Sydney Peace Foundation Annual Report 2015
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Linda Scott for Sydney Strong, Local, Committed
The South Sydney Herald is available online: www.southsydneyherald.com.au FREE printed edition every month to 21,000+ regular readers. VOLUME ONE NUMBER FORTY-NINE MAR’07 CIRCULATION 21,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE KINGS CROSS NEWTOWN REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND RESTORE HUMAN RIGHTS BRING DAVID HICKS HOME New South Wales decides PROTEST AT 264 PITT STREET, CITY The South Sydney Herald gives you, as a two page insert, SUNDAY MARCH 25 ✓ information you need to know about your voting electorates. PAGES 8 & 13 More on PAGE 15 Water and housing: Labor and Greens Frank hits a high note - good news for live music? go toe to toe John Wardle Bill Birtles and Trevor Davies The live music scene in NSW is set to receive a new and much fairer regu- Heffron Labor incumbent Kristina latory system, after Planning Minister Keneally has denied that the State Frank Sartor and the Iemma Govern- government’s promised desalination ment implemented amendments to plant will cause road closures and the Local Government Act including extensive roadwork in Erskineville. a streamlined process to regulate Claims that the $1.9 billion desalina- entertainment in NSW and bring us tion plant at Kurnell will cause two more into line with other states. years of roadworks across Sydney’s Passed in the last week of Parlia- southern suburbs were first made by ment in November 2006, these the Daily Telegraph in February. reforms are “long overdue, and State government plans revealed extremely good news for the live that the 9 km pipeline needed to music industry” says Planning connect the city water tunnel with the Minister Frank Sartor. -
George Gittoes: I Witness Teachers' Notes
GEORGE GITTOES: I WITNESS TEACHERS’ NOTES George Gittoes, Evolution 2014, oil on paper INTRODUCTION “I believe in art so much that I am prepared to risk my life to do it. I physically go to these places. I also believe an artist can actually see and show things about what's going on that a paid professional journalist can't and won't do, and can show a level of humanity and complexity that they wouldn't cover on TV.” - George Gittoes George Gittoes: I Witness is the first major exhibition in Australia of the work of artist and film maker George Gittoes which surveys the last 45 years of his incredible career. Internationally recognised for working and creating art in regions of conflict around the world he has been an eye witness to war and human excess, and also to the possibilities of compassion. Beginning his career in the late 1960s, Gittoes was part of a group of artists including Brett Whiteley and Martin Sharp who established The Yellow House artist community in Sydney. This was followed by his move to Bundeena in the Sutherland region where he became an influential and instrument figure in community art projects and the development of Hazelhurst Regional Gallery and Arts Centre. In the 1980s Gittoes began travelling to areas of conflict and his tireless energy for pushing the boundaries of art making has since seen him working in some of the most dangerous and difficult places on earth. He first travelled to Nicaragua and the Philippines, then the Middle East, Rwanda and Cambodia in the 1990s and more recently to Iraq and Afghanistan. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
1 Heat Treatment This Is a List of Greenhouse Gas Emitting
Heat treatment This is a list of greenhouse gas emitting companies and peak industry bodies and the firms they employ to lobby government. It is based on data from the federal and state lobbying registers.* Client Industry Lobby Company AGL Energy Oil and Gas Enhance Corporate Lobbyists registered with Enhance Lobbyist Background Limited Pty Ltd Corporate Pty Ltd* James (Jim) Peter Elder Former Labor Deputy Premier and Minister for State Development and Trade (Queensland) Kirsten Wishart - Michael Todd Former adviser to Queensland Premier Peter Beattie Mike Smith Policy adviser to the Queensland Minister for Natural Resources, Mines and Energy, LHMU industrial officer, state secretary to the NT Labor party. Nicholas James Park Former staffer to Federal Coalition MPs and Senators in the portfolios of: Energy and Resources, Land and Property Development, IT and Telecommunications, Gaming and Tourism. Samuel Sydney Doumany Former Queensland Liberal Attorney General and Minister for Justice Terence John Kempnich Former political adviser in the Queensland Labor and ACT Governments AGL Energy Oil and Gas Government Relations Lobbyists registered with Government Lobbyist Background Limited Australia advisory Pty Relations Australia advisory Pty Ltd* Ltd Damian Francis O’Connor Former assistant General Secretary within the NSW Australian Labor Party Elizabeth Waterland Ian Armstrong - Jacqueline Pace - * All lobbyists registered with individual firms do not necessarily work for all of that firm’s clients. Lobby lists are updated regularly. This -
Legislative Assembly
12862 LEGISLATIVE ASSEMBLY Tuesday 16 November 2004 ______ Mr Speaker (The Hon. John Joseph Aquilina) took the chair at 2.15 p.m. Mr Speaker offered the Prayer. STATE GOVERNMENT FAMILIARISATION PROGRAM TWENTY-FIRST ANNIVERSARY Mr SPEAKER: It is with pleasure that I advise the House that today, together with my colleague the President, I welcomed to the Parliament of New South Wales participants in the twenty-first anniversary of the State Government Familiarisation Program. This program is an activity of the Parliamentary Education and Community Relations Section. The operating surplus supports parliamentary education programs, particularly for students from non-metropolitan areas. Over its 21 years 2,415 businesspeople have taken part in the program. The President and I joined in a special luncheon at which we presented certificates of appreciation to speakers and departments who have been involved since the inception of the program. MINISTRY Mr BOB CARR: I advise honourable members that during the absence of the Minister for Police, who is attending the Australian Police Ministers Council in Tasmania, I will answer questions on his behalf. PETITIONS Wagga Wagga Electorate Schools Airconditioning Petition requesting the installation of airconditioning in all learning spaces in public schools in the Wagga Wagga electorate, received from Mr Daryl Maguire. Mature Workers Program Petition requesting that the Mature Workers Program be restored, received from Ms Clover Moore. Skilled Migrant Placement Program Petition requesting that the Skilled Migrant Placement Program be restored, received from Ms Clover Moore. Gaming Machine Tax Petitions opposing the decision to increase poker machine tax, received from Mrs Judy Hopwood and Mr Andrew Tink. -
Printmaking and the Language of Violence
PRINTMAKING AND THE LANGUAGE OF VIOLENCE by Yvonne Rees-Pagh Graduate Diploma of Arts (Visual Arts) Monash University Master Of Visual Arts Monash University Master of Fine Arts University of Tasmania Submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania MARCH 2013 This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. YVONNE REES-PAGH MARCH 2013 i This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. YVONNE REES-PAGH MARCH 2013 ii ACKNOWLEDGEMENTS I would like to acknowledge and thank my supervisors Milan Milojevic and Dr Llewellyn Negrin for their advice, assistance and support throughout the project. I am eternally grateful to my partner in life Bevan for his patience and encouragement throughout the project, and care when I needed it most. DEDICATION I dedicate this project to the memory of my dearest friend Olga Vlasova, the late Curator of Prints, Russian Museum, St Petersburg. Printmaking brought us together in a lasting friendship that began in Tomsk, Siberia in 1990. iii CONTENTS Abstract ............................................................................................. 01 Introduction ....................................................................................... 02 Chapter One: The Central Argument Towards violence ..................................................................... 07 Violence and the power of etching .......................................... -
The Art of Protest
MULTIMEDIA EXHIBITION 1 THE ART OF PROTEST MEMORIES OF THE STRUGGLE – MULTIMEDIA EXHIBITION THE ART OF PROTEST THE ART OF PROTEST 2014 Customs House Sydney University of Pretoria MEMORIES OF THE STRUGGLE – MULTIMEDIA EXHIBITION 2016 Museum of Australian Democracy Canberra Protest in Sydney including from left to right Eddie Funde, ACTU President Cliff Dolan, Maurie Keane MP, Senator 2017 The Castle of Good Hope Bruce Childs and Johnny Makateni. Photo: State Library of NSW & Search Foundation Cape Town Voices and Memories ANGUS LEENDERTZ | CURATOR THE ASAA TEAM CONTRIBUTORS The global anti-apartheid movement was arguably the greatest social movement of CURATOR Angus Leendertz Father Richard Buchhorn the 20th century and Australia can be very proud of the important role it played in Will Butler and Pamela Curry – Australian High Commission Pretoria, ASSISTANT CURATORS the demise of apartheid. The history of the anti-apartheid movement in Australia Tracy Dunn (Director Ephemera Research & Logistics, University of Pretoria Exhibition 2014 Collections) & James Mohr David Corbet – University of Pretoria Catalogue Design from 1950 to1994 was a story waiting to be told. Ken Davis & Dr Helen McCue – APHEDA (Union Aid Abroad) MUSEUM OF AUSTRALIAN Introduction DEMOCRACY CURATOR Professor Andrea Durbach – HRC Centre, University of New South Wales Libby Stewart Professor Gareth Evans – Former Australian Mininister of Foreign Affairs In this exhibition, you will hear the voices and In 1997, I responded to Nelson Mandela’s general call memories of some of the Australians, South Africans for skilled South Africans to return to their country ASAA REFERENCE GROUP Dr Gary Foley – Victoria University and people of other nations who worked hard of birth and assist in building the new free South Kerry Browning Eddie Funde – ANC Australia over decades to bring about the end of apartheid. -
LOCOMOTIVES and STARGATES Inner-City Studio Complexes in Sydney, Melbourne and Toronto
LOCOMOTIVES AND STARGATES Inner-city studio complexes in Sydney, Melbourne and Toronto Ben Goldsmith and Tom O’Regan FBGMI1021STGn0apaeoCtac.20yenel1rUudc840rlc0onlis-0hLta8r6amy0l0t62&iI4o/30ots1hf20nsF0uA4ar2(0elap8r3nJtr6s.oicsn6Giugst3r)m0ni/Lf14aft4ld2it70oh70fU- 0C22n8u1i3lv2t3ue3r(1seoi9tnPyloNinliaect)yhanQLD 4111Australia+61 7 3875 [email protected] This article examines the place of large studio complexes in plans for the regeneration of inner- city areas of Sydney, Melbourne and Toronto. Recent developments in each city are placed in the context of international audiovisual production dynamics, and are considered in terms of the ways they inter- sect with a range of policy thinking. They are at once part of particular urban revitalisation agendas, industry development planning, city branding and image-making strategies, and new thinking about film policy at national and sub-national levels. The article views studio complexes through four frames: as particular kinds of studio complex development; as “locomotives” driving a variety of related industries; as “stargates” enabling a variety of transformations, including the remediation of contaminated, derelict or outmoded land controlled by public authorities or their agents close to the centre of each city; and as components of the entrepreneurial, internationally oriented city. KEYWORDS urban regeneration; film studios; city branding; film policy; cultural policy; screen production This article focuses on the recent transformation of large, inner-urban spaces in -
Australia's Refugee Policy
' i I I I ' boo~ offer! The Elements of Style STWILLIAM . By William Strunk Jr & E.B . White RUNKJR. Last month a boxer pup called Becky ate a large chunk of that pocket classic of lucid instruction, Strunk and White's The Elements of Style. The dog belonged to our columnist, Brian Matthews (see page 33). N ext issue we expect Becky to write E.s.WHITE her first column for Eurel<a Street. While waiting for that, why don't you write in for a copy of this most elegant, efficient and amiable of language handbooks? Strunk and White reads like the ideal style guide for the speeches you wish an American president would make. And even with appendices it is still smaller than a Football Record. You could insinuate it into board meetings, book clubs, classrooms or courtrooms without marring the line of your jeans. Or you could read it in bed, to give your brain delight and your wrists a rest from those large-format paperbacks destined to have an afterlife as doorstoppers. Thanks to Readings Books and Music, Eurel<a Street has 10 copies of The Elements of STYLE Style, fourth edition, to give away. Just put your name and address on the back of an envelope and send to: Eureka Street July- FOURTH EDITION August 2002 Book Offer, PO Box 553, mgs• Richmond VIC 3 121 . See page 8 for winners FOREWORD BY ROGER ANGELL of the May 2002 Book Offer. -- T l1 e -------------- MELB() RNE STREEI ----------- - UNml "Someti mes you j ust need to sing Blessed present Assurance and hit a tambourine." Rowan Williams, Archbishop of Wales and Australia's Refugee Policy possible next Archbishop of Canterbury Facts, needs and limits "We all have to cope with evil, whether Speakers: we can expla in it adequately or not. -
Mayor Economic Recovery Statement Oct 2020 Long.Pdf
ECONOMIC RECOVERY SOLUTIONS MUST CREATE LOCAL JOBS WHILE TACKLING LONG TERM CHALLENGES LIKE CLIMATE CHANGE. STATEMENT FROM 41 AUSTRALIAN MAYORS AND COUNCILLORS We commit to a sustainable economic recovery. A recovery that creates local jobs We aim to embed, and advocate for, the following actions to recover in a way now and supports industries and that addresses long term challenges, empowers communities and creates a sectors that invest in a zero carbon prosperous future: future and a strong economy. 1. Drive renewable energy and storage within councils and communities The actions we take now must to lower power bills and increase energy independence and resilience. improve liveability for everyone, 2. Accelerate, and advocate for, sustainable transport to future proof cities including the most vulnerable and connect communities and regions. members of society, and make 3. Roll out energy efficiency measures within council and the community to communities more resilient and create jobs, reduce energy costs and create more comfortable homes sustainable. and workplaces. 4. Increase revegetation and urban greening, as well as undertake ecosystem restoration to maintain unique biodiversity, clean air and water and healthy communities. 5. Integrate circular economy principles across council to close the loop on resource use, such as enhancing organic waste collection and processing, to create jobs and cut carbon emissions. 6. Support local businesses to be more sustainable through opportunities like increasing the uptake of renewable energy, aiding energy efficiency upgrades and waste management support. 7. Actively engage communities to provide a clear understanding of the importance and benefits of a sustainable and resilient economic recovery. -
1 Drones and Night Vision
Drones and Night Vision: Militarised Technology in Paintings by George Gittoes and Jon Cattapan Kathryn Ann Fox Bachelor of Arts (University of Queensland) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2017 School of Communication and Arts 1 Abstract This thesis focusses on the representation of militarised airborne drones and night vision technologies in paintings by Australian contemporary artists, George Gittoes and Jon Cattapan. Drawing on substantial primary research, including extensive interviews with both artists, the argument is developed through a cross-disciplinary framework that incorporates discourse from art history, critical theory, cultural studies, and political theory. Particular attention is paid to debates surrounding increasingly autonomous, persistent surveillance, and rapid response targeting capabilities associated with airborne drones and night vision technology. Gittoes and Cattapan have both lived or worked in war and conflict zones; Gittoes in numerous zones since 1986 when he went to Nicaragua during the Sandinista Revolution (1979-1990), and Cattapan in Timor Leste in 2008 as Australia’s 63rd official War Artist. Both artists have used night vision technology in conflict zones, and Gittoes has witnessed the deployment of airborne drones. Despite their conceptual and political affinities, their works have not previously been analysed together, and no detailed studies of their engagement with contemporary militarised technology have been undertaken. This thesis not only offers a significant addition to art historical understandings of the artists’ works, but also presents novel insights into the capacity of contemporary painting to critically engage with ethical and political issues associated with developments in militarised technology. -
Contemporary Art and Political Violence: the Role of Art in the Rehabilitation and Healing of Communities Affected by Political Violence Christiana Spens*
Contemporary Art and Political Violence: The Role of Art in the Rehabilitation and Healing of Communities Affected by Political Violence Christiana Spens* Abstract: This paper will investigate how contemporary artists who use political violence as a subject matter in their work explain the relationship between art and that form of violence. Referring to interviews with Anita Glesta and George Gittoes, the potential of art as a means of healing communities and individuals affected by terrorism will be explored, alongside related issues of voyeurism, sensationalism and commercialism in art. The study will refer to the ideas of Collingwood and Tolstoy, chosen so as to represent two main schools of thought regarding artistic responsibility & morality and the appropriate intentions of artists. I will explain that both theories can be applied harmoniously to contemporary practise, to the understanding of the role and responsibility of contemporary artists, and discourse around the wider social value of contemporary art. Introduction Contemporary art is used as a means for rehabilitating and healing communities affected by political violence in various ways, from the use of art therapy in the rehabilitation of prisoners and victims, to the wider use of art as a communal experience that enables shared memory and compassion in particular groups of people. The idea of art as useful for this rehabilitation and healing of communities has its roots in the notion of ‘moral art’ (Tolstoy, 1996: 223 – 224), or art that is socially responsible. In aesthetics and the philosophy of art, there are two broad schools of thought regarding how art can be socially valuable.