JULY 2011

JULY 1 - JULY 10

JULY 11 - JULY 17 Welcome to

THE GLOBE AT A GLANCE I am thrilled to welcome Hershey Felder back for his third The sixth-largest regional appearance at The Old Globe! If theatre in the country, you were not fortunate enough The Old Globe offers more to see The Old Globe’s 2008 programming and a greater world premiere of Beethoven, repertoire than any theatre As I Knew Him or catch one of of its size. Hershey’s previous sold-out • • • performances of George Gershwin Alone and Monsieur Chopin, then As a not-for-profit theatre you have a delightful evening of with an annual budget discovery ahead of you. Hershey averaging $20 million, the J. KATARZYNA WORONOWICZ KATARZYNA J. has enchanted audiences and Globe earns $10 million in critics around the world with his ticket sales and must raise an “Composer Sonata,” theatrical journeys through the lives and music additional $10 million from of some of the world’s greatest composers. I hope you will enjoy both individual and institutional George Gershwin Alone and The Great American Songbook and that you tax-deductible donations. will return later this summer for his latest exploration, Maestro: The Art of • • • Leonard Bernstein. The Globe provides more It has been an exhilarating year at The Old Globe. This spring’s acclaimed than 20 different community production of August: Osage County became the talk of the town, and education programs earning standing ovations and national attention. This summer, the 2011 to nearly 50,000 people Shakespeare Festival will build on last year’s success as Artistic Director annually. Adrian Noble and director Ron Daniels return to bring us two plays by • • • Shakespeare – The Tempest and Much Ado About Nothing – along with Peter Shaffer’s contemporary classic Amadeus. The Old Globe has sent 20 productions to Broadway These incredible offerings would not be possible without your ongoing since 1987. support. Thank you for being a part of our 2010-2011 season! We have already begun work on a whole new adventure, a whole new season of • • • plays. (You can see the full season listing on page 17 in this program.) In 1987, The Old Globe/ With 11 dynamic productions, including major musicals, daring revivals University of San Diego and four exciting world premieres, the 2011-2012 season is shaping up to Master of Fine Arts program be one of our best ever. I hope to see you there! was established to provide the highest caliber in training of young classical actors.

Louis G. Spisto Executive Producer

PERFORMANCES MAGAZINE 1 PRESENTS

The Eighty-Eight Entertainment, Samantha F. Voxakis and Lee Kaufman Production of

HERSHEY FELDER AS GEORGE GERSHWIN ALONE

MUSIC AND LYRICS BY GEORGE GERSHWIN AND IRA GERSHWIN

BOOK BY HERSHEY FELDER

Yael Pardess Michael T. Gilliam Jon Gottlieb SCENIC DESIGN LIGHTING DESIGN ORIGINAL SOUND DESIGN

Matt Marsden Margaret Hartmann Nate Genung PRODUCTION MANAGER/ LIGHTING DIRECTOR/ PRODUCTION STAGE MANAGER TECHNICAL DIRECTOR ASSISTANT LIGHTING DESIGN

DIRECTED BY JOEL ZWICK

Originally developed at the Tiffany Theatre, Los Angeles Produced on Broadway at the Helen Hayes Theatre Produced in London’s West End at the Duchess Theatre The worldwide copyright to the works of George and Ira Gershwin for this presentation are licensed by the Gershwin Family. The rights for the name, likeness and life story of George Gershwin used in this presentation are licensed by the George Gershwin Family Trust. GERSHWIN® and GEORGE GERSHWIN® are the registered trademarks of Gershwin Enterprises. ——————————————————

Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center July 1 - July 10, 2011

2 PERFORMANCES MAGAZINE THE CAST GEORGE GERSHWIN...... Hershey Felder

Production Stage Manager...... Nate Genung

There will be no intermission.

SPECIAL THANKS The Gershwin, Godowsky and Strunsky families, Roberta Korus, Elliot Brown, Ray White at the Library of Congress; Al and Kathy Checchi, Skip and Jon Victor, Peg and Rick Golden, Jerry and Judy Weisfogel, the Cotsen families, Marty and Susan Jannol, Brian Novack, Matthew Walley; Ken and Maria Cole, Mama and Papa Cole-Levine; Susan Myerberg. Jamie Bernstein Thomas, Humphrey Burton, Matthew Burton, Craig Urquhart, Marie Carter, Lola Kavonic, Henry and Frances Fogel, Eleanor Sandersky, Richard Ortner, Michael Lewin, Dan Gustin, Dr. Jeffrey Kallberg. Richard and Robin Colburn, Cindy and Rick Tennant, Alan and Gayle Heatherington, David Taylor, the Ars Viva Orchestra; Bruce Ramer and Madeline Peerce, David Renzer, Linda Newmark, Rob Saslow, Clark Germain; Steve Robinson, Beth Schenker, Eric Arunas, The WFMT Radio Network; Irv and Dena Schechter, Ory Shihor, Judith Haddon, James Gandre, Sheila and Doug Graves, Stacy Friedman, Susan Rowell, Milly Marmur, Cliff Chenfeld, Craig Balsam, and Razor & Tie Entertainment; Andrew Tenenbaum and MBST; Paula Holt; Jay Shields, David Ida, Thomas Zoells; Irene Wlodarski, and Steinway Pianos, New York; Evan Stein, Yvonne Mejia, and Crest Digital. Grosses bises à notre famille à Seine-Port— Pierre, Isa, Amandine et Aston. An important thank you to Lee and Claire Kaufman for their continued support and friendship. A particular and heartfelt thank you to my team of devoted artisans, many of whom have been with me through dozens of productions all over the world—Matt Marsden, GiGi Garcia, François-Pierre Couture, Nate Genung, Erik Carstensen, Nettie Wasowski, Brett Taylor, Rich Norwood, Yael Pardess, Michael Gilliam, Christopher Ash, Andrew Wilder, John Boesche, Larry Blumenthal, Guy Casper — without whom none of our work would be possible; Lou Spisto, Michael Murphy, and the entire staff of The Old Globe. A special thank you to Candice and Joel Zwick, and Joel Zwick “Alone.” A very special and personal thank you to my Greek family—Samantha, Mom, Dad, and Chris Voxakis. Without you, Eighty-Eight Entertainment would not exist. And many thanks to the rest of the auxiliary—Rosalinda, Sandy, and Cheryl. My father and stepmother Jack and Lea, my sister and brother-in-law Tammy and Kevin, and their dear children Avery and Kiley. And of course...Leo and Kim (XXOO).

The Actor and Stage Manager employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 PRESENTS

The Eighty-Eight Entertainment Production of

HERSHEY FELDER IN CONCERT THE GREAT AMERICAN SONGBOOK

TEXT BY HERSHEY FELDER

Featuring the songs of Irving Berlin, Jerome Kern, George Gershwin & Ira Gershwin, Richard Rodgers & Oscar Hammerstein II, Leonard Bernstein, Stephen Sondheim and more.

Margaret Hartmann LIGHTING DIRECTOR/ASSISTANT LIGHTING DESIGN

Matt Marsden PRODUCTION MANAGER/TECHNICAL DIRECTOR

Nate Genung PRODUCTION STAGE MANAGER

The Actor and Stage Manager employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. ——————————————————

Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center July 11 - July 17, 2011

4 PERFORMANCES MAGAZINE JULY 22 - AUGUST 28 OLD GLOBE THEATRE CONRAD PREBYS THEATRE CENTER

Hershey Felder in Maestro: The Art of Leonard Bernstein is MUSIC BY LEONARD BERNSTEIN a new work from the creators of George Gershwin Alone, Monsieur Chopin and Beethoven, As I Knew Him. With a story WRITTEN BY HERSHEY FELDER spanning the entire 20th century, Leonard Bernstein, one of America’s greatest musicians, broke through every artistic ceiling DIRECTED BY JOEL ZWICK possible to become the world’s musical ambassador. Conductor, composer, pianist, author, teacher, librettist, television star... for Leonard Bernstein, boundaries simply did not exist. Hershey Felder and Joel Zwick collaborate for the fourth time at The Old Globe—bringing to life the composer of West Side Story, Candide, On the Town, Mass and many more.

PERFORMANCES MAGAZINE 5 Board of Directors

It’s summer in Balboa Park, and all three Globe theatres are in full swing presenting seven productions. Evening audiences, often swelling to 1,500 members, gaze at magnificent sets and marvel as talented actors perform their theatrical magic. As you settle in to enjoy your own share of this magic, you may not be aware of the enormity of the undertaking behind the scenes.

I was intrigued to learn from our Executive Producer the resources required to create these world-class productions. For months, the Costume, Scene and Prop Shops have hummed with activity to create and support seven main stage shows. For this season’s Festival sets alone, 750 scaffolding planks were loaded in, 300 lights were hung and crew members averaged 80 hours per week during the technical rehearsal process. Our costumers created 225 costumes and 42 customized wigs, and the props team constructed more than 60 pieces of furniture.

Ticket revenue covers only about half the cost of this complex effort, almost all of which occurs right here in San Diego, led by talented artists whose skills rank at the very top of their crafts. Most of the rest of the cost is covered by the generosity of patrons like you. Your support as donors to our annual fund ensures the Globe’s status as a nationally recognized cultural icon and makes each of you a key investor in our success.

Thank you!

Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Daphne Jameson Stacey LeVasseur Vasquez Dolly Poet (1921-2007) Mary Beth Adderley Jo Ann Kilty Crystal Watkins Deborah Szekely Elizabeth Altman Mitzi Yates Lizarraga Karin Winner Hon. Pete Wilson Joseph Benoit Susan Major June Yoder Pamela Cesak Paula Powers Carolyn Yorston-Wellcome EMERITUS DIRECTORS Nicole A. Clay Conrad Prebys* Vicki Zeiger Garet B. Clark Peter J. Cooper* David Reagan J. Dallas Clark (1913–2005) *Executive Committee Member Valerie S. Cooper Sandra Redman* Bea Epsten Pamela A. Farr Reneé Schatz HONORARY DIRECTORS Sally Furay, R.S.C.J. Karen Fox Jean Shekhter Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Victor P. Gálvez Louis G. Spisto* (1912–2005) Delza Martin (1915–2005) Jean-Marie Hamel, Ph.D. Ann Steck Clair Burgener (1921-2006) Darlene Shiley Kathryn Hattox* Daniel L. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Patsy Shumway Elizabeth Helming Julie H. Sullivan, Ph.D. Audrey Geisel Nanci Hull Dean Thorp Paul Harter Viviana Ibañez Evelyn Mack Truitt Gordon Luce (1925-2006) Deni Jacobs Debra Turner

6 PERFORMANCES MAGAZINE LEADERSHIP Production Sponsors GIFTS Elaine Lipinsky The Old Globe recognizes and thanks Elaine is the daughter of the late Dorris and Bernard Lipinsky and is honored the following generous individuals to have been a part of The Old Globe family for many years. The Lipinsky family’s tradition of generous support to the Globe began in the 1950s, and it is who have made extraordinary gifts important to Elaine that this tradition be continued through her own foundation of $1 million or more. These major because of her parents’ love of the Globe and its service to the community contributions have been designated through its dedication to theatrical excellence and arts education. Elaine also for artistic, endowment and facilities supports the M.F.A. Musical Theatre Program at SDSU, Vista Hill, Seacrest projects and help The Old Globe Village, Mama’s Kitchen, various other theatres in San Diego and other charities remain one of our country’s great too numerous to mention. theatre institutions.

$20,000,000 or greater

Donald* and Darlene Shiley The 2011 Globe Gala Honoring Audrey Geisel

The Old Globe concludes its $10,000,000 or greater 75th Anniversary year with an Conrad Prebys extraordinary Globe Gala on Saturday, July 30, 2011. The Globe, along with Co-Chairs $5,000,000 or greater Sheryl White and Darlene Shiley, Sheryl and Harvey White is pleased to honor beloved longtime friend Audrey Geisel. Kathryn Hattox • Reception in Alcazar Garden Karen and Donald Cohn • Silent and Live Auctions $2,000,000 or greater DOUGLAS GATES • Performance of Viterbi Family Foundation Hershey Felder in Maestro: The Art of Leonard Bernstein

$1,000,000 or greater • Dinner and Dancing on California Cultural and The Old Globe’s Copley Plaza Historical Endowment For information on underwriting Estate of Dorothy S. Prough or purchasing a table or tickets, please contact The Rivkin Family Events Manager Eileen Prisby at (619) 231-1941 x2303 or email Estate of Beatrice Lynds [email protected]. JACK SMITH JACK Audrey S. Geisel/ We look forward to celebrating San Diego Foundation with you this summer! Dr. Seuss Fund

Mr. and Mrs. Victor H.* Ottenstein

Mrs. Helen Edison*

The Stephen & Mary Birch Foundation (top to bottom) 2011 Globe Gala Honoree Audrey Geisel with Executive Producer Lou Spisto at the 2010 Globe Gala; 2011 Globe The Kresge Foundation Gala Co-Chairs Darlene Shiley and Sheryl White; The Old Globe’s Copley Plaza set for

*In Memoriam dinner and dancing at the 2010 Globe Gala. DOUGLAS GATES

PERFORMANCES MAGAZINE 7 A Selection of Compositions by George Gershwin

GEORGE WHITE'S SCANDALS OF 1920, 1921, 1922, 1923, 1924

LADY, BE GOOD! (1924, lyrics by Ira Gershwin)

RHAPSODY IN BLUE (1924), his most famous work, a symphonic jazz composition for Paul Whiteman's jazz band and piano; premiered at Aeolian Hall.

CONCERTO IN F (1925), three movements for piano and orchestra; premiered in Carnegie Hall by the New York Symphony Orchestra, Walter Damrosch conducting.

OH, KAY! (1926, lyrics by Ira Gershwin and Howard Dietz), includes the song “Someone to Watch Over Me.”

STRIKE UP THE BAND (1927, lyrics by Ira Gershwin), premiered in Philadelphia.

FUNNY FACE (1927, lyrics by Ira Gershwin)

AN AMERICAN IN PARIS (1928), a symphonic poem with elements of jazz and realistic Parisian sound effects; premiered at Carnegie Hall by the New York Philharmonic, Walter Damrosch conducting.

SHOW GIRL (1929, lyrics by Ira Gershwin and Gus Kahn)

GIRL CRAZY (1930, lyrics by Ira Gershwin)

OF THEE I SING (1931, lyrics by Ira Gershwin), awarded the Pulitzer Prize for Drama in 1932, the first musical to win that award, although only Ira Gershwin and the bookwriters were awarded the Prize, not George Gershwin.

SECOND RHAPSODY (1931), for piano and orchestra, based on the score for a musical sequence from Delicious; premiered at the Boston Symphony Hall by the Boston Symphony Orchestra, Serge Koussevitzky conducting.

CUBAN OVERTURE (1932), originally titled Rumba, a tone poem featuring elements of native Cuban dance and folk music; premiered at the Lewisohn Stadium of the City University of New York, Gershwin conducting.

VARIATIONS ON I GOT RHYTHM (1934), a set of interesting variations on his famous song, for piano and orchestra.

PORGY AND BESS (1935, lyrics by Ira Gershwin and DuBose Heyward), revived on Broadway in 1942, 1943, 1953, 1976 (Houston Grand Opera; winner of the Tony Award for Most Innovative Production of a Revival, directed by Jack O’Brien) and 1983.

8 PERFORMANCES MAGAZINE Hershey Felder on Gershwin

he question most often asked by journalists, artists and the public INSIDE THE ART is, “What discovery about George Gershwin surprised you most?” George Gershwin Alone, which had TThe response that immediately comes its world premiere in 2000, is the third to mind is the polarization of opinion about movement of “The Composer Sonata.” everything Gershwin. He was beloved by the The first movement, Beethoven, As I Knew public at large, but he divided the critics in Him, had its world premiere at The Old half. His friends and acquaintances said they Globe in May 2008. The intermediate either loved him deeply or simply tolerated romantic movement, Monsieur Chopin, has him. There were those who said he was a been playing since August 2005. The final womanizer, and others who said he had only movement, or coda, Maestro: The Art of one mistress – his music. Leonard Bernstein, premiered at the Geffen Musicians and composers either loved his playing and composing – Playhouse in November 2010. or completely dismissed it. There were friends who said he was a Traditionally, a sonata is made up of three man in love with his art and others who said he was a man in love with movements followed by a coda. The first himself. While Rouben Mamoulian, famed director of Porgy and Bess, movement is generally in “sonata form,” said that George had a genuine way of observing himself from the which is a highly structured work that begins outside, Harold Arlen and other friends claimed that George lacked with a thematic musical statement. This is any ability for self-analysis. And although he engaged in sessions with followed by a secondary theme, a “working a psychoanalyst over a lengthy period, George himself said that he out” section, a return of the themes, further really had no interest in looking deep inside. development, and finally a rounding out – George Gershwin, a child of Russian-Jewish immigrants, brought a coda. dance music into the concert hall and made a “lady out of jazz.” First movements are generally dramatic, He composed America’s greatest opera with the black South as its architectural, deeply thoughtful and subject matter, which, interestingly enough, led to a number of anti- emotional. This is Beethoven, As I Knew Semitic attacks. George’s personal letters reveal a very kindhearted Him. The second movement of a sonata is man, but there are a number of accounts to the contrary. There are traditionally a “romanza” of sorts – a lush recordings of George Gershwin’s own playing that are masterful and expression of soul. This is Monsieur Chopin. others that reveal technical and musical deficiencies. The third movement of the traditional sonata George’s very best friend, composer and pianist Kay Swift, often is generally dance-like, straightforward, commented that if one wanted to know George, one simply had to extroverted and joyous, though still in some understand his music. It is therefore my intention to present him in way thematically related to the previous this way – joyous, entertaining, in love with music and maybe even two movements. This is George Gershwin himself (just a little…), but above all, always reaching for something Alone – which in a lighter and simpler way fresh and new. harkens back to the themes of both of its predecessors. The coda uses elements of all the parts to pull together the entire work.

PERFORMANCES MAGAZINE 9 Ximent enimo derio offici totamus anditatur, am est, to blaut dolores debissit accuptas ni nonsequi nonectia ipsam, nonserovid que il et Ourlab invent CONNECTION to GEORGE by HERSHEY FELDER

n 1932, American composer George Gershwin and his music that for the creation of the great American George Gershwin was a guest on make us connect with it in such a strong song. In fact, he was writing songs right the Fleischmann Hour Radio Show way? up until the very end when he died hostedI by the classic American crooner Brooklyn-born in 1898, George of a brain tumor in 1937 at the age of Rudy Vallee. Radio was still quite new, Gershwin was the second son of 38. As the last thing that George was and for the first time in history people Russian-Jewish immigrants. As he had working on when he died was a melody from across the nation were able to tune the gift of “hearing music in the heart of left only in sketch form, it was up to his in and catch a few live magical moments, noise,” he grew up to capture American brother Ira, with whom George wrote and all at the same time. Some years sound in music – “our national pep, our some of the world’s most enduring love after George died, his older lyricist metropolitan madness, our blues.” His songs, and their friend, musician Vernon brother, Ira, came across a number of formal keyboard lessons began at the Duke, to complete “Our Love is Here long-forgotten acetate discs stored in a age of 10 at which point he immediately to Stay.” Almost three quarters of a family closet. To Ira’s shock, on one of the commandeered the family piano away century later, there is no doubt that Ira discs was a complete and clear recording from his older and more bookish brother, and his lyric about his and his brother’s of this very radio show. Immediately Ira. George’s public musical life began love – their work – was right. George after Vallee’s brief introduction, there is when he was 15, pounding out tunes for and Ira’s most beloved songs have made a frisson of energy and George’s fingers prospective sheet music publishers and their way into the public consciousness hit the keys in a rising major chromatic buyers on New York’s famed Tin Pan not just because of their inventive and passage that gives birth to a glorious Alley. With a natural keyboard ability and haunting sounds, but also because of improvisation as good as its name: a special gift for melody and harmony, the humanity of Ira’s words. However, “Fascinating Rhythm.” The music and George quickly made his way from song- the most famous Gershwin work of all is playing are infused with such joy that it plugger to songwriter, and by the time the wordless Rhapsody in Blue. How is it is impossible not to want to dive into the he was 26 years old – with the 1924 New that a concerto-like collection of loosely recording itself and somehow be a part York premiere of Rhapsody in Blue – strung together themes and variations of a world long gone. There is something to concert hall composer and major from a young composer without much of in George Gershwin’s music, and even international star. a structural master plan is as beloved 80 more so when one hears him play it, that Though songwriter Irving Berlin had years after its debut as on the day its first brings him completely and unequivocally no problem quipping after George died, note was born? Why do we connect to to life. What is even more miraculous is “George Gershwin is the only songwriter this piece in the way we do? that when one hears this recording, one I knew who became a composer,” George Legend has it that the now infamous feels it to be familiar. What is it about himself never cast aside his natural gift opening clarinet wail was not George’s

10 PERFORMANCES MAGAZINE invention but that of Ross Gorman, first airline. “How could heirs be so base as to clarinet of Paul Whiteman’s New York sell one of the most wonderful themes Palais Royal Orchestra. The band was ever written to be used as a passing rehearsing for Whiteman’s “Experiment accompaniment for a commercial plane?” in Modern Music” concert, and with 26 Perhaps. But what about the many entirely new and relatively new pieces children who today recognize a tune they on the boards, the band members were may never have otherwise heard? And certainly overworked and, as reported, when connected to the rest of the piece, bored. The fooling around began, and imagine the magic of the discovery! Gorman played half a scale of the new Just as the warm E major chords have Gershwin piece and then bent the lulled us into a quiet contemplative rest of the bar to sound like a siren. mood, the ingenious introduction of Perhaps he was suggesting the siren the Latin-style rhythmic section – that calls work to an end and allows the ONE-two-three, ONE-two-three, exhausted to go home; one can never ONE-two – announces its visceral beat know, but either way, George had an and presence. George wasn’t only a uncanny ear, and rather than getting composer. He was a visionary. America thoroughly annoyed with the antics of a George and Ira Gershwin. wasn’t just a place for the white-bred and trouble-making clarinetist, he ordered the newly created urbane Jew. It was that the wail remain. It is this very wail first few pages to see George’s genius a place where all kinds of beats must that has become the most famous upon which he builds the entire piece. grow – especially the Latin one. opening bar of American music to have Two simple themes are turned inside- It has been said by those in the know ever been composed. Although most out and sideways in at least three keys that Rhapsody’s finale doesn’t broaden clarinetists today make a virtuoso turn with nary a sign of boredom. Then, just enough to allow us the full effect of a of this infamous wail – if one listens to when things couldn’t get more joyful, climax – that it sneaks up on us and robs the original 1924 recording with George George introduces another seemingly us of the time to feel satisfied. Naturally! at the piano, one hears not a wail, but unrelated theme in G major. Had he run With such vision as George Gershwin unbridled joy, followed by descending out of ideas? Of course not! This theme had, such gift, and still so much more to notes of laughter. Once again, like with answers the one that directly precedes say, how could George have given it a the radio recording of George himself, it. His themes are talking to one another. solid, full-blown and final end? America it is not as much the art of the virtuoso A second American has entered the was just beginning, as was its greatest as it is the art of the human being. One scene – and he too has something to say composer, and the energetic and punchy isn’t astonished by the technique, to that which came before him! The new finale is about the excitement of all which one is simply drawn into the music melody is turned every which way and still lies ahead. as if the instruments – levers, metal, in more than one key and pulls us into That George Gershwin didn’t live to hammers, wood – have all but completely its rhythmic grasp because George uses see the opening night of Oklahoma or disappeared and the notes themselves held notes where the third beat isn’t West Side Story, My Fair Lady or Fiddler are human and are on the Roof or even talking right to us. meet Obi-Wan, John In his first 16 bars, Williams and Star planned or not, Wars is a tragedy. By George identifies all right, a father should his thematic material be present at the and even hints at the successes of his very famous slow theme young sons. But even with interconnecting though he died when chordal movement just a young man Bar 1-2 of Gershwin's Rhapsody in Blue played by 1st B flat clarinet. between clarinet himself, 74 years trills. According to after he is gone, another legend, this E major slow theme played. One-and-two-HOLD-and-four we still connect to his music as if it were was something that George had written – an inner rhythm where the composer just composed today and composed some time before the emergence of makes good on his promise to capture especially for us – because what George this new piece and took it under his the rhythm of American life in sound. Gershwin created was more than just brother’s advisement to add in the slow This is what America is about. We hold the foundation of a musical and cultural theme as the centerpiece. Although onto what we believe. country. He left us with the musical “serious” musicologists have complained And then there’s that glorious slow reflection of who we are. throughout the years about the structure theme – a theme that launched if not a of Rhapsody, one only has to look at the thousand ships then at least an entire

PERFORMANCES MAGAZINE 11 Profiles

HERSHEY FELDER JOEL ZWICK (Director) directed My YAEL PARDESS (Scenic Design) is an (George Gershwin, Big Fat Greek Wedding, the highest- award-winning set designer specializing Playwright) Broadway, grossing romantic comedy of all time, in multidisciplinary visual development London’s West End: produced by Tom Hanks, Rita Wilson and of immersive live theatre shows, special George Gershwin Alone Gary Goetzman. Recent films include events and multimedia projects. She (Helen Hayes Theatre, Fat Albert (with Bill Cosby) and Elvis Has first collaborated with Hershey Felder Duchess Theatre). Left the Building starring John Corbett on George Gershwin Alone in Los Regional and international appearances and Kim Basinger. Mr. Zwick directed Angeles, followed by productions on of the “Composers Sonata” 1999 -2011 – the Broadway production of George Broadway, London and throughout George Gershwin Alone, Monsieur Gershwin Alone at the Helen Hayes the U.S. Her work has been seen on Chopin, Beethoven, As I Knew Him and Theatre as well as all other productions. Broadway and many major regional Maestro: The Art of Leonard Bernstein – Mr. Zwick began his theatrical career theatres including the Mark Taper Forum, include The Old Globe, Asolo Repertory at La Mama E.T.C. as director of the Pasadena Playhouse, Geffen Playhouse, Theatre, Arizona Theatre Company, La Mama Plexus. He has directed on A.C.T., American Repertory Theater Geffen Playhouse, Laguna Playhouse, Broadway, Off Broadway and Broadway and The Old Globe. Ms. Pardess began Ford’s Theatre, Cleveland Play House, touring companies. Currently, Mr. Zwick her theatre career designing sets and Pasadena Playhouse, American is recognized as one of Hollywood’s most costumes in Israel. Since moving to the Repertory Theater, Hartford Stage, prolific directors of episodic television, U.S., she has designed more than 150 Ravinia Festival, Chicago’s Royal George having the direction of more than 525 original sets throughout North America Theatre, Prince Music Theatre episodes to his credit. These include as well as in Israel, Japan and Europe. She (Philadelphia), The Gilmore International having directed 21 pilots that have gone art directed theatre shows with multiple Keyboard Festival, Uijeongbu Theatre on to become regular series. Television stages and sets, multimedia and special Festival (South Korea) and many others. shows include “Laverne & Shirley,” “Mork effects for Movie Magic (in collaboration Command Performance of Monsieur & Mindy,” “Bosom Buddies,” “Webster,” with Steven Spielberg) for Universal Chopin for the Polish Ambassador to the “Perfect Strangers,” “Full House,” “Step Studios Japan, The Star of Destiny (Bob United States, Polish Embassy, by Step,” “Family Matters,” “It’s a Living,” Bullock Texas State History Museum, Washington. Winner of 2007 Los Angeles “The Wayans Bros.,” “Joanie Loves Austin), Lincoln Eyes (Lincoln Library, Ovation Awards, Best Musical and Best Chachi,” “The Jamie Foxx Show,” “Kirk,” Springfield IL) and Beyond All Boundaries Actor for George Gershwin Alone. “The Parent ’Hood,” “Angie,” “On Our for the National World War II Museum in Compositions include Aliyah, Concerto Own,” “Two of a Kind,” “Love Boat: The New Orleans. www.yaelpardess.com. for Piano and Orchestra; Fairytale, a Next Wave,” “Hangin’ with Mr. Cooper,” musical; Les Anges de Paris, Suite for etc. Previous New York productions have MICHAEL T. GILLIAM (Lighting Design) Violin and Piano; Song Settings, poetry included Dance with Me (Tony Award Broadway: Brooklyn, Big River and by Vachel Lindsay; Saltimbanques for nomination), Shenandoah (Broadway Stand-Up Tragedy. The West End: Piano and Orchestra; Etudes National Tour), Oklahoma (National George Gershwin Alone. Off Broadway: Thematiques for Piano; An American Tour) and Cold Storage (American Place Striking 12, Blue, End of the World Party, Story for actor and orchestra. Recordings Theater). He acted in the original New Zooman and the Sign and Menopause: include Love Songs of the Yiddish York production of MacBird. He directed The Musical. National Tours: Brooklyn, Theatre, Back from Broadway, George Esther (Promenade Theater, NY), Merry- Big River and Guys and Dolls. Regional: Gershwin Alone and Monsieur Chopin for Go-Round (Chicago and Las Vegas) and Goodman Theatre, Guthrie Theater, the WFMT Radio Network Recordings Last Chance Saloon and Woycek (West Pasadena Playhouse, Geffen Playhouse, label, Beethoven, As I Knew Him and An End, London). Mr. Zwick has taught drama The Kennedy Center, Ford’s Theatre, American Story for the Eighty-Eight at Yale University, Brooklyn College, Philadelphia Theatre Company, Prince Entertainment label. Worldwide live Queens College, Wheaton College and Music Theater, Denver Center, Arizona broadcasts, George Gershwin Alone, July the University of Southern California. Theatre Company, Arena Stage, The 2005 and May 2011. Current projects He is a graduate (B.A., M.A.) of Brooklyn Old Globe, Mark Taper Forum, Seattle include a new musical, An American College. He is currently in pre-production Repertory Theatre. Awards: Los Angeles Story, which had its world premiere in on Sleepless in Seattle – the Musical and Ovation Awards (for George Gershwin Los Angeles in November 2009. It was Serrano. He recently directed Jamaica Alone), Drama-Logue Awards, Los recorded with the Ars Viva Symphony Farewell for Garry Marshall’s Falcon Angeles Drama Critics Circle Award, Orchestra, comprised of members of the Theater and is busy directing TV shows Garland Awards, Robby Awards and the Chicago Symphony and Chicago Lyric for It’s a Laugh Productions. 1999 Career Achievement Award from Opera Orchestras and conducted by the Los Angeles Drama Critics Circle. Alan Heatherington. Mr. Felder has been a Scholar in Residence at Harvard University’s Department of Music and is married to Kim Campbell, former Prime Minister of Canada.

12 PERFORMANCES MAGAZINE MARGARET HARTMANN (Lighting worked on feature film PR campaigns, include An American Story, a new musical Director/Assistant Lighting Design) has national conventions and trade shows based on a little-known story about been designing in Chicago for seven and retail environments. In the theatre, President Lincoln’s final day. All members years. She is a member of Plasticene he worked to open Chicago’s Drury of Eighty-Eight LLC productions are Theatre Company and Big Picture Group Lane Theatre (at Water Tower Place) creative artists in their own right, and Theatre Company and has designed at and production managed their inaugural all members are asked to advise and the Royal George Theatre, Provision show The Full Monty and then Mornings contribute on all aspects of production. Theatre Company, The Chicago Hip Hop at Seven starring Katherine Helmond. He Festival, Bailiwick Theatre and CIRCA more recently managed Million Dollar Theatre Company. She has also associate Quartet’s Chicago production for AWA designed Almost, Maine at Milwaukee Management, Don’t Dress For Dinner in Repertory’s Stiemke Theater and assisted Chicago for The British Stage Company designers at Goodman Theatre, Writers’ and White Noise co-produced by Whoopi Theatre, Marriott Lincolnshire Theatre Goldberg. Thanks to all who make show and Chicago Shakespeare Theater. biz fun, but especially my fantastic wife, Nettie. NATE GENUNG (Production Stage Manager) Mark Taper Forum: Harps LEE KAUFMAN (Associate Producer) is and Angels, The Subject Was Roses a business entrepreneur with an interest and Pippin. Reprise: Gigi, How to in classical music that extends from Succeed..., An Evening with Sutton Gregorian chants in the Middle Ages Foster and A Party with Marty. Other through to the modern composers. In the L.A.: Equivocation (Geffen Playhouse), St. Louis community college system, he Summer of Love (Musical Theatre West), teaches a classical music listening course Medea (UCLA Live), Ring of Fire (McCoy as well as one dealing with the role of Rigby), The Kathy & Mo Show with Kathy music in the movies. He also teaches at Najimy and Mo Gaffney (Palm Springs the Chautauqua Institution in New York Convention Center), world premieres of and Washington University in St. Louis, Life Could Be a Dream (Hudson Theatre), continuing education. Norman’s Ark (Ford Amphitheatre) and Dawn’s Light (East West Players). B.A. in SAMANTHA F. VOXAKIS (General Theater and Economics from Occidental Manager) is a proud native of Baltimore, College. Love you, M & M. MD where her 12 years with the Baltimore Orioles included a number MATT MARSDEN (Production Manager/ of extraordinary events, including the Technical Director) is Owner/President opening of Camden Yards and Cal of Resolution Productions. While Ripken, Jr.’s 2131st game. She now keeps Production Manager at the Royal busy with the day-to-day operations of George Chicago, he was part of the Eighty-Eight LLC and with playing proud production teams for HATS! The Musical, den mother on the road. Although there Forbidden Broadway: SVU, I Love You, was a time she took great pleasure in You’re Perfect, Now Change, Bleacher playing the piano, she has given it up as Bums, Graham Norton: Red Handed comparisons to her boss are simply too and The Flying Karamazov Brothers. painful. With special thanks to her ever- This theatre operates under an agreement Working on his own for Resolution supportive family, the auxiliary and, of between the League of Resident Theatres Productions, he has been part of the course, Mr. Felder. and Actors’ Equity Association, the union of professional actors and stage managers in the Eighty-Eight LLC production team United States. for the World Premieres of Monsieur EIGHTY-EIGHT, LLC (Producer) Eighty- Eight Entertainment was created in 2001 Chopin, Beethoven, As I Knew Him and The Directors are members of the Society Maestro: The Art of Leonard Bernstein. by Hershey Felder and is devoted to the of Stage Directors and Choreographers, an Resolution Productions has also been creation of new works of musical theatre. independent national labor union. Eighty-Eight’s projects include the part of the teams for Chicago Children’s This Theatre operates under an Agreement with Theatre and Criterion Productions’ “Composer Sonata” featuring the lives the International Alliance of Theatrical Stage festival management in Chicago. Mr. and work of George Gershwin: George Employees Local No. 122. Marsden’s career has included working Gershwin Alone, Fryderyk Chopin: Monsieur Chopin, Ludwig van Beethoven: for Olympic City at the 1996 Olympic The Scenic, Costume, Lighting and Sound Games in Atlanta. As a Project Manager Beethoven, As I Knew Him and Leonard Designers in LORT Theatres are represented by United Scenic Artists Local USA-826, IATSE. for Chicago’s Becker Studios, he has Bernstein: Maestro. Current projects

PERFORMANCES MAGAZINE 13 Profiles

LOUIS G. SPISTO (Executive Director and Musical), More to Love, American Arts Award from American Producer) directs both the artistic and Labor Day, St. Louis Woman, Pride’s Conservatory Theater; the San Diego administrative activities of The Old Globe. Crossing, The Little Foxes, Hapgood Press Club Headliner Award; San Diego During his tenure, Mr. Spisto spearheaded (Lucille Lortel Award for Direction, 1995), Gentleman of Distinction Award; and a the return of the Shakespeare Repertory Damn Yankees (Tony nomination Best combined tribute from the Public Arts Company, revitalized the Globe’s new Musical Revival), Two Shakespearean Advisory Council and the San Diego works program, resulting in 12 world Actors (Tony nominations: Best Director County Board of Supervisors. Mr. Noel premiere plays and 10 world premiere and Play), Porgy and Bess for Houston was particularly proud of the following musicals, and produced more than Grand Opera and Broadway (Tony three honors representing education and 100 productions. Under Mr. Spisto’s Award), as well as Radio City Music Hall, theatre: Honorary Doctorate of Humane leadership, ticket sales and contributions Il Trittico, Metropolitan Opera. RECENT Letters, University of San Diego, Honorary have increased substantially, and the AWARDS: 2008 Theatre Hall of Fame Doctorate in Fine Arts, San Diego State fiscal health of the organization has been Inductee, 2004 Thomas Degaetani University and the annual Awards for strengthened to support the expanded Award (USITT), 2002 “Mr. Abbott” Excellence in Theatre named in his honor artistic vision. Mr. Spisto has successfully Award (SDCF), 2001 Joan Cullman by the San Diego Theatre Critics Circle. led the Globe’s $75 million Capital Award for Extraordinary Creativity, 2001 In 2007, he received the National Medal Campaign and managed the development Joe A. Callaway Award (SDCF), the of Arts – the nation’s highest honor for of the Conrad Prebys Theatre Center, Drama League’s Julia Hansen Award for artistic excellence – in a ceremony at the which includes a state-of-the-art arena Excellence in Directing, 2001. Honorary White House. Craig Noel died on April 3, theatre and education center. An Doctorate, University of Michigan. 2010 at the age of 94. advocate of arts education, Mr. Spisto Honorary Doctor of Humane Letters, created a number of new programs University of San Diego. Recipient of that serve tens of thousands of young ArtServe Michigan’s 2008 International San Diegans each year. These programs Achievement Award. Mr. O’Brien is a include a summer Shakespeare intensive, member of the College of Fellows of the a major initiative in southeastern San American Theatre. Diego which includes the development of new works for younger and more diverse CRAIG NOEL (Founding Director) audiences, and free student matinees was first appointed director in 1939, of the Globe’s regular productions. Mr. directing 15 productions prior to World Spisto holds a Master’s degree from the War II. Since then he directed more than University of Wisconsin and a Bachelor’s 200 plays of all styles and periods and degree from the University of Notre produced an additional 270 productions. Dame. He has served as chief executive His vision for The Old Globe resulted in for the Pacific Symphony, Detroit the establishment of the Shakespeare Symphony and American Ballet Theatre. Festival and the San Diego Junior Theatre in the late ‘40s, the expansion to two JACK O’BRIEN (Artistic Director theatres in the ‘50s, Globe Educational Emeritus) served as the Artistic Director Tours in the ‘70s and Teatro Meta and the of The Old Globe from 1982 through Old Globe/University of San Diego MFA 2007. Recent Globe productions: Dirty program in the ‘80s. During the 1940s, Rotten Scoundrels, Imaginary Friends, Mr. Noel served as dialogue director for Twelfth Night, The Full Monty, The the 20th Century Fox Studios and was Seagull, The Magic Fire, Dr. Seuss’ How the former director of the Ernie Pyle the Grinch Stole Christmas! West End: Theatre in Tokyo. Described by Variety as Love Never Dies (sequel to Andrew Lloyd the eminence grise of San Diego theatre, Webber’s The Phantom of the Opera), Mr. Noel is one of the few San Diegans to Hairspray (Olivier Award for Best Musical, have had an entire year (1987) proclaimed Best Director nomination). Broadway: in his honor, and to be named one of Catch Me If You Can, Impressionism San Diego’s “Living Treasures.” He was a (Creator/ Supervisor), Dr. Seuss’ How founder of the California Theatre Council the Grinch Stole Christmas!, The Coast and a former vice president of the of Utopia (2007 Tony Award for Best California Confederation of the Arts. His Direction of a Play, which won a total numerous honors include The San Diego of seven Tony Awards, including Best Union-Tribune list of 25 persons who Play), Dirty Rotten Scoundrels (Tony shaped the city’s history; the Governor’s nominations: Best Director and Musical), Award for the Arts; University of Arizona Henry IV (Tony Award), Hairspray (Tony Alumni Association’s Outstanding Citizen, Award), The Invention of Love (Tony for his contribution to their Fine Arts nominations: Best Director and Play), department; San Diego State University’s The Full Monty (Tony nominations: Best Outstanding Alumnus; Conservator of

14 PERFORMANCES MAGAZINE 2 011

he Old Globe opened its arms to the theatre artists of the future at the third annual Globe Honors awards event. The stage was alive with talentedT teens and the sparkles in their eyes lit up the theatre. This was an evening to remember. Some 75 brave young actors and singers auditioned for our judges, who selected 12 finalists to go on and perform their songs or monologues for a panel of professional casting agents, a director and a university professor. From that group our winners were selected. During the week before the event, six students competed for the Technical Theatre category by sending in their portfolios and going through interviews with the heads of our production, stage management, costume and technical departments. The winners of the 2011 Globe Honors were Michael Mahady (Lead Actor in a Musical), Nicole Elledge (Lead Actress in a Musical), Dylan Hoffinger (Musical Theatre, Male), Megan Neubauer (Musical Theatre, Female), A.J. Foggiano (Spoken Theatre, Male), Lila Gavares (Spoken Theatre, Female) and Dillon Evans (Technical Theatre and Stage Management). Each winner received a cash scholarship to further their studies, and the winners of Leading Role in a Musical received an all-expense-paid trip to New York to compete in the National High School Musical Theatre Awards. Congratulations to all of the exceptional teens who participated in this competition!

(top) Dylan Hoffinger, who won in the category of Outstanding Achievement in Musical Theatre, Male; (center) Nicole Elledge, who won in the category of Outstanding Achievement, Lead Actress in a Musical, with Executive Producer Lou Spisto; (bottom) The semi-finalists of the 2011 Globe Honors. Photos by J. Katarzyna Woronowicz. PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Sponsors, each of whom has made an annual donation of $50,000 or greater. 75th Anniversary Sponsors Mary Ann Blair Karen and Donald Cohn Conrad Prebys and Debra Turner Donald* and Darlene Shiley

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper David C. Copley The County of San Diego Audrey S. Geisel Lonnie Gettman — Designer Fabric Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation Patrons of the Prado Sheryl and Harvey White

*In Memoriam For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

16 PERFORMANCES MAGAZINE The cast of Jane Austen’s Emma – A Musical Romantic Comedy. Photo by Henry DiRocco.

SUBSCRIBE NOW to the 2011/2012 Season! RICHARD O’BRIEN’S THE ROCKY HORROR SHOW THE RECOMMENDATION | World Premiere SEPTEMBER 15 – NOVEMBER 6, 2011 JANUARY 21 – FEBRUARY 26, 2012 Old Globe Theatre Sheryl and Harvey White Theatre Conrad Prebys Theatre Center Conrad Prebys Theatre Center

SOMEWHERE | World Premiere A SOON-TO-BE-ANNOUNCED THEATRICAL EVENT SEPTEMBER 24 – OCTOBER 30, 2011 MARCH 3 – APRIL 8, 2012 Sheryl and Harvey White Theatre Old Globe Theatre Conrad Prebys Theatre Center Conrad Prebys Theatre Center

DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! ANNA CHRISTIE | Classics Up Close NOVEMBER 19 – DECEMBER 31, 2011 MARCH 10 – APRIL 15, 2012 Old Globe Theatre Sheryl and Harvey White Theatre Conrad Prebys Theatre Center Conrad Prebys Theatre Center

SOME LOVERS | World Premiere Christmas Musical THE SCOTTSBORO BOYS | Direct from Broadway NOVEMBER 26 – DECEMBER 31, 2011 APRIL 22 – JUNE 3, 2012 Sheryl and Harvey White Theatre Old Globe Theatre Conrad Prebys Theatre Center Conrad Prebys Theatre Center

DIVIDING THE ESTATE | West Coast Premiere NOBODY LOVES YOU | World Premiere Musical JANUARY 14 – FEBRUARY 19, 2012 MAY 2 – JUNE 10, 2012 Old Globe Theatre Sheryl and Harvey White Theatre Conrad Prebys Theatre Center Conrad Prebys Theatre Center

(619) 23-GLOBE (234-5623) | www.TheOldGlobe.orgPERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission for Audrey S. Geisel/The San Diego The Parker Foundation Arts & Culture Foundation Dr. Seuss Fund (Gerald & Inez Grant Parker) The County of San Diego Globe Guilders Donald* & Darlene Shiley The James Irvine Foundation The Shubert Foundation

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Las Patronas Elizabeth & Ryan Williams Advised Fund at the San Diego Elaine Lipinsky Family Foundation The Legler Benbough Foundation Human Dignity Foundation Patrons of the Prado John A. Berol Valerie & Harry Cooper Conrad Prebys & Debra Turner Mary Ann Blair David C. Copley Qualcomm, Inc. California Bank & Trust Lonnie Gettman - Designer Fabric U.S. Bank The Family of Mary & Dallas Clark Kathryn & John Hattox Wells Fargo Karen & Donald Cohn William Randolph Hearst Foundation Sheryl & Harvey White Foundation Cohn Restaurant Group/ HM Electronics, Inc. Prado Restaurant Joan & Irwin Jacobs Fund of the Continental Airlines Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Bank of America Higgs Fletcher & Mack, LLP SDG&E Alan Benaroya Leonard & Elaine Hirsch Sheraton San Diego Hotel & Marina Richard & Kathy Binford Jo Ann Kilty Mickey Stern Arthur & Sophie Brody Fund of the Barbara Kjos Gillian & Tony Thornley Jewish Community Foundation National Corporate Theatre Fund Union Bank Elaine & Dave Darwin Brian & Paula Powers Erna & Andrew Viterbi Mr. & Mrs. Brian Devine The San Diego Foundation, Mandell Weiss Charitable Trust Pamela A. Farr a grant made possible by the Pamela & Marty Wygod Danah H. Fayman Ariel W. Coggeshall Fund June E. Yoder

Director Circle ($10,000 to $24,999) Jane Smisor Bastien The Hull Family Price Family Charitable Fund BJH Foundation Deni & Jeff Jacobs Reneé Schatz Pamela & Jerry Cesak Daphne H. & James D. Jameson Jean & Gary Shekhter The Helen K. and Dr. Ronald & Mrs. Ruth Leonardi Patsy & Forrest Shumway James S. Copley Foundation Jeffrey & Sheila Lipinsky Ms. Jeanette Stevens Nina & Robert Doede Family Foundation Anne Taubman & David Boyle Hal & Pam Fuson Sue & John Major Evelyn Mack Truitt Robert Gleason & Marc Matys National Endowment for the Arts Brent V. Woods & Laurie C. Mitchell Lee & Frank Goldberg Rafael & Marina Pastor Carolyn Yorston-Wellcome Jean-Marie Hamel, Ph.D. Allison & Robert Price

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Samuel I. & John Henry Fox Foundation Sanderson Family Donor Advised Fund Dr. Robert & Marcia Malkus ($5,000 to $9,999) at Union Bank of California at the Rancho Santa Fe Foundation Jasna Markovac & Gary Miller Lawrence G. Alldredge & Dawn Moore Chuck Freebern Dee E. Silver, M.D. Marcia Mattson The Louis Yager Cantwell Charles & Millicent Froehlich Elene & Herb Solomon Valorie McClelland Private Foundation Deede Gales Nancy & Alan Spector and Family Holly McGrath & David Bruce Nikki & Ben Clay Elaine & Murray Galinson Nancy Steinhart & Dr. & Mrs. M. Joseph McGreevy Clifford & Carolyn Colwell Victor & Jill Galvez Rebecca Goodpasture Virginia Oliver Ms. Heidi Conlan/The Sahan Barbara & Albert Garlinghouse Hannah & Eugene Step Ben & Joan Pollard Daywi Foundation Bill & Judy Garrett Pat & Jack Thomas Dr. Julie Prazich & Dr. Sara Rosenthal R. Patrick & Sharon Connell Drs. Thomas H. & Jane D. Gawronski Cherie Halladay Tirschwell Robert & Doris Reed Bernard J. Eggertsen & Nancy Reed Gibson Carol Vassiliadis Jeffrey & Vivien Ressler Florence Nemkov Wendy Gillespie Doris & Lou Vettese The Ralph B. Rogers Foundation Marion Eggertsen Mark & Hanna Gleiberman Mary R. Warkentin Dr. Joseph & Carol Sabatini Barbara & Dick Enberg Tom & Sheila Gorey Zelda J. Waxenberg Marilies Schoepflin, PhD. Dr. & Mrs. Robert Epsten Dr. & Mrs. William Gott Jan Harden Webster & Raul Ortega Nancy & George Stassinopoulos Carol Spielman-Ewan & Joel Ewan Tim Haidinger The Patricia and Christopher Weil Jack & Louise Strecker Diane & Elliot Feuerstein Ms. Cheryl Haimsohn Family Foundation Celeste & Gene Trepte Martha & George Gafford Norm Hapke & Valerie Jacobs Hapke James & Kathryn Whistler Stan & Anita Ulrich Mary Ann & Arnold Ginnow Patricia & Richard Harmetz Christian Winther David & Irene Weinrieb Diana Glimm Gordon & Phyllis Harris Alice M. Young Brendan M. & Kaye I. Wynne Alexa Kirkwood Hirsch Drs. Patrick Harrison & Eleanor Lynch M.J. Zahnle Dr. & Mrs. Harry F. Hixson, Jr. Susan & Dr. Ronald Heller ($1,500 to $2,499) Christy & Howard Zatkin William Karatz Dr. & Mrs. Peter K. Hellwig Anita Busquets & William Ladd Carol & George Lattimer Rhonda Heth & Thomas Mabie Lisa & David Casey GOLD Peter Manes & Yoko Sakaguchi Richard & Janet Hunter Devora & Ron Eisenberg ($500 to $999) Paul I. & Margaret W. Meyer Hutcheson Family Fund at of Great News! Elaine & Bob Algeo Money/Arenz Foundation, Inc. The San Diego Foundation Joy & Dr. Fred Frye Anonymous (6) Harle Garth Montgomery* Andrew & Sonia Israel Fund of the Gary & Carrie Huckell George Amerault Rebecca Moores Jewish Community Foundation William & Edythe Kenton Drs. Michael & Gabriela Antos Tom & Lisa Pierce Jerri-Ann & Gary Jacobs Sherry & Larry Kline Earl Asbury John & Marcia Price Al* & Pat JaCoby Robin J. Lipman & Miro Stano Alicia Atun & Elaine Rendon* Family Foundation Mary & Russell Johnson Akiko Charlene Morimoto & The Backman Family James E. Riley Trust Jackie Johnston Hubert Frank Hamilton, Jr. Richard & Linda Basinger Rivkin Family Fund I at Katleman Family Fund of the Nancy & James Mullen Deron & Toni Bear The San Diego Foundation Jewish Community Foundation In Memory of Dolly & Jim Poet Bruce & Patricia Becker Paul Scott Silvera & Todd Schultz Bob* & Gladys King Marie & Don Prisby Amnon & Lee Ben-Yehuda Julie & Bob Sullivan Ken & Sheryl King Marisa SorBello & Peter Czipott Bob & Joyce Blumberg Deborah Szekely Webster & Helen Kinnaird Pamela J. Wagner Ruth Mary Picard Campbell Dixie & Ken Unruh Cindy & John Klinedinst James & Ellen Weil Greg & Loretta Cass Jordine Skoff Von Wantoch Jane & Ray Klofkorn Shirli Fabbri Weiss Luc Cayet & Anne Marie Pleska Judy & Jack White Curt & Nancy Koch Dr. Steve & Lynne Wheeler Lynne Champagne & Wilfred Kearse Brooke & Dan Koehler Alan L. & Frances E. Cornell CRAIG NOEL CIRCLE Betty & Leonard Kornreich DIAMOND Ken Crouch ($2,500 to $4,999) Rosalie Kostanzer & Michael Keefe ($1,500 to $2,499) Ronald D. Culbertson Dr. & Mrs. Wayne Akeson Regina Kurtz & Al Isenberg Anonymous Sam Dolnick in memory of Gail, John & Jennifer Andrade Bob & Laura Kyle Jeff & Donna Applestein Edith Dolnick Anonymous (2) Dr. Eric Lasley & Judith Bachner Mrs. Lazare F. Bernhard Dr. Donald & Eilene Dose Mr. & Mrs. Richard Baldwin Terry & Mary Lehr Steve G. Bjorg Jackie & Stan Drosch Bobbie Ball Ms. Sherrill Leist Dr. & Mrs. Robert M. Callicott Elisabeth K. Ecke Diana J. Barliant & Nowell Wisch James & Pamela Lester Jane Cowgill Bill Eiffert & Leslie Hodge Melissa Garfield Bartell & Jerry Lester, M.D./Rosarito, Mexico Enid & Martin Gleich Pauline Forman & Jack Burke Michael Bartell Levinson Family Fund of the Joy & Ronald Mankoff Susan & Steven Garfin Joan & Jeremy Berg Jewish Community Foundation Elspeth & Jim Myer Arthur Getis Linda Birch Barbara & Mathew Loonin Parker & Crosland LLP Norman & Patricia Gillespie Charlotte & Charles Bird Merriel F. Mandell, Ph.D. Margery & John Swanson Louise & Doug Goodman Paul Black Charlie & Jackie Mann WD-40 Company Edry & Robert Goot Dr. Herman & Irene Boschken Elizabeth & Edward McIntyre Drs. Barbara & Leonard Gosink The Brigantine Family of Restaurants Harold O. McNeil, Esq. PLATINUM Chris Graham & Michael Albo Dr. & Mrs. Edgar D. Canada Elizabeth Meyer ($1,000 to $1,499) Carol & Don Green George & Ellen Casey Scott & Grace Miller Edward Anderson George C. Guerra Rudy & Carol Ceseña Mr. & Mrs. David Mulliken Anonymous Richard & Candace Haden Carol & Jeff Chang Ruth & Jim* Mulvaney Sondra & Robert Berk Fund of the Mrs. Helen M. Hammond Garet & Wendy Clark Joyce & Martin Nash Jewish Community Foundation Mr. & Mrs. Arnold Hess Richard & Stephanie Coutts Arthur & Marilyn Neumann Gary & Barbara Blake Family Fund of Stephen Hopkins & Dr. Carey Pratt Susan B. Cowell Lawrence Newmark the Jewish Community Foundation Dr. & Mrs. Clyde W. Jones Gigi & Ed Cramer Matthew & Judith Pollack Nancy Brock Kathy & Rob Jones John* & Ann Davies Mo & Bill Popp Mary-Kay Butler Mr. & Mrs. Henry P. Kagey Darlene G. Davies in memory Daniel Porte Jr., M.D. Sandra & Harry Carter Patricia & Alexander Kelley of Lowell Davies Joanne Powers Ms. Dorothy R. Dring Bill & Linda Kolb Pat & Dan Derbes The Arthur & Jeanette Pratt Paul & Clare Friedman Marvin Kripps, M.D. Mrs. Philip H. Dickinson Memorial Fund Mr. & Mrs. Arthur A. Greenberg LABS, Inc./Silvia Dreyfuss Jim & Sally Ditto Joseph & Jane Rascoff Leo S. Guthman Fund Sherry & Rick Levin Mr. & Mrs. Ira S. Epstein Sarah B. Marsh-Rebelo & Kaaren Henderson Marshall & Judy Lewis Fund of the Carol Fink John G. Rebelo Kenneth & Marilyn Jones Jewish Community Foundation Mary & David Fitz Mrs. Charlotte Rees Louis & Mary Beth Kelly Mrs. Victor Y. Lindblade Susanna & Michael Flaster Roger & Christine Roberts Jerome & Gayle Klusky Edward & Nancy Lyon Jean & Sid Fox Nancy J. Robertson Dr. & Mrs. James E. Lasry Carl Maguire & Margaret Sheehan Karen Fox & Harvey Ruben Carole Sachs Courtney & Raymond Liddy Sally & Luis Maizel Warren & Beverly Sanborn Don & Mary Jane Lincoln Steve & Yvonne Maloney

PERFORMANCES MAGAZINE 19 Annual Fund Donors Meet the Artist

(continued) Helga & Sam Strong Meet and mingle with talented Globe actors, directors Ron & Susan Styn Jeanne Maltese Clifford & Kay Sweet and artists at exclusive events for Globe donors. Drs. Betty Joan Maly & John Meyers Linda Terramagra Ron & Mercy Mandelbaum Dr. & Mrs. Charles B. Tesar Each year, The Old Globe hosts a special “Meet the Russell Mangerie Gertrude Trebon Artist” series to thank Annual Fund donors, whose gifts Martin & Joanne Marugg Jeffrey & Sheila Truesdell support our artistic and education programs. These special Rev. Stephen J. Mather Natalie C. Venezia & Paul A. Sager Ron McCaskill & Robyn Rogers Katherine White behind-the-scenes events are reserved for Globe donors Charles & Billie McKnight Dennis & Carol Wilson of $500 or more, and attendees enjoy pre- and post-event Carole S. Miller Dr. Dolores Wozniak Charles & Susan Muha receptions and have the opportunity to interact with Shirley Mulcahy *In Memoriam talented Globe artists, who later regale the attendees with Marsha J. Netzer This list current as of May 25, 2011 Katherine Newton personal and professional stories during a candid interview Mark Niblack As announced in July 2008, the names of with the Globe’s Executive Producer, Lou Spisto. Rod & Barbara Orth Annual Fund donors at the Silver level Julius J. Pearl Fund at are published semi-annually, once in the The remaining artists for the 2011 series will be: The San Diego Foundation Shakespeare Festival program and again in In Memory of Margaret Peninger a winter Globe program. ADRIAN NOBLE – 2011 Shakespeare Festival Artistic Director. Dr. Ken Pischel & For additional information on how you may MILES ANDERSON – appearing as Prospero in The Tempest Dr. Katherine Ozanich support The Old Globe’s artistic, education Drs. Paul & Katherine Ponganis and community programs, please visit our and Salieri in Amadeus during the 2011 Shakespeare Festival. Simon & Ruth Sayre website at www.TheOldGlobe.org Linda J. Seifert or contact Rachel Plummer, Development Globe donors who attended the first event in this year’s Mr. & Mrs. Randall Silvia Manager, Individual Annual Giving, at Mr. William D. Smith & Dr. Carol Harter (619) 231-1941 x2317 or series were able to meet Sam Gold, the director of the Dave & Phyllis Snyder [email protected]. Susan Steele & Mike Conley Globe’s 2011 critically-acclaimed production of Tracy Letts’ August: Osage County. Public Support

Director Sam Gold mingles with guests during the reception.

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

Stay Connected with The Old Globe

Executive Producer Lou Spisto interviews director Sam Gold.

For more information on how you can support The Old Globe’s Annual Fund and participate in these and other exclusive events, please Visit us online at www.TheOldGlobe.org contact Rachel Plummer, Development Manager, Individual Annual Giving, at (619) 231-1941 x2317 or [email protected].

20 PERFORMANCES MAGAZINE Globe Ambassadors

Globe Ambassadors are generous supporters Marion Eggertsen◆ Jeannie & Arthur Rivkin of The Old Globe who contribute a minimum Be rnard J. Eggertsen & Florence Nemkov◆ Donald* & Darlene Shiley◆ of $3,500 to the Annual Fund, attend special Ca rol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens◆ Globe meetings and activities and serve as Danah H. Fayman◆ Evelyn Mack Truitt advocates in the community for the Globe’s Susanna & Michael Flaster Dixie & Ken Unruh mission and goals. As a group, Ambassadors Mary Ann & Arnold Ginnow Doris & Lou Vettese◆ sponsor one Globe production each season. Alexa Kirkwood Hirsch◆ Pamela J. Wagner◆ Leonard & Elaine Hirsch◆ Jordine Von Wantoch◆ La wrence G. Alldredge & Dawn Moore Pat Jacoby Paul Black◆ *In Memoriam Mary & Russell Johnson◆ Dr. & Mrs. Edgar D. Canada Bob* & Gladys King◆ ◆Denotes increased giving in 2010 & 2011 Carol & Rudy Ceseña Bob & Laura Kyle Mary H. Clark* For additional information on how you may James & Pamela Lester◆ Steven J. Cologne become a Globe Ambassador, please contact Dr. Jerry Lester◆ R. Patrick & Sharon Connell Marilyn McAvoy, Major Gifts Director, at Merriel F. Mandell, Ph.D.◆ Susan B. Cowell (619) 231-1941 x2309 or Peter Manes & Yoko Sakaguchi Gigi & Ed Cramer◆ [email protected]. Paul I. & Margaret W. Meyer Elaine & Dave Darwin◆ David & Noreen Mulliken Darlene G. Davies◆ Arthur & Marilyn Neumann Mrs. Philip H. Dickinson Joanne C. Powers Nina & Robert Doede

Corporate Donors

SEASON SPONSORS ($50,000 or more) DIRECTOR CIRCLE ($10,000 - $24,999) City National Bank KPMG, LLP Neiman Marcus ResMed Foundation Torrey Pines Bank The Westgate Hotel

FOUNDER CIRCLE ($5,000 - $9,999) Hyatt Regency La Jolla Take A Break Service

CRAIG NOEL CIRCLE ($2,500 - $4,999) Break-Away Tours Cubic Corporation Goldman, Sachs & Co. Ladeki Restaurant Group – Roppongi Restaurant PRA Destination Management

National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF:

($10,000 or more) Bank of America Morgan Stanley PRODUCTION SPONSORS ($25,000 - $49,999) Bloomberg NBC/Saturday Night Live BNY Mellon Wealth Management Pfizer, Inc. Steven Bunson Karen Pritzker & Michael Vlock Christopher Campbell/ RBC Wealth Management Palace Production Center RVM/Vincent Brunetti Cisco Systems, Inc. Salesforce.com Citi Sharp Electronics Data cert, Inc. George S. Smith, Jr. Dorsey & Whitney Foundation The McGraw-Hill Companies Ernst & Young James S. Turley Goldman, Sachs & Co. UBS Marsh & McLennan Companies USA Today McCarter & English LLP Vernalis Systems The McGraw-Hill Companies Wells Fargo MetLife Willkie Farr & Gallagher LLP

Corporate Partners enjoy benefits and recognition, including the opportunity to entertain clients and employees with exclusive receptions at the Theatre, behind- the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 A Planned Gift Ensures a Strong Tomorrow for The Old Globe

Craig Noel League Members What is the Craig Noel League? Anonymous (17) Founded in 2000 and named for the Globe’s Founding Diana Barliant Director, the League is a planned giving society for the Nancine Belfiore Alan Benaroya Globe comprised of individuals who have included The Ronald Brown Old Globe in their estate plans. Through their generosity, Dr. & Mrs. Edgar D. Canada these supporters of the Theatre are helping to ensure Garet & Wendy Clark a long and bright future for San Diego’s leading cultural R. Patrick & Sharon Connell Patricia W. Crigler. Ph. D., CAPT/USN/Ret. landmark. Carlos & Patricia Cuellar Mrs. Philip H. Dickinson What is a Planned Gift? Doug Druley & Becky Young Planned giving is simply a way to support The Old Globe NOEL,CRAIG 1957 Dr. & Mrs. Robert Epsten Frank A. Frye, III through your estate plans by establishing an irrevocable bequest of property, stock Mr. Alan Gary & Ms. Joanee Udelf or cash; a charitable trust; a living estate; or some other deferred giving instrument. Nancy Reed Gibson In your estate plans, you have the ability to designate the specific use of the funds Robert Gleason & Marc Matys Marcy Goldstone given to the Globe, and to help guide your decision, The Old Globe Board of Carol & Don Green Directors has established specific giving areas that you may choose from, including Kathryn Hattox classical theatre and Shakespeare, education programs and new works. David & Debbie Hawkins Jill Denison Holmes How do I make a Planned Gift? Craig & Mary Hunter Bob Jacobs Simply call the Globe and schedule an appointment for a confidential meeting, Grace Johnston or visit with your estate planner or attorney. You may also attend one of several Gladys H. King seminars held throughout the year to become more acquainted with estate Marilyn Kneeland Jean & David Laing planning. Jerry Lester Foundation Heather Manion How can a Planned Gift help me? Chris & Jill Metcalf A planned gift can reduce your income tax, increase your yearly income, help you Paul I. & Margaret W. Meyer Steve Miller avoid capital gains tax, distribute your assets to family members at a reduced tax Dr. Robert W. Miner rate and, most importantly, support an organization you love! You will also have the Shirley Mulcahy satisfaction of knowing your gift will impact generations of future theatregoers and Laurie Dale Munday Stanley Nadel & Cecilia Carrick that The Old Globe will remain a leader in the theatre arts for decades to come! Alice B. Nesnow To become a member of the Craig Noel League or to tell us of a gift you Arthur & Marilyn Neumann Ronald J. Newell have already made, please contact Bridget Cantu Wear, Associate Director Greg & Polly Noel of Development, Planned Giving, at (619) 231-1941 ext. 2312 or PACEM (Pacific Academy of Ecclesiastical Music) [email protected]. Sarah B. Marsh-Rebelo & John Rebelo Darlene Shiley Join us and become a part of our active community with a variety of exciting Patsy & Forrest Shumway B. Sy & Ruth Ann Silver events like our Annual Member Event on Thursday, August 25, in the Craig Noel Stephen M. Silverman Garden followed by a theatre performance. Attend one of our monthly Roberta Simpson lunches – “Food for Thought” – and meet a Globe artist or attend one of the Dolores & Rod Smith Marisa SorBello & Peter Czipott many Opening Night receptions. John & Cindy Sorensen Nancy A. Spector & Alan R. Spector Jeanette Stevens Eric Leighton Swenson Anne C. Taubman Cherie Halladay Tirschwell Evelyn Mack Truitt Ginny Unanue Carol & Lawrence Veit Jordine Von Wantoch Craig Noel League Merle Wahl members Garet and Holly J. B. Ward Wendy Clark enjoy Sheryl & Harvey P. White lunch with Mrs. Jack Galen Whitney Jane Austen’s Emma Julie Meier Wright star Patti Murin Carolyn Yorston-Wellcome at the monthly luncheon series,

JOANEE UDELF JOANEE “Food for Thought.”

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired, The Old Globe has an Assistive Listening System ORDERING TICKETS/CHANGE OF ADDRESS in both the Sheryl and Harvey White Theatre and the The Old Globe accepts Visa, Discover, MasterCard, or Old Globe Theatre. A limited number of the lightweight American Express. Phone orders for non-subscribers headsets, as well as induction neck loops, may be obtained are subject to a $3.50 per ticket service charge. Ticket from the house manager prior to performances. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Saturdays and Sundays at 10:30am. Groups by reservation. [email protected]. $5 adults; $3 seniors and students. Phone (619) 238-0043 x2145 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information and a RESTROOMS description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre, the lobby of the White Theatre and adjacent to the premises. the Festival Theatre. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., SEATING OF LATECOMERS are available upon request. Please ask an usher. Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Louis G. Spisto...... Executive Producer David Medina...... Properties Buyer Donor Services Michael G. Murphy...... General Manager Trevor Hay...... Property Master, Globe Lee Conavay, Monica Jorgensen, Barbara Lekes, Dave Henson...... Director of Marketing and Communications David Buess...... Property Master, Festival Pamela Malone, Richard Navarro, Stephanie Reed, Todd Schultz...... Director of Development Kristi Hummel-Rosen...... Prop Assistant Judy Zimmerman...... Suite Concierges Mark Somers...... Director of Finance Richard Seer...... Director of Professional Training Lighting MARKETING Robert Drake...... Director of Production Nate Parde...... Lighting Director Jeffrey Weiser...... Public Relations Director Roberta Wells-Famula...... Director of Education Shawna Cadence...... Lighting Assistant Mike Hausberg...... Public Relations Associate Tonnie Ficken...... Master Electrician, Globe Kelly Boyle...... Digital and Print Publications Coordinator ARTISTIC Jim Dodd...... Master Electrician, White Marissa Haywood...... Marketing Assistant Adrian Noble...... Shakespeare Festival Artistic Director Kevin Liddell...... Master Electrician, Festival Monica Jorgensen, Susie Virgilio...... Marketing/Events Assistants Matthew Lopez...... Playwright-in-Residence Kristen Flores, Danielle Mages Amato...... Literary Manager/Dramaturg Steve Schmitz...... Followspot Operators, Festival Subscription Sales Samantha Barrie...... Casting Director Jason Bieber, Areta MacKelvie, Scott Cooke...... Subscription Sales Manager Bernadette Hanson...... Artistic Associate Rafael Vallejo, Amanda Zieve...... Electricians Anna Bowen-Davies, Arthur Faro, Andy Fink, Snehal Desai...... Drama League Directing Fellow Sound Janet Kavin, Pamela Malone, Yolanda Moore, Jessica Morrow, Keith Perkins, Ken Seper, Paul Peterson...... Sound Director PRODUCTION Cassandra Shepard, Jerome Tullmann, Erik Carstensen...... Master Sound Technician, Globe Debra Pratt Ballard...... Associate Director of Production Grant Walpole...... Subscription Sales Representatives Ron Cooling...... Company Manager Jeremy Siebert...... Master Sound Technician, White Carol Donahue...... Production Coordinator Jeremy Nelson...... Master Sound Technician, Festival Ticket Services Dana Pickop...... Mic Runner, Festival Bob Coddington...... Ticket Services Manager Stage Management Marsi Fisher...... Ticket Operations Manager ADMINISTRATION Leila Knox...... Production Stage Manager Dani Meister...... Group Sales Manager Brian Franko...... Assistant General Manager Tony Dixon, Technical Bryan Scott...... Executive Assistant Rob Novak...... Lead Ticket Services Representatives Benjamin Thoron...... Technical Director Brian Abraham, Kari Archer, Brittany Bailey, Wendy Berzansky...... Associate Technical Director Information Technology Sarah Ditges, Merri Fitzpatrick, Stephen Greenhalgh, Tramaine Berryhill...... Assistant Technical Director Dean Yager...... Information Technology Manager Tyler Jones, Angela Juby, Hanako Justice, Cassie Lopez, Sean Fanning...... Resident Design Assistant Thad Steffen...... Information Technology Assistant Manager Caryn Morgan, Christopher Smith, Diana Steffen, Rico Zamora...... Ticket Services Representatives Eliza Korshin...... Technical Assistant/Buyer John Ralston...... Information Technology Assistant Christian Thorsen...... Stage Carpenter/Flyman, Globe Carole Payette...... Charge Scenic Artist Human Resources PATRON SERVICES Mike Callaway...... Theatre Manager W. Adam Bernard...... Scenic Artist Sandra Parde...... Human Resources Director Brian Davis, Jessica Talmadge...... House Managers Gillian Kelleher...... Master Carpenter A. Samantha Beckhart...... Front of House Assistant Andrew Recker...... Master Carpenter, Festival Maintenance Elaine Gingery...... Food and Beverage Manager Andrew Young...... Charge Carpenter, White Randy McWilliams...... Facilities Manager Timothy Acosta, June Owatari, Paige Plihal, Laura McEntyre...... Automation Coordinator Violanda Corona, Ismael Delgado, Miguel Gaspar, Amanda Rhoades, Michelle Thorsen, Fernando Avita, Chris Chauvet, Jason Chohon, Roberto Gonzalez, Reyna Huerta, Jose Morales, Michelle R. Witmer...... Pub Staff Robert Dougherty, Thomas Hawkins, Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Rose Espiritu, Jasmine Morgan, Jack Hernandez, Josh Letton...... Carpenters Leonardo Rodriguez ...... Building Staff Stephanie Rakowski...... Gift Shop Supervisors Eszter Julian, Jeremy Luce...... Deck Crew, Festival PROFESSIONAL TRAINING Security/Parking Services Costumes Llance Bower...... Program Coordinator Rachel “Beahr” Garcia...... Security Supervisor Stacy Sutton...... Costume Director Maria Carrera, Cynthia Caywood, Ray Chambers, Gerhard Gessner, Jan Gist, Fred Robinson, Dallas Chang, Sherisa Eselin, Charlotte Devaux Shields...... Resident Design Associate Liz Shipman, Abraham Stoll, George Yé...... MFA Faculty Janet Larson, Jeffrey Neitzel...... Security Officers Maureen Mac Niallais...... Assistant to the Director Patricia Ceja, Andre Holmes, Shelly Williams...... Design Assistant/Shopper EDUCATION Alberto Holloway, Jeff Howell...... Parking Lot Attendants Michelle Souza...... Design Assistant Kim Montelibano Heil...... Education Associate Norman Ramos, Danny Wilcox...... V.I.P. Valet Attendants Erin Cass...... Draper Carol Green...... Speakers Bureau Coordinator Wendy Miller...... Tailor David Carson, Amanda Cooley Davis, James Cota, Annie Glidden Grace, Babs Behling...... Assistant Cutters Marisela De la Parra, Jo Anne Glover, Brian Hammond, Jack O’Brien...... Artistic Director Emeritus Mary Miller...... Costume Assistant Sarah Price-Keating, Jennifer Barclay Newsham, Craig Noel...... Founding Director Joanna Stypulkowska...... Stitcher Radhika Rao...... Teaching Artists Erin Carignan...... Craft Supervisor Molly O’Connor...... Wig and Makeup Supervisor FINANCE Kim Parker...... Assistant to Wig and Makeup Supervisor Carly Bennett...... Senior Accountant Danielle Griffith...... Wig and Makeup Assistant Trish Guidi...... Accounts Payable/Accounting Assistant Beverly Boyd...... Wardrobe Supervisor Adam Latham...... Payroll Coordinator/Accounting Assistant Beth Merriman...... Crew Chief Globe Tim Cole...... Receptionist Anna MacDonald...... Crew Chief White Kristin Bongiovanni, Erin Dodd, Sunny Haines, Suzanne DEVELOPMENT Noll, Suzanne Notarangelo-Arnson, Noelle van Wyk, Marilyn McAvoy Bergman...... Major Gifts Director Christiana Jo Nguyen...... Wardrobe Crew Festival Annamarie Maricle...... Associate Director, Institutional Grants Marie Jezbera...... Rental Agent Bridget Cantu Wear...... Associate Director, Planned Giving Eileen Prisby...... Events Manager Properties Rachel Plummer...... Development Manager, Neil A. Holmes...... Properties Director Individual Annual Giving Kristin Steva Campbell...... Assistant to the Director Diane Addis...... Membership Administrator M.H. Schrenkeisen...... Shop Foreman Kacie Bluhm...... Development Assistant Rory Murphy...... Lead Craftsman Katie Dupont...... VIP Donor Ticketing Josh Camp, Patricia Rutter, Rebecca Schlabach, Molly Thuot...... Craftspersons

24 PERFORMANCES MAGAZINE