Warhorse: Teacher Resource Guide
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Introduction Childhood Early Career Starting His Writing Middle Age
Introduction Michael Morpurgo ,who is admired by many people, adults and children, for being an author that they enjoy reading. He is also famous for being author of many books such as War Horse,which became a popular stage show; Butterfly Lion,which won the Nestle smarties book award in 1996; Kensuke’s Kingdom, which won the children’s book award in 2000 and Private Peaceful,which was his 100th published book. Many people love his books and he is considered one of the best authors in the world. Read on to find more about this british author. C hildhood Michael was born on October the 5th 1943 (his star sign was a libra.) His father was an actor and his mother was an actress too! He grew up in St Albans, England. When Michael was younger he used to visit the ` Isles of Scilly`. Early Career Michael educated at university,(King's university to be precise) After that, he became a primary school teacher in Kent. It was at his primary school he realised his hidden talent for writing. It is spoken that the children enjoyed Michaels stories more than the stories by other authors. Starting his writing Michael has won many awards in literature such as, the Nestle smarties award. His first published book was written in the summer of the year 1974. It was called ‘It Never Rained’ It was 8 years later when he released his best selling novel, War Horse. War Horse is now a worldrenowned book due to the fact it has been one of the bestselling books ever. -
24 Hours at the Somme PDF Book
24 HOURS AT THE SOMME PDF, EPUB, EBOOK Robert J. Kershaw | 448 pages | 01 Jun 2017 | Ebury Publishing | 9780753555477 | English | London, United Kingdom 24 Hours at the Somme PDF Book After the Autumn Battles Herbstschlacht of , a third defensive position another 3, yards 1. JavaScript is disabled. Romance Books Julie Garwood. Edward Liveing's account is kwn and has been quoted from, but unbelievably this is the first time since it's publication in the USA in that it has been republished in its full, horrific, unexpunged glory. The Fourth Army took 57, casualties , of which 19, men were killed, the French Sixth Army had 1, casualties and the German 2nd Army had 10,—12, losses. Dugouts had been deepened from 6—9 feet 1. When the storm of steel fina Move over, Martin Middlebrook! At a conference at Cambrai on 5 September, a decision was taken to build a new defensive line well behind the Somme front. At the start of the silence, the King's Troop, Royal Horse Artillery fired a gun every four seconds for one hundred seconds and a whistle was blown to end it. Bryan Dixon rated it it was amazing Aug 24, The 4th Canadian Division attacked the trench at p. Author Robert Kershaw. Falkenhayn planned to defeat the large number of reserves which the Entente could move into the path of a breakthrough, by threatening a sensitive point close to the existing front line and provoking the French into counter-attacking German positions. Main article: Battle of Ginchy. Mallins captures Pte Raine heading for the first line dressing station clearly fatigued, glancing directly into the camera; an images which has been seen by millions and millions of people in the last years. -
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Stretch & Challenge
Stretch & Challenge Engage, explore, Discover Junior School SUMMER TERM 2020 Welcome and Contents As we have been thrown the challenge of remote learning, we have noticed the girls and families using Contents this opportunity to expand and develop even more of Art 3 their interests. With such a positive attitude to learning, Ballet 5 it is an ideal moment to offer further growth through the additional inspiration here. Thank you to everyone Computing 7 involved in adding to this booklet. Current Affairs 9 Drama 11 English 13 French 15 Geography 17 History 19 Mrs Dixon, Head of Francis Holland Junior School Maths 21 Music 23 Engage, Explore and Physical Education 25 Discover PSHE 27 Religious Education 29 We are delighted to introduce this superb enrichment booklet designed specifically with our Junior School Science & Steam 31 girls in mind. Our amazing, resourceful teachers have been looking for material to inspire the girls’ Reading learning further, giving the girls ample opportunity to Year 1 35 be inquisitive, creative and indulge their intellectual Year 2 36 curiosity. These resources can be used to extend the work they do in lessons or to develop new and further Year 3 37 interests. Year 4 38 On a practical note, we would like to draw your Year 5 39 attention to some key features of this document. The Year 6 40 subjects listed on the contents page link to the relevant pages which are then split into content suitable for Thematic Reading EYFS, Key Stage 1, Key Stage 2 or all of the girls. In Adventure Books 41 addition, there are many links within each subject to Fantasy Books 42 online tours, talks, competitions, games, virtual courses as well as books being linked directly to Amazon. -
Supporting Our Work
Supporting our work We are hugely grateful to the I am a UK taxpayer and would like the charity to reclaim many people who generously Gift Aid on my behalf (please tick) ___ give their time, their energy or any donation - large or small - I enclose a donation of £_________made payable to in support of our work. Farms for City Children Pensioners, school children, churches, schools and businesses all help to raise funds for Farms for City Children. You can be part of it too! We want to make sure that as many children as possible can visit our farms. With this in mind, we aim to raise over £300,000 each year, to subsidise the true cost of each child’s place. We must also raise money to maintain the three historic farm properties Feeding the kids at Treginnis which we are so lucky to have. Please update / add my contact details to your If you are a UK taxpayer, you newsletter mailing list: can make your donation under the Gift Aid scheme. This Name:……………………………………………………… allows FFCC to claim back an extra 25p in tax for every £1 Address:…………………………………………………… you donate. ...................................................................... If you would like to make a donation and/or join our e-mail……………….………………………………… mailing list, please fill in your details. Signed:…………………………………………Date………… (Information supplied is confidential and is not passed on to third parties) Please return this page to: Farms for City Children, Administrative Office, Bridge House, 25 Fore Street, Okehampton, Devon, EX20 1DL e-mail: [email protected] Registered Charity number 325120 Winter Newsletter 2010 This autumn we celebrate the The orchards produce an amazing range of local and launch of ‘Wick Court Food traditional apples, perry pears, plums and gages. -
Kids Elect President Barack Obama the Winner in Nickelodeon's Kids Pick the President "Kids' Vote" National Poll
Kids Elect President Barack Obama The Winner In Nickelodeon's Kids Pick the President "Kids' Vote" National Poll More Than Half a Million Votes Cast NEW YORK, Oct. 22, 2012 /PRNewswire/ -- The kids of the United States have spoken and President Barack Obama has been elected the winner of Nickelodeon's 2012 Kids Pick the President "Kids' Vote." Since it began in 1988, kids have correctly picked the winner (in advance of the national election) five out of the last six times. More than half a million votes were cast in the network's online poll as part of Nickelodeon's Kids Pick the President initiative to build young citizens' awareness of, and involvement in, the election process. President Obama received 65% of the vote and former Governor Mitt Romney received 35%. In order to more closely replicate the actual election, and to ensure the results were more authentic, this year the voting was limited to one vote per electronic device. Kids were able to cast their votes online from Oct. 15 to Oct. 22. On Monday, Oct. 22, at 7:30 p.m. (ET/PT), Linda Ellerbee, the Emmy Award-winning host of Nickelodeon's Nick News, will announce the winner of the Kids Pick the President "Kids' Vote" on the network. "What politicians do definitely affects kids but for me, it's not about who wins," said Ellerbee. "It's about creating tomorrow's voters. Democracy takes work. We're the practice field." Leading up to the Kids Pick the President online vote, Nickelodeon aired two election-themed Nick News with Linda Ellerbee specials this year, which ranked as the series' highest-rated episodes for 2012 to date. -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
A Social and Cultural History of the New Zealand Horse
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. A SOCIAL AND CULTURAL HISTORY OF THE NEW ZEALAND HORSE CAROLYN JEAN MINCHAM 2008 E.J. Brock, ‘Traducer’ from New Zealand Country Journal.4:1 (1880). A Social and Cultural History of the New Zealand Horse A Thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy In History Massey University, Albany, New Zealand Carolyn Jean Mincham 2008 i Abstract Both in the present and the past, horses have a strong presence in New Zealand society and culture. The country’s temperate climate and colonial environment allowed horses to flourish and accordingly became accessible to a wide range of people. Horses acted as an agent of colonisation for their role in shaping the landscape and fostering relationships between coloniser and colonised. Imported horses and the traditions associated with them, served to maintain a cultural link between Great Britain and her colony, a characteristic that continued well into the twentieth century. Not all of these transplanted readily to the colonial frontier and so they were modified to suit the land and its people. There are a number of horses that have meaning to this country. The journey horse, sport horse, work horse, warhorse, wild horse, pony and Māori horse have all contributed to the creation of ideas about community and nationhood. How these horses are represented in history, literature and imagery reveal much of the attitudes, values, aspirations and anxieties of the times. -
Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. -
Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”. -
Congressional Record—Senate S1029
March 1, 2011 CONGRESSIONAL RECORD — SENATE S1029 David Kearns was the former chief Corporation, and with David’s leader- trying to persuade Republicans that I executive officer of the Xerox Corpora- ship raised $70 million in private cap- was their natural nominee for Presi- tion who, during the 1980s, led that cor- ital for that. That attracted hundreds dent of the United States. I wasn’t suc- poration to win back the copying mar- of design teams from around the coun- cessful in that, but I was enthusiastic ket from the Japanese. Along the way, try with ideas for how to create better about it. I had made to a Republican he found time to become America’s schools. President Bush hosted a num- group what I thought was an especially most effective business leader who was ber of America’s business leaders at good speech. During the speech, I a champion of education reform, espe- Camp David to help make that happen. talked about my work in the U.S. De- cially for pushing new technology into We worked with Diane Ravitch to partment of Education and I talked schools. He served as Deputy Education create an effort to implement stand- about David Kearns—about his leader- Secretary under the first President ards for the national education goals ship and about how he helped do all the Bush while I was the Secretary of Edu- that President Bush had helped to set things I have just mentioned. After the cation in 1991, 1992 and 1993. in 1987 with the Nation’s Governors. -
Dialect Coaching for Screen 2014/2015/2016 Dialect and Voice
Dialect Coaching for Screen 2014/2015/2016 Nov 16 – Feb 2017 Roseline Productions Dialect Coach for Will Ferrell, John C Reilly: Holmes and Watson Nov 2016 Sky Dialect Coach Bliss Nov 2016 BBC Dialect Coach for Zombie Boy: Silent Witness Aug 2016 Sky Dialect Coach for Iwan Rheon and Dimitri Leonidas: Riviera Jan/Feb 2016 Channel 4 Dialect Coach: ADR: Raised By Wolves directed by Ian Fitzgibbon Oct 2015 Jellylegs/Sky 1 Dialect Coach: Rovers directed by Craig Cash Oct 2015 Channel 4 Dialect Coach: Raised By Wolves directed by Ian Fitzgibbon Sept 2015 LittleRock Pictures/Sky Dialect /voice coach: Elizabeth, Michael and Marlon (Joseph Fiennes, Stockard Channing, Brian Cox) January – May 2015 BBC2/ITV, London Dialect Coach (East London): Cradle to Grave – directed by Sandy Johnson January – April 2015 Working Title/Sky Dialect Coach (Gen Am, Italian): You, Me and the Apocalypse – TV directed by Michael Engler/Saul Metzstein September 2014 Free Range Films Ltd, London Dialect/voice coach (Leeds): The Lady in the Van – Feature directed by Nicholas Hytner May 2014 Wilma TV, Inc. for Discovery Channel, New York Dialect Coach (Australian): Amerikan Kanibal - Docudrama February/March 2014 Mad As Birds Dialect Coach (Various Period US accents): Set Fire to the Stars - Feature directed by Andy Goddard February and June 2014 BBC 3 Dialect Coach (Liverpool and Australian): Crims - TV directed by James Farrell Dialect and Voice Coaching for theatre 2016 Oct 2016 Park Theatre, Dialect support (New York: Luv directed by Gary Condes Oct 2016 Kings Cross