Market Segmentation and Selective Exposure in Online News
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BLACK GIRLS ROCK!™ 2012 Celebrates and Inspires on Sunday, November 4 at 7P.M./ET*
BLACK GIRLS ROCK!™ 2012 Celebrates and Inspires on Sunday, November 4 at 7p.m./ET* Third Televised Installment of BLACK GIRLS ROCK!™ Co-Hosted by Tracee Ellis Ross and Regina King Honors Kerry Washington, Dionne Warwick, Alicia Keys, Janelle Monae, Dr. Hawa Abdi and Susan L. Taylor Performances and Appearances by Alicia Keys, Brandy, Keyshia Cole, India.Arie, Ciara, Missy Elliot, SWV, Eva Longoria, Taraji P. Henson, La La Anthony, Gabrielle Union, Meagan Good, Estelle, Marsha Ambrosius and First-Ever All-Male Tribute NEW YORK, Oct. 25, 2012 /PRNewswire/ -- On Saturday, October 13, 2012, extraordinary women of color came together for BLACK GIRLS ROCK! 2012, an evening commemorating the achievements and accomplishments of women and girls from diverse fields -- ranging from entertainment and business to social activism. Co-hosted for a second consecutive year by Tracee Ellis Ross and Regina King, BLACK GIRLS ROCK! 2012 honored actress Kerry Washington, Grammy Award- winning music legend Dionne Warwick, accomplished singer-songwriter Alicia Keys, captivating songstress Janelle Monae, human rights activists Dr. Hawa Abdi and her daughters and iconic editor, writer and journalist Susan L. Taylor. Star-studded performances from Alicia Keys, Brandy, Keyshia Cole, India.Arie, Ciara, SWV and others set the stage for an inspirational and entertaining show, which airs Sunday, November 4, 2012 at 7p.m./ET exclusively on BET. (Logo: http://photos.prnewswire.com/prnh/20070716/BETNETWORKSLOGO ) To kick off the festivities, Alicia Keys -- backed by an all-female drum line -- marched down the theater aisles singing her hit anthem "It's a New Day," as the audience rose to its feet. -
“Clive Davis Said to Me, 'When Are You Going to Get Garth out of No. 1 So I
Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. All of a sudden there morphed into the ‘New Country’ explosion,” DuBois says. Dan Halyburton. “Garth Brooks in ‘89 and ‘90 there were a ton of artists, who had previously “I remember going from doing country fan rag interviews to would literally just hang out before been occupying chart positions, that just went away. When taking calls from Forbes and doing interviews with Business he played at a little honkytonk that that happened there was room for all this new stuff.” Week. -
To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law fi rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations. -
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Sunday Morning Grid 12/7/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/7/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Pittsburgh Steelers at Cincinnati Bengals. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News (N) Swimming PGA Tour Golf Hero World Challenge, Final Round. (N) Å 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Wildlife Outback Explore World of X 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Indianapolis Colts at Cleveland Browns. (N) Å 13 MyNet Paid Program Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR The Omni Health Revolution With Tana Amen Dr. Fuhrman’s End Dieting Forever! Å Joy Bauer’s Food Remedies (TVG) Deepak 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Holiday Heist (2011) Lacey Chabert, Rick Malambri. 34 KMEX Paid Program República Deportiva (TVG) Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Beverly Hills Chihuahua 2 (2011) (G) The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Fútbol MLS 50 KOCE Wild Kratts Maya Rick Steves’ Europe Rick Steves Suze Orman’s Financial Solutions for You (TVG) The Roosevelts: An Intimate History 52 KVEA Paid Program Raggs New. -
Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
“IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics -
1. Introduction
1. INTRODUCTION Research Context In a number of Middle Eastern contexts, the state primary and high school education systems have commenced using English literature texts. While these texts can afford improved access to English which is a highly valued commodity in these contexts, the use of English texts also has the capacity to provide increased access to a range of cultural values that may contradict local 'traditional' values. The state of Qatar is one of these contexts. While literature from other Middle Eastern states has revealed the emergence of tensions between the cultural frameworks offered by the English literature texts and those of the local culture/s, this research project aims to investigate the extent to which such tensions may also be present in the specific context of Qatar. English literature used in Arab English language classrooms often appears in the form of graded readers from Western publishers1 and inherently presents Western values, concepts, attitudes and behaviours to impressionable children. Can this Western English literature support the values of Islamic religion and culture? Who in fact, are the determinants of Islamic culture/values in the Qatari school context? From where does the power to influence curriculum come: Qatar’s governmental educational body, the Supreme Education Council (SEC), the school Board of Trustees (BOT), school leaders, influential parents, influential tribes, the local Imam or teachers? Further, do teachers feel there is a recognizable subset of English literature that satisfies -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Rekha Malhotra CV 12.31.2018
Rekha Malhotra 37-31 73rd Street, Apt 9R, Jackson Heights, NY 11372 [email protected] www.diasporaspin.com 917.287.1917 EDUCATION Massachusetts Institute of Technology, Masters of Science in Comparative Media Studies Expected June 2019 Podcast School, Union Docs, Brooklyn, NY August 2016 Radio Bootcamp, Union Docs, Brooklyn, NY June 2015 Ableton, Dubspot, NY, NY Summer 2009 Producing Hip-Hop and Rap Music, New School For Social Research, NY, NY Spring 2001 CUNY Queens College, B.A., Urban Studies, Flushing, NY September 1998 WORK EXPERIENCE Creative Director, Sangament Media LLC f/k/a Sangament, Inc.: Entertainment Company 2000-present Consultant for India Launch, Spotify 2018 Producer, Community Connect, Inc.: owner of blackplanet.com, asianavenue.com, migente.com 2000-2001 Finance Assistant, American Documentary, Inc.: Producers of POV, PBS TV Series 1998-1999 CURATING/PRESENTING EXPERIENCE MIT DISSOLVE MUSIC CONFERENCE, Keynote Panel and Music Program, Cambridge, MA March 2018 CENTRAL PARK SUMMERSTAGE, Basement Bhangra Final Mic, Apache Indian, Panjabi MC and Guests, NY, NY August 2018 BASEMENT BHANGRA UNPLUGGED, New York University, NY, NY July 2017 BASEMENT BHANGRA, Monthly club night, Le Poisson Rouge and SOB's, NY, NY 1997-2017 BOLLYWOOD DISCO, Various Club Locations in New York City 2002-2017 OFFICIAL TRIBUTE FOR STATE OF BENGAL, Baby's All Right, Brooklyn, NY May 2015 5 RIVERS TO 5 BOROUGHS: History of Contemporary Bhangra Music, Exhibit, Panel & Performance, NY, NY March 2011 MUTINY CLUB NIGHT, Various Club Locations in -
Report from Edinbur H • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview
Report From Edinbur h • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview World of Black Film Collectors Remembering Lorenzo Tucker- The Black. Gil Noble Plans Valentino Like It Is Archive Film Clips and News Early Black Independents Co-produced with the Black Film Institute of the University of the District of Columbia ••••••••••••••••••••••••••••••• Vol. 2, No. 4/Fa111986 'Peter Wang Breaks Cultural Barriers Black Film Review by Pat Aufderheide 10 SSt., NW An Interview with the director of A Great Wall p. 6 Washington, DC 20001 (202) 745-0455 Remembering lorenzo Tucker Editor and Publisher by Roy Campanella, II David Nicholson A personal reminiscence of one of the earliest stars of black film. ... p. 9 Consulting Editor Quick Takes From Edinburgh Tony Gittens by Clyde Taylor (Black Film Institute) Filmmakers debated an and aesthetics at the Edinburgh Festival p. 10 Associate EditorI Film Critic Anhur Johnson Film as a Force for Social Change Associate Editors by Charles Burnett Pat Aufderheide; Keith Boseman; Excerpts from a paper delivered at Edinburgh p. 12 Mark A. Reid; Saundra Sharp; A. Jacquie Taliaferro; Clyde Taylor Culture of Resistance Contributing Editors Excerpts from a paper p. 14 Bill Alexander; Carroll Parrott Special Section: Black Film History Blue; Roy Campanella, II; Darcy Collector's Dreams Demarco; Theresa furd; Karen by Saundra Sharp Jaehne; Phyllis Klotman; Paula Black film collectors seek to reclaim pieces of lost heritage p. 16 Matabane; Spencer Moon; An drew Szanton; Stan West. With a repon on effons to establish the Like It Is archive p. -
Modernity Teacher Guide
DAVE RAYMOND’S Modernity - TEACHER’S GUIDE - COURSE EXPECTATIONS AND EXAM KEY HOW TO USE THIS CURRICULUM INTRODUCTION 5 SCOPE & SEQUENCE 6 PORTFOLIO AND PROJECT GUIDE MODERNITY PORTFOLIO 14 REFORMATIONAL IMITATION PROJECT 14 SPEECH ON TRADITION PROJECT 15 RESEARCH AND THESIS PAPER 15 THE HOUR PROJECT 17 GRADING GUIDE ON EXAMS 19 ON THE READINGS 20 ON PORTFOLIOS 21 ON PROJECTS 21 EXAM ANSWER KEY Lesson 1 Lecture 1.5—Exam #1 27 Lesson 2 Lecture 2.5—Exam #2 28 Lesson 3 Lecture 3.5—Exam #3 30 Lesson 4 Lecture 4.5—Exam #4 32 Lesson 5 Lecture 5.5—Exam #5 34 Lesson 6 Lecture 6.5—Portfolio Task #6 36 Lesson 7 Lecture 7.5—Exam #7 37 Lesson 8 Lecture 8.5—Exam #8 39 Lesson 9 Lecture 9.5—Exam #9 41 Lesson 10 Lecture 10.5—Exam #10 43 Lesson 11 !3 Lecture 11.5—Exam #11 45 Lesson 12 Lecture 12.5—Exam #12 48 Lesson 13 Lecture 13.5—Exam #13 51 Lesson 14 Lecture 14.5—Exam #14 53 Lesson 15 Lecture 15.5—Exam #15 55 Lesson 16 Lecture 16.5—Exam #16 58 Lesson 17 Lecture 17.5—Exam #17 60 Lesson 18 Lecture 18.5—Exam #18 62 Lesson 19 Lecture 19.5—Portfolio Task #19 66 Lesson 20 Lecture 20.5—Exam #20 66 Lesson 21 Lecture 21.5—Exam #21 72 Lesson 22 Lecture 22.5—Exam #22 72 Lesson 23 Lecture 23.5—Exam #23 76 Lesson 24 Lecture 24.5—Exam #24 79 Lesson 25 Lecture 25.5—Exam #25 81 Lesson 26 Lecture 26.5—Exam #26 83 Lesson 27 Lecture 27.5—Portfolio Task #27 89 SUGGESTED LITERATURE TITLES FOR MODERN HISTORY !4 Modernity | How to Use This Curriculum HOW TO USE THIS CURRICULUM INTRODUCTION There are a number of different elements to this curriculum that make it quite unique.