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Back-To-School 2015 Newsletter
THOMAS JEFFERSON PARTNERSHIP FUND BACK-TO-SCHOOL 2015 NEWSWORTHY The Newsletter of the Thomas Jefferson High School for Science and Technology Partnership Fund, a non-profit foundation dedicated to supporting the unique learning opportunities available at TJ and maintaining the special relationship of alumni to the School Dramatic New Spaces to Open This School Year ! RENOVATION UPDATE Upon the com- pletion of Phase I of TJ’s transformative renovation last November, students moved into spacious new Research Lab and Chemistry/Geosystem wings and visited their counselors in a new Administrative wing. Phase II is expected to be completed by April, open- ing up most of the new building’s interior, including: the new Design & Tech/Physics wing; IBET, humanities, and world language classrooms; the lecture hall; the Global Learning Center (library); two attractive courtyards, one with a greenhouse, the other with an amphitheater; Internet cafes; and additional common areas. Some new spaces will open even sooner. By the end of September, students will have access to a completely renovated Gym I, with new locker rooms and weight rooms. By Thanksgiving, they’ll enter the Inside the new dome. See our website for the latest renovation pictures. school through a majestic Jeffersonian dome that opens into a two-story atrium lobby, with direct access to the Research Lab wing. CAMPAIGN UPDATE All of us at the Thomas Jefferson Partnership Fund (PF), TJ’s non-profit foundation, have enjoyed sharing TJ’s new Research Lab Wing with the School’s many loyal supporters, from parents whose children graduated long ago to alumni who are returning to campus as TJ parents. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Religious Roots Tangle with the Groovy ’60S - the New York Times
'Kinky Boots' Sets April 4 Broadway Opening - NYTimes.com AUGUST 15, 2012, 3:13 PM ‘Kinky Boots’ Sets April 4 Broadway Opening By PATRICK HEALY "Kinky Boots," one of the most anticipated musicals of the new Broadway season, with Cyndi Laupermaking her debut as a songwriter for the stage, will begin performances on March 5, 2013, at the Al Hirschfeld Theater and open on April 4, the producers announced on Wednesday. Based on a 2005 British filmabout a shoe factory heir who enlists a drag queen to help save the family business, "Kinky Boots" will star the Tony Award nominee Stark Sands ("Journey's End," "American Idiot") as the scion Charlie and Billy Porter (Belize in the Off Broadway revival of "Angels in America") as the resourceful Lola. The show's book writer is Harvey Fierstein, who won a Tony for his book for "La Cage aux Folles" and was nominated in the category last season for the Broadway musical "Newsies." Ms. Lauper, a Grammy-winning pop icon of the 1980s, has written the music and lyrics for the production, which will have an out-of-town run in Chicago this fall. Jerry Mitchell will direct, and the lead producers are Daryl Roth and Hal Luftig. Like "Kinky Boots," most of the new Broadway musicals expected this season are inspired by movies or books; the others include "Bring It On," "Rebecca," "A Christmas Story," "Matilda," "Diner," and "Hands on a Hardbody." http://artsbeat.blogs.nytimes.com/2012/08/15/kinky-boots-sets-april-4-broadway-opening/?pagewanted=print[8/16/2012 9:52:02 AM] Religious Roots Tangle With the Groovy ’60s - The New York Times August 15, 2012 THEATER REVIEW Religious Roots Tangle With the Groovy ’60s By JASON ZINOMAN Wearing a bushy beard and the absent-minded expression of a father preoccupied with work at the dinner table, Eric Anderson, who plays the Jewish singer Shlomo Carlebach in the bio-musical “Soul Doctor,” appears smaller than life. -
Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain). -
Programming and Award-Winning Work in the Community
We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today. -
2019 Summer Season Announcement
1 Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] Please embargo until: Thursday, February 14 at 5pm Berkshire Theatre Group Announces 2019 Summer Season The Fitzpatrick Main Stage Pulitzer Prize-Winner Thornton Wilder’s American Classic The Skin of Our Teeth Kathleen Clark’s World Premiere of What We May Be The Unicorn Theatre Pulitzer Prize and Tony Award-Winner Edward Albee’s The Goat or, Who is Sylvia? Pulitzer Prize and Tony Award-Winner John Patrick Shanley’s Outside Mullingar Tony Award-Nominated Musical Featuring Music By Lin-Manuel Miranda and James Taylor Working: A Musical Mark Harelik’s Touching Drama What The Jews Believe The Colonial Theatre In Association with Tony Award-Winning Caiola Productions 2 New Musical Rock and Roll Man: The Alan Freed Story Based on Oscar-Winning Film Tony Award-Nominated Shrek The Musical Hershey Felder’s Celebrated Musical Play George Gershwin Alone Delightful Musical Adventure Roald Dahl's Willy Wonka KIDS Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are thrilled to announce Berkshire Theatre’s 2019 Summer Season. BTG will be releasing a season cast announcement at a later date. According to Maguire, “Coming in on the heels of last year’s 90th celebration, I found myself looking at how we love and care for each other. Which means our 91st season is eclectic and wide open to all kinds of interpretations because we love in so many different ways.” Maguire continues, “We find love in the strangest and most bizarre places in our first play of the 2019 season at The Unicorn Theatre, The Goat or, Who is Sylvia by one of our greatest playwrights, Edward Albee. -
Edward Albee Albee Was Born on March 12, 1928, in Washington, D
Biography - Edward Albee Albee was born on March 12, 1928, in Washington, D. C., and adopted at the age of two weeks by Reed and Frances Albee, who named him Edward after Reed’s father. This elder Edward held a substantial business interest in a chain of vaudeville theatres, and the family was very wealthy. Young Edward’s early years were spent among servants, nurses, tutors, as the family alternated between stays in the mansion in Larchmont, New York, and extended winter holidays in Florida. He had, it seems, few friends his own age, but he did own a variety of pets – cats, guinea pigs, a St. Bernard. His parents were, in several ways, a unique couple. His father, Reed, was a small, quiet, apparently unassertive man. Frances Albee, on the other hand, seems to have been loud, aggressive, domineering. She was also twenty-three years younger and a foot taller than her husband. Other of Albee’s biographers usually stress her love of riding and suggest that her usual daytime wear was jodhpurs and a riding crop. Young Edward, who disliked riding, apparently felt more at home with his grandmother (Mrs. Albee’s mother). Albee’s school record was, in the conventional sense, a very bad one. Sent to a boarding school at the age of eleven, he was eventually dismissed from it for cutting classes, ignoring his academic work, not playing compulsory sports, and general bad behaviour. To encourage him toward greater self-discipline, his mother sent him to the Valley Forge Military Academy. Albee’s conduct, however, was apparently a problem that the resources of the academy were not designed to cope with, and he left that school too, at the school’s request. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
SPRING AWAKENING Is Presented by Special Arrangement with Music Theatre International (MTI)
This production contains mature adult content including profanity and violence. It employs the use of chemical fog and includes the smoking of non-tobacco cigarettes. Before the performance begins, please note the exit closest to your seat. Kindly silence your cell phone, pager and other electronic devices. Photography, as well as the videotaping or other video or audio recording of this production, is strictly prohibited. Food and drink are not permitted in the theater. Thank you for your cooperation. SPRING AWAKENING is presented by special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019. Phone (212)541.4684. Fax (212)397.4684. www.MTIShows.com. Spring Awakening About the Director Stafford Arima was nominated for an Olivier Award as Best Director for his West End production of Ragtime. He recently directed, Carrie (Off-Broadway), Allegiance (The Old Globe) and Bare (Off-Broadway). Sacramento Music Circus productions include: The King and I, Miss Saigon, Ragtime and A Little Night Music. Other works: Altar Boyz (Off-Broadway); Jacques Brel Is Alive and Well and Living in Paris (Stratford Shakespeare Festival), Total Eclipse (Toronto); The Secret Garden (World AIDS Day benefit concert, NYC);The Tin Pan Alley Rag (Off-Broadway); Bowfire (PBS television special); Candide (San Francisco Symphony); A Tribute to Sondheim (Boston Pops); Guys and Dolls (Paper Mill Playhouse); and Bright Lights, Big City (Prince Music Theater, PA). Arima served as associate director for the Broadway productions of Seussical and A Class Act. He studied at York University in Toronto, Canada where he received the Dean’s Prize for Excellence in Creative Work. -
THE FLEA THEATER Niegel Smith, Artistic Director Carol Ostrow
THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW. PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF AJAX BY A.R. GURNEY DIRECTED BY STAFFORD ARIMA FEATURING THE BATS OLIVIA JAMPOL & RACHEL LIN BEN LORENZ & CHRIS TABET JASON SHERWOOD SCENIC DESIGN JAKE DEGROOT LIGHTING DESIGN SKY SWITSER COSTUME DESIGN MILES POLASKI SOUND DESIGN ZACH SERAFIN PROP DESIGN KAILA HILL STAGE MANAGER CAST Meg ....................................................Olivia Jampol & Rachel Lin Adam.................................................... Ben Lorenz & Chris Tabet SPECIAL THANKS: Eastern Athletic Club, Georg Petschnigg, Trevor Ford, Neil Redfield, FiftyThree, Eleanor Philips, Conrad Kluck, SOHO Rep, Juan Arturo Villar-Ojito, Kevin Argus, Paul Bradley, New York Theater Workshop, Jessica Cannizzaro, Carolina Do, our technical intern, Dan Hoskins, & South’s Bar and Grill THE FLEA THEATER AJAX THE FLEA THEATER ABOUT THE PLAY: An intrepid student adapts Sophocles’ defining war epic to the amusement of his English professor, a passionate ex-actress, who finds herself entangled with every aspect of the play — including the playwright. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the city council. 23 CREATIVE TEAM Playwright ..................................................................................... A.R. Gurney Director .................................................................................... Stafford Arima Scenic Design........................................................................ -
Autobiography of Berry Gordy Playwright/Book
KEYBANK BWY SERIES 14-15 Show: Motown Music & Lyrics: n/a Based on: Autobiography of Berry Gordy Playwright/book: Berry Gordy Broadway Premier: April 14, 2013 Premier theatre: Lunt-Fontanne Theatre 4 Tony nominations 2013: Best Performance by an Actress in a Leading Role in a Musical (Valisia LeKae) Best Performance by an Actor in a Featured Role in a Musical (Charl Brown) Best Orchestrations (Ethan Popp and Bryan Crook) Best Sound Design of a Musical (Peter Hylenski) Choreographer: Patricia Wilcox Director: Charles Randolph-Wright Show: Newsies Music & Lyrics: Alan Menken and Jack Feldman Based on: 1922 movie ‘Newsies’ Playwright/book: Harvey Fierstein Broadway Premier: March 29, 2012 Premier theatre: Paper Mill Playhouse (New Jersey) / Nederlander Theatre (NYC) 2 Tony awards 2012: Best Choreography, Best Original Score 5 Other Tony Nominations 2012: Best Musical Best Book of a Musical Best Performance by a Leading Actor in a Musical Best Direction of a Musical, Best Orchestrations, Best Scenic Design) Choreographer: Christopher Gattelli Director: Jeff Calhoun Show: White Christmas Music & Lyrics: Irving Berlin Based on: 1954 movie ‘White Christmas’ Playwrights: David Ives & Paul Blake Broadway Premier: November 14, 2008 Premier theatre: Marquis Theatre 2 Tony nominations 2009: Best Choreography (Randy Skinner) Best Orchestrations (Larry Blank) Choreographer: Randy Skinner Director: Walter Bobbie Show: Dirty Dancing Based on: 1987 film ‘Dirty Dancing’ Playwright: Eleanor Bergstein Premier: November 18, 2004 Premier theatre: Theatre Royal, -
Abstract the Goat Or, Who Is Sylvia?: a Perfomance At
ABSTRACT THE GOAT OR, WHO IS SYLVIA?: A PERFOMANCE AT MIAMI UNIVERSITY By Luis Fernando Midence Diaz The Goat or, who is Sylvia? is a character-driven story about an architect whose life crumbles when he falls in love with a goat. The actual focus of the piece lies on where the boundaries of “love” within an allegedly “liberal” society are, and how incommunicable such inclinations are. The play also features many language games and grammatical arguments in the middle of catastrophes and existential disputes between the characters. As director of the play my production concept integrates two particular fields of my interest and knowledge: theatre and television production. The idea is to bring Albee’s absurdist story one step further by combining the live theatre experience with the live television element. Besides a dramaturgical analysis of Albee’s play, this thesis further investigates the influence of the classic Greek tradition of tragedy as well as a possible link between Albee’s tragic comedy and Shakespeare’s The Two Gentlemen of Verona, while also incorporating Bertolt Brecht’s theories on Epic Theatre into the analysis and actual performance. THE GOAT OR, WHO IS SYLVIA?: A PERFOMANCE AT MIAMI UNIVERSITY A Thesis Submitted to the Faculty of Miami University In partial fulfillment of The requirements for the degree of Master of Arts Department of Theatre By Luis Fernando Midence Diaz Miami University Oxford, Ohio 2007 Advisor____________________________ (Dr. Roger Bechtel) Reader_____________________________ (Dr. William Doan) Reader_____________________________ (Dr. Howard Blanning) TABLE OF CONTENT Abstract Title Page i Table of Content ii Introduction 1 I.