Computer Conservation Society Aims and Objectives
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VOLUME V INFORMATIQUE NON AMERICAINE Première Partie Par L' Ingénieur Général De L'armement BOUCHER Henri TABLE
VOLUME V INFORMATIQUE NON AMERICAINE Première partie par l' Ingénieur Général de l'Armement BOUCHER Henri TABLE DES MATIERES INFORMATIQUE NON AMERICAINE Première partie 731 Informatique européenne (statistiques, exemples) 122 700 Histoire de l'Informatique allemande 1 701 Petits constructeurs 5 702 Les facturières de Kienzle Data System 16 703 Les minis de gestion de Nixdorf 18 704 Siemens & Halske AG 23 705 Systèmes informatiques d'origine allemande 38 706 Histoire de l'informatique britannique 40 707 Industriels anglais de l'informatique 42 708 Travaux des Laboratoires d' Etat 60 709 Travaux universitaires 63 710 Les coeurs synthétisables d' ARM 68 711 Computer Technology 70 712 Elliott Brothers et Elliott Automation 71 713 Les machines d' English Electric Company 74 714 Les calculateurs de Ferranti 76 715 Les études de General Electric Company 83 716 La patiente construction de ICL 85 Catalogue informatique – Volume E - Ingénieur Général de l'Armement Henri Boucher Page : 1/333 717 La série 29 d' ICL 89 718 Autres produits d' ICL, et fin 94 719 Marconi Company 101 720 Plessey 103 721 Systèmes en Grande-Bretagne 105 722 Histoire de l'informatique australienne 107 723 Informatique en Autriche 109 724 Informatique belge 110 725 Informatique canadienne 111 726 Informatique chinoise 116 727 Informatique en Corée du Sud 118 728 Informatique à Cuba 119 729 Informatique danoise 119 730 Informatique espagnole 121 732 Informatique finlandaise 128 733 Histoire de l'informatique française 130 734 La période héroïque : la SEA 140 735 La Compagnie -
The 1-Bit Instrument: the Fundamentals of 1-Bit Synthesis
BLAKE TROISE The 1-Bit Instrument The Fundamentals of 1-Bit Synthesis, Their Implementational Implications, and Instrumental Possibilities ABSTRACT The 1-bit sonic environment (perhaps most famously musically employed on the ZX Spectrum) is defined by extreme limitation. Yet, belying these restrictions, there is a surprisingly expressive instrumental versatility. This article explores the theory behind the primary, idiosyncratically 1-bit techniques available to the composer-programmer, those that are essential when designing “instruments” in 1-bit environments. These techniques include pulse width modulation for timbral manipulation and means of generating virtual polyph- ony in software, such as the pin pulse and pulse interleaving techniques. These methodologies are considered in respect to their compositional implications and instrumental applications. KEYWORDS chiptune, 1-bit, one-bit, ZX Spectrum, pulse pin method, pulse interleaving, timbre, polyphony, history 2020 18 May on guest by http://online.ucpress.edu/jsmg/article-pdf/1/1/44/378624/jsmg_1_1_44.pdf from Downloaded INTRODUCTION As unquestionably evident from the chipmusic scene, it is an understatement to say that there is a lot one can do with simple square waves. One-bit music, generally considered a subdivision of chipmusic,1 takes this one step further: it is the music of a single square wave. The only operation possible in a -bit environment is the variation of amplitude over time, where amplitude is quantized to two states: high or low, on or off. As such, it may seem in- tuitively impossible to achieve traditionally simple musical operations such as polyphony and dynamic control within a -bit environment. Despite these restrictions, the unique tech- niques and auditory tricks of contemporary -bit practice exploit the limits of human per- ception. -
The Computer Revolution in Canada: Building National Technological Competence
Document généré le 25 sept. 2021 11:11 Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Computer Revolution in Canada: Building National Technological Competence. By John N. Vardalas. (Cambridge, MA: MIT Press, 2001. vi + 424 p., index. ISBN 0-262-22064-4 US$45.) Scott M. Campbell Volume 27, 2003 URI : https://id.erudit.org/iderudit/800471ar DOI : https://doi.org/10.7202/800471ar Aller au sommaire du numéro Éditeur(s) CSTHA/AHSTC ISSN 0829-2507 (imprimé) 1918-7750 (numérique) Découvrir la revue Citer ce compte rendu Campbell, S. M. (2003). Compte rendu de [The Computer Revolution in Canada: Building National Technological Competence. By John N. Vardalas. (Cambridge, MA: MIT Press, 2001. vi + 424 p., index. ISBN 0-262-22064-4 US$45.)]. Scientia Canadensis, 27, 126–129. https://doi.org/10.7202/800471ar Tous droits réservés © Canadian Science and Technology Historical Association Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des / Association pour l'histoire de la science et de la technologie au Canada, 2005 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. -
Computer Conservation Society
Issue Number 52 Autumn 2010 Computer Conservation Society Aims and objectives The Computer Conservation Society (CCS) is a co-operative venture between the British Computer Society (BCS), the Science Museum of London and the Museum of Science and Industry (MOSI) in Manchester. The CCS was constituted in September 1989 as a Specialist Group of the British Computer Society. It is thus covered by the Royal Charter and charitable status of the BCS. The aims of the CCS are: To promote the conservation of historic computers and to identify existing computers which may need to be archived in the future, To develop awareness of the importance of historic computers, To develop expertise in the conservation and restoration of historic computers, To represent the interests of Computer Conservation Society members with other bodies, To promote the study of historic computers, their use and the history of the computer industry, To publish information of relevance to these objectives for the information of Computer Conservation Society members and the wider public. Membership is open to anyone interested in computer conservation and the history of computing. The CCS is funded and supported by voluntary subscriptions from members, a grant from the BCS, fees from corporate membership, donations, and by the free use of the facilities of both museums. Some charges may be made for publications and attendance at seminars and conferences. There are a number of active Projects on specific computer restorations and early computer technologies and software. -
The History of Computer Language Selection
The History of Computer Language Selection Kevin R. Parker College of Business, Idaho State University, Pocatello, Idaho USA [email protected] Bill Davey School of Business Information Technology, RMIT University, Melbourne, Australia [email protected] Abstract: This examines the history of computer language choice for both industry use and university programming courses. The study considers events in two developed countries and reveals themes that may be common in the language selection history of other developed nations. History shows a set of recurring problems for those involved in choosing languages. This study shows that those involved in the selection process can be informed by history when making those decisions. Keywords: selection of programming languages, pragmatic approach to selection, pedagogical approach to selection. 1. Introduction The history of computing is often expressed in terms of significant hardware developments. Both the United States and Australia made early contributions in computing. Many trace the dawn of the history of programmable computers to Eckert and Mauchly’s departure from the ENIAC project to start the Eckert-Mauchly Computer Corporation. In Australia, the history of programmable computers starts with CSIRAC, the fourth programmable computer in the world that ran its first test program in 1949. This computer, manufactured by the government science organization (CSIRO), was used into the 1960s as a working machine at the University of Melbourne and still exists as a complete unit at the Museum of Victoria in Melbourne. Australia’s early entry into computing makes a comparison with the United States interesting. These early computers needed programmers, that is, people with the expertise to convert a problem into a mathematical representation directly executable by the computer. -
Social Construction and the British Computer Industry in the Post-World War II Period
The rhetoric of Americanisation: Social construction and the British computer industry in the Post-World War II period By Robert James Kirkwood Reid Submitted to the University of Glasgow for the degree of Doctor of Philosophy in Economic History Department of Economic and Social History September 2007 1 Abstract This research seeks to understand the process of technological development in the UK and the specific role of a ‘rhetoric of Americanisation’ in that process. The concept of a ‘rhetoric of Americanisation’ will be developed throughout the thesis through a study into the computer industry in the UK in the post-war period . Specifically, the thesis discusses the threat of America, or how actors in the network of innovation within the British computer industry perceived it as a threat and the effect that this perception had on actors operating in the networks of construction in the British computer industry. However, the reaction to this threat was not a simple one. Rather this story is marked by sectional interests and technopolitical machination attempting to capture this rhetoric of ‘threat’ and ‘falling behind’. In this thesis the concept of ‘threat’ and ‘falling behind’, or more simply the ‘rhetoric of Americanisation’, will be explored in detail and the effect this had on the development of the British computer industry. What form did the process of capture and modification by sectional interests within government and industry take and what impact did this have on the British computer industry? In answering these questions, the thesis will first develop a concept of a British culture of computing which acts as the surface of emergence for various ideologies of innovation within the social networks that made up the computer industry in the UK. -
60 Years of Computing in Victoria(PDF
60 Years of Computing in Victoria 14 JUNE 1956 14 JUNE 2016 WELCOME Justin Zobel HEAD OF THE DEPARTMENT OF COMPUTING & INFORMATION SYSTEMS, MELBOURNE SCHOOL OF ENGINEERING, THE UNIVERSITY OF MELBOURNE We are celebrating the 60th anniversary of computing in Victoria. CSIRAC, Australia’s first computer, resumed operations at the University of Melbourne on 14 June 1956, after being moved from Sydney. CSIRAC is the world’s oldest intact computer, and is now on permanent display at the Melbourne Museum. Many people contributed to this outcome, but in particular Dr Peter Thorne both led the technical work of restoration and made the case for it to be exhibited and conserved - thus giving us and future generations an opportunity to fully appreciate the roots of computing. CSIRAC was originally built in Sydney by the CSIRO before being transferred to The University of Melbourne We welcome this anniversary as an opportunity to highlight the history of computing technology and its impact on our society. TODAY’S SMART MACHINES Not coincidentally, we are also celebrating 60 years of computing education and research at The University of Melbourne. From small OWE MUCH TO AUSTRALIA’S beginnings in the 1950s, the Department of Computing & Information Systems, as it is now known, has become an international FIRST COMPUTER leader in information technology. During the week we look at the remarkable By Justin Zobel SILLIAC, which was launched in September achievements of computing. We have 1956), and operated until 1964. It is now commissioned a series of articles to illustrate Australia’s first computer weighed two a permanent exhibit at Museum Victoria. -
Synthetics: a History of the Electronically Generated Image In
Leonardo_36-3_175-254 5/9/03 9:45 AM Page 187 G C HISTORICAL PERSPECTIVE L R O O B S A S L I Synthetics: A History of the N G Electronically Generated Image S in Australia ABSTRACT This paper takes a brief look at the early years of computer- graphic and video- synthesizer–driven image Stephen Jones production in Australia. It begins with the first (known) Australian data visualization, in 1957, and proceeds through the composit- ing of computer graphics and video effects in the music videos of the late 1980s. The his article surveys the development of com- netic Serendipity exhibition at the author surveys the types of T work produced by workers on puter art and video synthesis in Australia from its earliest man- Institute of Contemporary Art in ifestation through to the late 1980s. I focus on the artists and London [6]. He returned to Aus- the computer graphics and video synthesis systems of the the technologies they used, with pointers to cultural/aesthetic tralia with a collection of CG slides early period and draws out issues. The technologies derive from computing—both ana- from artists and programmers and some indications of the influ- log, which evolved into audio and video synthesizers, and dig- began to proselytize computer art ences and interactions among ital, which was domesticated over this period. to students and computing profes- artists and engineers and the technical systems they had sionals there [7]. Artists and com- available, which guided the puters did not mix in those days. evolution of the field for artistic DATA VISUALIZATION The process of writing and running production. -
IEEE Annals of the History of Computing Published by the IEEE Computer Society 1058-6180/03/$17.00 © 2003 IEEE Ed in a Readable, Engaging Fashion, Full of the David L
Reviews Raul Rojas, Editor Free University of Berlin Gerovitch, Slava, From Newspeak to Cyberspeak: A of scientific objectivity, characterized by rigorous think- History of Soviet Cybernetics, MIT Press, 2002, ISBN 0- ing, logical clarity, and quantitative precision. Aleksei 262-07232-7, 383 pp., $37.95. Lyapunov (recipient of an IEEE Computer Pioneer Award Slava Gerovitch’s From Newspeak to Cyberspeak: A in 1996) was an indefatigable proponent of the notion History of Soviet Cybernetics is a marvelous account of the that cybernetics could provide a single overarching con- history of Soviet cybernetics, from its roots in the work ceptual framework, methodology, and terminology for use of Norbert Wiener and Andrei Kolmogorov on control in the entire family of life and social sciences. Through the systems through its rise in Soviet society in the 1950s and efforts of the politically savvy former Deputy Defense 1960s, and its fall in the 1970s. Throughout, Gerovitch Minister Aksel Berg, cybernetics rose to prominence with- examines his subject through the distinctive, yet extreme- in the Academy of Sciences and was included in the 1961 ly appropriate lens of language. A proper understanding Program of the Communist Party as one of the sciences of science and technology anywhere in the world must crucial to the construction of communism. consider the interweaving influences of political, ideo- Soviet cybernetics became a victim of its own success. logical, economic, and social factors. Adding language to Cyberneticists sought to broaden the application of this mix is particularly appropriate in a study of science cybernetics to government and management, proposing and technology in the Soviet context, where the rules of an ambitious plan for nationwide, optimal planning and discourse provided the public stage within which all management. -
A Large Routine
A large routine Freek Wiedijk It is not widely known, but already in June 1949∗ Alan Turing had the main concepts that still are the basis for the best approach to program verification known today (and for which Tony Hoare developed a logic in 1969). In his three page paper Checking a large routine, Turing describes how to verify the correctness of a program that calculates the factorial function by repeated additions. He both shows how to use invariants to establish the correctness of this program, as well as how to use a variant to establish termination. In the paper the program is only presented as a flow chart. A modern C rendering is: int fac (int n) { int s, r, u, v; for (u = r = 1; v = u, r < n; r++) for (s = 1; u += v, s++ < r; ) ; return u; } Turing's paper seems not to have been properly appreciated at the time. At the EDSAC conference where Turing presented the paper, Douglas Hartree criticized that the correctness proof sketched by Turing should not be called inductive. From a modern point of view this is clearly absurd. Marc Schoolderman first told me about this paper (and in his master's thesis used the modern Why3 tool of Jean-Christophe Filli^atreto make Turing's paper fully precise; he also wrote the above C version of Turing's program). He then challenged me to speculate what specific computer Turing had in mind in the paper, and what the actual program for that computer might have been. My answer is that the `EPICAC'y of this paper probably was the Manchester Mark 1. -
Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition
Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition Eduardo R. Miranda To appear as a chapter in the book: Alternative Computing, edited by Andrew Adamatzky. World Scientific, 2021. Disclaimer: This is the authors’ own edited version of the manuscript. It is a prepublication draft, where some minor errors and inconsistencies might be present. And it is likely to undergo further peer review. This version is made available here in agreement with the book’s editor. Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition Eduardo R. Miranda Interdisciplinary Centre for Computer Music Research (ICCMR) University of Plymouth Ada Lovelace House, 24 Endsleigh Place Plymouth PL4 6DN United Kingdom Abstract: Quantum computing is emerging as an alternative computing technology, which is built on the principles of subatomic physics. In spite of continuing progress in developing increasingly more sophisticated hardware and software, access to quantum computing still requires specialist expertise that is largely confined to research laboratories. Moreover, the target applications for these developments remain primarily scientific. This chapter introduces research aimed at improving this scenario. Our research is aimed at extending the range of applications of quantum computing towards the arts and creative applications, music being our point of departure. This chapter reports on initial outcomes, whereby quantum information processing controls an inverse Fast Fourier Transform (FFT) sound synthesizer and an adaptive musical sequencer. A composition called Zeno is presented to illustrate a practical real-world application. 1 Introduction Quantum computing is emerging as a powerful alternative computing technology, which is built on the principles of subatomic physics. -
Early Computer Music Experiments in Australia and England
Early Computer Music Experiments in Australia and England PAUL DOORNBUSCH Australian College of the Arts, 55 Brady Street, South Melbourne, VIC 3205, Australia Email: [email protected] This article documents the early experiments in both Australia had been developed, such as the ‘linear equations and England to make a computer play music. The experiments machine’, the ‘differential analyser’ and the ‘multi- in England with the Ferranti Mark 1 and the Pilot ACE register accounting machine’ (Hemstead and (practically undocumented at the writing of this article) and Worthington 2005: 110; Hally 2006: 11–13). However, fi those in Australia with CSIRAC (Council for Scienti c and the calculating machines still required significant Industrial Research Automatic Computer) are the oldest human intervention, so there was a desire to build an known examples of using a computer to play music. Significantly, they occurred some six years before the automatic calculator with some sort of system to store experiments at Bell Labs in the USA. Furthermore, the the data and the instructions for what to do with computers played music in real time. These developments were the data. important, and despite not directly leading to later highly There were some major technological advances at significant developments such as those at Bell Labs under the the time that allowed the realisation of an automatic direction of Max Mathews, these forward-thinking develop- calculator with memory. One such advance was the ments in England and Australia show a history of computing use of thermionic valves (vacuum tubes), as switching machines being used musically since the earliest development devices.