superstar. Johnson’s kinetic and pioneering slap style. We asked a handful of experts about the development of As a session wiz, Louis contributed classic the StingRay and Johnson’s involvement: Sterling Ball (CEO of Ernie Ball Music Man), Dudley Gimpel bass parts to albums by a long list of jazz, funk, (head of Ernie Ball Music Man R&D), and Music Man collector Dave Jeffrey. R&B, fusion, pop, and rock luminaries. As a certified bass hero, Louis—known around the What were Leo Fender’s and Tom White’s goals with the StingRay bass? world as “Thunder Thumbs”—was the catalyst Sterling Ball Leo was hard of hearing, so he liked a bright sound. Bright sounded normal to him. that inspired a million thumpers: Even in the Leo was happiest with the design of the pickup and bridge.
    [Show full text]