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The Worth Directory
Innovation Fusion Collaboration THE WORTH DIRECTORY 152275_TEXT_AW_AMENDS.indd 1 29/10/2015 11:12 Funded by the European Commission to develop competitive- ness in small fashion businesses, the Worth project specialises in cross border creative and manufacturer collaborations, aiming to innovate new fashion and lifestyle products in order to maximise assets derived from the resource and skill base of Europe. With an express aim of creating innovative products to prototype stage, the result is 34 unique European enterprising partnerships managed jointly by Centre for Fashion Enterprise at London Col- lege of Fashion and Institut Français de la Mode: fusions of tra- dition and invention; craft and technology; hand and machine; history and modernisation across fashion, textiles, jewellery, eye- wear, footwear, furniture, fur and leather lifestyle product catego- ries. WORTH facilitates connections between factories, designers and manufacturers across the regions to access and cross fertilise the broad range of skills and know-how that define Europe as a high-level fashion industry resource base. CREATIVES & DESIGNERS CREATIVES & DESIGNERS CREATIVES & DESIGNERS COMPANY NAME Company type Country Email Ana Rajcevic Artist UK [email protected] Andrea Crews Fashion & France [email protected] Creative Brand Anne Sofie Madsen Fashion Denmark [email protected] Designer Apologie Footwear France [email protected] Designer Bonnie Kirkwood Ltd Textile UK [email protected] Designer Boulezar Fashion Germany [email protected] -
Paris, 1918-45
un :al Chapter II a nd or Paris , 1918-45 ,-e ed MARK D EVOTO l.S. as es. 21 March 1918 was the first day of spring. T o celebrate it, the German he army, hoping to break a stalemate that had lasted more than three tat years, attacked along the western front in Flanders, pushing back the nv allied armies within a few days to a point where Paris was within reach an oflong-range cannon. When Claude Debussy, who died on 25 M arch, was buried three days later in the Pere-Laehaise Cemetery in Paris, nobody lingered for eulogies. The critic Louis Laloy wrote some years later: B. Th<' sky was overcast. There was a rumbling in the distance. \Vas it a storm, the explosion of a shell, or the guns atrhe front? Along the wide avenues the only traffic consisted of militarr trucks; people on the pavements pressed ahead hurriedly ... The shopkeepers questioned each other at their doors and glanced at the streamers on the wreaths. 'II parait que c'ctait un musicicn,' they said. 1 Fortified by the surrender of the Russians on the eastern front, the spring offensive of 1918 in France was the last and most desperate gamble of the German empire-and it almost succeeded. But its failure was decisive by late summer, and the greatest war in history was over by November, leaving in its wake a continent transformed by social lb\ convulsion, economic ruin and a devastation of human spirit. The four-year struggle had exhausted not only armies but whole civiliza tions. -
DOWNLOAD PDF BUILDINGS PROJECTS Size
Arch. Piero Castiglioni Via Presolana 5 20135 Milano, Italia Tel. (+39)025513223 e-mail: [email protected] pec: [email protected] web site: www.pierocastiglioni.com BUILDINGS 1975 Italy, Island of Elba Marina di Campo - Iselba Residence - general lighting coll. Arch. R. Menghi 1975 Spain, Bilbao - Mosel Showroom - general lighting coll. Arch. C. Boeri 1975 Spain, Bilbao - Missoni Boutique - general lighting coll. Arch. Gregotti Associati 1976 Italy, Milan - Marisa Boutique - general lighting coll. Arch. Gregotti Associati 1977 Saudi Arabia, Jeddah - Meridien Hotel - general lighting coll. Arch. C. Casati 1978 Italy, Monte Argentario - Nursery School - general lighting coll. Arch. G. Aulenti 1978 Italy, Rome - Tivoli Leathers Showroom - general lighting coll. G. Marotta, P. Bassanin, G. Gentilucci 1980 Italy, Foligno - Town Hall - lighting for some operative rooms coll. Arch. D. Ripa di Meana 1980 Italy, Lenno - The Municipal Library - general lighting coll. Arch. R. Menghi 1981 Italy, Cascia - S. Rita Sanctuary - general lighting coll. Arch. Scrinieri 1981 Italy, Cesano Maderno - Mariani Showroom - general lighting coll. Arch. G. Azzarello 1982 Italy, Milan - Naj Oleari Boutique - general lighting 1982 Syria, Damascus - Al Cham Hotel - common parts and outdoor lighting 1983 Italy, Milan - Morassuti Showroom - general lighting coll. Arch. D. Puppa, B. Raggi 1983 Italy, Turin - Chaplin Cinema - general lighting coll. Arch. Gatti 1983 Italy, Milan - Gran Ciclismo Cinelli Showroom - general lighting coll. Arch. D. Puppa, B. Raggi 1983 Italy, Milan - Misani Jewelery - general lighting coll. Arch. De Pas, D’Urbino, Lomazzi 1983 Italy, Saint Vincent - Casinò de la Vallée e Hotel - common parts and restaurant lighting coll. Studio D. A. 1983 France, Nanterre, Paris - Théatre des Amadiers - general lighting coll. -
Florence Florence Can Boast Many Histories – Artistic, Financial, Religious, the Central Point of the City’S Political and Cultural Development
AGENZIA PER IL TURISMO FIRENZE florence Florence can boast many histories – artistic, financial, religious, the central point of the city’s political and cultural development. cultural, political. These are so rich that it is impossible to sum By virtue of its geographic position and social climate, Florence them up in a few short lines. One word, however, has always dis- exercised a function of equilibrium in the history and art of the pe- tinguished the city in the eyes of the world: the Renaissance. riod known as the Renaissance. After various vicissitudes involving the Florentine Republic and history Medici restorations, another historic era started for Florence in a brief 1530 with the establishment of the Grand Duchy of Tuscany. The The early Etruscan settlements sprang up on the hill of Fiesole, power of the city grew, reaching a peak with the defeat of arch-ri- while the Romans established themselves (in 59 BC) on the plain val Siena in 1555. The House of the Medici died out in the 18th around the Arno. The Forum of Roman Florentia was situated where century, giving way to the rule of the Habsburg-Lorraine, under Piazza della Republica stands today, and the inner circle of walls whom Florence also conquered Lucca (1847). Finally, the Duchy ran along today’s Via Tornabuoni, Via Cerretani and Via del Pro- entered the Kingdom of Italy in 1859 following a plebiscite. consolo. Florence was the capital of unified Italy from 1865 to 1870, dur- Miniato and Reparata were the first patron saints of Florence, ing which time Giuseppe Poggi produced an urban planning proj- which became an episcopal see in the 4th century. -
Mardi 15 Et Mercredi 16 Mai 2012
ALDE ALDE Livres illustrés modernes - Éditions originales Estampes www.alde.fr 83 mardi 15 et mercredi 16 mai 2012 Livres illustrés modernes Éditions originales Estampes 158 Experts Pour les livres Dominique Courvoisier Expert de la Bibliothèque nationale de France Membre du syndicat français des experts professionnels en œuvres d'art Librairie Giraud-Badin 22, rue Guynemer 75006 Paris Tél. 01 45 48 30 58 - Fax 01 45 48 44 00 - www.giraud-badin.com Pour les estampes Hélène Bonafous-Murat Membre de la Compagnie Nationale des Experts 8, rue Saint-Marc 75002 Paris Tél. 01 44 76 04 32 - [email protected] Exposition à la Librairie Giraud-Badin du mercredi 9 au lundi 14 mai 2012 de 9 h à 13 h et de 14 h à 18 h (le lundi 14 mai jusqu'à 16 h) Exposition publique Salle Rossini le mardi 15 mai de 10 h à 12 h et le mercredi 16 mai de 10 h à 12 h Première vacation, le 15 mai Livres illustrés modernes : nos 1 à 387 Seconde vacation, le 16 mai Éditions originales : nos 388 à 471 Revues artistiques et littéraires : nos 472 à 494 Estampes : nos 495 à 606 MaisonALDE de ventes spécialisée Livres & Autographes Livres illustrés modernes Éditions originales Estampes Vente aux enchères publiques Les mardi 15 et mercredi 16 mai 2012 à 14 h Salle Rossini 7, rue Rossini 75009 Paris Tél. : 01 53 34 55 01 Commissaire-priseur Jérôme Delcamp ALDE Maison de ventes aux enchères 1, rue de Fleurus 75006 Paris Tél. 01 45 49 09 24 - Fax 01 45 49 09 30 - www.alde.fr 2 Vente du Mardi 15 Mai 2012 Livres illustrés modernes 1 ALAIN-FOURNIER. -
Museo Salvatore Ferragamo Palazzo Spini Feroni Piazza Santa Trinita 5R, 50123, Firenze 24 May 2018-10 March 2019
Museo Salvatore Ferragamo Palazzo Spini Feroni Piazza Santa Trinita 5R, 50123, Firenze 24 may 2018-10 march 2019 UNDER THE PATRONAGE OF SCENOGRAPHY CATALOGUE CURATED BY Ministero dei Beni e delle Attività Maurizio Balò Stefania Ricci Culturali e del Turismo In collaboration with Regione Toscana Andrea De Micheli CONTRIBUTIONS BY Comune di Firenze Silvio Alovisio, Giulia Carluccio, VIDEO INSTALLATIONS Fulvio Conti, Roberta Ferrazza, EXHIBITION PROMOTED AND FILMS Silvia Lucchesi, Elena Mosconi, ORGANIZED IacquoneAttilii Studio Giuliana Muscio, Deborah AND ORGANIZED BY Daniele Tommaso Nadoolman Landis; Stefania Ricci, Museo Salvatore Ferragamo in John Paul Russo, Luca Scarlini, collaboration with Fondazione TWO YOUNG ITALIANS Rosa Sessa, Carlo Sisi, Maddalena Ferragamo IN HOLLYWOOD Tirabassi, Elvira Valleri Yuri Ancarani Skira editore, Milano, 479 pages, CURATED BY Manfredi Gioacchini illustrated Giuliana Muscio, Stefania Ricci Curated by Silvia Lucchesi for Lo Schermo dell’Arte Film Festival SPONSOR TECNICI SCIENTIFIC COMMITTEE AON S.p.A. Insurance & Luca Scarlini RESEARCH Reinsurance Broker, Firenze Rosa Sessa Simona Carlesi Bonaveri Unipersonale S.r.l. Carlo Sisi Catherine Angela Dewar Maddalena Tirabassi Daniele Tommaso EDUCATIONAL PANELS Elvira Valleri CURATED BY Alessandro Alberti, Costanza INCLUDING THE Giovacchini, Marco Magini, Clara Academy of Motion Picture, Pescatori, studenti della IV A del Arts and Sciences, Los Angeles Liceo Classico Michelangiolo di Cinemazero, Pordenone Firenze supervised by professor Cineteca del Friuli, Gemona Maria Teresa Leoncino Cineteca di Bologna, Bologna Within the framework of the Museo Nazionale del Cinema, Alternanza Scuola-Lavoro-MIUR Turin in agreement with Fondazione Ferragamo LIST OF LENDERS Museo Civico Giovanni Fattori, Livorno Museo del Paesaggio, Verbania Archivio Fornasetti, Milan Museo Internazionale Enrico Caruso, Archivio Galleria Campari, Comune di Lastra a Signa (FI) Sesto S. -
Neri Di Bicci: a Study of Three of His Patrons' Commissions of the Assumption of the Virgin Altarpieces with a Focus on Their Choice of an All'antica Style
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style Kara Samples Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Samples, Kara, "Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/162 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. NERI DI BICCI: A STUDY OF THREE OF HIS PATRONS’ COMMISSIONS OF THE ASSUMPTION OF THE VIRGIN ALTARPIECES WITH A FOCUS ON THEIR CHOICE OF AN ALL’ANTICA STYLE by KARA SAMPLES Under the direction of Dr. John Decker ABSTRACT This thesis will analyze why three of Neri di Bicci’s patrons—the Spini family of Florence, a nun of the Bridgettine Order of Florence, and Ser Amideo of Santa Maria degli Ughi—desired to commission an altarpiece of the Assumption of the Virgin in an all’antica style. Neri di Bicci’s background as an artist, existing scholarship, and comparisons of older styles of art will also be discussed. -
I Palazzi Storici Di Firenze
INE Indice p- 7 Introduzione Una storia di splendidi palazzi, di grandi famiglie, di grandi uomini IL PRELUDIO AI PALAZZI: LE TORRI 11 Firenze delle torri 15 Torre dei Boscoli poi del palazzo del Bargello (detta la Volognana) 19 Torre dei Giuochi (detta di Dante) 21 Torre dei Visdomini 23 Torre degli Adimari 25 Torre degli Amidei (detta dei Leoni) 29 Torre dei Donati 30 Torre degli Alberti 33 Torre dei Foraboschi poi del Palazzo della Signoria I PALAZZI DEL DUECENTO E DEL TRECENTO 45 Dalle case munite alle case comode 49 Palazzo degli Acciaioli 53 Palagio dei Cerchi 55 Palazzo Frescobaldi antico 60 Palazzo de' Mozzi 64 Palazzo Spini Feroni 70 Palazzo Peruzzi poi Bourbon del Monte 73 Palazzo Salviati poi Quaratesi 76 Palazzo Compiobbesi poi dell'Arte della Lana 79 Palazzo dei Foresi 80 Palazzo Davanzati >ICE 587 86 Palazzo Camgiani 88 Palazzo turrito dei Gianfigliazzi 91 Palazzo Alessandri 93 Palazzo Sassetti I PALAZZI DEL RINASCIMENTO 99 Lo splendore dei tempi nuovi: il Quattrocento 103 Palazzo di Cosimo Ridolfi 107 Palazzo Capponi delle Rovinate 110 Palazzo Bardi alle Grazie 114 Palazzo Medici Riccardi 124 Palazzo Barbolani da Montante 126 Palazzo Rucellai 131 Palazzo Pitti 137 Palazzo Canacci 139 Palazzo Manetti 140 Palazzo dello Strozzino 142 Palazzo Gianfigliazzi 150 Palazzo Antinori 153 Palazzo Neroni 156 Palazzo Spinelli 157 Palazzo Pazzi 164 Palazzo Lenzi 166 Palazzo Cocchi Donati 168 Palazzo Portinai! Salviati 176 Palazzo Ricasoli 178 Palazzo Strozzi 186 Palazzo Gondi 189 Palazzo Sertini 190 Palazzo Corsi ora Museo Horne 193 Palazzo Antinori già Corsini già Serristori 195 II primo Cinquecento 197 Palazzo Mellini 198 Palazzo Bartolini Salimbeni di Porta Rossa 201 Palazzo Venturi Ginori 204 Palazzo Girolami 206 Palazzo Lanfredini 207 Palazzo Dei poi Guadagni 212 Palazzo Taddei 216 Palazzi Tolomei Biffi e Tolomei 588 INDICE IND1 p. -
Spring 19 – Global Fashion Industry: Italy PRACT-UG 9200 Wednesdays, 9:00 A.M
Spring 19 – Global Fashion Industry: Italy PRACT-UG 9200 Wednesdays, 9:00 a.m. - 11:45 a.m. Classroom Location: Villa Ulivi – Aula Firenze Class Description: Prerequisites: none. Global Fashion Industry: Italy will provide students with a deep understanding of the contemporary fashion industry in Italy, as well as of Italy's position in the global fashion arena. The course will drive students through the entire lifecycle of the fashion business, from forecasting trends to retailing, through design, sourcing, product development and production. P articular attention will be dedicated to different marketing aspects of the process, such as: identity building, brand positioning, merchandising, buying, costing, communication. All levels of retail, from luxury to mass market will be covered. The course will end with an analysis of the new challenges, such as sourcing globalization, emerging markets, sustainability and growing significance of technology. A strong effort will be put into organizing site visits to studios, showrooms and factories, as well as meeting with professional players. Each session will be structured to give students an overview of a particular stage of the Industry, through a mix of lectures from the course leader and visiting professionals, studio and showroom visits, walking tours, reading assignments and practical projects. Instructor Details: Name: Marco Semeghini NYUGlobalHome Email Address: [email protected] Office Hours: Wednesdays, 9:00 a.m. – 11:45 a.m. Villa Ulivi Office Location:SAMPLE top floor Villa Ulivi Phone Number: +39 055 5007 300 Desired Outcomes: On completion of this course, students should: ● Have improved their ability to think critically, engage in complex reasoning and express their thoughts clearly through their written work. -
Pierrot Lunaire
Words and Music Liverpool Music Symposium 3 Words and Music edited by John Williamson LIVERPOOL UNIVERSITY PRESS First published 2005 by LIVERPOOL UNIVERSITY PRESS 4 Cambridge Street, Liverpool L69 7ZU Copyright © Liverpool University Press 2005 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for 14 13 12 11 10 09 08 07 06 05 10 9 8 7 6 5 4 3 2 1 ISBN 0-85323-619-4 cased Every effort has been made to contact copyright holders and the publishers will be pleased to be informed of any errors or omissions for correction in future editions. Edited and typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs Printed in Great Britain by MPG Books, Bodmin, Cornwall Contents Notes on Contributors vii Introduction John Williamson 1 1 Mimesis, Gesture, and Parody in Musical Word-Setting Derek B. Scott 10 2 Rhetoric and Music: The Influence of a Linguistic Art Jasmin Cameron 28 3 Eminem: Difficult Dialogics David Clarke 73 4 Artistry, Expediency or Irrelevance? English Choral Translators and their Work Judith Blezzard 103 5 Pyramids, Symbols, and Butterflies: ‘Nacht’ from Pierrot Lunaire John Williamson 125 6 Music and Text in Schoenberg’s A Survivor from Warsaw Bhesham Sharma 150 7 Rethinking the Relationship Between Words and Music for the Twentieth Century: The Strange Case of Erik Satie Robert Orledge 161 vi 8 ‘Breaking up is hard to do’: Issues of Coherence and Fragmentation in post-1950 Vocal Music James Wishart 190 9 Writing for Your Supper – Creative Work and the Contexts of Popular Songwriting Mike Jones 219 Index 251 Notes on Contributors Derek Scott is Professor of Music at the University of Salford. -
1 Erik Satie's Musique D'ameublement and Max Jacob's
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kingston University Research Repository 1 Erik Satie’s musique d’ameublement and Max Jacob’s Ruffian toujours, truand jamais* Caroline Potter Musique d’ameublement Satie’s concept of musique d’ameublement (furniture music) ensures he is viewed as a precursor of minimalism, muzak, and many other 20th-century musical genres. The concept of music which is experienced as a backdrop to everyday activities rather than as the sole focus of a listener’s attention is something with which Satie was familiar in his role as a Montmartre café pianist in the late 19th and early 20th century: he had first-hand experience performing popular tunes of the day as a background to eating, drinking, and conversation. Music as mechanism, music as a backdrop to other activity reach an apogee in Satie’s furniture music. This article will explore the concept and context of Satie’s furniture music focusing on his collaboration with Max Jacob, Ruffian toujours, truand jamais (1920), a play which is examined here for the first time. The play, which received a single performance on 8 March 1920 and then disappeared from public view, featured furniture music entr’actes by Satie which link directly to the staging. Music is also central to the play, as two of the characters play instruments as part of the stage action. While Satie’s furniture music has been studied extensively by authors from Roger Shattuck to contemporaries including Steven * I wish to acknowledge British Academy funding of my research visit to Paris and Normandy which enabled this article to be written. -
A Palace and the City
A PALACE AND THE CITY 150 years since Florence was named An exhibition created and curated by the Capital of Italy Stefania Ricci and Riccardo Spinelli Palazzo Spini Feroni opens its doors Design to the city in a fascinating exhibition Maurizio Balò on its centuries of history in collaboration with Davide Amadei Museo Salvatore Ferragamo Exhibition organised by Florence, Palazzo Spini Feroni Museo Salvatore Ferragamo 8 May 2015- 3 April 2016 in collaboration with inauguration 7 May Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della Città di Firenze Fondazione Ferragamo With the sponsorship of Ministero dei Beni e delle Attività Culturali e del Turismo Regione Toscana Comune di Firenze 1 A PALACE AND THE CITY “Long before I ever moved into the Palazzo Spini Feroni it was one of the buildings of Florence that I most admired and loved.” Salvatore Ferragamo From 8 May 2015 to 3 April 2016, at Palazzo Spini Feroni, via Tornabuoni, Florence, Museo Salvatore Ferragamo will hold an exhibition on the building’s centuries of history, commemorating the 150 years since Florence was named capital of the Kingdom of Italy (1865-1870), and Palazzo Spini Feroni became the city hall in 1865. Curated by Stefania Ricci and Riccardo Spinelli, the exhibition will include prestigious works of art and documents from museums and private collections and will tell the intricate stories behind the palace and its residents, in captivating displays created by stage designer Maurizio Balò, thus sharing one of the most important buildings in the city’s urban landscape with Florence, Florentines and travellers.