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SST Defies Industry, Defines New Music
Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
The Ithacan, 1985-02-21
Ithaca College Digital Commons @ IC The thI acan, 1984-85 The thI acan: 1980/81 to 1989/90 2-21-1985 The thI acan, 1985-02-21 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1984-85 Recommended Citation The thI acan, "The thI acan, 1985-02-21" (1985). The Ithacan, 1984-85. 16. http://digitalcommons.ithaca.edu/ithacan_1984-85/16 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1984-85 by an authorized administrator of Digital Commons @ IC. ... ,, • • 0 0 ,•. ,. > - .,. < _: - - p, • - ~ • '• • • H .- 0 •', :, 0 e •• • • ' ,• THE ITHACAN The Student Newspaper for Ithaca College Volume 16 Issue 15 February 21, 1985 l&IHM&MM AAA®Ai Dance aids cause By Reth Gracey Collegt' sin<<· lilt· ~lud<'lll 1'hyswc1\ llh,l< a nwrrh,mts donated pnz<·s I ht·rapy .\~son,111011 inll1cllt'd lhr for th1·~1· <onlcsti,. Dinnrrs at \oral ',.!.!01..!(; w,L., ra1srd ,II 1hr ll,mn· !IN Oil(' four yecJrs clj,(O. r<·staur,1111~ ,incl r\1>1hi11g n·r· Mar.ii hon for MW,( uldr I unher inspira1ion wcJs prov1ci<'d 11lic·,11t·s from loccll stows wt·w Just Dys1rophy 1hi~ pasl S,11tmlay. ·1 h<' h} lht· non-slop musi< of Honnu· cl f('\\' of th(' !,!lft~ giV<'n cl\\'cl} Sludml l'hy<,1(a\ Tlll'rapy A~'><>ncl· l.t·1gh ,HHI llw :\lh,lll( <·. cl prof<'~· Olll('r priLes "<·n· c1wardt·(I to 11011 and lh<· S1udrn1 :\C1ivi1it·~ .,,on,li li.md from Syra( use. -
The New Hampshire, Vol. 76, No. 14
-INSIDE The UNH football team Cheese is featured prom Calendar__ page took the measure of the S inently in this week's Arts Lehigh Engineers to the Notices ·page 6 and Features section, so tune of 31-17 Saturday at Editorial_page.12 grab a glass of wine, relax \\ Cowell Stadium. See sto Features--page 15 and see story page 15. ry page 24. Sports page 24 The New Hampshire Vol. 76 No. 14 TUESDAY, OCTOBER 22, 1985 862-1490 Durh~m, N.H. Bulk Rate U.S Postaqe Pa i[1 ----------~=---------------------------------------------D_ur_h_am_~ H. Permit #30.._. Caucus seeks stronger voice By W. Glenn Stevens The parliamentary procedure used by the UNH Faculty Caucus is too formal and is stifling faculty-administration relations, according to several members of the caucus at a meeting last night. The meeting, which was not recorded by the caucus' secre tary, centered on caucus Chair man Lawrence Bingman's prop osal that the caucus be involved in "informal give and take early in the policy making process." The Faculty Caucus is com prised of approximately 40 elected faculty members who represent their department. The caucus meets once a month to discuss faculty problems. The meetings are held in an ex tremely formal, dry manner. For . RICHARD example, no one may speak HERSH unless called upon by the chair Main Street will be jammed with a colorful procession of floats as part of the Homecoming man and a faculty member may becoming more informal." celebrations this weekend. (Dave Sanborn photo) only speak once on a given Caucus member Steven Fan subject. -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1993 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1993 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. Robbie Adams(1) - "Zooropa"- U2-/Flood Scott Hendricks(4) - "Don't Rock The Jukebox"-Alan Jackson-/ Gary Laney John Kelton + "Confederate John Agnello(1) - "Where You Been"- Dinosaur Jr.-/ Railroad"- Confederate Railroad-/ + "Hard Workin' Man"- Brooks & Dunn-/ John Kunz Mike Bradley + Elton Ahi(l) - "The Last Of The Mohigans'-Soundtrack-/ "Brand New Man"- Brooks & Dunn-/ Mike Brad Chuck Ainlay(3) - "Greatest Hits Vol. 2"-Reba McEntire-/ + "Easy Come, Easy Go"-George Strait-/ + Henry Hirsch(1) - "Are You Gonna Go My Way?"-Lenny Kravitz-/ "Sweetheart's Dance"-Pam Tillis-/ Dof Geoff Hunt(1) - "Don't Know How To Party"-The Mighty Mighty Bosstones-/Tony Platt David Albert(1) - "Soul Provider'-Michael Bolton-/Terry Christian Matt Hyde(1) - "Porno For Pyros"- Porno For Pyros-/ Rod Selfert Steve Albini(1) - "Meantime"- HelmetVAndy Wallace Ice Cube(1) - "The Predator"- Ice CubeVTorcha Chamba Tony Alvarez(1) - "It's On (Dr.Dre 187um) Killa"- Easy-E-/Donovan The Dirt Biker1 Sound Gregg Jackman(t) - "Shepherd Moons'- EnyaVNicky Ryan Ray Bardani(l) - "Never Let Me Go"-Luther Vandross-/ Rob Jacobs(l) - "Patty Smyth'-Patty Smyth-/ Ouane Baron(2) -
2400 Tulane Ave. 822-9907
915 .. ·~ . new tnustc• Ivan Bodley 37 TargetzAnd it Burns "Okay all ofyou rock and roll hopefulls and Exploding out of Chattanooga, TN. not cookie/and morons, let me tell you a few things unlike their infamous locomotive, And it about my favorite industry. " - Joe Burns, produced by former R.E.M. producer Pop-o-pie Don Dixon, is another massive debut lp. Their uniquely targeted song "Ring of Fire" It is easy to adopt Joe's cynicism about this is a much-covered song from the Carter wild and crazy business we call "music" but I Cash family's repertoire and immediately hope I can offer some spark in the void that is gives the listener insight as to just where the industry we call "recording." these four young men are shooting from. I am often asked, "Hey, Ivan, what's Their sound conjures up images of the Alarm, new," and am equally often reduced to a Mignight Oil and other new music rockers shivering mass of molten cholesterol as my while remaining unique and innovative. brain overloads at the sheer volume of the Cruzados Cruzados new releases each week. So I've spent some A major label debut for this four man outfit time meditating high atop our broadcast formerly known as the Plugz, Cruzados is tower to collect my thoughts so I can offer quickly indentified as a fusion of several West only a few of my favorites. Coast sounds including Mexican, surf rock, What is This What is This punk and good old rock and roll. This project Now reduced to a trio, this Hollywood is amazingly accessible and well produced, based outfit combines tasteful and effective not unlike a harder rocking yet smoother elements of funk, rock and soul to create their cruising Los Lobos. -
Atom Age Industries Wholesale
ATOM AGE INDUSTRIES 17846 Bellflower Blvd. Bellflower, CA 90706 (562) 920-1919 ph (562) 920-1717 fax [email protected] Wholesale Term Sheet 2016 T-shirts $10 - $11 XXL & Larger $12 - $13 Sweatshirts $18 - $20 Hats $18 - $22 Buttons $0.75 Button Packs $3 - $5 Posters $5 - $25 Stickers $1 - $2 Patches $1 - $2 No Minimum Order. All orders are pre-paid prior to shipment. No exceptions. We accept the following payment methods: Cash, Credit Card, Money Order, Company Check (shipment will be dispatched after check clears), and PayPal. PayPal payments are subject to a 3% fee. Please inform us prior to using PayPal. Most orders are shipped within 48 hours of payment receipt. We ship FedEx Ground, UPS, and USPS. Ground service for the continental United States will be used unless instructed otherwise. International orders will be shipped via DHL or Fedex. Additional freight charges for expedited orders will be the responsibility of the customer. Returns will be accepted for unwashed, unworn items only. Any damaged items should be claimed within 48 hours of receipt of goods. Damages claimed after 48 hours of receipt will not be refunded. To report a damaged or lost shipment, please contact us immediately at the number or email above Mon-Fri 9AM-5PM Pacific time. There will be no refunds on promotional or discounted items. All items are licensed by the appropriate Copyright / Trademark holder. If you have a Trademark or Copyright question regarding our products, please call our office Mon-Fri 9AM-5PM Pacific time. Atom Age Industries Please submit all purchase orders to: 17846 Bellflower Blvd [email protected]. -
0789738163 Samplepp.Pdf
ii The 2009 Internet Directory: Web 2.0 Edition Associate Publisher Greg Wiegand Copyright © 2009 by Pearson Education,Inc. Acquisitions Editor All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, pho- Michelle Newcomb tocopying, recording, or otherwise, without written permission from the Development Editor publisher. No patent liability is assumed with respect to the use of the Joyce Nielsen information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and author assume no Managing Editor responsibility for errors or omissions. Nor is any liability assumed for dam- Kristy Hart ages resulting from the use of the information contained herein. ISBN-13: 978-0-7897-3816-5 Project Editor ISBN-10: 0-7897-3816-3 Andy Beaster Library of Congress Cataloging-in-Publication Data Copy Editor The 2009 Internet directory / Crew ... [et al.]. — Web 2.0 ed. Barbara Hacha p. cm. ISBN 978-0-7897-3816-5 Indexer 1. Internet addresses—Directories. 2. Web sites—Directories. I. Crew, Lisa Stumpf Adrienne. Proofreader ZA4225.A17 2008 025.04—dc22 Jennifer Gallant 2008030926 Publishing Coordinator Printed in the United States of America Cindy Teeters First Printing: September 2008 Designer Trademarks Ann Jones All terms mentioned in this book that are known to be trademarks or serv- Composition ice marks have been appropriately capitalized. Que Publishing cannot Nonie Ratcliff attest to the accuracy of this information. Use of a term in this book should not be regarded as affecting the validity of any trademark or service mark. -
The Church of Jesus Christ of Latter-Day Saints/Mormon Children’S Music: Its History, Transmission, and Place in Children’S Cognitive Development
ABSTRACT Title of Dissertation: THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS/MORMON CHILDREN’S MUSIC: ITS HISTORY, TRANSMISSION, AND PLACE IN CHILDREN’S COGNITIVE DEVELOPMENT Colleen Jillian Karnas-Haines, Doctor of Philosophy, 2005. Dissertation Directed by: Professor Robert C. Provine Division of Musicology and Ethnomusicology School of Music The Church of Jesus Christ of Latter-day Saints has a children’s auxiliary program for ages three to eleven that meets weekly before or after their Sunday worship service. This auxiliary, called Primary, devotes much of its time to singing. Music is not a childish diversion, but an essential activity in the children’s religious education. This study examines the history of the songbooks published for Primary use, revealing the many religious and cultural factors that influence the compilations. The study then looks at the modern methods of transmission as the author observes the music education aspects of Primary. Lastly, the study investigates the children’s use of and beliefs about Primary music through the lens of cognitive development. The study reveals that Primary music is an ever-evolving reflection of the theology, cultural trends, and practical needs of The Church of Jesus Christ of Latter-day Saints. Unaware of such implications, the children use Primary music to express their religious musicality at cognitive developmentally appropriate levels. THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS/MORMON CHILDREN’S MUSIC: ITS HISTORY, TRANSMISSION, AND PLACE IN CHILDREN’S COGNITIVE DEVELOPMENT By Colleen Jillian Karnas-Haines Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2005 Advisory Committee: Professor Robert C. -
Melophobe Months 2012 Music Reviews
Melophobe Months 2012 Music Reviews Walter Biggins This is issue #6 of Afronaut. Published by Afronaut Press, February 2013. Text and design © 2013 Walter Biggins. The following issues are available at Quiet Bubble (http://quietbubble.wordpress.com/zines/): Demo Tapes: Essays by Walter Biggins, 2005-2010 (issues #4 & 5, May 2011). A Tribute to Whitney Balliett (issue #3, October 2010). The Patter of Raindrops: The Wonderful Worlds of Hayao Miyazaki (issue #2, February 2010). Letters to Mr. Konigsberg (issue #1, October 2009). Muñeco: A 24-Hour Comic (issue #0, November 2000). For more information, please contact me at [email protected] or check out my blog: quietbubble.wordpress.com. Introduction. Something’s happened to me over the last five years. I listen to, and trust, pop music far less than I did in my twenties, and the pop that I still listen to is radically different than what I grew up with. My ears cock, like a cat’s, more toward jazz, avant-garde, and instrumental hip-hop now than to the rock, rap, R&B, and beat-driven fare that sustained me for twenty years. To be fair, jazz was always there, ever since I bought a $20 CD of Miles Davis’s Capitol/Blue Note years in a cold January morning in 1994. I bought it from Sound Warehouse, a chain that’s long gone, because the cover was cool and Davis—with his close-cropped hair and natty suit—looked cooler than I could ever hope for. It was a sophistication to aspire toward, and to try and impress girls with. -
Overflow Crowd Greets Pran
Dr. Tom .Re1hn~r 'in ''.H•nty Flagler<Rem,mbers '' Editorial/Commentary... Page .· {Pages · Features ... Page 5 -Flagler'.students find time tofight firi!s > Music Reviews ... Page 10 .'. Page6 ....· ..•.. Sporls ... Page 11 COLLEGE VOL. XXIIII, NO. 4 SAINT AUGUSTINE, FLORIDA October 24, 1994 Time to 11fall back" WFCF celebrates Remember that hour ofsleep you ·.lost last spring? On Sunday, Oct. 30, its first birthday you will get it back. Two a.m. marks the official end of Daylight Savings Special to the Gargoyle Time. Clocks need to be set back one hour to 1 a.m. for a return to standard A special open house will celebrate time. Flagler College Radio, WFCF's, first birth day friday, Nov. 4, from 5 to 7 p.m. in the station's studios at 31 Cordova Street. Re freshmen ts, live entertainment and station Corrections tours will be offered. In the Oct. 6 story on the library WFCFbegan transmissionNov. l , 1993, groundbreaking, Dr. William L. Proc as the college's first fully-operational, stu, tor was incorrectly identified as the dent-run radio station. Broadcasting on "first and only president" of Flagler 88.5 FM, the station covers the area from College. Dr. Proctor is the college's South Jacksonville to Daytona. WFCF's second president: Roy Carlson was airwaves reach a potential listening audi the first president, and Edward ence of about 85,000 people. Carlson briefly served as acting presi The community is invited to attend. Marti Travis mans the micro-phone at the production sound board at WFCF. dent. In the same story, Lawrence Lewis, Jr., was also incorrectly re ported to have donated $11 million Overflow crowd greets Pran tQ the college. -
Emily Dickinson Poetry by Osvaldo Golijov, Ricky Ian Gordon, Lori Laitman, Jake Heggie, Libby Larsen, André Previn, and Juliana Hall
SELECTED MODERN SETTINGS OF EMILY DICKINSON POETRY BY OSVALDO GOLIJOV, RICKY IAN GORDON, LORI LAITMAN, JAKE HEGGIE, LIBBY LARSEN, ANDRÉ PREVIN, AND JULIANA HALL by Laurie Staring Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Patricia Havranek, Chair and Research Director ______________________________________ Brian Horne ______________________________________ Marietta Simpson ______________________________________ Ayana Smith December 4, 2019 ii To my research committee, for their help and patience, I offer my deepest gratitude. To my voice teacher and research director, Patricia Havranek, you are a model of grace and intelligence, and I thank you for your mentorship. To my parents, Roy and Rita Staring, thank you for your unfailing support and love. And to my husband, Alex, thank you for every day I have with you. iii Table of Contents Table of Contents ............................................................................................................................. iv List of Musical Examples ................................................................................................................. v Chapter 1 : Introduction ...................................................................................................................