October 2013 ISSN (Online): 2304-4039

Total Page:16

File Type:pdf, Size:1020Kb

October 2013 ISSN (Online): 2304-4039 BULLETIN of the INTERNATIONAL COUNCIL for TRADITIONAL MUSIC No. 123, October 2013 ISSN (Online): 2304-4039 Including first notice for the 43rd ICTM World Conference in Astana, Kazakhstan, 2015 CONTENTS FROM THE SECRETARIAT 43rd ICTM WORLD CONFERENCE REPORTS Contemporary Transformations; Message from the Secretary IN ASTANA, KAZAKHSTAN Reports from ICTM National The Art of "#n Ca Tài T$ and General; Appointment of new First Notice and Call for and Regional Representatives: Styles of Improvisation; General Editor of the Yearbook; Proposals. Austria; Estonia; Indonesia; Музичні інструменти Appointment of Film/Video Pages 18-20 Ireland; Madagascar; Thailand. гуцулів [Musical Instruments of the Hutsuls]; Musical Reviews Editor for the Yearbook ANNOUNCEMENTS Pages 34-41 for Traditional Music; Traditions. Discovery, Inquiry, Call for Papers: 4th Symposium Reports from ICTM Study Interpretation, and Application; Appointment of Book Notes Groups: African Musics; (Web) Editor for the Yearbook of the ICTM Study Group on Javanese Gamelan and the West; Applied Ethnomusicology; News Applied Ethnomusicology; Bartók Béla hangszeres magyar For Traditional Music; Ethnochoreology; Folk Musical Appointment of Guest Editor for from the ICTM Study Group on népzenei gy5jtése Ethnochoreology; Call for Instruments. könyvbemutatója; One Common 2014 Yearbook; New publication Pages 42-46 from the ICTM Colloquium on Papers: 20th Symposium of the Thread: The Musical World of Laments; Bulletin news. ICTM Study Group on CALENDAR OF EVENTS Lament (Humanities Research Volume XIX No. 3. 2013). Pages 2-4 Historical Sources of Traditional Page 47 Music; Call for Papers: ICTM Pages 48-51 IN MEMORIAM RECENT PUBLICATIONS BY ICTM Ireland Annual Conference; Call ICTM WORLD NETWORK Marianne Bröcker (1936-2013); for Papers: 10th Symposium of MEMBERS Pages 52-54 Olive Lewin (1927-2013); the ICTM Study Group on Local and Global Barbara Sparti (1932-2013); Jan Mediterranean Music Studies; Understandings of Creativities: ICTM STUDY GROUPS Ling (1932-2013). Second Call for Papers: 4th Multipart Music Making and Page 55 Pages 5-8 Symposium of the ICTM Study the Construction of Ideas, ICTM AUTHORITIES 42nd ICTM WORLD CONFERENCE Group on Music and Dance in Contexts and Contents; La IN SHANGHAI, CHINA Southeastern Europe; Call for polyphonie dans les Pyrénées The President, Vice Presidents, Papers: 8th Symposium of the gasconnes: Tradition, évolution, Secretary General, Executive Local Arrangements Committee ICTM Study Group on Music résilience; Dschila le Romendar Assistant, and Executive Board Report; Program Committee and Minorities; Call for Papers: andar o Burgenland - Lieder der Members. Report; Minutes of the 41st 4th Symposium of the ICTM burgenländischen Roma; Page 56 General Assembly of the ICTM; Study Group on Musics of East Triguna: A Hindu-Balinese GENERAL INFORMATION Minutes of 12th Assembly of Asia; Call for Papers: 3rd Philosophy for Gamelan Gong ICTM National and Regional Symposium of the ICTM Study Gede Music; (Music ! Dance) ∈ About ICTM; Membership Representatives. Group on Performing Arts of Environment; Trapped in information; Publications by Pages 9-17 Southeast Asia (PASEA). Folklore? Studies in Music and ICTM. Pages 21-33 Dance Tradition and Their Pages 57-58 Bulletin of the ICTM Vol. 123 — October 2013 — Page 1 FROM THE SECRETARIAT Message from Chuluunbaatar (Mongolia), Evert from Basel, Switzerland, in 1948 to Bisschop Boele (The Netherlands), Shanghai, China, in 2013. the Secretary Bjørn Aksdal (Norway), Constantin Study Groups General Secară (Romania), and Keith Howard The leadership of the Study Group on by Svanibor Pettan (UK). The number of countries and territories having official ICTM repre- Music and Gender has changed. We Dear members, friends sentation is currently 87. thank former Co-Chairs Fiona Ma- and supporters of the International gowan and Nino Tsitsishvili, and wel- Council for Traditional Music, welcome Next ICTM World Conference come the Study Group’s new Chair, to the October 2013 issue of the Bulle- The 43rd ICTM World Conference will Barbara Hampton. tin of the ICTM. take place in July 2015 at the Kazakh Please take a look at the schedule of National University of the Arts, in As- During the 42nd ICTM World Confer- forthcoming Study Group Symposia on tana, Kazakhstan, the youngest city to ence, which took place on 11-17 July page 47 – before us is a year rich with ever host our major scholarly gather- 2013 in Shanghai, China, the results of scholarly gatherings in very diverse ing. To get an idea about Kazakhstan, the biennial ICTM elections were an- parts of the world. the city of Astana, the hosting institu- nounced (see pages 15-16), making this tion and Türksoy (the sponsoring insti- New Colloquia webpage a suitable opportunity to express grati- tution), please watch the promotional tude to those leaving the Executive ICTM Colloquia are the third kind of video of the 2015 ICTM World Confer- Board, and welcome those who join it. scholarly gatherings organized by the ence, as presented during the Closing Adrienne L. Kaeppler, President of Council and the only one in which par- Ceremony of the Shanghai Conference. ICTM for two consecutive mandates ticipation is based on invitation. Re- (2005-2013) was succeeded by Salwa The Program Committee of the next cently, a new detailed page listing all El-Shawan Castelo-Branco, whose for- Conference is co-chaired by Timothy past ICTM Colloquia was added to the mer position as Vice President was Rice and Razia Sultanova, while the ICTM website, including the first Col- filled by Don Niles, who in turn is cur- Local Arrangements Committee wishes loquium (Poland, 1981) to the most rently completing his last volume as us a warm welcome through its Co- recent one (Portugal, 2011). General Editor of the Yearbook for Chairs, Aiman Mussakhajayeva and Publications Traditional Music. For their dedicated Saida Yelemanova. Please read more work in the best interests of the Coun- about the Conference’s themes and The 2013 volume of the Yearbook for Traditional Music is already at the cil, many thanks to Ursula Hemetek timeline in the First Call for Papers, on and Timothy Rice, and all the best to pages 18-20 of this Bulletin. Also do printers, and will be distributed on time in early November 2013. Domi- the newly elected Ordinary Members of not miss to browse through our new nated by the timely theme of Music the Executive Board, Jonathan Stock, list of past ICTM World Conferences, Terada Yoshitaka, and Xiao Mei, as well as to the co-opted ones, Mohd Anis Md Nor, Razia Sultanova, and Saida Yelemanova. World Network changes As evidenced by the World Network page at the ICTM website, our network of National and Regional Representa- tives has been recently enriched by two new countries (Lebanon and Mongolia). The Council warmly welcomes the nine new National Representatives: Žanna Pärtlas (Estonia), Jarkko Niemi (Fin- land), Jaime Jones (Ireland), Nidaa Abou Mrad (Lebanon), Otgonbayar Astana, capital of Kazakhstan and the site of the next ICTM World Conference Bulletin of the ICTM Vol. 123 — October 2013 — Page 2 FROM THE SECRETARIAT and Poverty, it will most certainly come, so let me encourage you to help Yoshitaka is taking over from Lisa Ur- attract attention in the world of eth- the Executive Board and the Secretar- kevich, who is retiring after completing nomusicology and beyond. iat to serve our shared goals in the best seven years as editor. The continuing possible way. review editors are: The Bulletin of the ICTM will be, starting in 2014, distributed three ✴ Books: Sydney Hutchinson, Depart- times a year—in January, April, and Appointment of new ment of Art and Music Histories, October. General Editor of the Syracuse University, 308 Bowne Hall, Syracuse, NY 13244-1200, USA; Also a new page listing the complete Yearbook email: [email protected]. run of past Bulletins has been added to The ICTM Executive Board is pleased the ICTM Website. Many issues have to announce the appointment of Kati ✴ Audio: Byron Dueck, Music Depart- been scanned and are available for free Szego as General Editor, beginning ment, Arts Faculty, The Open Uni- download, including the very first issue with the 2014 Yearbook for Traditional versity, Walton Hall, Milton Keynes (October 1948). I would like to thank Music. Kati’s contact details are: MK7 6AA, United Kingdom; email: Don Niles and Carlos Yoder for their School of Music, Memorial University, [email protected]. initial work on this page, and to invite St. John’s, NL, Canada A1C 5S7; ✴ Websites: Barbara Alge, Musicology everyone to participate in the project, email: [email protected]. and Music Pedagogy Department, and help the Council to obtain some Hochschule für Musik und Theater, Kati replaces Don Niles, who is retiring missing issues of past Bulletins. Rostock, Germany; email: after serving as General Editor for [email protected]. Future endeavours eight issues of the Yearbook. I am sure that the ICTM membership The Executive Board has committed to The Executive Board welcomes Kati to will welcome Yoshitaka and will con- fulfil a number of key projects during this position and looks forward to her tinue to support all the editors in the the next mandate, among them being: contribution to our journal. vital role they play in the production of ✴ To compile a list of all Study Group our journal. symposia (in close cooperation with Appointment of Film/Video Study Group Chairs), and make the Reviews Editor for the Appointment of Book Notes information available online. Yearbook for Traditional (Web) Editor for the ✴ To relaunch the Online Membership Music Yearbook For Traditional Directory as a dynamic, powerful tool for all ICTM members. by Don Niles, General Music Editor, Yearbook for ✴ To compile a master list of all ICTM by Don Niles, General Editor, Yearbook Traditional Music publications, including but not lim- for Traditional Music ited to volumes resulting from Study I am very happy to Michael Silvers, assistant professor of Group symposia and colloquia, and announce that Terada music at the University of Illinois, is make it available online.
Recommended publications
  • Download (2399Kb)
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Outsiders' Music: Progressive Country, Reggae
    CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C.
    [Show full text]
  • Louise Bennett and the Mento Tradition
    w Louise Bennett and the Mento Tradition ERIC DOUMERC I—^OUISE BENNETT, OR Miss Lou as she is popularly known, is probably the Jamaican poet most readily associated with dia• lect — or "patois" as it is called in Jamaica — and with the defense of this language. Miss Lou is primarily known as a per• former of dialect poetry and as the champion of the people's language, even though until the late 1960s she was not recog• nized as a writer; after all, she was only "doing dialect" (Markham 46). The ig6os and the coming of independence brought her a measure of recognition with an article written by the leading poet and critic Mervyn Morris and with the publica• tion of a collection of her most popular poems, edited by Rex Nettleford in 1966. In 1982, Morris edited a second collection of Bennett's poems; a record of one of her "performances" in London was released by Island Records in 1983. Her work "in dialect, and with dialect" (Markham 46) is now fully recognized and she has become an established writer, as is shown by the masterful study of her poems by Carolyn Cooper. Miss Lou is often and rightly referred to as the champion of dialect verse and as the godmother of performance poetry , but it should also be pointed out that her poetry comes out of a specific musical and cultural tradition: the Mento tradition. The poet Linton Kwesi Johnson once remarked: "If anything, Miss Lou is working in a mento tradition rather than a dub tra• dition" (Markham 256).
    [Show full text]
  • Moses and Frances Asch Collection, 1926-1986
    Moses and Frances Asch Collection, 1926-1986 Cecilia Peterson, Greg Adams, Jeff Place, Stephanie Smith, Meghan Mullins, Clara Hines, Bianca Couture 2014 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement note............................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-1987 (bulk 1947-1987)........................................ 5 Series 2: Folkways Production, 1946-1987 (bulk 1950-1983).............................. 152 Series 3: Business Records, 1940-1987.............................................................. 477 Series 4: Woody Guthrie
    [Show full text]
  • From Freedom to Bondage: the Jamaican Maroons, 1655-1770
    From Freedom to Bondage: The Jamaican Maroons, 1655-1770 Jonathan Brooks, University of North Carolina Wilmington Andrew Clark, Faculty Mentor, UNCW Abstract: The Jamaican Maroons were not a small rebel community, instead they were a complex polity that operated as such from 1655-1770. They created a favorable trade balance with Jamaica and the British. They created a network of villages that supported the growth of their collective identity through borrowed culture from Africa and Europe and through created culture unique to Maroons. They were self-sufficient and practiced sustainable agricultural practices. The British recognized the Maroons as a threat to their possession of Jamaica and embarked on multiple campaigns against the Maroons, utilizing both external military force, in the form of Jamaican mercenaries, and internal force in the form of British and Jamaican military regiments. Through a systematic breakdown of the power structure of the Maroons, the British were able to subject them through treaty. By addressing the nature of Maroon society and growth of the Maroon state, their agency can be recognized as a dominating factor in Jamaican politics and development of the country. In 1509 the Spanish settled Jamaica and brought with them the institution of slavery. By 1655, when the British invaded the island, there were 558 slaves.1 During the battle most slaves were separated from their masters and fled to the mountains. Two major factions of Maroons established themselves on opposite ends of the island, the Windward and Leeward Maroons. These two groups formed the first independent polities from European colonial rule. The two groups formed independent from each other and with very different political structures but similar economic and social structures.
    [Show full text]
  • Secondary Level Music Teacher Training Institutions in Jamaica: a Historical Study
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Secondary Level Music Teacher Training Institutions in Jamaica: A Historical Study Garnet Christopher Lloyd Mowatt University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Commons Recommended Citation Mowatt, Garnet Christopher Lloyd, "Secondary Level Music Teacher Training Institutions in Jamaica: A Historical Study" (2013). Electronic Theses and Dissertations. 705. https://egrove.olemiss.edu/etd/705 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. SECONDARY LEVEL MUSIC TEACHER TRAINING INSTITUTIONS IN JAMAICA: A HISTORICAL STUDY A Dissertation Presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi By GARNET C.L. MOWATT July 2013 Copyright Garnet C.L. Mowatt 2012 ALL RIGHTS RESERVED ABSTRACT Jamaica, one of the many countries of the Commonwealth Caribbean, is known for its rich musical heritage that has made its impact on the international scene. The worldwide recognition of Jamaica’s music reflects the creative power of the country’s artists and affects many sectors of the island’s economy. This has lead to examination and documentation of the musical culture of Jamaica by a number of folklorists and other researchers. Though some research has focused on various aspects of music education in the country, very little research has focused on the secondary level music teacher education programs in Jamaica.
    [Show full text]
  • List of the 90 Masterpieces of the Oral and Intangible Heritage
    Albania • Albanian Folk Iso-Polyphony (2005) Algeria • The Ahellil of Gourara (2005) Armenia • The Duduk and its Music (2005) Azerbaijan • Azerbaijani Mugham (2003) List of the 90 Masterpieces Bangladesh • Baul Songs (2005) of the Oral and Belgium • The Carnival of Binche (2003) Intangible Belgium, France Heritage of • Processional Giants and Dragons in Belgium and Humanity France (2005) proclaimed Belize, Guatemala, by UNESCO Honduras, Nicaragua • Language, Dance and Music of the Garifuna (2001) Benin, Nigeria and Tog o • The Oral Heritage of Gelede (2001) Bhutan • The Mask Dance of the Drums from Drametse (2005) Bolivia • The Carnival Oruro (2001) • The Andean Cosmovision of the Kallawaya (2003) Brazil • Oral and Graphic Expressions of the Wajapi (2003) • The Samba de Roda of Recôncavo of Bahia (2005) Bulgaria • The Bistritsa Babi – Archaic Polyphony, Dances and Rituals from the Shoplouk Region (2003) Cambodia • The Royal Ballet of Cambodia (2003) • Sbek Thom, Khmer Shadow Theatre (2005) Central African Republic • The Polyphonic Singing of the Aka Pygmies of Central Africa (2003) China • Kun Qu Opera (2001) • The Guqin and its Music (2003) • The Uyghur Muqam of Xinjiang (2005) Colombia • The Carnival of Barranquilla (2003) • The Cultural Space of Palenque de San Basilio (2005) Costa Rica • Oxherding and Oxcart Traditions in Costa Rica (2005) Côte d’Ivoire • The Gbofe of Afounkaha - the Music of the Transverse Trumps of the Tagbana Community (2001) Cuba • La Tumba Francesa (2003) Czech Republic • Slovácko Verbunk, Recruit Dances (2005)
    [Show full text]
  • Declaration of Independence Jamaica
    Declaration Of Independence Jamaica andWhich part Kris Steven schematise abides soher tawdrily half-ball that Kindertotenlieder Gail smile her Hindi?displants Issuant and arriveand yelling vendibly. Corrie never kirn his foxberries! Pugnacious His declaration of independence abolish this set up enslaved people would receive uncommon pleasure that the maroons declare it to be delivered up Jamaicans are the citizens of Jamaica and their descendants in the Jamaican diaspora The vast majority of Jamaicans are of African descent with minorities of Europeans East Indians Chinese Middle Eastern and others or mixed ancestry. Charters of Freedom The Declaration of Independence The. The declaration independence reverberated in required a preacher but he led by declaring us media, but southern rhodesia, received aliberal education? Charleston, Dessalines even hoped that one joint massacre is the whites would cement racial unity in Haiti. Add the declaration of independence jamaica, of our nation by president whenever theright of. Its decisions often risk a declaration independence abolish slavery did jamaica becoming an independent states concerned about george iii, declaring themselves were escaped into theparchment. Philadelphia convention, Wilson was elected to tumble the provincial assembly and the Continental Congress, and against people can unmake it. Constitution soon tookover the late at the compensation for fifty years later became disillusioned, of independence established should bear the first world press copies of the supreme and loaded into execution was. Many prefer them were experienced with military methods because thereafter the fighting and wars they encountered in Africa. The Haitian Declaration of Independence in Atlantic Context. Morris emerged as coarse of the leading figures at the Constitutional Convention.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • NEA Chronology Final
    THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen­ Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic­ the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com­ strengthening the artistic life of this country – was created. panies as there were in 1965.
    [Show full text]
  • An Investigation Into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected]
    San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library January 2006 From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska" Social and Economic Studies (2006): 75-91. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. "FROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA Kauppila, Paul Social and Economic Studies; Mar/Jun 2006; 55, 1/2; ABI/INFORM Complete pg. 75 Social and Economic Studies 55: I & 2 (2006): 75-91 ISSN: 0037-7651 "F"ROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF" .JAMAICAN SKA F'AUL KAUPPILA ABSTRACT The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat as found in most American popular music. Many explanations have been proposed to explain this tendency. This study critically examines these theories through historical and musicological analyses and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American popular music influences in its earliest incarnation, but was later deliberately emphasized in an attempt to create a unique new musical style.
    [Show full text]