DOCSLIB.ORG

Booking: 651.257.9500

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Booking: 651.257.9500 booking: www.themusicworks.com 651.257.9500 the band Since 2009, Big Toe & The Jam are here to help you kick off your shoes and shake out the blues on an utterly grand scale. Rock, pop, R&B, and funk. From James Brown, Journey, Bob Marley, and Aretha to Bruno Mars, Black Eyed Peas, Beyonce, and Christina Aguilera, from Stevie Wonder, Michael Jackson, and Prince to Taio Cruz, Jason Mraz, and Gwen Stefani, from The Beatles, Chicago, and The Blues Brothers to Kelly Clarkson, Katy Perry, and Kid Rock, and don't miss the Disco Extravaganza that will leave you breathless. Vocalist Paul Dunkirk (original member, The Blenders) and drummer Ja- mie (Sacred Chao, Brat Pack Radio) have merged their respective bags of trickery and assembled a 9-piece, technicolor troupe with infectious appeal. Paul Dunkirk and Paula Wilson on vocals will knock you out. Ja- mie, along with bassist Aaron Hammerman lay out relentlessly rock- steady, dynamic grooves. Brian Allen is amazing on keyboard and adds vocal harmony. John Baumgartner on trombone joins one of the best young horn sections in town with Matt Bergman on sax and Sten Johnson on trumpet. These exceptionally talented musical artists want nothing more than to show you a good time. So, step right up. Get on in under the big tent. You're gonna strut. You're gonna sweat. You're gonna get downright converted. Resistance? Futile. booking: www.themusicworks.com 651.257.9500 the songs Uptown Funk - Mark Ronson The Disco Medley: I Gotta Feeling - Black Eyed Peas Get Down Tonight /That's The Way I Like It - Dynamite - Taio Cruz KC Party Rock - LMFAO Funkytown - Lipps Inc. Mercy - Duffy To Be Real - Cheryl Lynn Superfreak - Rick James You Should Be Dancing - Bee Gees Boogie Shoes - KC and the Sunshine Band Car Wash - Rose Royce Play That Funky Music - Wild Cherry Disco Inferno - Trammps Brick House - Commodores Le Freak - Chic Burning Down House - Talking Heads Lady Marmalade - LaBelle Centerfold - J. Geils Band I Will Survive - Gloria Gaynor Thriller - Michael Jackson Billie Jean - Michael Jackson 25 or 6 to 4 - Chicago Bust a Move - Young MC Sweet Caroline - Neil Diamond Just a Girl - Gwen Stefani Shakey Ground - Delbert McClinton You Can Leave Your Hat On - Joe Cocker Long Train Runnin - Doobie Brothers Seven Nation Army (Ben L'Oncle Soul version) Wild Night - Van Morrison Call Me Maybe - Carly Rae Jepsen You May Be Right - Billy Joel Proud Mary - Tina Turner Signed, Sealed, Delivered - Stevie Wonder Land of 1000 Dances September - Earth Wind and Fire Hey Ya! - Outkast Superstition - Stevie Wonder Livin La Vida Loca - Ricky Martin Sir Duke - Stevie Wonder Aint No Mountain High Enough - Marvin Gaye I Wish - Stevie Wonder Walking on Sunshine - Katrina and the Waves Don't Stop Believin' - Journey Let's Go Crazy - Prince Hard to Handle - Black Crowes Lady Madonna - The Beatles Brown Eyed Girl - Van Morrison It's Your Thing - Isley Brothers Twist & Shout - Beatles Everybody Needs Somebody - Blues Brothers Shout - Isley Brothers ...and many, many more booking: www.themusicworks.com 651.257.9500 the word WINNER!!! Best Wedding Band - minneapolis.happeningmag.com—2014! “Big Toe and the Jam were great! Jamie and the whole band were just won- derful to work with. Everybody loved them, they were a big hit. I cannot say enough good about them!” -Dr. M E Corporate event December 2014 “My colleagues who were on-site for that event told me that Big Toe & the Jam was GREAT! Very professional and interactive and they had nothing bad to say about them. Very much appreciated Gregg – I will be reaching out for fu- ture requests!” Meghan Metro Connections Corporate Event 2014 “Thank you guys so much for doing such a great job playing at our wedding! We really appreciate you learning songs just for us and giving us input on the set -list, not to mention letting my brother come up and sing “Sweet Caroline” with you! You guys DOMINATED a huge range of genres, making clear what phe- nomenal musicians you are. Most importantly, you kept the dance floor packed. I can’t tell you how many people told us what a great band we had. On top of all that, we appreciated how professional, flexible and easy-to-work with you were. Thanks for helping to make our wedding day as fun and special as we could have hoped for – we couldn’t be happier to have booked you! Thank you again!” – Elise and Spencer Wedding Reception 2014 “They did great! They were very entertaining and fun, and held the crowd all night. I highly recommend Big Toe and the Jam!” Dean-Rose Creek Fun Days 2014 booking: www.themusicworks.com 651.257.9500 the word2 “Thanks to you all for your musical talent and a fun night on Friday! I’ve had several co-workers stop by my desk this morning with compliments for the ‘Big Toe’…thanks so much!! … Some folks that stayed later than I did said the dance floor got progressively fuller, so despite the arrangement you succeeded in draw- ing them in, yaaaaaay” Thanks so much, you all were a real pleasure to work with…for what it’s worth, you’re the first band/agency I have followed up with to say that following our party. It was truly a pleasure working with you and, thanks for a great time!” - Laurie, Interstate Companies, Inc. “The band was great. I received nothing but positive feedback about the band on Saturday night and several times since then. They did a great job and were a pleasure to work with.”- St Vincent De Paul Harvest Fest “They did a fabulous job! Everyone loved them. We had over 400 people, one of the best attended events!” - Annandale Community “Hiring Big Toe and the Jam was one of the best decisions we made regarding our wedding. They were professional and friendly when setting up, and they did an excellent job of listening to what we wanted during our planning meeting. At the wedding, they kept everyone dancing and the energy high. I can’t tell you how many comments we had from our guests and people working at the venue about how good they are and how much fun everyone was having. My hus- band’s highlight of the night was when he was pulled up on stage to sing “Sweet Caroline” in front of everyone — very spontaneous (very not him!), but so much fun! We went to a wedding this past weekend where there was a band, and they couldn’t hold a candle to the talent of Big Toe. They are some talented mu- sicians! If there is ever an occasion in the future where we would need a band, we wouldn’t hesitate to hire them again”. -Beth Schultz, 763-226-0054 booking: www.themusicworks.com 651.257.9500 .
Load more

Recommended publications
  • “Rapper's Delight”
    1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]
  • INTERVIEWS from the 90'S
    INTERVIEWS FROM THE 90’s 1 INTERVIEWS FROM THE 90’S p4. THE SONG TALK INTERVIEW, 1991 p27. THE AGE, APRIL 3, 1992 (MELBOURNE, AUSTRALIA) p30. TIMES THEY ARE A CHANGIN'.... DYLAN SPEAKS, APRIL 7, 1994 p33. NEWSWEEK, MARCH 20, 1995 p36. EDNA GUNDERSEN INTERVIEW, USA TODAY, MAY 5, 1995 p40. SUN-SENTINEL TODAY, FORT LAUDERDALE, SEPT. 29, 1995 p45. NEW YORK TIMES, SEPT. 27, 1997 p52. USA TODAY, SEPT. 28, 1997 p57. DER SPIEGEL, OCT. 16, 1997 p66. GUITAR WORLD MAGAZINE, MARCH 1999 Source: http://www.interferenza.com/bcs/interv.htm 2 3 THE SONG TALK INTERVIEW, 1991 Bob Dylan: The Song Talk Interview. By: Paul Zollo Date: 1991 Transcribed from GBS #3 booklet "I've made shoes for everyone, even you, while I still go barefoot" from "I and I" By Bob Dylan Songwriting? What do I know about songwriting? Bob Dylan asked, and then broke into laughter. He was wearing blue jeans and a white tank-top T-shirt, and drinking coffee out of a glass. "It tastes better out of a glass," he said grinning. His blonde acoustic guitar was leaning on a couch near where we sat. Bob Dylan's guitar . His influence is so vast that everything that surrounds takes on enlarged significance: Bob Dylan's moccasins. Bob Dylan's coat . "And the ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place. The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain" from "Visions of Johanna" Pete Seeger said, "All songwriters are links in a chain," yet there are few artists in this evolutionary arc whose influence is as profound as that of Bob Dylan.
    [Show full text]
  • Monitoring the Cross-Border Circulation of European Music Repertoire
    Monitoring the cross-border circulation of European music repertoire within the European Union Report commissioned by EMO & Eurosonic Noordeslag Emmanuel Legrand January 2012 1 About this report: The music scene in Europe is very strong, creative and diversified. Each country within the European Union has a solid local music scene. However, due to the structure of the various national markets, the existence of language diversity and different cultural behaviours, the flow of repertoire across borders within the EU is far from reflecting the notion of one single market. Although there have been embryonic attempts to document the situation of European music repertoire in Europe, the full scale of the situation has never been fully monitored. The European Music Office, in partnership with Eurosonic Noordeslag and Nielsen, has undertaken a preliminary study aimed at monitoring and analysing the cross-border flows of repertoire within the EU in 2011. The study provides quantifiable data on the circulation of repertoire with the ambition of becoming the foundation for an observatory of the circulation of repertoire in Europe. This report has been made possible with the contributions from the following organisations: [NB: the views expressed in this report are those of its author and do not represent those of EMO of Eurosonic Noordeslag.] 2 Executive Summary The study on the circulation of European repertoire within the European Union was commissioned by the European Music Office and Dutch conference and festival Eurosonic Noordeslag. Its purpose is to analyse the flow of repertoire between EU countries, based on statistical data on radio airplay and digital downloads.
    [Show full text]
  • Biography -- Printable Version
    Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Higher Ground Song List
    Higher Ground Song List Top 40 Let’s get it started – Black Eyed Peas American boy – Estelle Locked out of heaven – Bruno Mars Bad romance – Lady Gaga Moves like Jagger – Maroon 5 Bartender – T Pain Mr. Saxobeat – Alexandra Stan Because of you – Ne Yo Music sounds better with you – Stardust Blame it – Jamie Foxx My love – Justin Timberlake Blurred lines – Robin Thicke No one – Alicia Keys Boom boom pow – Black Eyed Peas OMG – Usher California girls – Katy Perry One more night – Maroon 5 Call me maybe – Carly Rae Jepson One more time – Daft Punk Clarity - Zedd Only girl in the world – Rihanna Closer – Ne Yo Party rock – LMFAO Crazy in love – Beyonce Problem – Ariana Grande Cups – Anna Kendrick Raise your glass – Pink Domino – Jessie J Rolling in the deep – Adelle Don’t stop the music – Rihanna Safe and sound – Capitol Cities Don’t stop the party - Pitbull Save the world – Swedish House Mafia Down – Jason Derulio Say ah – Trey Songz Dynamite – Taio Cruz Scream – Usher Fancy – Iggy Azelea Scream and shout – Will.i.am & Britney Feel so close – Calvin Harris Sexy and I know it – LMFAO Find your love – Drake Sexy back – Justin Timberlake Forget you – Cee Lo Sexy chick – David Guetta Game of love – Santana w/ Michelle Single ladies - Beyonce Branch Step in the name of love – R. Kelly Gangnam style – Psy Sunday morning – Maroon 5 Get lucky – Daft Punk Sweet nothing – Calvin Harris Glad you came – the Wanted Teenage dream – Katy Perry Green light – John Legend That power – Will.i.am Good feeling – Flo Rida The way I are – Timbaland Happy – Pharrel This love – Maroon 5 Hips don’t lie – Shakira Titanium – David Guetta Hold on we’re going home – Drake Tonight I’m loving you – Enrique Iglesias Hollaback girl – Gwen Stefani Treasure – Bruno Mars I gotta feeling – Black Eyed Peas Turn down for what – DJ Snake/Lil John I knew you were trouble – Taylor Swift Turn me on – David Guetta I like it – Enrique Iglesias Turn me on – Kevin Little I love it – Icona Pop Wake me up - Avicii Ignition – R.
    [Show full text]
  • Get Ready for That Rocky Mountain High!
    Spring Edition – 2011 Editor – Sandy Collins [email protected] Editor‘s Analyst – Walter Alvin A PUBLICATION OF THE FRANKFURT AMERICAN HIGH SCHOOL ALUMNI ASSOCIATION CLASSES 1967-1971 www.frankfurthigh.com ; GET READY FOR THAT ROCKY MOUNTAIN HIGH! COLORADO SPRINGS 2011 REUNION By Gaye Crosby (‘69) TABLE OF CONTENTS Colorado Springs P1 Soaring Eagles: Brad Owen P4 Chef Bobby Buzz P5 Pattie Schultz- Ormond P6 Grace of Chaos P8 Spring at Last P9 Soldiers’ Angels P10 Hawg Heaven P11 Morrison Then and Now P14 Where Have All the P15 Flowers Gone? Was Gibts zu P17 Essen? From the Wine P18 The Antlers Hotel Downtown and Pike‘s Peak Cellar Subculture Newsflash P18 WHEN? July 28-31, 2011 Fallen Eagles P19 Call for Nominations P20 HOW MUCH? Antlers Hilton rooms $105 per night Where Will the Eagles Land in 2012? P20 FAHSAA Registration Fee: $125 President’s Letter P21 WHO’S COMING? Everyone!! COLORADO SPRINGS REUNION— food, beer, and a billiards hall with foosball tables WHAT‘S THE PLAN? and will be a perfect place to meet up Thursday. How to Get There – Colorado Springs (COS, www.springsgov.com/AirportIndex.aspx) has a very convenient municipal airport, so be sure to compare rates flying into the Springs versus Denver International Airport, which is 85 miles away. Directions to the Hotel from Colorado Springs Airport: Take US HWY 24 West to I-25, head north. Follow I-24 N to exit 142 Bijou Street. Turn right heading east for ½ mile. At 1st light, Cascade Avenue, turn right (S). Entrance to the hotel is 2 blocks on the right.
    [Show full text]
  • Southbank Centre Announces Nile Rodgers As Curator of Meltdown 2019 ​
    Date: Monday 11 February 2019, 8.30am Contact: Phoebe Gardiner, [email protected] / 020 7921 0967 ​ ​ ​ Alexandra Shaw [email protected] / 020 7921 0676 ​ ​ Southbank Centre announces Nile Rodgers as curator of Meltdown 2019 ​ Nile Rodgers © Britt Loyd ​ Southbank Centre today reveals that the curator of Meltdown festival 2019 will be three-time Grammy ​ ​ Award-winning American composer, producer, arranger, guitarist, Rock and Roll Hall of Fame inductee, Chairman of the Songwriters Hall of Fame and Abbey Road Studios’ first ever Chief Creative Advisor, Nile Rodgers. ​ From 3 - 11 August, Rodgers will take over Southbank Centre with his unique creative vision. Over ​ ​ nine days and across the world-class stages of the Royal Festival Hall, newly reopened brutalist masterpieces the Queen Elizabeth Hall and Purcell Room, and the remainder of Southbank Centre’s 17-acre cultural quarter on the banks of the River Thames, Rodgers will present a hand-picked line-up of show-stopping music, art and free events, in what will undoubtedly be the funkiest festival of the year. Among music legends, Nile Rodgers is truly exceptional. From co-founding slick disco pioneers CHIC with his late creative partner Bernard Edwards, to his own global success as a songwriter and producer, Rodgers has contributed to records that have cumulatively sold more than 500 million albums and 75 million singles worldwide, and has left an indelible signature on the music of today. More than a collaborator, Rodgers has been instrumental in the careers of some of the biggest artists in the history of popular music.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • New Nd I Ca Tor Volume 4 Number 4 T UC San Diego November 14-27
    new nd i ca tor Volume 4 Number 4 T UC_San Diego November 14-27 Inside... Jim Stronski, AFSCME President, Interviewed Troublein Paradise:We’re covering your AS Flaml)llngaround your city Van Morrisonreviewed FunkyLa Jolla Law~,r~ eveningsat 6:30.Every Wednesday in Tim Barkerstated that the N.L.G the NorthConference Room a Theater supportedthe rights of both the Thefollowing is an interviewwith Jim of t;:; Absurd takes place. Last Stronski,President of Local2068 of the Palestiniansand the Israelis.He also Wednesday the Theater troupe mentionedthat the N.L.G.position on AmericanFederation of State,County (otherwiseknown as the ASUCSD) and MunicipalEmployees(AFSCME). the Mid-Eastwgs not relevantto the openedwith an announcementthat the issue of bringing a speaker on StronskLan ElectonicsDevelopment Chancellordesired "to" expose himself to Technicianin Physics, is alsoPresident undocumentedworkers. During Tim thestudents" through the auspices of the Barker’sspeech a pro-Friedmanspeaker of theCouncil of Universityof Califor- ASUCSD.Right on, peopleshould get nia Employees(CUCE).He came attemptedto enddebate, but failed. Judi overthe inhibitions instilled in themby Ford,3rd College Rep. stated that she UCSDin 1968as a graduatestudent in society.Bring him out of thecloset. I he Physicsand joined the staff in 1970.The feltas if shewere witnessing "a flash- programnotes (agendaand minutes) backto theMcCarthy era," and that the interviewwas conductedwithout a tape Jl~ mentionedlast week a proposalto print recorderand Stronski’sresponses are Councilwas ’+treadingon dangerous AS monogramedcigarette papers-we ground of denying funding to an reconstructedfrom our reporter’s notes. won’tventure to guesswhat people will organizationon the basis of one When did AFSCME first start no longerpermitted to callor writede- usethem for.
    [Show full text]
  • 1 Amazing Grace
    1Amazing Grace BY JOHN NEWTON 1. Amazing grace, how sweet the sound That saves a wretch like me. I once was lost, but now I'm found; Was bound, but now I’m free. 2. 'Twas grace that taught my heart to fear And grace my fear relieved; How precious did that grace appear The hour I first believed. 3. Through many dangers, toils and snares We have already come; 'Twas grace that brought us safe thus far, And grace will lead us on. 4. When we've been there ten thousand years, Bright shining as the sun, We've no less days to sing God's praise Than when we’d first begun. 5. Amazing grace, how sweet the sound That saves a wretch like me. I once was lost, but now I'm found; Was bound, but now I'm free. 2Just aCloser Walk With Thee TRADITIONAL 1. Just a closer walk with Thee, Grant it, Jesus, is my plea; Daily walking close with Thee, Let it be, dear Lord, let it be. 2. Through the days of toil and snares, If I falter, Lord, who cares? Who with me my burden shares? None but Thee, dear Lord, none but Thee. 3. When my feeble life is o'er Time for me will be no more; Guide me gently, safely on To thy shore, dear Lord, to thy shore. 4. I am weak, but Thou art strong. Jesus, keep me from all wrong. I'll be satisfied as long As I walk, let me walk close to Thee.
    [Show full text]