David A. Hanks Research Collection, Ca. 1960-2010
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The Martin Cohen Collection: Final Chapter New York | October 6 & 7, 2020
The Martin Cohen Collection: Final Chapter New York | October 6 & 7, 2020 The Martin Cohen Collection: Final Chapter New York Tuesday October 6, 2020 at 11am | Lots 1 to 213 Wednesday October 7, 2020 at 11am | Lots 216 to 426 BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 New York Front cover: Interior New York, New York 10022 +1 (212) 644 9009 fax Benjamin Walker Inside front cover: Lot 22 bonhams.com Global Head of Department Opposite page: Lot 420 To bid via the internet please visit +1 (212) 710 1306 Inside back cover: Lot 89 Back cover: Mixed lots AUCTIONEER www.bonhams.com/26575 [email protected] Jacqueline Towers-Perkins - 2068426-DCA Please note that telephone bids Dan Tolson REGISTRATION must be submitted no later than International Director IMPORTANT NOTICE Bonhams & Butterfields 4pm on the day prior to the +1 (917) 206 1611 Please note that all customers, Auctioneers Corp. auction. New bidders must also [email protected] irrespective of any previous 2077070-DCA provide proof of identity and activity with Bonhams, are address when submitting bids. Misha Sylver required to complete the Bidder PREVIEW Telephone bidding is only Administrator Registration Form in advance New York available for lots with a low +1 (917) 206 1614 of the sale. The form can be Wednesday September 30 estimate in excess of $1,000. [email protected] found at the back of every 10am to 5pm catalogue and on our website Thursday October 1 Please contact client services Los Angeles at www.bonhams.com and 10am to 5pm with any bidding inquiries. -
This Was My Presentation for the 2012 Initiatives in Art and Culture Arts
This was my presentation for the 2012 Initiatives in Art and Culture Arts and Crafts conference, “ ‘The Workshop of the World;’ The Arts and Crafts Movement in Philadelphia,” September 20- 23, 2012. At the last minute speakers were forced to convert our presentations into Microsoft’s “PowerPoint” and, as anyone who has gotten used to the luxury and flexibility of Mac’s “Keynote” presentation program will know, Keynote is to PowerPoint what Stokowski conducting Tchaikovsky is to your cat playing “Chopsticks” on the piano. The computers and projector at the Pennsylvania Academy of Fine Arts transformed all the presentations—mostly by dulling all the colors down to a palette of dead red, swamp green and diarrhea yellow, which was most apparent in Julie Sloan’s talk about stained-glass windows, but it also made any text on the screen very difficult to read. Some of my layered pictures are worth a thousand words, which meant that even under the best of circumstances most viewers could not have had the time to read all I wrote over the complex images. The projected text is not essential to my primary premise, so I used it like footnotes or asides because there were too many interesting research byways to be included in my overview of the Arts and Crafts movement as it happened in Philadelphia. Quickly passing over so much information annoyed many in the audience, so I’m uploading all the images as they appeared during my spoken text. The layout won’t flow as nicely as I would like, but every detail is reproduced. -
American Art
American Art The Art Institute of Chicago American Art New Edition The Art Institute of Chicago, 2008 Produced by the Department of Museum Education, Division of Teacher Programs Robert W. Eskridge, Woman’s Board Endowed Executive Director of Museum Education Writers Department of American Art Judith A. Barter, Sarah E. Kelly, Ellen E. Roberts, Brandon K. Ruud Department of Museum Education Elijah Burgher, Karin Jacobson, Glennda Jensen, Shannon Liedel, Grace Murray, David Stark Contributing Writers Lara Taylor, Tanya Brown-Merriman, Maria Marable-Bunch, Nenette Luarca, Maura Rogan Addendum Reviewer James Rondeau, Department of Contemporary Art Editors David Stark, Lara Taylor Illustrations Elijah Burgher Graphic Designer Z...ART & Graphics Publication of American Art was made possible by the Terra Foundation for American Art and the Woman’s Board of the Art Institute of Chicago. Table of Contents How To Use This Manual ......................................................................... ii Introduction: America’s History and Its Art From Its Beginnings to the Cold War ............... 1 Eighteenth Century 1. Copley, Mrs. Daniel Hubbard (Mary Greene) ............................................................ 17 2. Townsend, Bureau Table ............................................................................... 19 Nineteenth Century 3. Rush, General Andrew Jackson ......................................................................... 22 4. Cole, Distant View of Niagara Falls .................................................................... -
Guide, Memorabilia Collection (MEM)
A Guide to the Memorabilia Collection 1787-2006 1500.0 Items MEM Prepared by DiAnna Hemsath, revised by Grant Kleiser 2006, revised 2007, 2016 The University Archives and Records Center 3401 Market Street, Suite 210 Philadelphia, PA 19104-3358 215.898.7024 Fax: 215.573.2036 www.archives.upenn.edu Mark Frazier Lloyd, Director Memorabilia Collection MEM TABLE OF CONTENTS PROVENANCE...............................................................................................................................1 ARRANGEMENT...........................................................................................................................1 HISTORICAL NOTE......................................................................................................................2 SCOPE AND CONTENT NOTE................................................................................................... 3 CONTROLLED ACCESS HEADINGS.........................................................................................3 INVENTORY.................................................................................................................................. 4 ACADEMIC REGALIA........................................................................................................... 4 ART........................................................................................................................................... 5 AWARDS................................................................................................................................. -
Learning from Frank Furness: Louis Sullivan in 1873
Old Dominion University ODU Digital Commons Art Faculty Publications Art 12-2013 Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth- Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness Robert Wojitowicz Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/art_pubs Part of the American Art and Architecture Commons Repository Citation Wojitowicz, Robert, "Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth-Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness" (2013). Art Faculty Publications. 3. https://digitalcommons.odu.edu/art_pubs/3 Original Publication Citation Wojtowicz, R. (2013). Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth-Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness. Journal of the Society of Architectural Historians, 72(4), 606-609. doi:10.1525/ jsah.2013.72.4.606 admirably composed. -
Marie Spartali Stillman 21 Warren Ashworth a Pre-Raphaelite in America Anne-Taylor Cahill Margaretta S
NiNeteeNth CeNtury VOLUME 35 NUMBER 2 Magazine of the Victorian Society in America Contents NiNETEENTh CENTuRy VoluME 35 • N uMBER 2 Fall 2015 Editor William Ayres Associate Editor Warren Ashworth From Hammer to Drafting Pen 3 Book Review Editor Edward Shaw of Boston Karen Zukowski James F. O’Gorman Advertising Manager / Graphic Designer Wendy Midgett A New Look at Victorian Furniture 11 Printed by Official Offset Corp. Triumph of the Picturesque Amityville, New York Oscar P. Fitzgerald Committee on Publications Chair William Ayres Marie Spartali Stillman 21 Warren Ashworth A Pre-Raphaelite in America Anne-Taylor Cahill Margaretta S. Frederick Christopher Forbes Sally Buchanan Kinsey Michael J. Lewis Restoration of the Gardens at Naumkeag Barbara J. Mitnick 31 James F. O’Gorman Jane Roy Brown Jaclyn Spainhour Karen Zukowski For information on The Victorian Society in America, contact the national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Departments Fax (215) 636-9873 [email protected] 36 Sleuthing . 40 Collecting . www.victoriansociety.org Frank Furness Furniture “Blooks” David L. Barquist Mindell Dubansky 43 The Bibliophilist 47 Milestones 49 Contributors Jhennifer A. Amundson Munshi Mania Barbara J. Mitnick Anne-Taylor Cahill Ingrid Steffensen Cover: Marie Spartali Stillman, Love’s Messenger , 1885. Samuel and Mary R. Bancroft Memorial, Delaware Art Museum. From Hammer to Drafting Pen EDWARD ShAW oF BoSToN JAMES F. o’GoRMAN The name Edward Shaw does not often come up when the and their clients in Boston and beyond. Where did a early nineteenth-century architecture of Boston is the topic. provincial housewright acquire such learning? Not, probably, Walter Kilham’s Boston after Bulfinch , for example, fails to in New hampshire. -
A Decorative Analysis of Phil-Ellena, a Greek Revival, Philadelphia Mansion
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 A Decorative Analysis of Phil-Ellena, A Greek Revival, Philadelphia Mansion Sheryl Farber Mikelberg University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Mikelberg, Sheryl Farber, "A Decorative Analysis of Phil-Ellena, A Greek Revival, Philadelphia Mansion" (1992). Theses (Historic Preservation). 340. https://repository.upenn.edu/hp_theses/340 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Mikelberg, Sheryl Farber (1992). A Decorative Analysis of Phil-Ellena, A Greek Revival, Philadelphia Mansion. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/340 For more information, please contact [email protected]. A Decorative Analysis of Phil-Ellena, A Greek Revival, Philadelphia Mansion Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Mikelberg, Sheryl Farber (1992). A Decorative Analysis of Phil-Ellena, A Greek Revival, Philadelphia Mansion. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at -
Jews and Unitarians Reform Faith and Architecture In
The Pennsylvania State University The Graduate School School of Humanities BUILDING LIBERAL RELIGION: JEWS AND UNITARIANS REFORM FAITH AND ARCHITECTURE IN NINETEENTH-CENTURY PHILADELPHIA A Dissertation in American Studies by Matthew F. Singer © 2016 Matthew F. Singer Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Matthew F. Singer was reviewed and approved* by the following: Simon J. Bronner Distinguished Professor of American Studies and Folklore Dissertation Adviser Chair of Committee Gregory A. Crawford Interim Director of the School of Humanities John Haddad Professor of American Studies and Popular Culture Anne A. Verplanck Associate Professor of American Studies and Heritage Studies Simon J. Bronner Director, American Studies Doctoral Program *Signatures are on file in the Graduate School ii ABSTRACT “Building Liberal Religion: Jews and Unitarians Reform Faith and Architecture in Nineteenth-Century Philadelphia” fuses family, social, intellectual, and religious histories with material culture analysis to document, interpret, and explore the achievements of the ecumenical network that developed between Victorian Philadelphia’s community of Americanizing and liberalizing Jews and Unitarians. The locus of this network was the relationship that developed between the Reverend William Henry Furness (1802–1896) of the First Unitarian Church of Philadelphia and the progressive Rabbi Marcus Jastrow (1829–1903) of Congregation Rodeph Shalom soon after the rabbi’s arrival in Philadelphia in 1866. This network expanded and continued for some sixty years among the clerics’ families, congregations, colleagues, and friends. Through his singular talents, vision, and the prolificness, the Reverend’s son Frank Furness (1802–1896) translated the reformist theological, philosophical, social, and aesthetic sensibilities that shaped the ministry of his father and the rabbinate of Marcus Jastrow into ecclesiastical, cultural, educational, commercial, and domestic structures and their furnishings. -
2006 Commencement Program, University of Pennsylvania
UNIVERSITY Of PENNSYLVANIA ommencement MONDAY, MAY 15 , 2006 Celebrating our Founder's 300th birthday in 2006 b 250th Commencement 2006 175 6 wo hundred and fifty years ago Philadelphia was the largest city in the British colonies of North America. The Delaware River waterfront was the very heart of the - - . industry. This view identifies the s ires of the city churches and public buildings, including that of the College and Academy of Philadelphia. ENGRAVING BY NICHOLAS SCULL & GEORGE HEAP. COLLECTIONS OF THE LIBRARY COMPANY OF PHILADELPHIA . THE UNIVERSITY OF PENNSYLVANIA Keeping Franklin's Promise Two thousand and six represents a milestone in the life of the University and our graduates. Not only is it Penn's 250th Commencement, but it is also the 300th anniversary of Benjamin Franklin's birth. We are proud to claim Franklin as our founder. He continues to dazzle us with his genius and enrich our lives. We still make use of his scientific breakthroughs and inventions and the civic institutions that he established. We enjoy the bless- ings of freedom in an American democracy he helped to create. We draw pleasure and inspiration from his writings. Nowhere does Franklin feel more contemporary, more revolutionary, and more alive than at the University of Pennsylvania. His startling vision of a secular, nonsectarian Academy that wouldfoster an "Inclination join 'd with an Ability to serve Mankind, one's Country, Friends and Family" has never ceased to challenge Penn to redefine the scope and mission of the modern American university. When pursued vigorously and simultaneously, the two missions — developing the inclination to do good and the ability to do well — merge to help form a more perfect university that educates more capable citizens for our democracy.