Learning from Frank Furness: Louis Sullivan in 1873

Total Page:16

File Type:pdf, Size:1020Kb

Learning from Frank Furness: Louis Sullivan in 1873 Old Dominion University ODU Digital Commons Art Faculty Publications Art 12-2013 Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth- Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness Robert Wojitowicz Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/art_pubs Part of the American Art and Architecture Commons Repository Citation Wojitowicz, Robert, "Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth-Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness" (2013). Art Faculty Publications. 3. https://digitalcommons.odu.edu/art_pubs/3 Original Publication Citation Wojtowicz, R. (2013). Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth-Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness. Journal of the Society of Architectural Historians, 72(4), 606-609. doi:10.1525/ jsah.2013.72.4.606 admirably composed. The accompanying that was rescuing the country from eco- Frank Furness: Making a Modern book identifies only Ezra Stoller, but pho- nomic calamity. Library—From Gentleman’s Library tographs constituted the principal elements The last point is made clearly by the to Machine for Learning of the show. Few films gave artistic credit exhibition’s linkage of the fairs to city Kroiz Gallery, Architectural Archives, to their creators. The images often included planning. In New York City, the peripheral University of Pennsylvania, Philadelphia dramatic tonal contrasts, night views, and benefits of the World of Tomorrow 5 October 2012–18 January 2013 unusual angles that emphasized stylistic included the elimination of the trash dumps innovations. Daylight images often glori- in Flushing Meadows in favor of fair- Frank Furness: Working on the fied the brilliant sunshine of semitropical grounds and the present park, the develop- Railroads cities, or the broad white planes of fair- ment of LaGuardia Airport and the Grand Library Company of Philadelphia, ground buildings, as if promising a sunny Central Parkway, the Bronx-Whitestone Philadelphia and optimistic, sanitary, wholesome future. Bridge, the Whitestone Expressway, the 17 September 2012–19 April 2013 Many pavilions were simply boxes of various IND subway system’s present E, F, M, and shapes, sometimes without windows. Plan- R lines, and the provision of a site for the Building a Masterpiece: Frank ners evidently valued the flexibility inher- 1964 World’s Fair. The other fairs had Furness’ Factory for Art ent in large undifferentiated spaces, and fewer far-reaching urban consequences, Pennsylvania Academy of the Fine expected artificial means to control light- but San Francisco’s fairground develop- Arts, Philadelphia ing and the indoor climate. Images showed ment of Treasure Island, a landfill opera- 29 September 2012–30 December 2012 transportation devices, including train tion, allowed for its rapid naval military engines, airplanes, dirigibles, and exciting occupation during the Second World War. Face and Form: The Art and rides in purpose-made cars or automobiles The exhibition ended intelligently with Caricature of Frank Furness shown on real roads and imaginary freeways. a section devoted to the present state of Athenaeum of Philadelphia, Philadelphia Others showed assembly lines in model each fairground. Probably the visitors in 30 November 2012–19 January 2013 fairground factories, where industrialists New York most appreciated the presenta- displayed methods of production and the tion of Flushing Meadows–Corona Park, To mark the centennial of Frank Furness’s reassuringly clean processing of canned an active recreational area serving a large death, a number of educational and cul- and packaged food. Purchasers in the 1930s population that includes ethnic groups tural institutions in and around Philadel- still had to be persuaded that factory-made barely represented in the city during the phia collaborated on Furness 2012, a series products were rational, sanitary, whole- 1930s. The park long retained a few struc- of exhibitions, a symposium, and a website some, and made by well-regulated white tures from 1939 and the fairgrounds pro- that sought to place the architect, and workers. Today, we notice the many indus- vided the layout for the 1964 fair, itself by extension the city, securely within the trial laborers who have been replaced almost a half century in the past. modernist narrative. A quirky individual, by machines and robots or by low-wage Furness (1839–1912) wrestled with nearly employees abroad. carol herselle krinsky every major building type of the late nine- The objects included a large robot, New York University teenth and early twentieth centuries. Banks, Elektro Motor-Man, an aluminum chair, railroad stations, libraries, educational and various domestic consumer products such Related Publication medical institutions, clubhouses, places of as dishwashers and nylon hosiery, and sev- Robert W. Rydell and Laura Burd Schiavo, worship, urban townhouses, and country eral architectural models. For the Chicago eds., Designing Tomorrow: America’s World’s estates all bear his unmistakable stamp. Fairs of the 1930s (New Haven, Conn.: Yale fair, Frank Lloyd Wright’s former sculptural Among his American contemporaries, only University Press, 2010), 224 pp., 30 color collaborator, Alfonso Iannelli, designed H. H. Richardson equaled Furness in both and 102 b/w illus. $45.00 (hardcover), a Sunbeam toaster and a coffeemaker. ISBN 9780300149579 range and creativity. Why is Furness not Museum visitors saw dramatic (although better appreciated outside his native Phila- not entirely explicit) photographs of the delphia? That is the question Furness 2012 Ford Motor Company’s Road of Tomorrow, Learning from Frank Furness: Louis attempted to answer, and, in large part, it General Motors’ Futurama, or less immense Sullivan in 1873 succeeded. pavilions sponsored by Wonder Bread at Philadelphia Museum of Art, Philadelphia Furness was born into a prominent the modest end and by governments at 6 October 2012–30 December 2012 and accomplished Philadelphia family in the grandiose end. Playful small pavilions 1839, just as the city was transforming and innovative small houses attracted a Furness in Space: The Architect and itself from a cultural capital into an indus- largely white public, if the photographs of Design Dialogues on the Late trial metro polis. He exhibited a tempera- fairgoers are representative. Larger, often Nineteenth-Century Country House mental personality, even at a young age, and more formally planned pavilions were Canaday Library, Bryn Mawr College, he was slow in settling on a career path. A meant to impress people with the power, Bryn Mawr, Pennsylvania three-year placement in the Philadelphia authority, and strength of a government 14 October 2012–21 December 2012 office of the Scottish émigré architect John 606 jsah / 72:4, December 2013 This content downloaded from 128.82.252.150 on Tue, 15 Aug 2017 18:54:16 UTC All use subject to http://about.jstor.org/terms Fraser eventually led to a longer and more Historians were slow to recognize Fur- tripartite Gothic reredos. Incised panels pivotal stay in the experimental New York ness’s original, if unconventional, contri- contain abstracted foliate patterns. Most atelier of Richard Morris Hunt, who had bution to American architecture. Were it amusing are the three voluptuous muses just returned to the United States from his not for Sullivan, who provided a vivid char- mounted on the back piece, the center one studies at the École des Beaux-Arts in Paris. acter study of his former employer in The holding aloft a clock and those flanking it, Meritorious service in the Union cavalry Autobiography of an Idea (1924), Furness gaslights. It is not difficult to imagine how during the Civil War interrupted Furness’s might have slipped into obscurity. A new Horace was inspired by these figures while studies permanently and marked his life appreciation for the architect began to take at work on his famed Variorum Shakespeare. indelibly. root with the rise of postmodernism, a On an adjacent wall were hung front and Not long after his discharge, Furness movement that, significantly, was led by side elevations of the desk in Frank Furness’s began working again with Hunt in New fellow Philadelphian and avowed Furness hand alongside ornamental drawings in York, this time as an assistant, but the lure admirer Robert Venturi. The Pennsylvania Sullivan’s hand, as well as a baluster from of his native city soon proved irresistible. Academy of the Fine Arts and the Univer- Sullivan’s Schlesinger and Mayer Depart- By 1866 he had returned to Philadelphia sity of Pennsylvania Library—renamed ment Store in Chicago.
Recommended publications
  • On the West Side the University City Historical Society
    ON THE WEST SIDE THE UNIVERSITY CITY HISTORICAL SOCIETY May/June, 2013 http://www.uchs.net Joseph Minardi, Editor U.C.H.S. May 19th House Tour Stop by and say hi! Highlighting Renovation and Visit the UCHS table at the Spruce Hill May restoration projects Fair on Saturday, May 11, 2013 from 10:00 A.M. to 4:00 P.M. at Clark Park. The UCHS Sunday, May 19th, from 1 - 5 p.m. is the date for the University City Historical Society’s spring House Tour. Visi- will have items for sale including mugs, tors will see renovation and restoration projects, large books and posters. The Fair itself will feature and small, in the historic Victorian “Streetcar Suburbs” of music, great food, crafts, gifts, plants and Spruce Hill and Cedar Park. kids games with a moon bounce. A huge Wear comfortable shoes! This walking tour will take selection of used books will be for sale and visitors from 42nd St. to 49th St., within a few blocks north a drawing for great raffle prizes including an and south of Baltimore Ave. Apple iPad 4, 16GB as well. Projects range from recent major restorations, to on- going work, kitchen renovations and outdoor greening. Visit us at the UCHS table on May 11. Homeowners will show and describe the unique fea- tures of their houses and relate stories from their projects. House Tour tickets are $20. They can be purchased Got an idea for us? on the day of the tour, from 12:30 - 3 p.m. only, at the UCHS ticket table outside Milk & Honey Market, at the Do you have a photo, a story, or an idea corner of 45th St.
    [Show full text]
  • Old St. Peter's Protestant Episcopal Church, Philadelphia: an Architectural History and Inventory (1758-1991)
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991) Frederick Lee Richards University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Richards, Frederick Lee, "Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991)" (1992). Theses (Historic Preservation). 349. https://repository.upenn.edu/hp_theses/349 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Richards, Frederick Lee (1992). Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991). (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/349 For more information, please contact [email protected]. Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991) Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Richards, Frederick Lee (1992). Old St. Peter's Protestant Episcopal Church, Philadelphia:
    [Show full text]
  • HI^TORICAL50C1ETY MONTGOMERY COUNTY PENNSYLVANIA Jvonmstowat
    BULLETIN HI^TORICAL50C1ETY MONTGOMERY COUNTY PENNSYLVANIA JVONmSTOWAT S2MERY PUBLISHED BY THE SOCIETY AT 1T5 BUILDING )65<^ DEKALB STRBET NORRISTOWN.PA. APRIL, 1955 VOL. IX NUMBER 4 PRICE ONE DOLLAR Historical Society of Montgomery County OFFICERS Donald A. Gallageb, Esq., President George K. Beecht, Esq., Vice-Presidmt Poster C. Hillegass, Vice-Presid&nt David B. Groshens, Esq., Vice-President Eva G. Davis, Recording Secretary Helen E. Richards, Corresponding Secretwry Mrs. LeRoy Bu^s, Financial Secretary and Librarian Lyman a. Kratz, Treasurer TRUSTEES Kirke Bryan, Esq. Harry L. Christman Mrs. H. H. Prancine Donald A. Gallager, Esq. Herbert H. Ganser Kenneth H. Hallman George M. Harding Nancy P, Highley Foster C. Hillegass Mrs. a. Conrad Jones Hon. Harold G. Knight Lyman A. Kratz Franklin A. Stickler Mrs. Franklin B. Wildman, Jr. Norris D. Wright 4 THE FOUNDERS OF A STATE, by Thomas Hovenden THE BULLETIN of the Historical Society of Montgomery County Published Semi-Annually — October and Ap7i.l Volume IX April, 1955 Number 4 CONTENTS The New Indexes ."251 From Our Exhibits — The Last Painting of Thomas Hovenden 252 Jane Keplinger Burris The Turnpikes of Pennsylvania .-.Frederick C. Sweinhart 254 Deaths in the Skippack Region (Compiled) 263 The "Old Dutch Church" in Lower Merion 281 Charles R. Barker Reports 347 PUBLICATION COMMITTEE Mrs. Leroy Burris Mrs. H. Donald Moll Charu;s R. Barker, Chaii'man 249 The New Indexes As few persons who consult an index take the precaution to ex amine the head of the index, for possible explanatory notes, this notice is placed where it is not likely to be overlooked.
    [Show full text]
  • Wyncote, Pennsylvania: the History, Development, Architecture and Preservation of a Victorian Philadelphia Suburb
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1985 Wyncote, Pennsylvania: The History, Development, Architecture and Preservation of a Victorian Philadelphia Suburb Doreen L. Foust University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Foust, Doreen L., "Wyncote, Pennsylvania: The History, Development, Architecture and Preservation of a Victorian Philadelphia Suburb" (1985). Theses (Historic Preservation). 239. https://repository.upenn.edu/hp_theses/239 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Foust, Doreen L. (1985). Wyncote, Pennsylvania: The History, Development, Architecture and Preservation of a Victorian Philadelphia Suburb. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/239 For more information, please contact [email protected]. Wyncote, Pennsylvania: The History, Development, Architecture and Preservation of a Victorian Philadelphia Suburb Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Foust, Doreen L. (1985). Wyncote, Pennsylvania: The History, Development, Architecture and
    [Show full text]
  • OLMSTED TRACT; Torrance, California 2011 – 2013 SURVEY of HISTORIC RESOURCES
    OLMSTED TRACT; Torrance, California 2011 – 2013 SURVEY OF HISTORIC RESOURCES II. HISTORIC CONTEXT STATEMENT A. Torrance and Garden City Movement: The plan for the original City of Torrance, known as the Olmsted Tract, owes its origins to a movement that begin in England in the late 19th Century. Sir Ebenezer Howard published his manifesto “Garden Cities of To-morrow" in 1898 where he describes a utopian city in which man lives harmoniously together with the rest of nature. The London suburbs of Letchworth Garden City and Welwyn Garden City were the first built examples of garden city planning and became a model for urban planners in America. In 1899 Ebenezer founded the Garden City Association to promote his idea for the Garden City ‘in which all the advantages of the most energetic town life would be secured in perfect combination with all the beauty and delight of the country.” His notions about the integration of nature with town planning had profound influence on the design of cities and the modern suburb in the 20th Century. Examples of Garden City Plans in America include: Forest Hills Gardens, New York (by Fredrick Law Olmsted Jr.); Radburn, New Jersey; Shaker Heights, Ohio; Baldwin Hills Village, in Los Angeles, California and Greenbelt, Maryland. Fredrick Law Olmsted is considered to be the father of the landscape architecture profession in America. He had two sons that inherited his legacy and firm. They practiced as the Olmsted Brothers of Brookline Massachusetts. Fredrick Law Olmsted Junior was a founding member of The National Planning Institute of America and was its President from 1910 to 1919.
    [Show full text]
  • The Furness Memorial Library
    3 The Furness Memorial Library Daniel Traister In memory of William E. Miller (1910-1994), Assistant Curator, Furness Memorial Library ilmarth S. Lewis, the great Horace Walpole collector, W once quipped that, if use were the criterion by which people judged the quality of libraries, we should judge that library to be the best which had the largest collection of telephone books. The Horace Howard Furness Memorial Library, now part of the Walter H. and Leonore Annenberg Rare Book and Manuscript Library at the University of Pennsylvania, has never needed to justify itself by denigrating “mere” use in favor of qual- ity and importance of collections. Over the years of its existence, it has always been among the most heavily used of Penn’s special collections (and this without even one telephone book in sight). The quality of its collections has never been in doubt, either. Its use is in part a reflection, obviously enough, of the drawing power of William Shakespeare. The Furnesses, father and son, based the collection on Shakespeare’s works and his stage and print career. Around these same topics their successors have continued to build it. The Furnesses’ chosen author has surely elicited more editions of and words about himself than any other writer in English—more, perhaps, than any other writer in the world. His continuing preeminence at all levels of education, and the popularity of Shakespearian productions on stage and screen, are evidence of an enthusiasm so widespread that it cannot be written off as merely academic. More than three hundred and fifty years after his death, Shakespeare continues to be box office.
    [Show full text]
  • Journal of the American Institute of ARCH Itecr·S
    Journal of The American Institute of ARCH ITEcr·s PETEil HARRISON November, 1946 Fellowship Honors in The A.I.A. Examinations in Paris-I Architectural Immunity Honoring Louis Sullivan An Editorial by J. Frazer Smith The Dismal Fate of Christopher Renfrew What and Why Is an Industrial Designer? 3Sc PUBLISHED MONTHLY AT THE OCTAGON, WASHINGTON, D. C. UNiVERSITY OF ILLINOJS SMALL HOM ES COUNCIL MUMFORD ~O U SE "JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS NOVEMBER, 1946 VoL. VI, No. 5 Contents Fellowship Honors in The Ameri- Architectural Immunity 225 can Institute of Architects .... 195 By Daniel Paul Higgins By Edgar I. Williams, F.A.I.A. News of the Chapters and Other Honors . 199 Organizations . 228 Examinations in Paris-I .... 200 The Producers' Council. 231 By Huger Elliott The Dismal Fate of Christopher Architects Read and Write: Renfrew . 206 By Robert W. Schmertz "Organic Architecture" . 232 By William G. Purcell Honoring Louis Sullivan By Charles D. Maginnis, Advertising for Architects. 233 F.A.I.A. 208 By 0. H. Murray By William W. Wurster . 209 A Displaced Architect without Chapters of The A.I.A. 213 Documents . 233 By ]. Frazer Smith By Pian Drimmalen What and Why Is an Industrial News of the Educational Field. 234 Designer?. 217 By Philip McConnell The Editor's Asides . 236 ILLUSTRATIONS Tablet marking birth site of Louis H. Sullivan in Boston .. 211 Fur Shop in the Jay Jacob Store, Seattle, Wash .......... 212 George W. Stoddard and Associates, architects Remodeled Country House of Col. Henry W . Anderson, Dinwiddie Co., Va. 221 Duncan Lee, architect Do you know this building? ......
    [Show full text]
  • Faith Reforming
    Reforming Faith by Design Frank Furness’ Architecture and Spiritual Pluralism among Philadelphia’s Jews and Unitarians Matthew F. Singer Philadelphia never saw anything like it. The strange structure took shape between 1868 and 1871 on the southeast corner of North Broad and Mount Vernon streets, in the middle of a developing residential neighborhood for a newly rising upper middle class. With it came a rather alien addition to the city’s skyline: a boldly striped onion dome capping an octagonal Moorish-style minaret that flared outward as it rose skyward. Moorish horseshoe arches crowned three front entrances. The massive central At North Broad and Mount Vernon streets, Rodeph Shalom’s first purpose-built temple—de- doorway was topped with a steep gable signed by Frank Furness—announced the growing presence and aspirations of the newly developed neighborhood’s prospering German Jewish community. beneath a Gothic rose window that, in HISTORICAL SOCIETY OF PENNSYLVANIA turn, sat within another Moorish horse- shoe. Composed of alternating bands of phia. In a city of red-brick rowhouses built full Jewish emancipation and equality and yellow and red sandstone, the arches’ halo- primarily in neoclassical styles, Rodeph sparked new spasms of anti-Semitism. like tops appeared to radiate from central Shalom’s new temple mixed Islamic, Pedestrians gazing upon Rodeph disks incised with abstracted floral shapes. Byzantine and Gothic elements. Shalom may have wondered whether their Buttresses shored the sides of the building, Founded in 1795 as the first Ashkenazi wandering minds conjured an appari- which stood tall and vertical like a Gothic (Central and Eastern European) Jewish tion from a faraway time and place.
    [Show full text]
  • Architectural Styles/Types
    Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings.
    [Show full text]
  • To Center City: the Evolution of the Neighborhood of the Historicalsociety of Pennsylvania
    From "Frontier"to Center City: The Evolution of the Neighborhood of the HistoricalSociety of Pennsylvania THE HISToRICAL SOcIETY OF PENNSYLVANIA found its permanent home at 13th and Locust Streets in Philadelphia nearly 120 years ago. Prior to that time it had found temporary asylum in neighborhoods to the east, most in close proximity to the homes of its members, near landmarks such as the Old State House, and often within the bosom of such venerable organizations as the American Philosophical Society and the Athenaeum of Philadelphia. As its collections grew, however, HSP sought ever larger quarters and, inevitably, moved westward.' Its last temporary home was the so-called Picture House on the grounds of the Pennsylvania Hospital in the 800 block of Spruce Street. Constructed in 1816-17 to exhibit Benjamin West's large painting, Christ Healing the Sick, the building was leased to the Society for ten years. The Society needed not only to renovate the building for its own purposes but was required by a city ordinance to modify the existing structure to permit the widening of the street. Research by Jeffrey A. Cohen concludes that the Picture House's Gothic facade was the work of Philadelphia carpenter Samuel Webb. Its pointed windows and crenellations might have seemed appropriate to the Gothic darkness of the West painting, but West himself characterized the building as a "misapplication of Gothic Architecture to a Place where the Refinement of Science is to be inculcated, and which, in my humble opinion ought to have been founded on those dear and self-evident Principles adopted by the Greeks." Though West went so far as to make plans for 'The early history of the Historical Soiety of Pennsylvania is summarized in J.Thomas Scharf and Thompson Westcott, Hisiory ofPhiladelphia; 1609-1884 (2vols., Philadelphia, 1884), 2:1219-22.
    [Show full text]
  • Evolving Transcendentalism in Literature and Architecture
    Evolving Transcendentalism in Literature and Architecture Evolving Transcendentalism in Literature and Architecture: Frank Furness, Louis Sullivan, and Frank Lloyd Wright By Naomi Tanabe Uechi Evolving Transcendentalism in Literature and Architecture: Frank Furness, Louis Sullivan, and Frank Lloyd Wright, by Naomi Tanabe Uechi This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Naomi Tanabe Uechi All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4288-5, ISBN (13): 978-1-4438-4288-4 Sanctuary of Unity Temple Photo by Balthazar Korab. Courtesy of the Library of Congress Sanctuary of Unity Temple Photo by Balthazar Korab. Courtesy of the Library of Congress Exterior of Unity Temple Photo by Balthazar Korab. Courtesy of the Library of Congress TABLE OF CONTENTS Acknowledgments ...................................................................................... ix List of Illustrations ..................................................................................... xi Abbreviations ............................................................................................ xv Introduction ................................................................................................
    [Show full text]
  • Furness-Bullitt Family Papers
    Collection 1903 Furness-Bullitt Family Papers 1824-1967 (bulk 1852-1915) 5 boxes, 1.6 lin. feet Contact: The Historical Society of Pennsylvania 1300 Locust Street, Philadelphia, PA 19107 Phone: (215) 732-6200 FAX: (215) 732-2680 http://www.hsp.org Processed by: Jacob I. Kobrick Processing Completed: August 2002 Additional Processing: Leslie Hunt Additional Processing Completed: March 2005 Restrictions: None Related Collections at HSP: Horace Howard Furness Papers (collection 224), Helen Kate Rodgers Papers (collection Am 06862) © 2002 The Historical Society of Pennsylvania. All rights reserved. Furness-Bullitt Papers Collection 1903 Furness-Bullitt Family Papers, 1824-1967 (bulk 1852-1915) 5 boxes, 1.6 lin. feet Collection 1903 Abstract The Furness-Bullitt Family Papers chronicle the mid-nineteenth to early twentieth- century lives of two prominent Philadelphia families, related by marriage. The majority of the collection centers on two individuals: Horace Howard Furness (1833-1912) and John Christian Bullitt (1824-1902). Their families were united when Walter Rogers Furness, the eldest son of Horace Howard Furness and his wife Helen Kate (Rogers) Furness, married Helen Key Bullitt (who then became known as Helen Bullitt Furness), the daughter of John C. Bullitt and his wife Therese Langhorne Bullitt. Fairman Rogers Furness, the son of Walter Rogers Furness and Helen Bullitt Furness, also figures prominently in the collection. The papers consist primarily of family correspondence between husbands and wives, siblings, parents and children, grandparents and grandchildren, and cousins. The collection also contains a considerable amount of genealogical information about both the Furness and Bullitt families, as well as other related families.
    [Show full text]