The End of the Lost Generation of World War I: Last Person Standing - Not Even Past
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The Oxford Democrat
The Oxford Democrat. NUMBER 24 VOLUME 80. SOUTH PARIS, MAINE, TUESDAY, JUNE 17, 1913. where hit the oat "Hear Hear The drearily. "That's you look out for that end of the business. to an extent. low Voted Out the Saloons called ye! ye! poll· D. *ΆΚΚ. increase the aupply quite They he said. on | are now closed." Everyone drew a aigb nail on the head," "Mouey. ▲11 I want you to do 1b to pass this AMONG THE FARMERS. Some Kansas experiment· show an in- The following extract from λ lettei Auctioneer, DON'T HURRY OR WORRY of and went borne to aopper, ex- the mean and dirty thing that can here note." Lictjnsed crease after a crop of clover was turned 'rom Mrs. Benj. H. Fiab of Santa Bar relief, — who ate theirs world—that's «"»«· At Meals Follows. TH* cept tbe election board, the best man In the "Colonel Tod hunter," replied tlie »IU>. Dyspepsia "SPKED PLOW." under. The yield of corn was Increased >ara, Calif., may be of interest bott whip âû0TH and oat of pail· and boxes, and afterwards Thurs." "the Indorsement and the col- Moderate- 20 bushel· an acre, oats 10 bushels, rom the temperance and tbe suffrage Colonel the trouble. banker, Tera» I went to A serene mental condition and time began counting votes. aleep other man's mon- a Correspondence on practical agricultural topics potatoes 30 bushel*. itand point. "Ifs generally the lateral make this note good, and it's to chow your food is more la bearing them count. thoroughly aollcHed. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
Mud Blood and Futility RUAE
PASSAGE 1 The passage is taken from the introduction to Peter Parker’s book “The Last Veteran”, published in 2009. The book tells the life story of Harry Patch, who fought in the First World War, and eventually became the last surviving soldier to have fought in the trenches. He died in 2009, aged 111. Mud, Blood and Futility At 11 a.m. on Monday 11 November 1918, after four and quarter years in which howitzers boomed, shells screamed, machine guns rattled, rifles cracked, and the cries of the wounded and dying echoed across the battlefields of France and Belgium, everything suddenly fell quiet. A thick fog had descended that 5 morning and in the muffled landscape the stillness seemed almost palpable. For those left alive at the Front – a desolate landscape in which once bustling towns and villages had been reduced to piles of smoking rubble, and acre upon acre of woodland reduced to splintered and blackened stumps – there was little cause for rejoicing. The longed-for day had finally arrived but most 10 combatants were too enervated to enjoy it. In the great silence, some men were able to remember and reflect on what they had been through. Others simply felt lost. The war had swallowed them up: it occupied their every waking moment, just as it was to haunt their dreams in the future. There have been other wars since 1918 and in all of them combatants have 15 had to endure privation, discomfort, misery, the loss of comrades and appalling injuries. Even so, the First World War continues to exert a powerful grip upon our collective imagination. -
World War I Photography As Historical Record Kimberly Holifield University of Southern Mississippi
SLIS Connecting Volume 7 Article 9 Issue 1 SLIS Connecting Special Issue: British Studies 2018 Through the Lens: World War I Photography as Historical Record Kimberly Holifield University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/slisconnecting Part of the Archival Science Commons, Collection Development and Management Commons, Information Literacy Commons, Scholarly Communication Commons, and the Scholarly Publishing Commons Recommended Citation Holifield, Kimberly (2018) "Through the Lens: World War I Photography as Historical Record," SLIS Connecting: Vol. 7 : Iss. 1 , Article 9. DOI: 10.18785/slis.0701.09 Available at: https://aquila.usm.edu/slisconnecting/vol7/iss1/9 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in SLIS Connecting by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Through the Lens: World War I Photography as Historical Record By Kimberly Holifield British Studies Research Paper July 2016 Readers: Dr. Matthew Griffis Dr. Teresa Welsh Figure 1. Unidentified German Official Photographer in a Shallow Trench, June 1917 (Imperial War Museum Collection, www.iwm.org.uk) Figure 2. First World War Exhibit, Imperial War Museum (Holifield, 2016) “Photography takes an instant out of time, altering life by holding it still.”—Dorothea Lange Introduction However, a shift toward photography as historical Quotations fill vacant spaces along the walls of the record has slowly begun to make its way through the First World War exhibit at the Imperial War Museum world of scholarship. In their 2009 article, Tucker and of London. -
Congressional Record—Senate S1029
March 1, 2011 CONGRESSIONAL RECORD — SENATE S1029 David Kearns was the former chief Corporation, and with David’s leader- trying to persuade Republicans that I executive officer of the Xerox Corpora- ship raised $70 million in private cap- was their natural nominee for Presi- tion who, during the 1980s, led that cor- ital for that. That attracted hundreds dent of the United States. I wasn’t suc- poration to win back the copying mar- of design teams from around the coun- cessful in that, but I was enthusiastic ket from the Japanese. Along the way, try with ideas for how to create better about it. I had made to a Republican he found time to become America’s schools. President Bush hosted a num- group what I thought was an especially most effective business leader who was ber of America’s business leaders at good speech. During the speech, I a champion of education reform, espe- Camp David to help make that happen. talked about my work in the U.S. De- cially for pushing new technology into We worked with Diane Ravitch to partment of Education and I talked schools. He served as Deputy Education create an effort to implement stand- about David Kearns—about his leader- Secretary under the first President ards for the national education goals ship and about how he helped do all the Bush while I was the Secretary of Edu- that President Bush had helped to set things I have just mentioned. After the cation in 1991, 1992 and 1993. in 1987 with the Nation’s Governors. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 112 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 112 CONGRESS, SECOND SESSION Vol. 158 WASHINGTON, TUESDAY, JANUARY 24, 2012 No. 10 House of Representatives The House met at 10 a.m. and was ‘‘CBS News correspondent Clarissa ghanistan, and the little girl, as you called to order by the Speaker pro tem- Ward found one reason in the Pech Val- can see, Mr. Speaker, is looking at the pore (Mr. PAULSEN). ley. Americans lost their lives there flag. She has no idea that her daddy is f building a base called Nangalam. When dead. She will know one day that her they tried to hand over their gains to father died to prop up a corrupt leader DESIGNATION OF SPEAKER PRO the Afghan Army, the base went to named Karzai and a corrupt govern- TEMPORE ruin. ment, and then she will learn from the The SPEAKER pro tempore laid be- ‘‘Army Major Guillermo Guillen, history books as she gets into high fore the House the following commu- from southern California, is frustrated. school that no nation has ever con- nication from the Speaker: ‘You’re relying on us to do all of your quered Afghanistan and no nation will WASHINGTON, DC, security for you. You need to be par- ever conquer Afghanistan. January 24, 2012. ticipating,’ Guillen told an Afghan As we listen to the President tonight I hereby appoint the Honorable ERIK PAUL- counterpart. and he talks about the state of affairs, SEN to act as Speaker pro tempore on this ‘‘On a recent patrol, some Afghan I hope he will mention that he intends day. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 112 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 112 CONGRESS, FIRST SESSION Vol. 157 WASHINGTON, THURSDAY, NOVEMBER 3, 2011 No. 167 House of Representatives The House met at 10 a.m. and was overseas, George Cohan’s song ‘‘Over have that memorial for them, to allow called to order by the Speaker pro tem- There.’’ And they wouldn’t come back it to be constructed. pore (Mr. FITZPATRICK). until it was over ‘‘over there.’’ There is one memorial in Kansas City f The war started. He tried to join the for the World War I doughboys, but we Marines; they wouldn’t take him be- need one here also on the Mall. And it’s DESIGNATION OF SPEAKER PRO cause he was not 18. He tried different important that we honor these great TEMPORE recruiters. He finally found an Army Americans because they are the vet- The SPEAKER pro tempore laid be- recruiter. He says he just told the re- erans that we honor, that we appre- fore the House the following commu- cruiter a whopper—that he was 21. The ciate, and that we should not forget, nication from the Speaker: recruiter took him, swore him in; and although all of them, including the WASHINGTON, DC, the fastest way he could get to Europe loan survivor, Frank Buckles, Jr., has November 3, 2011. and get into action was to drive an am- died. So I hope this House will join me I hereby appoint the Honorable MICHAEL G. -
House of Representatives - Floor Version
1 HOUSE OF REPRESENTATIVES - FLOOR VERSION 2 STATE OF OKLAHOMA 3 1st Session of the 53rd Legislature (2011) 4 HOUSE CONCURRENT RESOLUTION 1006 By: Wesselhoft 5 6 7 AS INTRODUCED 8 A Concurrent Resolution honoring the life of Corporal 9 Frank Buckles. 10 11 12 WHEREAS, the last surviving United States veteran of World War 13 I, Corporal Frank Buckles, died on February 27, 2011, at the age of 14 110; and 15 WHEREAS, Corporal Buckles enlisted in the United State Army in 16 Oklahoma City on August 14, 1917; and 17 WHEREAS, Corporal Buckles served with honor in France and 18 Germany, driving an ambulance and evacuating wounded soldiers from 19 muddy trenches and bloody battlefields; and 20 WHEREAS, after his military service, Corporal Buckles was in the 21 Philippines when the Japanese invaded and was held in a prisoner of 22 war camp for three and one half years during World War II; and 23 24 HCR1006 HFLR Page 1 UNDERLINED language denotes Amendments to present Statutes. BOLD FACE CAPITALIZED language denotes Committee Amendments. Strike thru language denotes deletion from present Statutes. 1 WHEREAS, for his service Corporal Buckles was awarded 2 decorations which include the World War I Victory Medal, the Army of 3 Occupation of Germany Medal, and the French Legion of Honor; and 4 WHEREAS, Corporal Buckles will be laid to rest at Arlington 5 National Cemetery on March 15, 2011; and 6 WHEREAS, Oklahoma mourns the loss of America’s last “Doughboy.” 7 NOW, THEREFORE, BE IT RESOLVED BY THE HOUSE OF REPRESENTATIVES 8 OF THE 1ST SESSION OF THE 53RD OKLAHOMA LEGISLATURE, THE SENATE 9 CONCURRING THEREIN: 10 THAT the Oklahoma Legislature honors the life of Corporal Frank 11 Buckles. -
Gao-12-105, Arlington National Cemetery
United States Government Accountability Office Report to Congressional Committees GAO December 2011 ARLINGTON NATIONAL CEMETERY Management Improvements Made, but a Strategy Is Needed to Address Remaining Challenges GAO-12-105 December 2011 ARLINGTON NATIONAL CEMETERY Management Improvements Made, but a Strategy Is Needed to Address Remaining Challenges Highlights of GAO-12-105, a report to congressional committees Why GAO Did This Study What GAO Found Arlington National Cemetery (Arlington) The Army has taken positive steps to address management deficiencies at contains the remains of more than Arlington and has implemented improvements across a range of areas. However, 330,000 military service members, GAO identified opportunities to build upon these improvements. Specifically, family members, and others. In June GAO found that ANCP: (1) has invested in information-technology improvements 2010, the Army Inspector General and has begun projects to further enhance capabilities, but is not yet basing its identified problems at the cemetery, investments on an enterprise architecture, or modernization blueprint, that could including deficiencies in management, help ensure the planned investments will meet the organization’s needs; (2) has burial errors, and a failure to notify next taken steps to improve its workforce planning, but its plans were based on an of kin of errors. In response, the incomplete understanding of ANCP’s requirements and outdated business Secretary of the Army assigned new processes that have since been revised, with the result that ANCP lacks an leadership for the cemetery and issued guidance to address deficiencies. The updated and validated workforce structure; (3) is in the initial stages of Executive Director, Army National developing a program for assessing and improving cemetery operations, but until Cemeteries Program (ANCP), is ANCP completes this program, it may be limited in its ability to evaluate and responsible for overseeing operations improve aspects of cemetery performance; and (4) has improved its coordination at Arlington. -
March/April 2008 Vol
VAnguard Features Warriors in Transition 6 VA, Defense, Army team up to improve veterans’ care Building for the Future 8 VA is in the midst of an historic surge in construction and leasing 8 One-Stop Service for Soldiers 10 Newly expanded Fort Bragg facility offers easier access to VA benefits Doctor, Teacher, Role Model 12 Tampa VA’s chief of medicine is one of the youngest in the country Turning No Veteran Away 14 Former homeless veteran now helps others get off the streets Return of the Native 16 Kenyan returns to his homeland to help eradicate disease 12 The Files Behind the Faces 18 VA’s massive Records Management Center stores veterans’ records The Problem of Pain 22 And what two VA researchers are doing about it A Day to Remember in South Florida 25 VA’s 125th national cemetery is dedicated near West Palm Beach National Cemetery Volunteers: A Vital Force 26 Dallas-Fort Worth National Cemetery has a dedicated group National Salute 2008 27 26 Honoring veterans hospitalized at VA facilities nationwide VAnguard Departments VA’s Employee Magazine March/April 2008 Vol. LIV, No. 2 3 Feedback 32 Medical Advances Printed on 50% recycled paper 4 From the Secretary 33 Have You Heard 5 Outlook 34 Honors Editor: Lisa Respess Gaegler 28 Around Headquarters 35 Heroes Photo Editor: Robert Turtil 31 Introducing 36 Memorial Day Photographer: Art Gardiner Staff Writer: Amanda Hester Published by the Office of Public Affairs (80D) U.S. Department of Veterans Affairs On the cover 810 Vermont Ave., N.W. Deborah D. -
Warhorse: Teacher Resource Guide
Teacher Resource Guide WarHorseWH Title :Page1.12.12_H4 Teacher title Resource page.qxd 12/29/11 Guide 2:21 PM Page 1 by Heather Lester LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT under the direction of André Bishop and Bernard Gersten NATioNAL THEATRE of GREAT BRiTAiN under the direction of Nicholas Hytner and Nick Starr in association with Bob Boyett War Horse LP presents National Theatre of Great Britain production based on the novel by Michael Morpurgo adapted by Nick Stafford in association with Handspring Puppet Company with (in alphabetical order) Stephen James Anthony Alyssa Bresnahan Lute Breuer Hunter Canning Anthony Cochrane Richard Crawford Sanjit De Silva Andrew Durand Joel Reuben Ganz Ben Graney Alex Hoeffler Leah Hofmann Ben Horner Brian Lee Huynh Jeslyn Kelly Tessa Klein David Lansbury Tom Lee Jonathan Christopher MacMillan David Manis Jonathan David Martin Nat Mcintyre Andy Murray David Pegram Kate Pfaffl Jude Sandy Tommy Schrider Hannah Sloat Jack Spann Zach Villa Elliot Villar Enrico D. Wey isaac Woofter Katrina Yaukey Madeleine Rose Yen sets, costumes & drawings puppet design, fabrication and direction lighting Rae Smith Adrian Kohler with Basil Jones Paule Constable for Handspring Puppet Company director of movement and horse movement animation & projection design Toby Sedgwick 59 Productions music songmaker sound music director Adrian Sutton John Tams Christopher Shutt Greg Pliska associate puppetry director artistic associate production stage manager casting Mervyn Millar Samuel Adamson Rick Steiger Daniel Swee NT technical producer NT producer NT associate producer NT marketing Boyett Theatricals producer Katrina Gilroy Chris Harper Robin Hawkes Karl Westworth Tim Levy executive director of managing director production manager development & planning director of marketing general press agent Adam Siegel Jeff Hamlin Hattie K.