DOCSLIB.ORG

Search Collection - Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Search Collection - Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Search artists, albums and more... - Explore , Marketplace , Community , / . , Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection - Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 ! " # American Recordings At Folsom Prison With His Hot And Blue… Blue Clouds Court And Spark Hejira Johnny Cash Johnny Cash Johnny Cash Joni Mitchell Joni Mitchell Joni Mitchell Joni Mitchell Ladies Of The Canyon Song To A Seagull Symphonies N° 1 In D… The Gambler The First Edition King Biscuit Boy The Kinks Are The Vill… Joni Mitchell Joni Mitchell Haydn*, Bolzano Hayd… Kenny Rogers The First Edition* King Biscuit Boy The Kinks Alive! Me And Bobby McGee Leadbelly Houses Of The Holy Led Zeppelin Led Zeppelin II Led Zeppelin II Kiss Kris Kristofferson Leadbelly Led Zeppelin Led Zeppelin Led Zeppelin Led Zeppelin Led Zeppelin III Physical Graffiti Presence Untitled 1-2-3 Leon Live Leon Russell Led Zeppelin Led Zeppelin Led Zeppelin Led Zeppelin Len Barry Leon Russell Leon Russell New Skin For The Old… California Nights Country Blues The Texas Bluesman Can't Slow Down Here's Little Richard Little River Band Leonard Cohen Lesley Gore Lightnin' Hopkins Lightning Hopkins* Lionel Richie Little Richard Little River Band It Ain't Easy Blues & Ballads Looking Glass Coal Miner's Daughter Lightnin' Strikes Lou Christie Strikes A… Berlin John Baldry* Lonnie Johnson (2) Wit… Looking Glass Loretta Lynn Lou Christie Lou Christie Lou Reed Transformer Hello, Dolly! Forever Changes Love Do You Believe In Magic Lulu Sings To Sir With… (Pronounced 'Lĕh-'né… Lou Reed Louis Armstrong Love Love The Lovin' Spoonful Lulu Lynyrd Skynyrd Nuthin' Fancy One More From The R… Second Helping Street Survivors Like A Prayer Like A Virgin Madonna Lynyrd Skynyrd Lynyrd Skynyrd Lynyrd Skynyrd Lynyrd Skynyrd Madonna Madonna Madonna If You Can Believe Yo… Here, My Dear Let's Get It On What's Going On Stoneground Words Melissa Etheridge Bad The Mama's And The P… Marvin Gaye Marvin Gaye Marvin Gaye Melanie (2) Melissa Etheridge Michael Jackson Ben Black Or White Blood On The Dance … Music & Me Off The Wall Rock With You Thriller Michael Jackson Michael Jackson Michael Jackson Michael Jackson Michael Jackson Michael Jackson Michael Jackson Bitches Brew Kind Of Blue Girl You Know It's True A Groovy Kind Of Love Going To A Go-Go Moby Grape More Of The Monkees Miles Davis Miles Davis Milli Vanilli The Mindbenders Smokey Robinson And … Moby Grape The Monkees The Monkees Days Of Future Passed Go Now - The Moody … Freak Out! We're Only In It For T… Climbing! Nantucket Sleighride The Monkees The Moody Blues The Moody Blues The Mothers Of Inventi… The Mothers Of Inventi… Mountain Mountain Down On Stovall's Pla… Hard Again After The Gold Rush Harvest Neil Young Tonight's The Night Everybody Knows Thi… Muddy Waters Muddy Waters Neil Young Neil Young Neil Young Neil Young Neil Young With Crazy … Pinball Wizards Spirit In The Sky Physical Otis Blue / Otis Reddi… Pain In My Heart The Dock Of The Bay Horses The New Seekers Norman Greenbaum Olivia* Otis Redding Otis Redding Otis Redding Patti Smith Say Say Say Here They Come! Graceland Paul Simon Still Crazy After All Th… 2 Hot! A World Without Love Paul McCartney And M… Paul Revere & The Raid… Paul Simon Paul Simon Paul Simon Peaches & Herb Peter And Gordon* Lady Godiva No Jacket Required The Dark Side Of The … The Wall Live Peace In Toronto… Outlandos D'Amour 1999 Peter & Gordon Phil Collins Pink Floyd Pink Floyd The Plastic Ono Band The Police Prince Dirty Mind Sign "O" The Times Purple Rain It Takes A Nation Of … A Night At The Opera Jazz The Game Prince Prince Prince And The Revolut… Public Enemy Queen Queen Queen Document Murmur Kid A Indian Reservation What'd I Say Mixed Bag Ricky R.E.M. R.E.M. Radiohead The Raiders* Ray Charles Richie Havens Ricky Nelson (2) Beaucoups Of Blues The Complete Record… The Original Rolling S… A Night On The Town Absolutely Live Atlantic Crossing Every Picture Tells A … Ringo Starr Robert Johnson Robert Wilkins Rod Stewart Rod Stewart Rod Stewart Rod Stewart Gasoline Alley The Rod Stewart Album Coast To Coast Overt… 12 X 5 Aftermath Beggars Banquet Between The Buttons Rod Stewart Rod Stewart Rod Stewart / Faces (3) The Rolling Stones The Rolling Stones Rolling Stones* The Rolling Stones Big Hits (High Tide An… England's Newest Hit … Exile On Main St. Flowers Get Yer Ya-Ya's Out! - … Let It Bleed Some Girls The Rolling Stones The Rolling Stones Rolling Stones* The Rolling Stones The Rolling Stones Rolling Stones* The Rolling Stones Some Girls Sticky Fingers Their Satanic Majesti… Through The Past, Da… King's Record Shop Country Life Lonely And Blue The Rolling Stones The Rolling Stones The Rolling Stones Rolling Stones* Rosanne Cash Roxy Music Roy Orbison Sam Cooke At The Co… Sammy Johns Abraxas Santana Georgy Girl The Shocking Blue Bridge Over Troubled … Sam Cooke Sammy Johns Santana Santana The Seekers Shocking Blue Simon and Garfunkel* Parsley, Sage, Rosem… Wednesday Morning, … There's A Riot Goin' On Father Of Folk Blues Blues From The Missi… The Wondrous World … Folk Songs Of Sonny … Simon And Garfunkel* Simon & Garfunkel Sly & The Family Stone Son House Son House & J. D. Short Sonny & Cher Sonny Terry & Brownie … Sonny & Brownie Gimme Some Lovin' Aja Can't Buy A Thrill Pretzel Logic Steppenwolf Guitar Town Sonny Terry & Brownie … The Spencer Davis Group Steely Dan Steely Dan Steely Dan Steppenwolf Steve Earle Live Alive Texas Flood Innervisions Songs In The Key Of … Talking Book The Dream Of The Blu… Raw Power Stevie Ray Vaughan An… Stevie Ray Vaughan An… Stevie Wonder Stevie Wonder Stevie Wonder Sting Iggy And The Stooges* Incense And Pepperm… Built For Speed Meet The Supremes Where Did Our Love Go Anthology Them Again Three Dog Night Strawberry Alarm Clock Stray Cats The Supremes The Supremes The Temptations Them (3) Three Dog Night Private Dancer Something / Anything? Blue Valentine Closing Time Foreign Affairs Heartattack And Vine Nighthawks At The Di… Tina Turner Todd Rundgren Tom Waits Tom Waits Tom Waits Tom Waits Tom Waits Rain Dogs Small Change The Black Rider The Heart Of Saturda… I Left My Heart In San… Tracy Chapman Volume One Tom Waits Tom Waits Tom Waits Tom Waits Tony Bennett Tracy Chapman Traveling Wilburys Wild Thing Achtung Baby Boy The Joshua Tree Astral Weeks His Band And The Str… It's Too Late To Stop … The Troggs U2 U2 U2 Van Morrison Van Morrison Van Morrison Moondance Doo Wop Rock Grease (The Original … Hair (The American Tr… I Have To Paint My Face Phil Spector's Christ… Saturday Night Fever … Van Morrison Various Various Various Various Various Various Selections From The … Woodstock (Music Fr… Woodstock Two Loaded White Light/White Heat Cruisin' Macho Man Various Various Various The Velvet Underground The Velvet Underground Village People Village People Village People Happy Jack Live At Leeds Magic Bus The Who Sings My Ge… Tommy Who's Next Village People The Who The Who The Who The Who The Who The Who Wild Cherry Willie And The Red R… Catalyst ... And Then I Wrote Stardust The Sound Of Wilson … Band On The Run Wild Cherry Willie And The Red Ru… Willie Dixon Willie Nelson Willie Nelson Wilson Pickett Paul McCartney & Wings* Having A Rave Up Wit… Over Under Sideways… Yoko Ono / Plastic On… Groovin' Good And Dusty The Youngbloods The Zombies The Yardbirds The Yardbirds Yoko Ono / Plastic Ono… The Young Rascals The Youngbloods The Youngbloods The Zombies Time Of The Zombies Eliminator Fandango! First Album Tres Hombres The Zombies ZZ Top ZZ Top ZZ Top ZZ Top 251 – 500 of 500 $ Prev 1 2 Next % Jump to 2 Folder Keepers (500) Show 250 Discogs Help Is Here Join In Follow Us About Us Help & Support Get Started & Facebook Blog Forum Contribute ' Twitter App Keyboard Shortcuts Add Release ( Instagram Careers Database Guidelines Contributor List ) Mixcloud API Discogs Shipping Help Translate * Soundcloud Change Log Discogs Events Pinterest Record Stores Advertise With Us © 2021 Discogs® Manage Cookie Settings Cookie Policy Terms of Service Privacy Policy California Privacy Notice Accessibility Statement + English ,.
Load more

Recommended publications
  • Legends in Concert
    FOR IMMEDIATE RELEASE January 31, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Legends In Concert: The Divas Tributes To Barbra Streisand, Celine Dion, Whitney Houston And Aretha Franklin McCallum Theatre Thursday – February 27 – 3:00 Pm And 8:00pm Palm Desert, CA – Through the generosity of Harold Matzner, the McCallum Theatre presents Legends in Concert—The Divas, featuring tributes to Barbra Streisand, Celine Dion, Whitney Houston and Aretha Franklin, for two shows: at 3:00pm and 8:00pm, Thursday, Feb. 27. Legends in Concert is the longest-running show in Las Vegas history, and after 35 years is still voted the No. 1 tribute show in the city. The internationally acclaimed and award-winning production is known as the pioneer of live tribute shows, and possesses the greatest collection of live tribute artists in the world. These incredible artists have pitch-perfect live vocals, signature choreography, and stunningly similar appearances to the legends they portray. Jazmine (Whitney Houston) draws her musical inspiration from her Cuban heritage while speaking and singing in both English and Spanish. After deciding to pursue her music career on the European music scene, she earned immediate success. After signing a one-album deal with Finland's K-TEL Records, Jazmine's first single achieved international success: In January 1996, "Love Like Never Before" rose to No. 1 on the French dance chart, dropping Madonna to No. 2 and passing same-week entries from Michael Jackson, Bon Jovi and Whitney Houston. She has appeared on the WB television show Pop Stars and on several episodes of the Dick Clark Productions show Your Big Break.
    [Show full text]
  • Began Her Professional Career in 1966 at the Cafe Wha? in Greenwich
    SUSAN COLLINS began her professional career in 1966 at the Cafe Wha? in Greenwich Village singing with Jimi Hendrix in Jimmy James and the Blue Flames, the ground-breaking guitarist’s group just before he left NYC for London. Then a sophomore straight out of Brooklyn’s Lafayette High, Susan was managed by singer-songwriter Richie Havens, with whom she later attended Woodstock, flying in by helicopter. In 2011 Susan’s close friend and musical director of 35 years, Paul Shaffer stated: “Susan Collins is my favorite singer…period!” Paul calls her “my BFF and a singer’s singer - what a voice!” In 2006 Susan sang a song she co-wrote with Paul, on a bill with Harry Shearer, Marshall Crenshaw, and They Might Be Giants at NYC’s Canal Room. Of this performance, Fox News.com’s Roger Friedman wrote: “Collins is terrific. She can hold her own with Ronnie Spector any day of the week.” Susan appeared with Spector, Lesley Gore, Lala Brooks et. al. at Lincoln Center’s girl group tribute SHE’S GOT THE POWER in the summer of 2011. YOU CAN TAKE THE GIRL OUTTA BROOKLYN, Susan’s autobiographical musical revue (originated at bergenPac NJ before its NYC run), tells the story of how she started singing a cappella on the street corner of her housing project in the 1960s and went on to a career in the music business, making key vocal contributions to numerous hit records, TV shows, movies and advertising. Recipient of the ASCAP Award for songwriting, Susan’s first day job was writing for legendary producer/TV host and 2012 Rock & Roll Hall of Fame inductee, the late Don Kirshner.
    [Show full text]
  • 15 of the Most Iconic Fads from the Fifties
    15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50
    [Show full text]
  • La Réédition Des Sept Premiers Albums De Tom
    PÉRIODES À ses débuts, l’auteur- compositeur proposait déjà une musique aussi intemporelle que parfois anachronique, mais toujours novatrice. Tom WaiTs L’invitation au bLues La réédition des sept premiers albums de Tom Waits nous ramène vers la période jazz-blues de ce magicien des sons, farouchement atypique, mû par la seule obsession de rester toujours au plus près de lui-même. Pour mieux nous enchanter. Par Alain Gouvrion. Photographie de Jess Dylan To m Wa i Ts n le croyait à jamais brouillé avec son passé, cette image de bluesman Jones, et son pote le chanteur et composi - HORS DU TEMPS titubant sous un réverbère au son moelleux d’une contrebasse de jazz et d’un sax teur Chuck E. Weiss, futur héros de “Chuck “À 20 ans, je réfutais la culture hippie... Et c’est ténor. Celle de The Heart of Saturday Night et autres galettes gravées au mitan E’s in Love”, le premier succès de Jones. Tom toujours le cas...” des années 70, lorsque Tom Waits surgit de nulle part pour nous ensorceler de et Chuck forment un étrange binôme qui ses ténébreuses romances, sublimement anachroniques : “Tom Traubert’s Blues”, n’est pas sans rappeler celui de Jack Kerouac “Invitation to the Blues”, “Waltzing Matilda” ou l’inusable “Blue Valentine”. Lancé et de Neal Cassady, le chien fou de On the Odans des aventures sonores beaucoup plus audacieuses depuis trente-cinq ans, Road. Des années plus tôt, Waits a été litté- (Swordfishtrombones, 1983), Waits semblait n’éprouver aucune nostalgie – contrairement à ralement foudroyé par Kerouac et les nombre de ses fans – pour le (bon vieux) temps où il passa de l’anonymat des clubs de écrivains beat, qu’il a découverts via son Los Angeles au statut d’artiste culte vénéré par nombre de musiciens, tels que Bruce idole Bob Dylan.
    [Show full text]
  • Master's Thesis
    I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other.
    [Show full text]
  • Garrett Stack's American Jukebox Originating on WMNR Fine Arts Radio
    Playlist* Originating on WMNR Fine Arts Radio Garrett Stack’s American Jukebox [email protected] Show #: 197 Broadcast Date: February 21, 2015 Time: 16:00 - 18:00 # Selections: 31 * Playlist is in order by song title, not in order of play. Classic Pop from the ‘50s, ‘60s and Beyond American Jukebox Theme Song Credit: What Did You Do With Your Old 45’s, Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989, by Pam A. Hanna/George Pickard. Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 2:46 Marvin Hamlisch/Howard Liebliing California Nights Lesley Gore The Golden Hits Of Lesley Gore Mercury 1967 16 CD Golden Hits RKF Gore 0:16 18 1987 8/11/12 2/21/15 CDF-19 4:20 G Moroder/K Forsey&I Cara Flashdance - What A Feeling Irene Cara Casablanca Story - Pop Single Purchases Casablanca 1980 1 Edited down to 4:20 from original 7:14 RKV 0:19 10 2/21/15 1971-present V.4 2:12 S Gordon Hey Now Lesley Gore The Golden Hits Of Lesley Gore Mercury 1964 76 RKF Gore 0:07 11 1987 2/21/15 2:54 Jimmy Van Heusen/Sammy Cahn High Hopes Frank Sinatra Capitol Collector’s Series: Frank SInatra Capitol 1959 30 LP set Sinatra (Capitol)/CD GrHts CDM-33A PRKM Sinatra 19 1989 2/21/15 4:22 Stevie Wonder I Just Called To Say I Love You Stevie Wonder The Definitive Collection Motown 1984 1 Born Stevland Morris 5/13/1950 in Saginaw, Michigan.
    [Show full text]
  • The Right of Confrontation, Justice Scalia, and the Power and Limits of Textualism, 48 Wash
    Washington and Lee Law Review Volume 48 | Issue 4 Article 5 Fall 9-1-1991 The Right Of Confrontation, Justice Scalia, And The oP wer And Limits Of Textualism Bryan H. Wildenthal Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Constitutional Law Commons, and the Criminal Law Commons Recommended Citation Bryan H. Wildenthal, The Right Of Confrontation, Justice Scalia, And The Power And Limits Of Textualism, 48 Wash. & Lee L. Rev. 1323 (1991), https://scholarlycommons.law.wlu.edu/wlulr/ vol48/iss4/5 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. THE RIGHT OF CONFRONTATION, JUSTICE SCALIA, AND THE POWER AND LIMITS OF TEXTUALISM BRYAN H. WLDENTHAL* I. INTRODUCTION In the most compelling scene of the highest-rated television movie of the 1988-89 season, the protagonist, a victim of child sexual abuse, is required to testify about his ordeal at a public trial. As he faces hundreds of strangers, his family, his girlfriend, and the accused abuser himself, the prosecutor coaxes him to describe the most degrading and personal aspects of his ordeal. Haltingly, agonizingly, barely able to speak, he tries.1 It is * Admitted to Michigan Bar, 1990. J.D., Stanford, 1989; Senior Editor, Stanford Law Review, 1988-89; A.B.
    [Show full text]
  • Deana Carter Danny Myrick
    Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville.
    [Show full text]
  • Achieve Like a Girl
    SIMI VALLEY SAN FERNANDO CALABASAS AGOURA HILLS ANTELOPE VALLEY SIMI VALLEY SAN FERNANDO CALABASAS AGOURA HILLS ANTELOPE VALLEY 9.28.15_front_Layout 1 9/25/15 12:16 PM Page 1 ocbj.com ORANGE COUNTY BUSINESS JOURNAL TM $1.50 VOL. 38 NO. 39 THE COMMUNITY OF BUSINESS SEPTEMBER 28-OCTOBER 4, 2015 INSIDE Achieve Like a Girl Innovators Honored 3 High-Profile OC Execs page 7 4321 Jamboree: Israel-based company recently com- Count Gold Award as Precursor mitted to lease extension through 2027 to Bountiful Careers By KIM HAMAN Out of Ordinary for There was a budding business mind behind the Newport Beach: cherubic face selling cookies door-to-door. It was 1968, and the face belonged to Cyd Brand- Factory Upgrade vein, a 10-year-old Girl Scout. She approached the assignment with determina- TECHNOLOGY: Chipmaker to put tion, knocking on every single door in her New York City apartment building, armed with a pitch and a $15M or more into plant on Jamboree Special Report smile. Brandvein: has gone from Ed Sullivan to AECOM, By CHRIS CASACCHIA T page 15 She sold 3,000 boxes of remained part of organization as director of OC Beyond Work Girl Scout cookies— chapter Israel-based Tower Semiconductor Ltd. is in- enough to earn her a guest spot on the “Ed Sullivan Show,” where along with vesting $15 million to $20 million to upgrade its other record-breaking cookie sellers, she sang the “God Bless America” accompanied by an orchestra Newport Beach manufacturing plant to meet led by the song’s composer, Irving Berlin.
    [Show full text]
  • Leon Russell – Primary Wave Music
    ARTIST:TITLE:ALBUM:LABEL:CREDIT:YEAR:LeonThisCarneyTheW,P1972TightOutCarpentersAA&MWNow1973IfStopP1974LadyWill1975 SongI Were InRightO' Masquerade &AllBlueRussellRope The Thenfor Thata Stuff CarpenterYouWoodsWisp Jazz LEON RUSSELL facebook.com/LeonRussellMusic twitter.com/LeonRussell Imageyoutube.com/channel/UCb3- not found or type unknown mdatSwcnVkRAr3w9VBA leonrussell.com en.wikipedia.org/wiki/Leon_Russell open.spotify.com/artist/6r1Xmz7YUD4z0VRUoGm8XN The ultimate rock & roll session man, Leon Russell’s long and storied career included collaborations with a virtual who’s who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, Oklahoma, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector’s renowned studio group, Russell played on many of the finest pop singles of the ’60s, also arranging classics like Ike & Tina Turner’s monumental “River Deep, Mountain High”; other hits bearing his input include the Byrds’ “Mr. Tambourine Man,” Gary Lewis & the Playboys’ “This Diamond Ring,” and Herb Alpert’s “A Taste of Honey.” In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP.
    [Show full text]
  • Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
    Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]