CV Matthew Williams 1/26

Total Page:16

File Type:pdf, Size:1020Kb

CV Matthew Williams 1/26 MATTHEW C. WILLIAMS Educator/Director/Choreographer/Writer 427 Fort Washington Ave #3A, New York, NY 10033 Cell - 646-345-5816 ~ [email protected] www.matthewcwilliamsdirector.com SDC/AEA EDUCATION Masters of Fine Arts in Theater Directing, CUNY Brooklyn College, NY 2018-2020 (May 2020 completion) Specialization in Directing, GPA - 4.00 - Two years of focused directing, coaching, and in-depth character building and play analysis with BFA and MFA actors through course scene work and departmental, main stage productions. Comprehensive study, research, and laboratory work in classic and contemporary theater. Extensive research in theater design, theater history, acting theory and administration. Thesis: directing fully-staged production of Stephen Adly Guirgis', The Last Days of Judas Iscariot. Bachelors of Fine Arts in Dance, University of California at Irvine, CA. 1996- 2000 Specialization with Honors in Choreography, GPA - 3.65 Professors: Donald McKayle, David Allan, Mary Corey, Lisa Naugle, Diedre Skylar, Nancy Lee Ruyter, Alan Terricciano, Dennis Castellano, Myrona Delaney, Robert Cohen, Cameron Harvey. UCI Etude Ensemble: member of Donald McKayle's traveling pre-professional dance troupe. Certificate of Professional Acting/Drama, PCPA Theaterfest, CA 1994-1996 Two-Year Professional Actor Training: (BFA in Theater equivalent) Instructors: Paul Mason Barnes, Kitty Balay, Rick Barbour, James Edmonson, Teresa Thuman, Gale Fury-Childs, Brad Carroll, Roger DeLaurier, Ron Heneghan, Jack Greenman, Jack Shouse, Lisa Paulson. Cuesta College, San Luis Obispo, CA 1992-1993 Theater Studies and Acting: With Anet Gillespie Carlin. AWARDS AND HONORS 2019 Harvey Fellows Scholar, Mustard Seed Foundation, $16K annual 2019 Joel Zwick Award for Excellence in Directing, Brooklyn College 2008 New York Musical Festival (NYMF) Award Winner, Best Choreography, Ward 9 2007 New York Musical Festival (NYMF) Award Winner, Best Choreography, Platforms 1999 William J. Gillespie Scholar, UC Irvine, CA 1998 William J. Gillespie Arts Week Scholar, UC Irvine, CA 1997 Tierney Scholar, UC Irvine, CA 1996 Santa Maria Arts Council Award Winner, PCPA, Allan Hancock College, CA TEACHING EXPERIENCE Adjunct Professor, Montclair State University, NJ 2016-2018 Guest Director: Direction of fully-staged, main season musical. Duties included collaboration with faculty, student designers, builders, crafts people and BFA student-actors. Lead the process of pre-production, auditions, rehearsals, and tech to opening night. Worked in concert with the Chair and Dean of the Department on show publicity and communication with show authors. Advanced Theater Dance: Instruction of advanced theater-jazz technique in BFA Musical Theater program. Coached and critiqued performance styles, audition techniques and character building through movement and dance. Adjunct Substitute Professor, Marymount Manhattan College, NYC 2017- Present Intermediate Theater Dance: Instruction of advanced-intermediate level theater- jazz technique in BFA Musical Theater program. Dance Instructor, Steps on Broadway, NYC 2004 - Present Instruction of jazz and musical theater dance for professional adult classes and instruction of ballet, jazz and theater dance for pre-professional youth program. Assisted and facilitated in the creation of boys program and performance skills curriculum in pre-professional program. Created choreography for annual productions. Taught masterclasses to visiting universities and conservatories for Steps international program. Dance Instructor, Princeton Theater and Dance, Princeton, NJ 2007-2018 Instruction of all levels of jazz, theater dance and tap for ages 8-18 and adult beginning level jazz classes. Facilitated the development of jazz program in studio and set choreography for entire jazz department's year-end productions. Assisted students in creation and rehearsal of college audition dance submissions and advised on college application process. Teaching Artist, New York City Ballet Education Department, NYC 2015-2018 Taught for New York City Ballet Education Department's, Nutcracker Project in New York City public school system. Instructed ballet as an accessible art form for in-school residency programs. Promoted student-centered, experiential, and interdisciplinary approaches to learning as aligned with the Common Core Learning Standards and the New York City Blueprint for Teaching and Learning in Dance. Worked with classroom teachers to incorporate the arts into literacy and learning. Lead Professional Development sessions and contributed to program curriculum. Teaching Artist, Jaques d'Amboise' National Dance Institute (NDI), NYC 2017-2018 Worked with and trained as an NDI Master Teacher, utilizing and incorporating NDI's renowned teaching methodology. Studied directly with Jaques d'Amboise and other Master Teachers. Created choreography and taught as an NDI teaching artist in NYC public schools. Artist-in-Residence, Jacob's Pillow Musical Theater Program 2012 Residency duties included creation, direction and choreography of an original production number for the Musical Theater program in collaboration with a music director and live band and under the supervision of Chet Walker. Additionally, taught musical theater dance classes for the pre-professional students, aged 18-26. Additional Master Classes in Musical Theater & Acting SLO Little Theater, CA (2016), Allan Hancock College, CA (2015), Steps on Broadway/International Program (2004- Present), University of California at Irvine, CA (2013 & 2004), Kean University, NJ (2006). PROFESSIONAL THEATER - DIRECTING/CHOREOGRAPHY Broadway, Will Ferrell's You're Welcome America, Cort Theater 2009 Served as Choreographer for the Broadway production. Duties included working directly with Will Ferrell and other cast members in the creation of the choreography and movement. Additional responsibilities included collaborating with sound designer on music selection and editing, working with lighting designer on dance sequences, and personal dance training of Patrick Ferrell. I created the choreography for which cast member, Pia Glenn, win the 2009 Astaire Award for Best Female Dancer, in the character of "Condoleezza Rice." The production was nominated for the 2009 Tony Award for Best Special Theatrical Event. Broadway, All About Me with Dame Edna & Michael Feinstein, Sondheim Theater 2010 Served as Assistant Director and Assistant Choreographer to director, Casey Nicholaw. Job duties included collaborating and assisting in the creation of book with Mr. Nicholaw, Dame Edna (Mr. Humphries), Mr. Feinstein and book writer, Christopher Durang. Additionally, I personally coached both leads in the choreography and individually coached Barry Humphries on the production number, "Ladies Who Lunch". I was also responsible leading Mr. Humphries through a physical pre-show warm-up throughout preview performance period. Broadway, Gypsy starring Bernadette Peters, Shubert Theater 2003 Served as an SDC Observer/associate to Jerry Mitchell on the Broadway revival, directed by Sam Mendes. From first rehearsal to opening night, tasks included observing and assisting Mr. Mitchell on production choreography and staging. Also observed and participated in rehearsal process with Mr. Mendes and had daily interactions and production related conversations with Ms. Peters. Off-Broadway, Carrie the Musical - Labs to Revival 2010-2012 Served as Choreographer for the revivification process including two Equity Labs and the Off-Broadway opening with MCC theater. Responsibilities included participation in the re-visioning of the musical staging and story. Served as choreographer and story collaborator with the director, Stafford Arima and authors, Michael Gore and Lawrence D. Cohen. Worked closely with actors Karen Olivio, Stark Sands, Marin Mazzie and Annaliegh Ashford in Equity Lab process. Assisted in casting of all labs and final production. Off-Broadway, Rooms a Rock Romance - Development to Opening Night 2007-2009 Served as Choreographer for the dance and movement for both the premiere New York Musical Theater Festival production and for the Off-Broadway transfer at New World Stages, NYC. Helped to create the inclusion of dance and movement into the story in collaboration with the book writer, Miriam Gordan, composer, Paul Scott Goodman and director, Scott Schwartz. Also re-set choreography for transfer productions at Metro Stage in D.C. and Geva Theater in NY. New York City Opera, Seance on a Wet Afternoon, a Stephen Schwartz Opera 2009-2011 Served as Choreographer for the premiere at Opera Santa Barbara and for the transfer to New York City Opera. Duties included creating the chorus choreography for the production and assisting in the development of the movement language with director, Scott Schwartz and Stephen Schwartz. Big Apple Circus, Legendarium 2012 Served as Assistant Director to West Hyler. Job tasks included collaboration and consultation with director on production content, supervising and facilitating the transfer of information and staging from the director to production circus artists, and creating original staging and choreography for Dalian Chinese Bicycle Troupe and production finale. Additionally, consulted on music selections and arrangements with musical director and show director. Acted as liaison between artistic personnel, designers and management and director in both artistic and practical daily matters. Ward 9, an original dance play, New York Musical Festival, NYC 2008 Writer, Co-director, Producer and Choreographer of an
Recommended publications
  • Back-To-School 2015 Newsletter
    THOMAS JEFFERSON PARTNERSHIP FUND BACK-TO-SCHOOL 2015 NEWSWORTHY The Newsletter of the Thomas Jefferson High School for Science and Technology Partnership Fund, a non-profit foundation dedicated to supporting the unique learning opportunities available at TJ and maintaining the special relationship of alumni to the School Dramatic New Spaces to Open This School Year ! RENOVATION UPDATE Upon the com- pletion of Phase I of TJ’s transformative renovation last November, students moved into spacious new Research Lab and Chemistry/Geosystem wings and visited their counselors in a new Administrative wing. Phase II is expected to be completed by April, open- ing up most of the new building’s interior, including: the new Design & Tech/Physics wing; IBET, humanities, and world language classrooms; the lecture hall; the Global Learning Center (library); two attractive courtyards, one with a greenhouse, the other with an amphitheater; Internet cafes; and additional common areas. Some new spaces will open even sooner. By the end of September, students will have access to a completely renovated Gym I, with new locker rooms and weight rooms. By Thanksgiving, they’ll enter the Inside the new dome. See our website for the latest renovation pictures. school through a majestic Jeffersonian dome that opens into a two-story atrium lobby, with direct access to the Research Lab wing. CAMPAIGN UPDATE All of us at the Thomas Jefferson Partnership Fund (PF), TJ’s non-profit foundation, have enjoyed sharing TJ’s new Research Lab Wing with the School’s many loyal supporters, from parents whose children graduated long ago to alumni who are returning to campus as TJ parents.
    [Show full text]
  • T H E P Ro G
    Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.
    [Show full text]
  • Religious Roots Tangle with the Groovy ’60S - the New York Times
    'Kinky Boots' Sets April 4 Broadway Opening - NYTimes.com AUGUST 15, 2012, 3:13 PM ‘Kinky Boots’ Sets April 4 Broadway Opening By PATRICK HEALY "Kinky Boots," one of the most anticipated musicals of the new Broadway season, with Cyndi Laupermaking her debut as a songwriter for the stage, will begin performances on March 5, 2013, at the Al Hirschfeld Theater and open on April 4, the producers announced on Wednesday. Based on a 2005 British filmabout a shoe factory heir who enlists a drag queen to help save the family business, "Kinky Boots" will star the Tony Award nominee Stark Sands ("Journey's End," "American Idiot") as the scion Charlie and Billy Porter (Belize in the Off Broadway revival of "Angels in America") as the resourceful Lola. The show's book writer is Harvey Fierstein, who won a Tony for his book for "La Cage aux Folles" and was nominated in the category last season for the Broadway musical "Newsies." Ms. Lauper, a Grammy-winning pop icon of the 1980s, has written the music and lyrics for the production, which will have an out-of-town run in Chicago this fall. Jerry Mitchell will direct, and the lead producers are Daryl Roth and Hal Luftig. Like "Kinky Boots," most of the new Broadway musicals expected this season are inspired by movies or books; the others include "Bring It On," "Rebecca," "A Christmas Story," "Matilda," "Diner," and "Hands on a Hardbody." http://artsbeat.blogs.nytimes.com/2012/08/15/kinky-boots-sets-april-4-broadway-opening/?pagewanted=print[8/16/2012 9:52:02 AM] Religious Roots Tangle With the Groovy ’60s - The New York Times August 15, 2012 THEATER REVIEW Religious Roots Tangle With the Groovy ’60s By JASON ZINOMAN Wearing a bushy beard and the absent-minded expression of a father preoccupied with work at the dinner table, Eric Anderson, who plays the Jewish singer Shlomo Carlebach in the bio-musical “Soul Doctor,” appears smaller than life.
    [Show full text]
  • Guest Artists
    Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain).
    [Show full text]
  • Programming and Award-Winning Work in the Community
    We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today.
    [Show full text]
  • 2019 Summer Season Announcement
    1 Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] Please embargo until: Thursday, February 14 at 5pm Berkshire Theatre Group Announces 2019 Summer Season The Fitzpatrick Main Stage Pulitzer Prize-Winner Thornton Wilder’s American Classic The Skin of Our Teeth Kathleen Clark’s World Premiere of What We May Be The Unicorn Theatre Pulitzer Prize and Tony Award-Winner Edward Albee’s The Goat or, Who is Sylvia? Pulitzer Prize and Tony Award-Winner John Patrick Shanley’s Outside Mullingar Tony Award-Nominated Musical Featuring Music By Lin-Manuel Miranda and James Taylor Working: A Musical Mark Harelik’s Touching Drama What The Jews Believe The Colonial Theatre In Association with Tony Award-Winning Caiola Productions 2 New Musical Rock and Roll Man: The Alan Freed Story Based on Oscar-Winning Film Tony Award-Nominated Shrek The Musical Hershey Felder’s Celebrated Musical Play George Gershwin Alone Delightful Musical Adventure Roald Dahl's Willy Wonka KIDS Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are thrilled to announce Berkshire Theatre’s 2019 Summer Season. BTG will be releasing a season cast announcement at a later date. According to Maguire, “Coming in on the heels of last year’s 90th celebration, I found myself looking at how we love and care for each other. Which means our 91st season is eclectic and wide open to all kinds of interpretations because we love in so many different ways.” Maguire continues, “We find love in the strangest and most bizarre places in our first play of the 2019 season at The Unicorn Theatre, The Goat or, Who is Sylvia by one of our greatest playwrights, Edward Albee.
    [Show full text]
  • Edward Albee Albee Was Born on March 12, 1928, in Washington, D
    Biography - Edward Albee Albee was born on March 12, 1928, in Washington, D. C., and adopted at the age of two weeks by Reed and Frances Albee, who named him Edward after Reed’s father. This elder Edward held a substantial business interest in a chain of vaudeville theatres, and the family was very wealthy. Young Edward’s early years were spent among servants, nurses, tutors, as the family alternated between stays in the mansion in Larchmont, New York, and extended winter holidays in Florida. He had, it seems, few friends his own age, but he did own a variety of pets – cats, guinea pigs, a St. Bernard. His parents were, in several ways, a unique couple. His father, Reed, was a small, quiet, apparently unassertive man. Frances Albee, on the other hand, seems to have been loud, aggressive, domineering. She was also twenty-three years younger and a foot taller than her husband. Other of Albee’s biographers usually stress her love of riding and suggest that her usual daytime wear was jodhpurs and a riding crop. Young Edward, who disliked riding, apparently felt more at home with his grandmother (Mrs. Albee’s mother). Albee’s school record was, in the conventional sense, a very bad one. Sent to a boarding school at the age of eleven, he was eventually dismissed from it for cutting classes, ignoring his academic work, not playing compulsory sports, and general bad behaviour. To encourage him toward greater self-discipline, his mother sent him to the Valley Forge Military Academy. Albee’s conduct, however, was apparently a problem that the resources of the academy were not designed to cope with, and he left that school too, at the school’s request.
    [Show full text]
  • 100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
    100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
    [Show full text]
  • SPRING AWAKENING Is Presented by Special Arrangement with Music Theatre International (MTI)
    This production contains mature adult content including profanity and violence. It employs the use of chemical fog and includes the smoking of non-tobacco cigarettes. Before the performance begins, please note the exit closest to your seat. Kindly silence your cell phone, pager and other electronic devices. Photography, as well as the videotaping or other video or audio recording of this production, is strictly prohibited. Food and drink are not permitted in the theater. Thank you for your cooperation. SPRING AWAKENING is presented by special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019. Phone (212)541.4684. Fax (212)397.4684. www.MTIShows.com. Spring Awakening About the Director Stafford Arima was nominated for an Olivier Award as Best Director for his West End production of Ragtime. He recently directed, Carrie (Off-Broadway), Allegiance (The Old Globe) and Bare (Off-Broadway). Sacramento Music Circus productions include: The King and I, Miss Saigon, Ragtime and A Little Night Music. Other works: Altar Boyz (Off-Broadway); Jacques Brel Is Alive and Well and Living in Paris (Stratford Shakespeare Festival), Total Eclipse (Toronto); The Secret Garden (World AIDS Day benefit concert, NYC);The Tin Pan Alley Rag (Off-Broadway); Bowfire (PBS television special); Candide (San Francisco Symphony); A Tribute to Sondheim (Boston Pops); Guys and Dolls (Paper Mill Playhouse); and Bright Lights, Big City (Prince Music Theater, PA). Arima served as associate director for the Broadway productions of Seussical and A Class Act. He studied at York University in Toronto, Canada where he received the Dean’s Prize for Excellence in Creative Work.
    [Show full text]
  • THE FLEA THEATER Niegel Smith, Artistic Director Carol Ostrow
    THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW. PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF AJAX BY A.R. GURNEY DIRECTED BY STAFFORD ARIMA FEATURING THE BATS OLIVIA JAMPOL & RACHEL LIN BEN LORENZ & CHRIS TABET JASON SHERWOOD SCENIC DESIGN JAKE DEGROOT LIGHTING DESIGN SKY SWITSER COSTUME DESIGN MILES POLASKI SOUND DESIGN ZACH SERAFIN PROP DESIGN KAILA HILL STAGE MANAGER CAST Meg ....................................................Olivia Jampol & Rachel Lin Adam.................................................... Ben Lorenz & Chris Tabet SPECIAL THANKS: Eastern Athletic Club, Georg Petschnigg, Trevor Ford, Neil Redfield, FiftyThree, Eleanor Philips, Conrad Kluck, SOHO Rep, Juan Arturo Villar-Ojito, Kevin Argus, Paul Bradley, New York Theater Workshop, Jessica Cannizzaro, Carolina Do, our technical intern, Dan Hoskins, & South’s Bar and Grill THE FLEA THEATER AJAX THE FLEA THEATER ABOUT THE PLAY: An intrepid student adapts Sophocles’ defining war epic to the amusement of his English professor, a passionate ex-actress, who finds herself entangled with every aspect of the play — including the playwright. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the city council. 23 CREATIVE TEAM Playwright ..................................................................................... A.R. Gurney Director .................................................................................... Stafford Arima Scenic Design........................................................................
    [Show full text]
  • Autobiography of Berry Gordy Playwright/Book
    KEYBANK BWY SERIES 14-15 Show: Motown Music & Lyrics: n/a Based on: Autobiography of Berry Gordy Playwright/book: Berry Gordy Broadway Premier: April 14, 2013 Premier theatre: Lunt-Fontanne Theatre 4 Tony nominations 2013: Best Performance by an Actress in a Leading Role in a Musical (Valisia LeKae) Best Performance by an Actor in a Featured Role in a Musical (Charl Brown) Best Orchestrations (Ethan Popp and Bryan Crook) Best Sound Design of a Musical (Peter Hylenski) Choreographer: Patricia Wilcox Director: Charles Randolph-Wright Show: Newsies Music & Lyrics: Alan Menken and Jack Feldman Based on: 1922 movie ‘Newsies’ Playwright/book: Harvey Fierstein Broadway Premier: March 29, 2012 Premier theatre: Paper Mill Playhouse (New Jersey) / Nederlander Theatre (NYC) 2 Tony awards 2012: Best Choreography, Best Original Score 5 Other Tony Nominations 2012: Best Musical Best Book of a Musical Best Performance by a Leading Actor in a Musical Best Direction of a Musical, Best Orchestrations, Best Scenic Design) Choreographer: Christopher Gattelli Director: Jeff Calhoun Show: White Christmas Music & Lyrics: Irving Berlin Based on: 1954 movie ‘White Christmas’ Playwrights: David Ives & Paul Blake Broadway Premier: November 14, 2008 Premier theatre: Marquis Theatre 2 Tony nominations 2009: Best Choreography (Randy Skinner) Best Orchestrations (Larry Blank) Choreographer: Randy Skinner Director: Walter Bobbie Show: Dirty Dancing Based on: 1987 film ‘Dirty Dancing’ Playwright: Eleanor Bergstein Premier: November 18, 2004 Premier theatre: Theatre Royal,
    [Show full text]
  • Abstract the Goat Or, Who Is Sylvia?: a Perfomance At
    ABSTRACT THE GOAT OR, WHO IS SYLVIA?: A PERFOMANCE AT MIAMI UNIVERSITY By Luis Fernando Midence Diaz The Goat or, who is Sylvia? is a character-driven story about an architect whose life crumbles when he falls in love with a goat. The actual focus of the piece lies on where the boundaries of “love” within an allegedly “liberal” society are, and how incommunicable such inclinations are. The play also features many language games and grammatical arguments in the middle of catastrophes and existential disputes between the characters. As director of the play my production concept integrates two particular fields of my interest and knowledge: theatre and television production. The idea is to bring Albee’s absurdist story one step further by combining the live theatre experience with the live television element. Besides a dramaturgical analysis of Albee’s play, this thesis further investigates the influence of the classic Greek tradition of tragedy as well as a possible link between Albee’s tragic comedy and Shakespeare’s The Two Gentlemen of Verona, while also incorporating Bertolt Brecht’s theories on Epic Theatre into the analysis and actual performance. THE GOAT OR, WHO IS SYLVIA?: A PERFOMANCE AT MIAMI UNIVERSITY A Thesis Submitted to the Faculty of Miami University In partial fulfillment of The requirements for the degree of Master of Arts Department of Theatre By Luis Fernando Midence Diaz Miami University Oxford, Ohio 2007 Advisor____________________________ (Dr. Roger Bechtel) Reader_____________________________ (Dr. William Doan) Reader_____________________________ (Dr. Howard Blanning) TABLE OF CONTENT Abstract Title Page i Table of Content ii Introduction 1 I.
    [Show full text]