Meeting Place for Bob Dylan Fans
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“Clive Davis Said to Me, 'When Are You Going to Get Garth out of No. 1 So I
Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. All of a sudden there morphed into the ‘New Country’ explosion,” DuBois says. Dan Halyburton. “Garth Brooks in ‘89 and ‘90 there were a ton of artists, who had previously “I remember going from doing country fan rag interviews to would literally just hang out before been occupying chart positions, that just went away. When taking calls from Forbes and doing interviews with Business he played at a little honkytonk that that happened there was room for all this new stuff.” Week. -
To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law fi rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Rekha Malhotra CV 12.31.2018
Rekha Malhotra 37-31 73rd Street, Apt 9R, Jackson Heights, NY 11372 [email protected] www.diasporaspin.com 917.287.1917 EDUCATION Massachusetts Institute of Technology, Masters of Science in Comparative Media Studies Expected June 2019 Podcast School, Union Docs, Brooklyn, NY August 2016 Radio Bootcamp, Union Docs, Brooklyn, NY June 2015 Ableton, Dubspot, NY, NY Summer 2009 Producing Hip-Hop and Rap Music, New School For Social Research, NY, NY Spring 2001 CUNY Queens College, B.A., Urban Studies, Flushing, NY September 1998 WORK EXPERIENCE Creative Director, Sangament Media LLC f/k/a Sangament, Inc.: Entertainment Company 2000-present Consultant for India Launch, Spotify 2018 Producer, Community Connect, Inc.: owner of blackplanet.com, asianavenue.com, migente.com 2000-2001 Finance Assistant, American Documentary, Inc.: Producers of POV, PBS TV Series 1998-1999 CURATING/PRESENTING EXPERIENCE MIT DISSOLVE MUSIC CONFERENCE, Keynote Panel and Music Program, Cambridge, MA March 2018 CENTRAL PARK SUMMERSTAGE, Basement Bhangra Final Mic, Apache Indian, Panjabi MC and Guests, NY, NY August 2018 BASEMENT BHANGRA UNPLUGGED, New York University, NY, NY July 2017 BASEMENT BHANGRA, Monthly club night, Le Poisson Rouge and SOB's, NY, NY 1997-2017 BOLLYWOOD DISCO, Various Club Locations in New York City 2002-2017 OFFICIAL TRIBUTE FOR STATE OF BENGAL, Baby's All Right, Brooklyn, NY May 2015 5 RIVERS TO 5 BOROUGHS: History of Contemporary Bhangra Music, Exhibit, Panel & Performance, NY, NY March 2011 MUTINY CLUB NIGHT, Various Club Locations in -
THE PARENT INSIDER July 2016
Volume 2, Issue 7 THE PARENT INSIDER July 2016 Faith Fellowship Church, 6734 Bridgetown Rd. Cincinnati, OH 45248 513 - 598- 6 7 3 4 Values Are Your Most Important Parenting Tool By Stanton L. and Brenda B. Jones Think of all the different things one ous sexual relationships. A young teen- -Study from U of Virginia can value, good and bad, as ways to ager, despairing of real purpose for her get the acceptance and love we need: life, tries to fill this gaping void with Men who attend reli- gious services regular- communication, beauty, vivacious- slavish conformity to her peer group. ly are more likely to ness, domination, going along with the The kinds of goals we work toward have happy and stable crowd, superficiality, politeness, hu- range from the grandiose to the pa- marriages, more likely mor, seductiveness, honesty, sexual thetic. One person yearns to be Presi- to be involved with conquest. And any of the following and dent or to possess a million dollars by their children and less more can be thought of as ways to age forty. Another lives day to day try- likely to divorce achieve significance: punctuality, work- ing desperately to avoid criticism that Percentage of children living in father-absent aholism, diligence, wealth, power, de- would be devastating, or to receive the homes rose from 11 ceit, frugality, competitiveness, preci- approval of others who are seen as percent in 1960 to 27 sion, evasion of responsibility. One per- respected and esteemed. percent in 2000 son develops an unspoken plan for 38.5 percent of achieving significance by compulsive babies in 2006 were work habits that will force his supervi- born out of wedlock sors to respect him; another attempts to meet the deep need for relatedness Article continued on Pgs 4. -
Download The
Brittany Ackerman Debra Immergut Jo Steven Arcieri Mingpei Li Cory Bennet Dana Liebelson Mersiha Bruncevic Jon Lindsey Daniel Burgess Emily Lowe Joshua English Lj Pemberton Julie Goldberg Megan Pillow Connor Goodwin Zac Smith Matt Greene Greg Tebbano Emma Hodson Tom Walsh Guest Edited by Joshua Hebburn Cover © Michael S. Blake Book design© BLUE ARRANGEMENTS Bonus material provided by the authors and credited acordingly Copyright © 2021 Hobart STUFF KAYAK Debra Jo Immergut I posted a picture of my rarely used kayak on Facebook late at night. I could sell this on Craigslist and make some cash, I wrote, but I’d rather see it bring joy to a friend. Then I slept. By the morn- ing, fourteen people had responded saying they would love to have it—dear companions, plus two people I’d worked with once. But I woke up with a premonition. Whoever took this kayak would die in it. I rescinded the offer and left the kayak sitting under the trees in the yard for the rest of the fall. It acquired a coat of yellowed pine needles and wet brown leaves. Before the ground froze, I dug a huge trench behind the shed and buried it under thick dirt, and in the spring, sprinkled on grass seed and straw. It became a small hillock, forgotten. Eventually all my friends died anyhow, and so did I. Two hundred years went by, a few more, and some peo- ple, building anew, dug and hit the plastic shell in the earth. They dragged it out and set it in a meadow and used it to gather rain. -
Market Segmentation and Selective Exposure in Online News
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Broken News: Market Segmentation and Selective Exposure in Online News Deidra Lee Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Interdisciplinary Arts and Media Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/564 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © 2013 Deidra J. Lee All Rights Reserved BROKEN NEWS: MARKET SEGMENTATION AND SELECTIVE EXPOSURE IN ONLINE NEWS A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy at Virginia Commonwealth University By DEIDRA J. LEE B.A. Virginia State University M.A. Old Dominion University Marcus Messner, Ph.D. Assistant Professor of Journalism, VCU School of Mass Communications Ann Creighton-Zollar, Ph.D. VCU College of Humanities and Sciences, Emerita Richard Fine, Ph.D. Professor of English, VCU College of Humanities and Sciences Judy VanSlyke-Turk, Ph.D. VCU School of Mass Communications, Emerita Sara Wilson McKay, Ph.D. Art Education Chair, VCU School of the Arts Virginia Commonwealth University November 2013 ii Acknowledgements First and foremost, I thank God for supplying me with the spiritual strength to endure this entire doctoral process and for blessing me with a wonderful family. None of my accomplishments would be possible without Monroe, Eleanor, Vincent, Marie, David, Patricia and Daphne. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
The Power of Music
Resilience operation and I was summarily fi red. They just above embody the necessary didn’t want any risk even if this was totally unjust ingredients of successful music, to me. It took a year and a half investigation to of hit songs. It’s the combina- exonerate Columbia and me. It was traumatic tion of great melody and strong and painful, but I knew of my innocence. I lyrics that create the timeless wrote a book, kept silent and felt some sat- copyrights that we call “stan- isfaction when the documentary showed the dards.” Just think of all the great The Power of Music check I received from CBS for $1,000,000 for songs you know and have been “mail order record club rights to the record- affected by and you’ll instantly ings from the brand new record company I had hum the melody and know most just founded, Arista Records.” But starting from of the words. scratch, showing I could successfully lead a Has your work changed as brand new record company, took resilience. It a result of COVID-19 and the took belief in oneself. I knew that at Columbia anti-racist movement across An Interview with Clive Davis, Chief Creative Offi cer, Sony Music I had never outbid anyone for the artists I the U.S. and the world? signed and those artists were all rock artists. I You ask whether my EDITORS’ NOTE In the fi rst phase of from the American Foundation for a surprise, but I could, and would, discover had to hire many new executives who under- approach to my music has his career, Clive Davis was General AIDS Research. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
Cat Poop by Juliendarmoni New Season of Arrested Development By
unlike the uvm campus, this week’s water tower is now 100% “biddy,” “bro,” and “hipster” free! volume 10 - issue 6 - tuesday, october 11, 2011 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by lindsaygabel America’s northern neighbor is oft en chalked up to be a land of snow, hockey, and lumberjacks, but in reality it is not that diff erent from Vermont (we have snow, we play hockey, and we wear fl annel), and be- yond these three dimensions exists a truly wonderful country. As it happens, I humbly consider myself to be somewhat of an ex- pert on Canadians, if for no other reason than the fact that I am one. Below is a suf- fi ciently random smattering of information on Canadian customs, culture, and what- ever else I could think of that may prove to be especially handy on your next trip to Montreal. On Canadian contributions to society: Notable mentions include duct tape, snowmobiles, insulin, basketball, manure spreaders, the telephone, Plexiglas, instant mashed potatoes, Ryan Reynolds, Celine Dion, and Justin Bieber (you’re welcome). So next time you are stricken by a strong desire to fi x something in the ugliest and least professional way possible, or are sud- denly overcome by a craving for bland, bagged starches that can be prepared in katie gagliardo under ten minutes, know that Canadian by jonathanfranqui inventors have got your back. Any upper classman living off campus When I fi rst moved in on June 1st, I had my community. Honestly, they seem tame On geographical misconceptions: can relate the woes of attempting to fi nd high hopes for Johnson Street.