Welcome

UPCOMING Dear Friends, Welcome to this performance of Hershey Felder’s THE GLASS Beethoven,As I Knew Him. We’re thrilled that this virtuoso MENAGERIE author,actor and pianist has chosen to premiere this new April 12 - May 18, 2008 work at The Old Globe. In addition, Mr. Felder treats us Cassius Carter Centre Stage to a reprise of his previously sold-out Globe shows, OOO George Gershwin Alone and Monsieur Chopin, immediately following Beethoven. Don’t miss this chance to see all HERSHEY FELDER’S MONSIEUR CHOPIN three parts of Hershey Felder’s “The Composer Sonata”! June 11 - June 22, 2008 The summer is fast approaching, an eventful time at the Old Globe Theatre Globe. Our 2008 Summer Season begins with the repertory format Shakespeare Festival, HERSHEY FELDER’S featuring Romeo and Juliet,The Merry Wives of Windsor, and All’s Well That Ends Well. We’re also GEORGE GERSHWIN looking forward to two exciting new productions, The Pleasure of His Company, directed by ALONE Co-Artistic Director Darko Tresnjak, on the Shiley Stage in the Globe, and Sight Unseen, by June 25 - June 29, 2008 Pulitzer Prize winner Donald Margulies, at the specially-built arena theatre in the James S. Old Globe Theatre Copley Auditorium at the San Diego Museum of Art. OOO In July, we will break ground for the construction of the Conrad Prebys Theatre Center, fea- turing a state-of-the-art arena stage,education center,and plaza. The Old Globe is proud to 2008 Summer recognize the generous donors who have helped us reach this momentous point in the SHAKESPEARE Globe’s history. The Capital Campaign, launched in 2006 with the announcement of the FESTIVAL lead gift from Donald and Darlene Shiley, has now raised over 75% of its goal. As the ROMEO AND JULIET hammers ring out this summer, we need crucial support to complete the Campaign and THE MERRYWIVES OF WINDSOR secure the future of The Old Globe for the 21st century. ALL’S WELL THAT ENDS WELL You can play an important role in helping us reach this goal — and record your support of June 14 - September 28, 2008 The Old Globe in lasting fashion. We are offering donors the opportunity to underwrite a Lowell Davies Festival Theatre limited number of personalized granite pavers, to be installed in the newly-redesigned Copley Plaza in front of the Globe’s three theatres. The pavers will be the focal point of the OOO plaza’s graceful circular design, to be enjoyed by millions of Globe patrons and Balboa Park visitors for decades to come. THE PLEASURE OF Your contribution to the paver campaign will also help us meet a very important challenge. HIS COMPANY The Globe has been awarded a $1 million Challenge Grant by the nationally-renowned July 12 - August 17,2008 Kresge Foundation. To qualify for this grant, the Globe must raise $9 million in new or Old Globe Theatre increased gifts. Your purchase of a paver will help us reach this goal, win the grant — and OOO complete our Capital Campaign. Your help is critical to this effort! To learn more about how you can participate, please call the Globe’s Development Office at (619) 231-1941 ext. 2317. SIGHT UNSEEN August 2 - September 7,2008 Thank you for choosing to be with us in 2008. We’ll be breaking ground — theatrically The Old Globe Arena Stage and literally! — this summer. We hope you will be back often to share in the excitement! at James S. Copley Auditorium (San Diego Museum of Art) Executive Producer

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The LeglerBenbough Foundation Las Patronas

Karen and Donald Cohn The Lipinsky Family

PeterCooperand Norman Blachford Conrad Prebys

Valerie and Harry Cooper Donald and Darlene Shiley

Audrey S. Geisel SupervisorPamSlater-Price and the County of San Diego Globe Guilders Sheryl and Harvey White Joan and Irwin Jacobs Anonymous

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTSTHEWORLDPREMIEREOF The Eighty-Eight Entertainment Samantha F. Voxakis and Lee Kaufman Production of

The Music of Ludwig van Beethoven Text by Hershey Felder Based on the original Aus dem Schwarzspanierhaus by Dr. Gerhard von Breuning

SCENICDESIGN COSTUMEDESIGN LIGHTINGDESIGN François-Pierre Couture Theatr’Hall, Paris Richard Norwood

ASSISTANTLIGHTINGDESIGN PROJECTIONDESIGN SOUNDDESIGN Tamora Wilson Andrew Wilder & Christopher Ash Erik Carstensen

PRODUCTIONSTAGEMANAGER PRODUCTIONMANAGER/ PRODUCTIONCONSULTANT GiGi Garcia TECHNICALDIRECTOR Jeffrey Kallberg, Ph.D. Matt Marsden

DIRECTEDBY Joel Zwick

Scenery & Furniture Crafted by The Arizona Theatre Company

Old Globe Theatre, Donald and Darlene Shiley Stage May 3 - June 8, 2008

PERFORMANCES MAGAZINE P3 Cast of Characters

Gerhard von Breuning/Ludwig van Beethoven...... Hershey Felder

Stage Manager...... GiGi Garcia

The action takes place in Vienna, Austria during the summer of 1870, the 100th anniversary of the birth of Ludwig van Beethoven.

There will be no intermission

The Stage Manager employed by this production is a member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

BEETHOVEN, AS I KNEW HIM is supported, in part, by the following generous sponsors:

The Old Globe salutes Bank of America as a valued partner in providing world-class theatre and outstanding arts education programs. For the past five years, Bank of America has supported the Globe’s Grinch Children’s Initiative, a series of literacy programs in conjunction with the Globe’s annual holiday production of Dr.Seuss’ How the Grinch Stole Christmas!, which serves more than 14,000 children, their families and elementary school teachers. Thanks to this support, the Globe is able to reach children and adults from all socioeconomic levels across Southern California. In addition, Bank of America has previously sponsored Globe productions of Dr.Seuss’ How the Grinch Stole Christmas!,What the World Needs Now,The Real Thing and Time and Again.

AFTER ATTENDING A STUDENT MATINEE DURING SEUSSABRATION, FIRST- THE CAST OF THE OLD GLOBE’S 2007 PRODUCTION OF DR.SEUSS’ GRADE STUDENTS HAVE THE OPPORTUNITY TO MEET THE GRINCH. HOW THE GRINCH STOLE CHRISTMAS!, PHOTO BY CRAIG SCHWARTZ.

P4 PERFORMANCES MAGAZINE Production Sponsors

The Lipinsky Family Leadership Gifts to The Old Globe

The Old Globe would like to recognize and thank the following generous individuals who have made extraordinary gifts of $1 million or more to this organization. These major contributions have been designated for artistic projects, the endowment and facilities, and help The Old Globe remain one of our country’s great theatre institutions.

$20,000,000 or greater Donald and Darlene Shiley

L-R: ELAINE, SHEILA AND JEFFREY LIPINSKY $10,000,000 or greater Elaine and Jeffrey Lipinsky, along with Jeff’s wife Sheila, continue Conrad Prebys the tradition of tremendous support of the Globe that their family began in 1978. The Lipinskys began attending The Old Globe in the $5,000,000 or greater 1950s and the family’s tradition of generous support established by Sheryl and Harvey White the late Dorris and Bernard Lipinsky lives on. The family plays a Kathryn Hattox major role in the success of The Old Globe through their generous Karen and Donald Cohn donations of time and financial support. Sheila Lipinsky serves on the Globe’s Education Committee. Jeffrey and Elaine also stay active $1,000,000 or greater with the Globe through their support of theatre events and education California Cultural and endeavors. Historical Endowment Estate of Dorothy S. Prough Globe Guilders The Rivkin Family Globe Guilders have been an essential part of The Old Globe Estate of Beatrice Lynds family for more than 50 years. Hundreds of dedicated members Audrey S. Geisel / provide invaluable assistance to the Globe through their notable San Diego Foundation annual Fashion Show and other fundraising activities, community Dr. Seuss Fund events, and gracious hosting of the Theatre’s Company Calls. Mr. and Mrs. Victor H. Ottenstein This year’s Globe Guilders Fashion Show will be held on Tuesday, Mrs. Helen Edison August 5 at the Sheraton San Diego Hotel and Marina. Presented by The Stephen and Mary Birch Neiman Marcus, the Fashion Show will feature designs by Naeem Foundation Khan. Proceeds from the event will support the Globe’s education The Kresge Foundation programs. For more information or to become a Globe Guilder, please contact Bonnie Wright, Globe Guilders Vice President of Membership, at (858) 259-8988.

PERFORMANCES MAGAZINE P5 Board of Directors

Dear Friends,

I am pleased to welcome you to the return of Hershey Felder with Beethoven,As I Knew Him. It is a tribute to The Old Globe and its audiences that Mr. Felder has chosen to premiere this exciting work here. This summer we will begin construction for the Globe’s new facilities, which include a new education center for expanded education and outreach programs, a new arena stage offering enhanced technical capabilities and increased audience comfort, as well as a gorgeous new plaza. With construction beginning, we are entering the final phase of our Capital and Endowment Campaign. With extremely generous leadership support from Donald and Darlene Shiley, Conrad Prebys, and our Board of Directors, the Campaign has reached 75% of goal. To help the Globe complete the final, most challenging phase of the campaign, the nationally-renowned Kresge Foundation has awarded us a Challenge Grant of $1 million to secure community support. Elsewhere in this program (see page p10) you can read about a special opportunity to assist the Campaign and leave the imprint of your support for The Old Globe for future generations with the purchase of a personalized granite paver in the central plaza. I invite you to join with the Globe family at this crucial juncture and help us meet the Kresge Challenge.

Donald Cohn, Chair, Board of Directors BOARD OF DIRECTORS / OFFICERS Donald Cohn* Kathy Hattox* Anthony S. Thornley* SandraRedman* Susan Major* Harvey P.White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development DIRECTORS Martin Goodman Louis G. Spisto* Patsy Shumway Mary Beth Adderley-Wright Viviana Ibañez Daniel L. Sullivan, Ph.D. HONORARYDIRECTORS Joseph Benoit Deni Jacobs Julie H. Sullivan, Ph.D. Mrs. Richard C. Adams Deni S. Carpenter Daphne Jameson Evelyn Mack Truitt (1912–2005) Robert Cartwright Mitzi Yates Lizarraga Debra Turner Clair Burgener (1921-2006) Peter J. Cooper Timothy A. MacDonald Crystal Watkins Mrs. John H. Fox (1908–2003) Valerie S. Cooper Fern Murphy Ruth Wikberg-Leonardi Audrey Geisel Stephen M. Cusato Marianne Nelson June Yoder Paul Harter Elaine Bennett Darwin Arthur Neumann Carolyn Yorston Gordon Luce (1925-2006) David W. Down Robin Nordhoff Deborah Young Dolly Poet (1921-2007) Joel Ewan Rafael Pastor* Tim K. Zinn Deborah Szekely Pamela A. Farr Conrad Prebys* Hon. Pete Wilson Jake Figi John Rebelo EMERITUS DIRECTORS Sally Furay, R.S.C.J. Sara Rosenthal, M.D. Garet B. Clark Harold W. Fuson, Jr.* Jeri Rovsek J. Dallas Clark (1913–2005) Victor P.Gálvez Jean Shekhter Bernard Lipinsky (1914-2001) Robert Gleason Nancy A. Spector Delza Martin (1915–2005) *Executive Committee Member

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

P6 PERFORMANCES MAGAZINE Author’s Note by Hershey Felder

In the spring of 1998, armed with an education as both an actor and as Beethoven, As I a pianist, I had the idea that perhaps combining both crafts Knew Him to create musical characters who both tell their stories and play their music, may be of interest to those who enjoy the world over. We all love to dream, we all love to learn, and we all classical arts. Little did I know love5 to feel included. And so it has been my goal with these that over the next decade, these three works, George Gershwin Alone,Monsieur Chopin and characters would be appearing Beethoven,As I Knew Him,that make up our “Composer Sonata” on stages all over the world; that – a trilogy of three movements, styled largely in the form of a over a million audience classical sonata. members would be singing the music of Traditionally, the Sonata is a musical puzzle structured to create Gershwin as if maximum emotional and intellectual effect on the listener. they were at a With its first movement, it explores the dramatic and the highly soiree way structured (Beethoven, As I Knew Him); the second, Romance back when; (Monsieur Chopin); and the third, an extroverted dance-like cele- that patrons bration and finale (George Gershwin Alone). Over the years, I would would hear the odd argument every now and then that great become aris- HERSHEY FELDER AS LUDWIG VAN BEETHOVEN works of art should be presented in the purest of forms and tocrats in the should be allowed to speak for themselves, and most certainly elegant salons of Paris in the 1800s and take part in the grand don’t need a writer and actor to illuminate the story of the traditions of the time; and that so many of those who have works’ creation. My response has always been that we artists already taken part, would continue along on the journey back in spend every breathing moment of our lifetimes living and reliv- time to the world of Ludwig van Beethoven, the greatest com- ing every one of these simply human stories; relishing each and poser to have ever lived. every new detail of the personal aspect of a composer or artist’s life; being excited at the simple discovery of a composer’s choice What I have seen over the years is that audiences are thirsting of why this note over that…small details that give us artists the to understand the context of the creation of great art, for the greatest pleasure in the world. Well then, why only present a greatest of art generally comes from the simplest and most finished product when so much of the joy comes from the honest of means. I often think of Shakespeare presenting his learning? While we all may love to be entertained, for me, in the newest works to the masses, and the audience participation on end, what makes us particularly human is that we all love to the floor. Today we may study these works for their hidden learn, even the smallest simplest detail about another life — secrets, but in their time, the works were simple, direct, and for those details are what connects us all. honest expressions of a straightforward story. If one looks at any work of art that has lasted, the through-line is undoubtedly Thank you for joining me over the years and for sharing. the humanity, clarity and simplicity of the work. If my travels across the globe presenting these works to many different cul- — Hershey Felder tures have taught me anything, it is that people are people the

PERFORMANCES MAGAZINE P7 Program Notes Ludwig van Beethoven (1770 - 1827)

In his mid-teens, he traveled to Vienna to study with Wolfgang Amadeus Mozart, but was quickly called back home to be with his mother, who was dying of tuberculosis. She died shortly 5thereafter, and Beethoven then became the primary guardian to his two younger brothers, as his father grew more and more addicted to alcohol. The young Beethoven never had a chance to study with Mozart, who died before he could return to Vienna.

“When I open my eyes I must sigh, for what I see is contrary to my religion, and I must despise the world which does not know that music is a higher revelation than all wisdom and philosophy.” — Quoted by Bettina von Arnin, letter to Goethe, 1810

One of the greatest composers in music history, Ludwig van When he did return five years later, Beethoven studied with Beethoven lived a tumultuous life marked by erratic fortunes, Joseph Haydn, Johann Georg Albrechtsberger, and Antonio estranged relationships, and his failing health. Though he is cele- Salieri. By 1793, he had established himself as a piano virtuoso, brated for his compositions, which shaped the traditions of clas- and was able to support himself through a combination of sical music, he is remembered as a troubled and belligerent man, annual stipends, monetary gifts from the aristocracy, and income tortured by his hearing loss and his sense of impending death. from concerts, lessons, and the sales of his works. During this early part of his career, he composed such classics as his Beethoven was born in Bonn, Germany in 1770. He was baptized Pathetique Sonata and his Piano Sonata No.14, better known as the on December 17th, but the actual date of his birthday is not Moonlight Sonata. Despite the popularity of his work, he remained known for certain. He first studied piano as a child with his financially unstable; often his patrons reneged on their pledges father Johann, who was a singer and musician. His next teacher, to support him, or passed away before paying him anything. the court organist Christian Gottlob Neefe, was perhaps the most instrumental in developing the young artist, helping him to Perhaps the most devastating turn of events for Beethoven, publish his first composition. however, was the gradual but severe deterioration of his hearing. He was only 26 when the hearing loss began, and by 1802, he “I shall seize Fate by the throat; it shall certainly realized that the condition was incurable and would only get not bend and crush me completely.” worse. Although his hearing loss complicated his financial strug- gles, as it limited the number of concerts that he could conduct, – Letter to F G Wegeler, 1801, it did not stop him from continuing to compose. He entered a with regard to his deafness

P8 PERFORMANCES MAGAZINE new phase of creativity known He was depressed and, at times, suicidal. His pain was exacerbat- as his “middle period.” During ed by the alienation from his own music, his inadequate this time, he composed the finances, and his failed relationships. In 1827,he fell severely ill, Eroica Symphony, his ode to the perhaps in part due to lead poisoning and he died on March 26 ideals of the French Revolu- in the middle of a thunderstorm. Despite the turbulent affairs of tion. He also composed the his personal life, his funeral was attended by over 10,000 people, unforgettable Symphony No.5, consisting of fans, admirers, and friends. The legacy of his life’s which began with the four work remains a benchmark in the history of classical music. notes that evoked “fate knock- ing on the door.” — Kim Montelibano Heil

By 1817 he entered his “late period,” during which his style became more innovative and personal, as evidenced by his BEETHOVEN AT AGE 13 “Everything will pass, and the world will perish Symphony No.9 and his Grosse Fugue. His deafness was nearly but the Ninth Symphony will remain.” complete at this point; at the end of the premiere of his Symphony — Michael Bakunin, quoted in Edmund Wilson, No.9, he reportedly had to be turned around to witness the To the Finland Station (1940) enthusiastic applause of the audience. Instead of elation, however, he wept, realizing that he could not hear them.

To exacerbate his suffering, he endured a family crisis. His brother Karl died of tuberculosis, leaving a nine year-old son. Beethoven fought a custody battle with the child’s mother, eventually winning sole guardianship of his nephew. The battle continued for years, and the teenaged Karl eventually attempted suicide to escape his uncle, who was allegedly abusive in his upbringing. Karl survived and returned to his mother. Beethoven also suffered a string of broken romantic relationships, often because the object of his affection was either married or engaged. The identity of his “Immortal Beloved,” to whom he wrote a long love letter in 1812, was never identified, although it is believed that she was Antonie Brentano, the wife of a wealthy friend of Beethoven’s.

“Plaudite, amici, comedia finita est.” (Applaud, my friends, the comedy is over.) — On his deathbed, 1827 BEETHOVEN’S GRAVE, ZENTRALFRIEDHOF (CENTRAL CEMETERY) VIENNA, AUSTRIA.

FOR MORE INFORMATION ABOUT THIS PRODUCTION, PLEASE VISIT OUR WEBSITE AT WWW.THEOLDGLOBE.ORG

PERFORMANCES MAGAZINE P9 Securing A San Diego Landmark BE A LASTING PART OF THE OLD GLOBE By Naming A GRANITE PAVER On Our New Plaza

$10,000 Granite Pavers (11” x 7”)

$25,000 Granite Pavers (15” x 8”)

$50,000 Granite Pavers (23” x 10”)

By purchasing a personalized Granite Paver on our beautifully re-designed plaza, you can play a critical role in securing The Old Globe for future generations! • Only 150 Available • Prominent Location in Copley Plaza • Individualized with Your Name (or Your Honoree) • Payments Can be Made Over 5 Years • Will be Enjoyed by Globe Patrons & Millions of Park Visitors each Year

$50,000 and $25,000 Granite Pavers Near the entrances of the two theatres will be the Granite Pavers recognizing gifts of $50,000 and $25,000.

$10,000 Granite Pavers At the top of the walkway entering the plaza will be the circle of Granite Pavers recognizing gifts of $10,000.

To learn how you can participate call the Development Office, (619) 231-1941 x2317

P10 PERFORMANCES MAGAZINE Profiles

Hershey Felder of the Chicago College of Performing Arts. François-Pierre Couture (Gerhard von He has also been a Scholar in Residence at (Scenic Design) Breuning/Ludwig Harvard University’s Department of Music. François-Pierre Couture moved from van Beethoven/ Mr. Felder is married to Kim Campbell, Montréal to Los Angeles to study theatre at Playwright) former Prime Minister of Canada. BROADWAY, UCLA. After successfully completing his LONDON’S WEST master degree in scenic and lighting design Joel Zwick in 2006, he joined The Actors’ Gang Theatre END: George (Director ) Gershwin Alone, and designed both the scenery and lighting Joel Zwick directed My Big Fat Greek Wedding, for their critically acclaimed productions of Helen Hayes Theatre, Duchess Theatre. the highest-grossing romantic comedy of all REGIONAL AND INTERNATIONAL Shakespeare’s Love’s Labour’s Lost (directed by time, produced by Tom Hanks, Rita Wilson Simon Abkarian) and an adaptation of APPEARANCES: Monsieur Chopin, Chicago’s and Gary Goetzman. Recent films include Royal George Theatre, Geffen Playhouse, Jonathan Swift’s Gulliver’s Travels (directed by Fat Albert (with Bill Cosby) and Elvis Has Left P.Adam Walsh). In 2007,François-Pierre Arizona Theatre Company, American the Building, starring John Corbett and Kim Repertory Theatre, Hartford Stage, Ravinia was nominated for an L.A. Ovation Award Basinger. Mr. Zwick directed the Broadway for his scenic design of A Picasso at the Festival, The Old Globe, Cleveland Play production of George Gershwin Alone at the House; Command Performance for the Geffen Playhouse (directed by Gil Cates). Helen Hayes Theatre, as well as all other pro- Other productions he has designed include: Polish Ambassador to the United States, ductions. Mr. Zwick began his theatrical Polish Embassy, Washington; Uijeongbu lighting for Carnage at the Actors’ Gang career at La Mama E.T.C., as director of the Theatre, The Trial of the Catonsville Nine at the Theatre Festival, South Korea. George La Mama Plexus. He has directed on Gershwin Alone, 2004-2005 Chicago; 1999- Kirk Douglas Theatre, and Evel Knievel:the Broadway, off-Broadway and Broadway Rock Opera at the Bootleg Theatre; scenery for 2008 at Ford’s Theatre, American Repertory touring companies. Currently, Mr. Zwick is Theatre, Hartford Stage, Geffen Playhouse The Quality of Life at the Geffen Playhouse recognized as Hollywood’s most prolific and Bayou Legend at the Glorya Kaufman (2007 Los Angeles OVATION Awards, Best director of episodic television, having the Musical and Best Actor), The Old Globe, Dance Theater; scenery and lighting for direction of five hundred and twenty-five Melancholia at the Los Angeles Theatre Arizona Theatre Company, Prince Music episodes to his credit. These include having Theatre (Philadelphia), Cleveland Play Center and for Wounded at the Power House directed twenty-one pilots, which have gone Theatre. House, The Gilmore Festival, Ravinia, El on to become regular series. Television Paso, Uijeongbu, and others. UPCOMING: shows include: Laverne & Shirley,Mork & RichardNorwood Monsieur Chopin in Paris and Warsaw; Mindy,Bosom Buddies,Webster,Perfect Strangers, (Lighting Design) Beethoven,As I Knew Him at the Geffen Full House,Step By Step,Family Matters,It’s a Richard is a proud recipient of the 2006 Playhouse, Cleveland Play House, Arizona Living,Bros.Wayans,Joanie Loves Chachi,Jamie After Dark Award for Outstanding Lighting Theatre Company and others. COMPO- Fox,Kirk,Parent ‘Hood,Angie,On Our Own,Two Design for his design of Old Clown Wanted at SITIONS: Fairytale, a musical; Les Anges de of a Kind,Love Boat,Hangin’ with Mr.Cooper, Trap Door Theatre. Other recent awards Paris,Suite for Violin and Piano;Song Settings, etc. Previous New York productions have include the 2007 Angie Award for Best poetry by Vachel Lindsay; Aliyah,Concerto for included Dance with Me (Tony nomination), Lighting Design (International Mystery Piano and Orchestra;Saltimbanques for Piano and Shenandoah (Broadway national tour), Writers Theatre, Owensboro KY). Richard Orchestra;Etudes Thematiques for Piano. Oklahoma (national tour) and Cold Storage was nominated for a 2007 Ovation award RECORDINGS: Love Songs of theYiddish (American Place Theater). He acted in the for best lighting design: Monsieur Chopin at Theatre,Back from Broadway, and George original New York production of MacBird. He the Geffen, LA. Recent designs include Gershwin Alone and Monsieur Chopin for the directed Esther, Promenade Theater, NY; Monsieur Chopin at The Old Globe, Hartford WFMT Radio Network Recordings label. Merry-Go-Round (Chicago and Las Vegas); Stage, and American Repertory Theatre. Worldwide live broadcast, George Gershwin Last Chance Saloon and Woyczek, West End, Other recent designs include An Intimate Alone, July 2005. CURRENT PROJECTS: London. Mr. Zwick has taught drama at Yale Evening with Lynda Carter,Apollo Theatre include a Negaunee Foundation Chicago University, Brooklyn College, Queens Chicago; Mother Courage for Vitalists Theatre; composition commission, and a new College, Wheaton College, and the The Real Thing and The Best Man for Remy musical, Histoire D'Amour a Paris/A Paris Love University of Southern California. He is a Bumppo. Richard has designed over 50 Story. Mr. Felder is on the Board of Directors graduate (B.A., M.A.) of Brooklyn College.

PERFORMANCES MAGAZINE P11 Profiles shows for Trapdoor, including Petra Van Kant, sulting firm, which can be found at director. Other theatres include: the Geffen Katzelmacher,Quills,Morocco,Baal,Lebensraum, www.luxious.com. Playhouse, Cleveland Play House, Arizona Polaroid Stories,Orpheus Descending, and Squat!. Theatre Company, The Kennedy Center, The Richard has designed over twenty shows for ChristopherAsh Hollywood Bowl, The Cuillo Center for the Defiant Theatre including A Clockwork (Co-Projection Designer) Performing Arts, L.A. Theatreworks, Tiffany Orange,Titus Andronicus,Dope!,Cleansed, Christopher Ash is a projection, lighting, and Theatres, Occidental Theatre Festival, Godbaby,Action Movie;The Play,and Red scenic designer based in Chicago. His back- Bottom’s Dream, The Eclectic Theatre Dragon. Richard has been the resident light- ground in dance, opera, music, theatre, and Company, The Virginia Ave. Project and ing designer for Zephyr Dance for the past video production provide him with a large Scottsdale Conservatory Theatre. GiGi cur- nine years. Richard holds the position of vocabulary with which to design. Often rently leads the Drama Ministry for Performance Coordinator at the Museum of incorporating bold and innovative choices, Montrose Church where she has produced Contemporary Art. he is able to compose a clear sense of and directed several plays and films. emotion and perspective, yet never forgetting TamoraWilson to support the story. In 2006, Christopher Matt Marsden (Assistant Lighting Designer) was awarded the After Dark Award for his (Production Manager/Technical Director ) Tamora Wilson is excited to work with lighting design on The Sweet Smell of Success at Matt has been part of the Eighty-Eight Eighty Eight Entertainment again. Some of Circle Theatre. He has had designs presented Entertainment Production Team since 2005, her favorite projects include working with with Victory Gardens, About Face, Opera when Hershey Felder premiered Monsieur Kaleidoscope Dance and Midnight Circus. Delaware, Summer Opera in D.C., Next, Chopin at the Royal George Theatre in She has also designed for the following pro- Piven, TUTA, Emerald City, Circle, Artistic Chicago. Matt also works at the Royal ductions: Bus Stop,Beast on the Moon,Einstein’s Home, Cherubs, River North Chicago Dance George Theatre in Chicago where he has Dreams,Bye,Bye Birdie,The Ones That Got Away, Co, Deeply Rooted, and Anadolu Atesi in been part of the production teams for HATS! Last Night of Ballyhoo,The Sound of Music, and Istanbul. To see more of his work, go to The Musical;Forbidden Broadway:SVU;I Love Charlie and the Chocolate Factory. Her website www.ChristopherAsh.com. You,You’re Perfect,Now Change;Bleacher Bums; can be found at www.tamorawilson.com. Graham Norton:Red Handed;Comfortable Shoes; Erik Carstensen and The Flying Karamazov Brothers. Before the AndrewWilder (Sound Design) Royal George, Matt was a freelance Lighting (Co-Projection Designer) Master Sound Technician at the Old Globe Director, Production Manager, and a Project Andrew Wilder's diverse experience in light- since 1997.Production Engineer on over Manager (Becker Studios, Inc.). Matt’s career ing design, photography, and all things com- 50 productions at the Globe, including has included working on lighting for puterized has led him to the world of projec- Floyd Collins,Dr.Seuss’ How the Grinch Stole Olympic City at the 1996 Olympic Games in tion and media design. Andrew has traveled Christmas!,The Full Monty,Dirty Blonde,Dirty Atlanta; feature film campaigns for Inspector the world for the last few years, designing Rotten Scoundrels,Chita Rivera-A Dancers Life, Gadget, and Disney’s Hercules; national con- lighting for Princess Cruises Entertainment. Hershey Felder’s George Gershwin Alone, ventions and trade shows for McDonald’s, Back on dry land, one of his favorite recent Monsieur Chopin, A Catered Affair and Dancing Ace Hardware, Square D, and Maxxsonics, projects was programming video on a cylin- in the Dark. Erik is a member of IATSE USA; retail environments and displays for drical waterfall wall at the Seminole Hard Local 122. Sony Galleries, H2O+, and a NASFM Rock Casino in Tampa. He is currently part award-winning national in-store display of the production design team for Billy Joel's GiGi Garcia program for Merrell Shoes. In the theatre, upcoming summer concert at Shea Stadium. (Production Stage Manager) Matt worked to open Chicago’s Drury Lane Andrew has collaborated on lighting and GiGi is one of the original stage managers Theatre (at Water Tower Place) and produc- projections with Christopher Ash on numer- for George Gershwin Alone and has called well tion-managed their inaugural show The Full ous dance concerts in Chicago and Istanbul, over 600 performances for Eighty-Eight Monty and then Mornings at Seven starring and is thrilled to be working with him and Entertainment. For thirteen years, she has Katherine Helmond. Thanks to all who make the team on Beethoven,As I Knew Him. Andrew been a resident artist at A Noise Within show biz fun (including Hershey Felder), is a founding partner of Luxious Lighting, a Theatre where she has worked as a produc- but especially my wonderfully supportive Los Angeles-based lighting design and con- tion manager, stage manager and assistant wife, Nettie.

P12 PERFORMANCES MAGAZINE Jeffrey Kallberg Lee Kaufman SPECIAL THANKS (Production Consultant) (Associate Producer) Dr. Jeffrey Kallberg; Irene Wlodarski, Peter Goodrich, Bonnie Barrett and Steinway Pianos, New York; David Ida and Fields Jeffrey Kallberg (Ph.D., University of Lee Kaufman is a business entrepreneur with Pianos, L.A.; Thomas Zoells; Steve Robinson, Eric Arunas, Beth Schenker, The WFMT Radio Network; Chateau de Guerinet, Chicago) is a specialist in music of the 19th an interest in classical music that extends France; Barbara DeVorzon, Jeff Wagner and Clavier Magazine; and 20th centuries, editorial theory, critical from Gregorian Chants in the Middle Ages Ruth Spencer, William Meredith, The Ira F. Brilliant Centre for Beethoven Studies, San Jose State University; Ory Shihor, theory, and gender studies. Kallberg has pub- through to the modern composers. In the Judith Haddon, James Gandre and the Chicago College of lished widely on the music and cultural con- St. Louis Community College system, he Performing Arts at Roosevelt University. Grosses bises à notre famille à Paris...Marie-Helen et Alexis, texts of Chopin, most notably in his book, teaches a classical music listening course, Thadée et Catherine, Marie-Victoire, Sascha Poliakoff, Cédric, Chopin at the Boundaries:Sex,History,and and a course dealing with the role of Music Shura, Chiarra, Matteo Riou, et Amelia Carrico, ainsi que les membres de l’entreprise “BaSa” (!) – Carole Boué et Gilles Sieg. Musical Genre (Harvard University Press). for the Movies. He also teaches at the An important thank you to Lee and Claire Kaufman and their His critical edition of Luisa Miller,for the Chautauqua Institution in N.Y. He sees family who, besides having driven, flown and even walked through the most dreadful weather to support our performances Works of Giuseppe Verdi, has been performed Beethoven not only as a great composer, but (it all started way back when with a terrible storm in throughout the U.S. and internationally. His also an architect whose innovative style Philadelphia that had Lee wandering off the street into a perfor- mance of George Gershwin Alone…) The Kaufman family have current projects include a book on Chopin greatly influenced the direction and future of been production supporters since the very beginning. I can only express how lucky and grateful I am, not only for their support, and the culture of the nocturne, an examina- classical music. but for their friendship. tion of the convergences of sex and music A particular and heartfelt thank you to my team of devoted arti- around 1800, and a study of Scandinavian Samantha F.Voxakis sans, many of whom have been with me through dozens of pro- ductions all over the world - Matt Marsden, GiGi Garcia, Rich song in the first half of the twentieth (Executive Director/G.M., 88LLC) Norwood, Tamora Wilson, François-Pierre Couture, Nettie Wasowski, Andrew Wilder, Yael Pardess, Michael Gilliam, Guy century. Kallberg was elected Vice President Samantha is a proud native of Baltimore Casper, John Boesche, Erik Carstensen, Christopher Ash, Peter Mondelli – without whom none of our work would be possible; of the American Musicological Society for MD, where her twelve years with the David Cap and the staff of the Arizona Theatre Company Scene the term 2004-2006. He served as Review Baltimore Orioles included a number of Shop; the Entire Staff of The Old Globe. Editor of the Journal of American extraordinary events, including the opening A special thank you to Candice and Joel Zwick, Joel Zwick “Alone” – Joel, without whom there would be nothing but wan- Musicological Society and is presently of Camden Yards and Cal Ripken’s 2131 dering art. Joel Zwick has always referred to himself as a “funny little man.” Indeed, that he is… but he is also, and more so, a general editor of New Perspectives in Music game. When not keeping busy with the day- great artist, an endless thinker, and a director’s director whose History and Criticism (Cambridge University to-day operations of 88LLC, she enjoys goal is not to impose his own “lofty ideas” on a work of art, but to rid the work of all forms of pretense so that the expression Press). He has won numerous awards for his cooking, travel, and theatre. There was a breathes as it must – naturally, honestly, and as what it is. publications, and received fellowships from time she took great pleasure in playing the A very special and personal Thank You to my Greek family, Samantha, Mom, Dad, and Chris Voxakis. As you have often the National Endowment for the Humanities piano; however, she has given it up as com- implied, “When my people were writing philosophy, your and the John Simon Guggenheim Memorial parisons to Hershey’s playing are simply too people were still swinging from trees.” (Gus, MBFGW) Without you, Eighty-Eight Entertainment would not exist. And Foundation. He has also twice been guest- painful. With special thanks to Mr. Felder, many thanks to the rest of the auxiliary - Rosalinda, Sandy, and of-honor at the International Fryderyk the GGA-MC LA, James, and The Family. Cheryl - for their support over the years and across the miles. My father and stepmother, Jack and Lea, my sister and brother- Chopin Competition in Warsaw, Poland. In in-law, Tammy and Kevin and their dear child Avery, with the 2005, the Palmer Theological Seminary Eighty-Eight Entertainment, LLC next one on the way in good time… called upon Kallberg to identify and authen- (Producer) And of course, to those who are everything - ticate an autographed manuscript of Eighty-Eight Entertainment was created in ...Chance and KIM (XXOO). Beethoven's Grosse Fugue that was discovered 2001 by Hershey Felder, and is devoted to in their library. The manuscript, one of the the creation of new works of music theatre. last that Beethoven completed, preserves fas- Eighty-Eight’s projects include the Composer cinating evidence of his compositional Sonata featuring the lives and work of George This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity thinking; its reappearance after some 115 Gershwin: George Gershwin Alone, Fryderyk Association, the union of professional actors and stage managers in the United States. years caused considerable excitement across Chopin: Monsieur Chopin, and Ludwig van The Directors are members of the Society of Stage Directors and Choreographers, an independent national the musical world. In December 2005, the Beethoven: Beethoven,As I Knew Him. Other labor union. manuscript sold at auction for nearly $1.9 projects include artist promotion, as well as The Scenic, Costume, Lighting and Sound Designers in million. musical and film works in development. All LORT Theatres are represented by United Scenic Artists members of Eighty-Eight LLC productions Local USA-826, IATSE.

are creative artists in their own right, and all This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees members are asked to advise and contribute Local No. 122. on all aspects of production. PERFORMANCES MAGAZINE P13 Backstage at the Globe THE SOUND DEPARTMENT: An In-Depth Look (and Listen)

The house lights dim. Before the curtain rises or the stage is ers, many of them concealed in elements of the set. Controlling lit, music swells and you hear distant sounds of the sea. Sound the quality and volume of sound that goes into the mixing is the first element of most performances, and before anything console and out of each of those speakers to achieve the perfect else happens, a mood is set, a location is indicated, and you mix of sound in the theatre is the domain of the Sound begin to enter the world of the play. Engineer. During technical rehearsals, the Engineer works side- Everything you hear on stage — sometimes including the by-side with the Designer to create the desired mix, which is actors’ voices — is brought to you by the Sound Department then replicated in each performance thereafter. through its two related functions, sound design and sound engi- To coordinate the sound with the action on stage during neering. every performance, the Stage Manager, watching the stage from a The Sound Designer creates a “soundscape” for a produc- booth in the back of the theatre, cues the sound engineer (as tion, a score of music and sound effects that make up the aural well as lights and other stage effects). A play typically averages environment of the play. This process starts before rehearsals around 100 individual sound cues; Pig Farm had approximately even begin, with the director and sound designer consulting to 600, an average of one every 10 seconds or so! Fortunately, determine the atmosphere, setting, and actions that must be many of these may be combined into automated sequences with created and supported by the sound score. Then the designer digital equipment, allowing the sound engineer to set off a chain draws upon a vast library to produce the needed sound. Music of sound effects and volume fades with one motion. A single may be recorded or live, a well-known piece or something com- word in a stage direction, for example, “storm,” may actually be posed especially for the production. For all the other sounds, as many as 15 individual sounds, blending together different The Old Globe’s library includes 200,000 individual sound levels of thunder, rain, and wind to create the particular storm effects. the audience experiences. But sometimes the perfect sound hasn’t yet been recorded and then the sound designer must find or create it. For example, for the 2006 production of Pig Farm, sound designer Paul Peterson spent three days at a large commercial pig farm, record- ing the sounds of hundreds of pigs eating, fighting, and “romancing.” Then he visited trained show pigs at the Del Mar Fairgrounds, to capture specific vocalizations — an entire pig vocabulary of snorts and squeals. So even though not a single pig appears on stage, the play’s sound evokes the farm setting, with a vivid sense that, just out of sight, the place is teeming with hogs, sows, and piglets. Each night in the theatre, those sounds are triggered by the Sound Engineer, who operates a mixing console connected to a network of sound equipment. Selecting the best equipment for the desired sound quality is another crucial element of sound GLOBE SOUND DIRECTOR PAUL PETERSON RECORDS SOUNDS IN THE FIELD. design. If there is live music, each instrument may need a differ- ent kind of microphone to best capture its unique sound. If the In Shakespeare’s day, people going to the theatre said they actors’ voices will be amplified, the sound designer must work were going “to hear a play.” Our more visual culture may say we with the costume designer to fit wireless transmitters into cos- “see” a play, but what we hear has a powerful impact on how we tumes (women often wear them in their wigs!). The micro- experience it. And, no less than those elements we do see, such phone elements are then hidden in the actors’ hairline or over as sets and costumes, the sounds we absorb while engrossed in a the ear. The right speakers for broadcasting the types of sound performance are designed, created, and produced by talented and needed must be chosen and located on stage and in the theatre. skilled artists and technicians, essential members of The Old In Dancing in the Dark, for example, there were 53 separate speak- Globe’s creative team.

P14 PERFORMANCES MAGAZINE Education Experiences BACKSTAGETOURS

A visitor to Balboa Park on a Saturday morning must choose from a smorgasbord of options to fill his or her day. Fantastic museums that specialize in art, cars, airplanes, trains, sports, photography, science, anthropology, history and plants beckon the traveler with their fascinating collections. If museums aren’t enough, visitors can explore the animals of the world at the famed San Diego Zoo — an all day diversion that shouldn’t be missed. Or perhaps a sunny ramble through the many gardens and trails will serve to while away a lovely San Diego morning. But there is one more fascinating way to spend a weekend morning in Balboa Park. If you stroll up to our renowned the- atres on a Saturday or Sunday morning, you will be greeted by one of our numerous docents who will extend a warm welcome and an invitation to tour the inner sanctum of The Old Globe. Behind the Scenes Tours take you behind the curtain and STUDENTS PARTICIPATE IN A FOLLOW THE BARD TOUR beyond the footlights to explore the backstage spaces where the- atrical magic is created. You’ll tour the costume shop, the sound of the group. Or the glee in a child’s eyes when the tour guide and lighting controls, the “trap” under the stage, and the Green smiles and says, “Yes, go ahead and pick up that beautiful prop Room where the actors await their cues. and look it over!” There are many places where one is not Here’s a bit of what our fabulous docents will reveal: allowed to touch anything but on this tour, “hands-on” is the name of the game. And when exploration is allowed, learning • The reason for the “ghost light” that stands on the stage begins. when no one is there. The Followthe BardTourends in the Lowell Davies Festival • The materials used to make the Grinch’s hairy, green suit. Theatre, home to the Globe’s renowned Summer Shakespeare • The “two faces” of Shakespeare. Festival, with the distribution of posters and other mementos of • What equity,dogs,totus mundis agit histrionem,proscenium, the experience and a packet of materials that teachers can use to and vomitorium have to do with The Old Globe. extend the learning in the classroom. Following this tour, most students will be able to answer the many questions in our The Behind the Scenes Tours take place each Saturday and “Shakespeare Soccer Game” with ease and delight. But don’t try Sunday at 10:30 a.m. (production schedule permitting). No it before the tour; even Shakespeare devotees will find some of reservations are needed; just arrive and enjoy. Weekday tours for the questions tricky. social and community groups can also be scheduled. The Old Globe’s Education Department strives to meet the Some groups prefer to focus on Shakespeare for their tours learning needs of visitors of all ages. From youngsters just so The Old Globe provides a wonderful exploration of his plays finding out that live theatre exists, to senior citizens who’ve been in our Followthe BardTour. This educational tour starts on the lifelong theatre lovers but have never set foot backstage, our plaza where groups look for faces in the fountain and benches to tours expose a world of fascination right here in beautiful Balboa begin their discussion of several Shakespearean characters. Park. Come and visit some weekend morning and you’ll still Once inside the theatres participants scramble to discover have time to ramble in the sunshine afterward. hidden props and costumes from many of our past Shakespeare For more information on The Old Globe’s Education pro- productions. These articles provide the springboard for discus- grams and our tours, please contact Roberta Wells-Famula, sions about the plays and the period in which they were written. Director of Education at (619) 238-0043 x2144. There’s nothing like the moment when a student discovers a massive, embroidered skirt and feels its weight and bulk as he — Roberta Wells-Famula, Director of Education gently carries it from its hiding place and displays it for the rest

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) Bank of America Globe Guilders The San Diego Union-Tribune City of San Diego, Commission for Irving Hughes Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S. Geisel/The San Diego Microsoft Supervisor Pam Slater-Price Foundation Dr. Seuss Fund and the County of San Diego Season Sponsors ($50,000 to $99,999) American Express Karen & Donald Cohn Las Patronas The Legler Benbough Foundation Peter Cooper & Norman Blachford The Lipinsky Family John A. Berol Advised Fund at the San Diego Conrad Prebys California Bank & Trust Human Dignity Foundation QUALCOMM, INC. J. Dallas & Mary H. Clark Fund at Valerie & Harry Cooper Wells Fargo The San Diego Foundation Joan & Irwin Jacobs Sheryl & Harvey White Foundation

Production Sponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Cohn Restaurant Group/Prado Restaurant Sempra Energy Richard Wright & Elizabeth Adderley Continental Airlines Sheraton San Diego Hotel & Marina American Airlines Danah H. Fayman Patsy & Forrest Shumway AT&T Jake & Todd Figi Starbucks Coffee Company Alan Benaroya Kathryn & John Hattox Union Bank of California Mary Ann Blair Fund HM Electronics, Inc. U.S. Bank at The San Diego Foundation Deni & Jeff Jacobs Mandell Weiss Charitable Trust Bombardier Flexjet Nokia

DirectorCircle ($10,000 to $24,999) Lawrence G. Allredge & Dawn Moore Lee & Frank Goldberg Nancy & Alan Spector and Family Anonymous Martin Goodman & Susan Barnett Ms. Jeanette Stevens Mrs. Inge Lehman Barta in memory of Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle Chester K. Barta, MD Daphne Jameson Gillian & Tony Thornley Jane Smisor Bastien Mr. & Mrs. Neil Kjos Evelyn Mack Truitt Charles & Molly Brazell Dr. Ronald & Mrs. Ruth Leonardi Erna & Andrew Viterbi Dale Burgett & F. George Gilman Jacquelyn Littlefield Weingart-Price Fund at The Louis Yager Cantwell Private Sue & John Major The San Diego Foundation Foundation Dr. Patricia Montalbano Stewart & Brenda Weissman Deni & Ken Carpenter Hank & Robin Nordhoff Brent V. Woods & Laurie C. Mitchell Elaine & Dave Darwin The Kenneth T. & Eileen L. Norris June E. Yoder Mr. & Mrs. Brian Devine Foundation Carolyn W. Yorston Dr. & Mrs. Robert Epsten Allison & Robert Price Robert & Deborah Young Pamela A. Farr Sandra & Allen Redman Ellen & Tim Zinn Hal & Pam Fuson Jean & Gary Shekhter Robert Gleason & Marc Matys Chris Skillern

P16 PERFORMANCES MAGAZINE FOUNDER CIRCLE Mary & Russell Johnson Drs. Barbara & Leonard Gosink ($5,000 to $9,999) William Karatz Norm Hapke & Valerie Jacobs Hapke Dr. & Mrs. Wayne Akeson Bob & Gladys King Drs. Patrick Harrison & Eleanor Lynch Anonymous (2) Rosalie Kostanzer & Mike Keefe Salah M. Hassanein Ken & Ginger Baldwin Bob & Laura Kyle Dr. & Mrs. Peter K. Hellwig The Colwell Family Fund at The San Diego Foundation Susan L. Leone Rhonda Heth & Thomas Mabie R. Patrick & Sharon Connell James & Pamela Lester Michael & Jill Holmes Ann & John Davies Merriel F. Mandell, Ph.D. Dr. David K. Hostetler Nina & Robert Doede Mr. & Mrs. David Mulliken Gary & Carrie Huckell Bernard J. Eggertsen & Florence Nemkov Tom & Lisa Pierce Roberta Hussey Carol Spielman-Ewan & Joel Ewan Mr. & Mrs. Matthew Pollack Al Isenberg & Regina Kurtz Alan & Pauline Fatayerji Brenda Marsh-Rebelo & John G. Rebelo Drs. Sonia & Andy Israel Martha & George Gafford Roberta J. Simpson Mr. & Mrs. David J. Johnson Mary Ann & Arnold Ginnow Marisa SorBello & Peter Czipott Marge & Jerry Katleman Leo S. Guthman Fund Mickey Stern William & Edythe Kenton Fred & Alicia Hallett Julie & Bob Sullivan Jo Ann Kilty Alexa Kirkwood Hirsch Jay & Diane Sweeney Ken & Sheryl King Leonard & Elaine Hirsch Marilyn Elizabeth Thompson Webster & Helen Kinnaird Melissa & James Hoffmann Carol Vassiliadis Dr. & Mrs. Ara S. Klijian Dr. & Mrs. Richard L. Kahler Doris & Lou Vettese Sherry & Larry Kline Carol & George Lattimer Jordine Von Wantoch Dr. & Mrs. R.W. Klofkorn Peter & Inge Manes Patricia & Christopher Weil Family Foundation Curt & Nancy Koch Bob Martinet Helene & Allan Ziman Brooke & Dan Koehler Paul I. & Margaret W. Meyer Dr. Eric Lasley Money/Arenz Foundation, Inc. CRAIG NOEL CIRCLE Ledford Enterprises Inc. Harle Garth Montgomery ($1,500 to $2,499) Terry & Mary Lehr Arthur & Marilyn Neumann The Family of Richard & Mary Adams Ms. Sherrill Leist Charles & Barbara Noell Richard Addesso Sandy & Arthur Levinson Dolly* & Jim Poet Anonymous (3) Jerry & Elsa Lewis John & Marcia Price Family Foundation Edwin Bacher Robin J. Lipman & Miro Stano Mike & Elizabeth Rabbitt Diana Barliant & Nowell Wisch Mathew & Barbara Loonin Ellen C. Revelle Yvonne & Lew Barnum Maday/O’Donnell Design Collective — Jeannie & Arthur Rivkin Mrs. Lazare F. Bernhard Dimitri J. Callian III & Lauren Zarobinski Dr. H. Warren Ross Sally & John Berry Charlie & Jackie Mann Deborah Szekely Charles & Charlotte Bird F. Dale & Lois Marriott Dixie & Ken Unruh Cynthia Bolker & Greg Rizzi R.J. Maus, Architects Jean & Tim Weiss Ronda & Stanley Breitbard Tony & Nancy McCune Terry & Bill Burd Dr. Marianne McDonald PLAYWRIGHT CIRCLE Clint & Susie Burdett Bill & Jeri McGaw ($2,500 to $4,999) Anita Busquets & William Ladd Elizabeth & Edward McIntyre Gail, John & Jennifer Andrade Trish Butler & Cary Lowe Harold O. McNeil Dr. Bob & Jill Andres Dr. & Mrs. Robert M. Callicott Elizabeth Meyer Mr. & Mrs. Richard Baldwin Ellen Casey Joel & Deirdre Mick Melissa Garfield Bartell & Michael Bartell Pam & Jerry Cesak Estelle & Jim Milch Joan & Jeremy Berg Dolores Clark Rena Minisi & Rich Paul Perry S. Binder, MD Hon. Arthur J. Collingsworth & Brian R. Simmons Judith & Neil Morgan Paul Black Mike Conley & Sue Steele James & Nancy Mullen Dr. & Mrs. Edgar D. Canada Richard & Stephanie Coutts Jan & David Mullin Cecilia Carrick & Stan Nadel Sally & Pat Crahan Ruth & Jim Mulvaney Carol & Rudy Cesena Mrs. Willard T. Cudney Josiah & Rita Neeper Carol & Jeff Chang Dr. & Mrs. Francis C. Cushing, Jr. Bob Nelson & Murray Olson Garet & Wendy Clark Fran & Matt Dalton Eileen & Lawrence Newmark Jack & Carol Clark Mrs. Gail Powell Davis Nordstrom Ms. Heidi Conlan/The Sahan Daywi Foundation Pat & Dan Derbes Mr. & Mrs. Victor H. Ottenstein Susan B. Cowell Dean & Mrs. Michael H. Dessent Parker & Crosland, LLP Gigi & Ed Cramer Marion Eggertsen Sigrid Pate & Glenn Butler Darlene G. Davies in memory of Lowell Davies Peter & Doris Ellsworth Marcia & Jim Piper Mrs. Philip H. Dickinson Carol Fink Mo & Bill Popp Noddy & Ira Epstein Dieter & Susan Fischer/Dieter’s Mercedes Service Dr. & Mrs. Daniel Porte Susanna & Michael Flaster Mary & David Fitz Joanne Powers Samuel I. & John Henry Fox Foundation at Mr. & Mrs. Richard Ford Jim & Claudia Prescott Union Bank of California Sid & Jean Fox Peggy Wynn Price Millicent & Charles Froehlich Karen & Orrin Gabsch Marie & Don Prisby Barbara & Albert Garlinghouse Deede Gales Joseph & Jane Rascoff Dr. & Mrs. William Gott Elaine & Murray Galinson Mrs. Charlotte Rees Ms. Cheryl Haimsohn Bill & Judy Garrett Lynne Rich Susan & Dr. Ronald Heller Leslie & Robert Garson Edward H. Richard & Warren P.Kendrick Tish & Jere Horsley Drs. Thomas H. & Jane D. Gawronski Mr. & Mrs. Roger Roberts Richard & Janet Hunter Daniel & Arline Genis Nancy J. Robertson Hutcheson Family Fund at The San Diego Foundation Teresa C. George Rachel A. Rosenthal & Michael Liersch Al & Pat JaCoby Martin & Enid Gleich Mr. & Mrs. Charles P.Royce Tom & Sheila Gorey *Deceased

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

Warren & Beverly Sanborn GOLD Carl Maguire & Margaret Sheehan Sanderson Family Donor Advised Fund ($500 to $999) Dr. Robert & Marcia Malkus at the Rancho Santa Fe Foundation Tony & Margaret Acampora Jeanne Maltese Sherry & C.A. Sheppard Janet Anderson & John Glascock Ron & Mercy Mandelbaum Drs. Joseph & Gloria Shurman Anonymous (4) Martin & Passante AAL Dee E. Silver, M.D. Jeff & Donna Applestein Christopher Maxin & Stephanie Buttell-Maxin Alan & Esther Siman Rhoda & Mike Auer Dr. & Mrs. M. Joseph McGreevy Dotti & Joel Sollender Mr. & Mrs. David A. Baer Keith & Lesley McKenzie Herbert & Elene Solomon Ina S. Bartell Mr. & Mrs. William McKenzie N.L. Stanworth in loving memory of Scott Richard & Linda Basinger Carole S. Miller Nancy Steinhart & Rebecca Goodpasture Ben-Yehuda Family Fund of the Joel, Annette & Arianna Millman Eugene L. & Hannah Step Jewish Community Foundation Tom & Doris Neuman The Tarlov Family Nancy Blayney Katherine Newton Mr. & Mrs. Donald Tartre Bob & Joyce Blumberg Mark Niblack Mr. & Mrs. Charles Taubman Suzanne I. Bond Jack & Virginia Oliver Pat & Jack Thomas Mrs. Wyloma Bradshaw In Memory of Margaret Peninger Cherie Halladay Tirschwell Mr. & Mrs. Blaine A. Briggs Mr. & Mrs. David J. Pettitt Ed Torres & Mark VonderHaar Dr. & Mrs. Simon C. Brumbaugh, Jr. Deborah B. Pettry Gene & Celeste Trepte Ruth Mary Campbell Dr. Ken Pischel & Dr. Katherine Ozanich Pamela J. Wagner Beth & Tim Cann Drs. Paul & Katherine Ponganis Merle & Phil* Wahl Greg & Loretta Cass Dr. Julie Prazich & Dr. Sara Rosenthal Jan Harden Webster & Raul Ortega Ray & Shelley Chalupsky Mr. & Mrs. Kedar Pyatt James & Ellen Weil Lynne Champagne & Wilfred Kearse Elaine Rendon Shirli Fabbri Weiss Doug & Elisabeth Clark Joseph W. Robinson The Gray White Family Fund Anne C. Coleman Stuart & Linda Robinson Michael & Penny Wilkes Ronald D. Culbertson Joseph J. Rusche Mr. & Mrs. Harold B. Williams Dr. & Mrs. William Davidson Dr. Joseph & Carol Sabatini Keith J. Wong Wes & Elaine Dillon The Sapp Family Dr. Donald & Eilene Dose Barbara A. Sawrey PLATINUM Patricia Eichelberger John & Patricia Seiber ($1,000 to $1,499) William Eiffert & Leslie Hodge Drs. Lawrence & Miriam Sherman Anonymous Dr. Susan Dersnah Fee Mr. & Mrs. Randall Silvia Michael Bark & Laura Benedict Richard & Donna Ferrier Rodney & Dolores Smith Fund at Judy & Larry Belinsky Richard & Beverly Fink Family Foundation The San Diego Foundation Nicholas B. Binkley Sally Fuller Gloria Penner Snyder & Bill Snyder H.L. & Irene Boschken Dr. & Mrs. Steven Garfin Sharon S. Storey & Theodore A. Milby Jane Cowgill Theresa & Craig Georgi Helga & Sam Strong Dan & Sue Donovan Arthur & Judy Getis Ron & Susan Styn Ron & Devora Eisenberg–Great News! Norman & Patricia Gillespie John & Linda Sunkel Dan & Phyllis Epstein The Golemb Family Clifford & Kay Sweet Earl N. Feldman Drs. Thomas L. & Cynthia L. Goodman Dr. Terry & Naomi Tanaka Peter & Christine Gault Chris Graham & Michael Albo Linda Terramagra Robert & Edry Goot Carol & Don Green Randy Tidmore Sandra Gulden & Leon J. Goldberger Mr. & Mrs. Norman Greene Mr. & Mrs. Jeffrey C. Truesdell Gulden Private Foundation Suzanne & Charles Grimshaw Ms. C. Anne Turhollow & Mr. Michael J. Perkins Mr. & Mrs. Thomas M. Henry Mr. George Guerra Natalie C. Venezia & Paul A. Sager Suzanne & Lawrence Hess Richard & Candace Haden Jo & Howard Weiner Jackie Johnston-Schoell Linda E. Hanson Janice L. Weinrick Warren & Karen Kessler Fund of the Alex & Mary Hart Mr. & Mrs. David Weinrieb Jewish Community Foundation Mr. Stephen Hopkins & Dr. Carey Pratt Katherine White Dr. & Mrs. James E. Lasry Steven & Nancy Howard Ross & Barbara White Mr. & Mrs. James Lim Viviana Ibanez Dennis & Carol Wilson Don & Mary Jane Lincoln Isabella Fund at The San Diego Foundation Dr. Dolores Wozniak Joy & Ronald Mankoff Dr. & Mrs. Clyde W. Jones M.J. Zahnle Jasna Markovac & Gary Miller Kathy & Rob Jones Elizabeth Zeigler & Bernard Kuchta Akiko Charlene Morimoto & Kenneth & Marilyn Jones Hubert Frank Hamilton,Jr. Andrew & Denise Kaplan SILVER Rod & Barbara Orth Patricia & Alexander Kelley ($250 to $499) Susan Parker Mr. & Mrs. Kevin Kiernan Ben Abate Dan Rehm Gayle & Jerry Klusky Mr. Gale Acker & Dr. Nancy Acker William & Susane Roberts Jo Ann & Lee Knutson Sybil & B.J. Adelson Don & Darlene Russell Bill & Linda Kolb Mr. & Mrs. Donald Allison Debbie & Shayna Seid Family Fund of the Marvin M. Kripps, M.D. George Amerault Jewish Community Foundation LABS, Inc./Silvia Dreyfuss Mr. & Mrs. Thomas Anderson In Memory of Edward Silverstein John Q. Lalas, Jr. Anonymous (4) John & Margery Swanson Thomas Leighty Drs. Michael & Gabriela Antos Stan & Anita Ulrich Mr. Richard Levi Earl Asbury Pat & Allen Weckerly Sherry & Rick Levin John & Elizabeth Bagby Brendan M. & Kaye I. Wynne Kris & Briana Lichter Allen & Nancy Bailey Dr. Joseph Yedid Dr. & Mrs. David D. Lynn Beverly Bartlett & Barbara Sailors Christy & Howard Zatkin Edward & Nancy Lyon Ruth & Jim Batman

P18 PERFORMANCES MAGAZINE Sharon & Bill Beamer Susan D. Inot Clarice & Irl Robinson Bruce & Patricia Becker Bill & Cheri James Mr. & Mrs. Christopher Rohrer Sarah & Vernon Berger Nancy B. & David A. James Diane Roland Edgar & Julie Berner Edward & Linda Janon Milton & Dorothy Roll Armand Bernheim, Jr. Dr. Jim Jaranson Gerald & Ruth Rosenbaum Joan Bernstein In Memory of Donald Jenkins Dr. & Mrs. Richard Rowen Thomas Bilotta & Family Jan Jessop Rowling Family Charitable Fund of the Mr. & Mrs. Stanley Birstein Judge & Mrs. Anthony C. Joseph Jewish Community Foundation Daniel & Barbara Black Jim & Sharon Justeson Dr. Norman & Barbara Rozansky Bruce & Linda Blakley Mitchel Karp George & Karen Sachs Robert Blanton & Ann Clark Dr. Michael & Mrs. Lucy Keehan Samiljan Family Fund of the Jewish Joann Boone & Nancy Danniger Louis & Mary Beth Kelly Community Foundation Robert & Yvonne Boyer Gail Kendall Patrick Sammon & Mark Munsey Ed Brookins Lloyd & Joanna Kendall Josiah & Abigail Sand Julia Brown Kathleen Kim & Zachary Rattner James M. Santora & Dr. Daniel D. Sewell Beth Bruton Louis J. Knobbe Simon & Ruth Sayre Marie F. Buckey Remik Kolodziej & Steven Daris Ann & Herb Schnall David Burns & Diane Lischio Mr. & Mrs. Jay Kranzler Martin & Connie Schroeder Sandra Lee Burns Mr. & Mrs. Albert W. Krasnoff RAdm. & Mrs. H. James T. Sears Ms. Mary-Kay Butler Lou Krueger Linda J. Seifert Helen M. Caldwell Janay Kruger Natalie H. Service Jane Carrigan Betty & Richard Kuhn Lori Severson & Eric Longstreet William & Shirley Carrington Elizabeth Lasley Glenda Allen Shekell Jerry L. Carter Elliott & Phyllis Lasser Dr. & Mrs. Hano Siegel Luc & Ann Marie Cayet-Pleska Dixon & Pat Lee Jerry & Beth Silverman Chateau du Meow Tom & Terry Lewis Eunice M. Simmons, M.D. Elaine & Peter Chortek Donald Lipkis, MD & Arlene Pollard Anne & Ronald Simon Richard Clampitt & Rachel Hurst Roy & Carol Long Christopher & Carmen Skipworth Barbara Mistler Crew Sally & Bill Luster Terrence & Kathryn Slavin Glenn Currie Photography Judge & Mrs. Frederick Mandabach Lance & Arlene Smith John Davis & Bill Hughes Kathleen Markham Malcolm E. Smith Dutch & Dawn Dershem Harold & Beverly Martyn Norman & Judith Solomon Wally & Linda Dieckmann Bruce & Brenda Mason Bill & Barbara Sperling Patricia & Glen Doughty Cdr. & Mrs. John C. Mathews III Mr. & Mrs. Fred C. Stalder Sean & Kellie Doyle Gene & Donna McAllister Alan M. Stall Stephen & Sandra Drew Ronald McCaskill & Robyn Rogers Paul & Janet Stannard Lizbeth Ecke & David Meyer Oliver McElroy & Karen Delaurier Mr. & Mrs. George Stassinopoulos Esther & Robert Feier Teresa McEuen Robert & Ann Steiner Drs. Lawrence & Irene Fine Cristie C. McGuire James K. Stenderup Larry & Jan Ford John Paul McHugh Wootsie Stockton Pauline Forman in memory of Sid Forman Steve McIntee Jan & Dave Stormoen Clare & Paul Friedman Charles & Billie McKnight Abbe Wolfsheimer Stutz Randee & Richard Friedman Mr. & Mrs. Jim Melcher Mrs. J.B. Swedelius Charles & Jeanne Gahagan Drs. John Meyers & Betty Joan Maly Donald & Margaret Sweimler Estephan A.G. Gargost Mr. & Mrs. David Michan Dr. Blake S. & Mrs. Peggy Jean Talbot Ferdinand Gasang Dr. & Mrs. Paul E. Michelson Mr. Harold S. Taxel Thomas Gass, DDS & Chester McLemore James & Dorothy Mildice Dr. Marshall & Leila Taylor David & Marcia Gill Dr. James & Mrs. Nancy Miller Douglas & Lynn Todd Dr. & Mrs. Michael Goldbaum Charles W. Mills, Jr. Mr. & Mrs. John Torell Howard & Carole Goldfeder Stan & Phyllis Minick Robert C. & Melesse W. Traylor Euvoughn L. Greenan Dr. Isaac & Mrs. Nancy Mizrahi Barbara C. Ward Mr. & Mrs. Arthur A. Greenberg Dr. & Mrs. Robert Morrison Kathy & Jim Waring Martin & Deanna Greenberg Susan & Charles Muha William Weeks Theodore Gryga Mary Jo Murphy Mr. & Mrs. James Welterlen Jerome & Anita Gutkin Michael & Danna Murphy Sandy Wichelecki Maggi Hall Joyce & Martin Nash Olivia & Marty Winkler Helen M. Hammond Wendy & Jim Neri Cass Witkowski Family Robert M. & Helen M. Hansen Harvey & Marsha Netzer Mr. & Mrs. John W. Witt C. Harbordt Jack & Judy Nichols Dr. Perri L. Wittgrove Mark & Corrine Harvey Floyd T. Olson Janet Wolf Donald J. Hickey Larry & Marcia Osterink Paul & Claudia Zimmer Christine Hickman & Dennis Ragen Dr. David & Elizabeth Ostrander Vicky Zollweg & J. Michael Dunteman Mr. & Mrs. Thomas O. Hippie Joshua & Jacqueline Pack John & Peggy Holl Barbara Painter Paul & Barbara Holz Ed & Carolyn Parrish This list is current as of March 25, 2008 Nancy & Bill Homeyer Julius J. Pearl Fund at The San Diego Foundation To learn more about supporting The Old Globe’s Mr. & Mrs. Lee Horowitt Clifford T. Pentrack & Mary E. Giovaniello performances and education and outreach In Memory of Ray Howard Lawrence Roy Perrin programs, please visit our website at Stephanie & Carl Hurst Mr. & Mrs. Leslie D. Reed www.TheOldGlobe.org or call Robert Hyman Robert & Doris Reed Courtney Quinn at (619) 231-1941 x2311. Joseph & Donna Hynes Brent & Bev Robinson

PERFORMANCES MAGAZINE P19 Globe Ambassadors

Lawrence G. Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Donald and Darlene Shiley Perry S. Binder, M.D. Alexa Kirkwood Hirsch Roberta J. Simpson Paul Black Leonard and Elaine Hirsch Ms. Jeanette Stevens Dr. and Mrs. Edgar D. Canada Al and Pat Jacoby Jay and Diane Sweeney Carol and Rudy Cesena Mary and Russell Johnson Dixie and Ken Unruh Jack and Carol Clark Bob and Gladys King Doris and Lou Vettese Mary H. Clark Rosalie Kostanzer and Mike Keefe Jordine Von Wantoch Steven J. Cologne Bob and Laura Kyle R. Patrick and Sharon Connell James & Pamela Lester Susan B. Cowell Merriel F. Mandell, Ph.D. Globe Ambassadors are generous supporters of The Old Gigi and Ed Cramer Peter and Inge Manes Globe who attend special presentations about activities at Darlene G. Davies Bob Martinet the Globe and serve as the Theatre’s Ambassadors in the Mrs. Philip H. Dickinson Dr. Marianne McDonald community. Nina and Robert Doede Paul I. and Margaret W. Meyer Marion Eggertsen David and Noreen Mulliken For more information please Bernard J. Eggertsen and Florence Nemkov Charles Noell and Barbara Voss contact Courtney Quinn at Danah H. Fayman Jeannie and Arthur Rivkin (619) 231-1941 x2311. Susanna and Michael Flaster Dr. H. Warren Ross

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) Joseph E. Jessop* Velda Pirtle* Merle and Phil* Wahl Robert S. Albritton* J. Robert and Gladys H. King Florence Borgeson Plunkert* Holly J.B. Ward Diana Barliant Marilyn Kneeland Dolly* and Jim Poet Sheryl and Harvey P.White Nancine Belfiore Jean and David Laing Dorothy Shorb Prough* Mrs. Jack Galen Whitney Alan Benaroya Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Stanley E. Willis II* Dr. and Mrs. Edgar D. Canada Dr. Bernard Lipinsky* Donald and Darlene Shiley Julie Meier Wright Garet and Wendy Clark Heather Manion Patsy and Forrest Shumway Carolyn Yorston J. Dallas* and Mary H. Clark Calvin Manning* B. Sy and Ruth Ann Silver *Deceased R. Patrick and Sharon Connell Chris and Jill Metcalf Stephen M. Silverman Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Paul I. and Margaret W. Meyer Roberta Simpson Craig Noel League members are leaving Carlos and Patricia Cuellar Judy and George Miller Dolores and Rod Smith lasting gifts to the theatre through planned Patricia and Donn DeMarce* Steve Miller John and Cindy Sorensen gifts,cash contributions,bequests and other Mrs. Philip H. Dickinson Dr. Robert W. Miner Marje Spear estate planning options. Dr. and Mrs. Robert Epsten Shirley Mulcahy Nancy A. Spector and Alan R. Spector Frank A. Frye, III Laurie Dale Munday Jeanette Stevens For more information,please contact Nancy Reed Gibson Stanley Nadel and Cecilia Carrick Eric Leighton Swenson Director of Development,Todd R.Schultz Robert Gleason and Marc Matys Alice B. Nesnow Anne C. Taubman (619) 231-1941,x2310 or Marcy Goldstone Arthur and Marilyn Neumann Cherie Halladay Tirschwell TSchultz@The OldGlobe.org. Kathryn Crippen Hattox Craig Noel Marian Trevor (Mrs. Walter M.)* David and Debbie Hawkins Greg and Polly Noel Evelyn Mack Truitt Craig and Mary Hunter PACEM (Pacific Academy of Ginny Unanue Barbara Iredale* Ecclesiastical Music) Carol and Lawrence Veit Bob Jacobs Mrs. Margaret F. Peninger* Harvey* and Jordine Von Wantoch

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors

SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Higgs, Fletcher & Mack, LLP ResMed Foundation City National Bank KPMG, LLP Torrey Pines Bank Cyberknife Centers of San Diego, Inc./ Mercer Vistage International Radiation Medical Group Neiman Marcus

FOUNDER CIRCLE PLAYWRIGHT CIRCLE ($5,000-$9,999) ($2,500-$4,999) 104.9 FM XLNC1 Cush Family Foundation Citigroup Foundation/Smith Barney Nicholas-Applegate M2000 Corporation WD-40 Company San Diego Business Journal Sycuan Resort & Casino The Westgate Hotel

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, CEO/Executive Producer Jerry Patch, Co-Artistic Director Darko Tresnjak, Co-Artistic Director William Anton Tim Donoghue Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Jacqueline Brooks Richard Easton Mark Harelik John McLain Steven Rubin Conrad Susa Lewis Brown Tovah Feldshuh Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Victor Buono* Monique Fowler Peggy Kellner * Stephen Metcalfe Douglas W. Schmidt Irene Tedrow * Wayland Capwell * Ralph Funicello Tom Lacy Robert Morgan Seret Scott Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox Ellis Rabb * David F. Segal Paxton Whitehead Eric Christmas* Harry Groener Dakin Matthews Steve Rankin Richard Seger James Winker George Deloy A.R. Gurney Deborah May Robin Pearson Rose Diane Sinor Robert Wojewodski Don Sparks G Wood * Patron Information * in memoriam

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, MasterCard, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor- ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva- If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises.

Natural HerbCough Drops - Courtesy of Ricola USA, Inc. — available upon request. Please ask an usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRYPATCH DARKO TRESNJAK CEO/Executive Producer Co-Artistic Director Co-Artistic Director Louis G. Spisto has led The Old Globe since Jerry Patch was appointed Resident Artistic Director Artistic Director of the Globe’s 2004-2007 October, 2002. During his tenure, Spisto spear- of The Old Globe in February 2005, during which Shakespeare Festivals, Darko Tresnjak's directorial headed the return of the Shakespeare Repertory time he brought to the Theatre works by such credits at the Globe include: Pericles,The Winter's Tale, Season and brought to the Globe several new musi- renowned playwrights as Amy Freed, Richard Hamlet,A Midsummer Night’s Dream,Titus Andronicus, cals, including the critically-acclaimed A Catered Greenberg and Donald Margulies. In the past three The Comedy of Errors,The Two Noble Kinsmen,Antony Affair, the launch of the national tour of the Tony seasons, eleven world premieres and two second and Cleopatra and Bell,Book and Candle. Earlier this Award-winning Avenue Q and the Broadway transfers productions of new works have been presented, year he directed The Merchant of Venice at Theatre for a of Chita Rivera:The Dancer’s Life, and the Twyla including A Body of Water, winner of the 2006 Best New Audience, a production that traveled to the Tharp/Bob Dylan musical,THE TIMES THEY ARE A- New American Play Award. He previously served as Royal Shakespeare Company’s Complete Works CHANGIN’. He has produced over 75 plays and the Dramaturge and a member of the longstanding Festival. Other credits include All's Well That Ends musicals, including Dirty Rotten Scoundrels, the west artistic team at the Tony Award-winning South Well at Theatre for a New Audience; The Two Noble coast premiere of the Tony-winning play Take Me Out Coast Repertory (SCR), where he coordinated the Kinsmen at The Public Theatre; Princess Turandot and and the annual holiday favorite, Dr.Seuss’ How the development of 150 new plays, including two Hotel Universe at Blue Light Theater Company; More Grinch Stole Christmas!. Spisto has managed the Pulitzer Prize winners and numerous other Pulitzer Lies About Jerzy at the Vineyard Theater Company; The Globe’s Capital Campaign to raise $75 million by the finalists. While at SCR, Patch worked as Dramaturg Skin of Our Teeth,Rosencrantz and Guildenstern Are Theatre’s 75th anniversary in 2010. Launched in on numerous new works, including Donald Dead,The Winter's Tale,Under Milk Wood,Moving March 2006, the campaign has reached 75% of its Margulies’ Sight Unseen and Brooklyn Boy, which Picture,The Blue Demon,Princess Turandot and The Love goal to date. During the past four seasons, the Globe recently opened to critical acclaim on Broadway, of Three Oranges at Williamstown Theatre Festival; has grown its subscription audience an unprece- Margaret Edson’s Pulitzer Prize-winning Wit, Heartbreak House,What the Butler Saw,Amphitryon and dented amount, resulting in the highest level of Howard Korder’s Search and Destroy, Amy Freed’s The The Blue Demon at the Huntington Theatre; Hay Fever attendance in over a decade. The Globe was also rec- Beard of Avon, as well as Intimate Apparel,Freedomland and Princess Turandot at Westport Country Playhouse; ognized by Charity Navigator, America’s premiere and world-premieres of several plays by Richard Rosencrantz and Guildenstern Are Dead at Long Wharf charity evaluator, which recently gave the Globe its Greenberg, including Three Days of Rain,Hurrah at Theater Company; A Little Night Music,Amour at third consecutive 4-Star rating. A strong advocate of Last!,The Violet Hour and Everett Beekin. In addition, Goodspeed Opera House; and La Dispute, UCSD. arts education, Spisto initiated several new pro- he co-conceived The Education of Randy Newman with Other directing credits include productions at grams including an innovative cross-border project Michael Roth and Mr. Newman. Patch also served as Florida Grand Opera, Opera Theatre of St. Louis, involving students from both San Diego and Tijuana the founding project director of SCR’s Pacific Virginia Opera, Florentine Opera Company, and the in a unique bilingual production of Romeo and Juliet. Playwrights Festival, which annually introduces American premiere of Rimsky-Korsakov’s May Night He also launched a free matinee series which brings seven new plays to Orange County audiences and at Sarasota Opera. Upcoming projects include The thousands of students to the Globe’s productions. national theatre leaders. Typically, more than 75% of Dwarf and The Broken Jug for Los Angeles Opera’s Spisto established a reputation as a superb arts the festival plays presented receive multiple produc- “Recovered Voices” series and Antony and Cleopatra at executive here in California, where he spent over ten tions in theatres across the country. During his Theatre for a New Audience. He is the recipient of years as the Executive Director of the Pacific tenure at SCR, Patch also held the position of the Alan Schneider Award for Directing Excellence, Symphony Orchestra in Orange County. During his Artistic Director (1990-1997) of The Sundance TCG National Theater Artist Residency Award, Boris tenure there, he tripled the orchestra’s annual Theatre Program, which included the Sundance Sagal Directing Fellowship, NEA New Forms Grant, budget, while eliminating a prior deficit and success- Playwrights Laboratory, one of the nation’s leading two Pennsylvania Council on the Arts Individual fully completing the orchestra’s first endowment new play development programs. Additionally, he Artist Fellowships, San Diego Critics Circle Awards campaign. In addition, he established a series of ran the Sundance Summer Theatre, a repertory of 2-3 for his direction of Pericles and The Winter's Tale, and innovative recording projects with Sony Classical productions staged outdoors for Utah audiences and Patté Awards for his direction of The Winter’s Tale and and oversaw a number of nationally recognized The Sundance Children’s Theatre, which was dedi- Titus Andronicus. He has performed with numerous commissioning projects. He also served as the chief cated to the development and presentation of new Philadelphia dance and theatre companies and executive at both American Ballet Theatre and The works for family audiences by leading American toured across the United States and Japan with the Detroit Symphony. He holds a Masters degree from playwrights. He has also served as a consulting dra- UNIMA Award-winning Mum Puppettheatre. He the University of Wisconsin in Arts Administration maturge for New York’s Roundabout Theatre was educated at Swarthmore College and Columbia and a Bachelors of Business Administration from Company, one of two of the largest theatre compa- University. the University of Notre Dame, and spent many years nies in the country. directing, producing and as an actor in plays and musicals throughout his college and graduate school years, as well as in professional summer theatre.

PERFORMANCES MAGAZINE P23 Louis G. Spisto Jerry Patch Darko Tresnjak Staff CEO/Executive Producer Co-Artistic Director Co-Artistic Director

Michael G. Murphy ...... General Manager Lighting Donor Services Dave Henson ...... Directorof Marketing Chris Rynne ...... Lighting Director Joyanne Buscemi, Monica Jorgensen, Barbara Lekes, Richard and Communications Megan Fonseca ...... Lighting Assistant Navarro, Stephanie Reed, Judy Zimmerman . . .Suite Concierges Todd Schultz ...... Directorof Development Tonnie Ficken ...... MasterElectrician, Globe Mark Somers ...... Directorof Finance Jim Dodd ...... MasterElectrician, Carter MARKETING Richard Seer ...... Directorof Professional Training Kevin Liddell ...... MasterElectrician, Festival Becky Biegelsen ...... Public Relations Director Robert Drake ...... Directorof Production Todd Adams, Elizabeth Axe, Elizabeth Burress, Jason Bieber, Ed Hofmeister ...... Audience Development Manager Roberta Wells-Famula ...... Directorof Education Bonnie Breckenridge, Kurt Doemelt, Kristen Flores, Lacey Jackie Anderson ...... Publications Coordinator Flores, Maureen Hanratty, Justin Hobson, Jennifer Horowitz, ARTISTIC Claire Kennelly ...... Marketing Assistant Shawna Kyees, Molly Mande, Michael Paolini, Steve Schmitz, Samantha Haskins ...... Public Relations Assistant Samantha Barrie ...... Artistic Coordinator Amanda Zieve ...... Electricians Joyanne Buscemi, Monica Jorgensen, Kim Montelibano Heil ...... Literary Associate Sound Judy Zimmerman ...... Marketing/Events Assistants Jan Gist ...... Voice and Speech Coach Paul Peterson ...... Sound Director Erica Dei ...... Graphic Designer Bernadette Hobson ...... Artistic Assistant Erik Carstensen ...... MasterSound Technician, Globe Victoria Hayne ...... Marketing and Development Writer Stage Management Rachel Eaves ...... MasterSound Technician, Carter Craig Schwartz ...... Production Photographer Leila Knox ...... Production Stage Manager Tracy Skoczelas ...... Assistant Stage Manager ADMINISTRATION Subscription Sales Darla Lopez ...... Executive Assistant Scott Cooke ...... Subscription Sales Manager PRODUCTION Brian Ulery ...... Assistant to the General Manager Anna Bowen-Davies, James Dwyer, Arthur Faro, Andy Fink, Debra Pratt Ballard ...... Associate Directorof Production Information Technology Randi Hawkins, Pamela Malone, Yolanda Moore, Jessica Ellen Dieter ...... Company Manager Dean Yager ...... Information Technology Manager Morrow, Ken Seper, Cassandra Shepard, Grant Walpole, Carol Donahue ...... Production Coordinator ThadSteffen ...... Information Technology Asst. Mgr. Andrea Leigh Walsh ...... Subscription Sales Representatives Technical J. Adam Latham ...... Information Technology Assistant Ticket Services Benjamin Thoron ...... Technical Director Human Resources Shari Ressel ...... Ticket Services Manager Wendy Berzansky ...... Assistant Technical Director Sandra Parde ...... Human Resources Director Marsi Roche ...... Ticket Operations Manager Kacie Lyn Hultgren ...... Resident Design Assistant Maintenance Dani Meister ...... Group Sales Manager Eliza Korshin ...... Technical Assistant/Buyer Randy McWilliams ...... Facilities Manager Lyle Wilson ...... Ticket Services Supervisor/ Christian Thorsen ...... Stage Carpenter/Flyman, Globe Violanda Corona, Ismael Delgado, Miguel Gaspar, Roberto Training Coordinator Carole Payette ...... Charge Scenic Artist Gonzalez, Reyna Huerta, Margarita Meza, Jose Morales, Albert Marissa Haywood, Adam Bernard ...... Scenic Artists Rios, Maria Rios, Nicolas Torres ...... Building Staff Shouna Shoemake ...... Lead Ticket Services Representatives Gillian Kelleher ...... MasterCarpenter PROFESSIONAL TRAINING Brian Abraham, Jennifer Boyd, Elizabeth Brown, Sarah Ditges, Robert Dougherty ...... MasterCarpenter,Festival Tony Dixon, Marilynn Gould, Michael Knudsen, Alicia Lerner, William Barron, Sheldon Goff, Jason McIntyre, Laura McEntyre, Llance Bower ...... ProgramCoordinator Jenna Long, Caryn Morgan, Christine Perez, Jeffrey Pine, Mongo Moglia, Mason Petersen ...... Carpenters Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert Michael Pousson, Carlos Quezada, Jessica Seaman, Costumes Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Fred Molly Whittaker...... Ticket Services Representatives Stacy Sutton ...... Costume Director Robinson, Liz Shipman ...... MFA Faculty Charlotte Devaux ...... Resident Design Assistant Corey Johnston, Robin Sanford Roberts, PATRON SERVICES Maureen Mac Niallais ...... Assistant to the Director Ben Seibert, George Yé ...... MFA Production Staff Mike Callaway ...... Theatre Manager Shelly Williams ...... Design Assistant/Shopper Adam Lindstaedt ...... Front of House Assistant Ashley Bruce ...... Design Assistant EDUCATION Merlin D. “Tommy” Thompson ...... Patron Services Rep Louise M. Herman, Randal Sumabat ...... Drapers Raúl Moncada ...... Education Associate Rob Novak, Ashley Roberts ...... House Managers Babs Behling, Anne Glidden Grace ...... Assistant Cutters Holly Ward ...... TourCoordinator Dana Juhl ...... Food and Beverage Manager Mary Miller ...... Costume Assistants Carol Green ...... Speakers Bureau Coordinator Haydee Aldas ...... Food and Beverage Assistant Manager Mark Baiza, Nancy Liu ...... Stitchers Marisela De la Parra, Vivia Font, Kimberly Parker Green, Janet Michelle Elliott, Perla Rios, Brock Roser, Anne-Marie Shafer, Judith Craigo ...... Dyer/Painter/LeadCrafts Artisan Hayatshahi, Jamie Koottarappallil, Steve Lipinsky, Nathaniel Tess Thompson ...... Pub Staff Molly O’Connor ...... Wig and Makeup Supervisor McIntyre, Sarah Price, David Tierney ...... Teaching Artists Babs Behling, Rose Espiritu, Stephanie Rakowski, Kim Parker ...... Asst. to Wig and Makeup Supervisor FINANCE Stephanie Reed ...... Gift Shop Supervisors Erin Schindler ...... Wardrobe Supervisor Paula Nickodemus ...... SeniorAccountant Security/Parking Services Marie Jezbera ...... Rental Agent Dana M. Bryant ...... Accounts Payable/Accounting Assistant Rachel “Beahr” Garcia ...... Security/Parking Properties Angela Yoshida ...... Payroll Coordinator/Accounting Assistant Services Supervisor Neil A. Holmes ...... Properties Director TimCole...... Receptionist Irene Herrig ...... Associate Supervisorof Security Kristin Steva Campbell ...... Assistant to the Director DEVELOPMENT Sherisa Eselin, Janet Larson, Jeffrey Neitzel, Amy Reams ...... Properties Buyer Sonia Paul ...... SecurityOfficers Pat Cain ...... Property Master,Globe Annamarie Maricle ...... Associate Director, Dallas Chang, Deborah Elliott, Nicole Hagemeyer, David Buess ...... Property Master,Carter Institutional Grants Lou Hicks, Michael Moran ...... Parking Lot Attendants M.H. Schrenkeisen ...... Shop Foreman Marilyn McAvoy ...... Associate Director, Dallas Chang, David Nguyen ...... V.I.P.Valet Attendants Rory Murphy ...... Lead Craftsman MajorGifts Ryan Buckalew, Patricia Rutter ...... Craftspersons Eileen Prisby ...... Events Manager Kristi Rosen ...... Properties Assistant Courtney Quinn ...... Development Coordinator, Individual Annual Giving Diane Addis ...... Membership Administrator Josh Martinez-Nelson ...... Development Administrator Diana Steffen ...... VIP DonorTicketing Jack O’Brien Kristen Mulvihill ...... Development Assistant Artistic Director Emeritus Craig Noel Founding Director

P24 PERFORMANCES MAGAZINE