Caribbean Literature
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Landscaping Hispaniola Moreau De Saint-Méry's
New West Indian Guide Vol. 85, no. 3-4 (2011), pp. 169-190 URL: http://www.kitlv-journals.nl/index.php/nwig/index URN:NBN:NL:UI:10-1-101703 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0028-9930 MARIA CRISTINA FUMAGALLI LANDSCAPING HISPANIOLA MOREAU DE SAINT-MÉRY’S BORDER POLITICS A few days after the Haitian earthquake of January 12, 2010, Sonia Marmolejos, a young Dominican woman who was in the Darío Contreras Hospital of Santo Domingo with her newborn daughter, decided to breastfeed three Haitian children who had been admitted there after the disaster. They were wounded, hungry, and dehydrated, so Sonia Marmolejos acted on impulse and she did not expect to receive any special recognition for her generous gesture. The government of the Dominican Republic capitalized on this story, defined Sonia Marmolejos as a heroine, and used her actions as a metaphor to illustrate the charitable response of the country toward neighboring Haiti. Haiti and the Dominican Republic share the island of Hispaniola and a history of colonialism which, however, has conjugated itself in very differ- ent ways. Officially under Spanish rule since 1493, the island was mostly left unpopulated for three-quarters of a century. In 1625 the French started to occupy parts of it (mainly in the north) and until the official recognition of the French colony of Saint-Domingue in 1777, they constantly pushed for- ward their unofficial borders, while the Spanish carried out punitive raids to eradicate the French presence. On the Spanish side, the economy was mainly livestock-based but the French developed an impressive network of planta- tions which relied on the constant import of enslaved labor from Africa. -
Calypso, Education and Community in Trinidad and Tobago: from the 1940S to 2011 1
Tout Moun Caribbean Journal of Cultural Studies http://journals.sta.uwi.edu/toutmoun/index.asp © The University of the West Indies, Department of Literary Cultural & Communication Studies Calypso, Education and Community in Trinidad and Tobago: From the 1940s to 2011 1 Calypso, Education and Community in Trinidad and Tobago from the 1940s to 2011 GORDON ROHLEHR I Introduction This essay has grown out of an address delivered on Wednesday January 28, 2009, at a seminar on the theme “Education through Community Issues and Possibilities for Development.” It explores the foundational ideas of Dr. Eric Williams about education as a vehicle for decolonization through nation-building, most of which he outlined in Education in the British West Indies,(1) a report that he prepared under the auspices of the Caribbean Research Council of the Caribbean Commission between 1945 and 1947, and published in 1950 in partnership with the Teachers’ Economic and Cultural Association [TECA] of Trinidad and Tobago. Drawing heavily upon De Wilton Rogers’s The Rise of the People’s National Movement,(2) this essay will detail Williams’s association with the TECA and its education arm, The People’s Education Movement [PEM] between 1950 and 1955 when Williams made the transition from research to politics via lectures, first at the Port-of-Spain library, then before massive crowds in Woodford Square. It will also explore the issues of education, community, and nation-building during the early Tout Moun ▪ Vol. 2 No. 1 ▪ October 2013 2 Gordon Rohlehr years of the PNM’s first term in office, when Williams struggled to sell his ideas(2) about educational reform and development to a skeptical and sometimes hostile hierarchy of entrenched interests. -
Legacies of Gordon Rohlehr TT PAULA MORGAN
Tout Moun Caribbean Journal of Cultural Studies http://journals.sta.uwi.edu/toutmoun/index.asp © The University of the West Indies, Department of Literary Cultural and Communication Studies Editorial: The Shape of Rohlehr’s Hurt 1 Editorial Pathfinder and Pointer: Legacies of Gordon Rohlehr TT PAULA MORGAN Tout Moun Volume 2.No.1 October 2013 focuses on the work of UWI Professor Emeritus Gordon Rohlehr in acknowledgement of his contribution as a seminal cultural critic, thinker, educator, and grassroots communicator. After decades of intellectual spade work, Rohlehr is held in high esteem by generations of scholars and students, writers and performers, calypsonians and musicians, teachers and media workers. He represents one of the finest examples of the early cadre of young intellectuals, produced by the then University of the West Indies College of London. Together they set out to craft an indigenous knowledge system which was sufficiently vigorous to withstand the onslaught of imperialism. Over the decades, Rohlehr has grappled with the hope of Caribbean unity and the dashing of that prospect; the potentialities and perils of the independence movement; herculean nation building efforts and recurrent cycles of social unrest, boundless creative energy matched by overwhelming persistence of poverty within the lower strata Afro- Caribbean population; the reckless violence of its young males; the crass materialism of the upper and middle strata; and the insensitive arrogance of the region’s political directorate. Rohlehr has refused to be drawn into narrow parochialism. While he has remained committed to exploring his African ancestry and Afro-Caribbean identity, he is never complicit with ethno-local polarization and adversarial “them and us” stances which intellectuals are often pressured into adopting. -
Negotiating Gender and Spirituality in Literary Representations of Rastafari
Negotiating Gender and Spirituality in Literary Representations of Rastafari Annika McPherson Abstract: While the male focus of early literary representations of Rastafari tends to emphasize the movement’s emergence, goals or specific religious practices, more recent depictions of Rasta women in narrative fiction raise important questions not only regarding the discussion of gender relations in Rastafari, but also regarding the functions of literary representations of the movement. This article outlines a dialogical ‘reasoning’ between the different negotiations of gender in novels with Rastafarian protagonists and suggests that the characters’ individual spiritual journeys are key to understanding these negotiations within the gender framework of Rastafarian decolonial practices. Male-centred Literary Representations of Rastafari Since the 1970s, especially, ‘roots’ reggae and ‘dub’ or performance poetry have frequently been discussed as to their relations to the Rastafari movement – not only based on their lyrical content, but often by reference to the artists or poets themselves. Compared to these genres, the representation of Rastafari in narrative fiction has received less attention to date. Furthermore, such references often appear to serve rather descriptive functions, e.g. as to the movement’s philosophy or linguistic practices. The early depiction of Rastafari in Roger Mais’s “morality play” Brother Man (1954), for example, has been noted for its favourable representation of the movement in comparison to the press coverage of -
Caribbean Theatre: a PostColonial Story
CARIBBEAN THEATRE: A POSTCOLONIAL STORY Edward Baugh I am going to speak about Caribbean theatre and drama in English, which are also called West Indian theatre and West Indian drama. The story is one of how theatre in the English‐speaking Caribbean developed out of a colonial situation, to cater more and more relevantly to native Caribbean society, and how that change of focus inevitably brought with it the writing of plays that address Caribbean concerns, and do that so well that they can command admiring attention from audiences outside the Caribbean. I shall begin by taking up Ms [Chihoko] Matsuda’s suggestion that I say something about my own involvement in theatre, which happened a long time ago. It occurs to me now that my story may help to illustrate how Caribbean theatre has changed over the years and, in the process, involved the emergence of Caribbean drama. Theatre was my hobby from early, and I was actively involved in it from the mid‐Nineteen Fifties until the early Nineteen Seventies. It was never likely to be more than a hobby. There has never been a professional theatre in the Caribbean, from which one could make a living, so the thought never entered my mind. And when I stopped being actively involved in theatre, forty years ago, it was because the demands of my job, coinciding with the demands of raising a family, severely curtailed the time I had for stage work, especially for rehearsals. When I was actively involved in theatre, it was mainly as an actor, although I also did some Baugh playing Polonius in Hamlet (1967) ― 3 ― directing. -
Vol 24 / No. 1 / April 2016 Volume 24 Number 1 April 2016
1 Vol 24 / No. 1 / April 2016 Volume 24 Number 1 April 2016 Published by the discipline of Literatures in English, University of the West Indies CREDITS Original image: High tide at the cave, 2016 by Lee Ann Sanowar Anu Lakhan (copy editor) Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] OR Ms. Angela Trotman Department of Language, Linguistics and Literature Faculty of Humanities, UWI Cave Hill Campus P.O. Box 64, Bridgetown, BARBADOS, W.I. e-mail: [email protected] SUBSCRIPTION RATE US$20 per annum (two issues) or US$10 per issue Copyright © 2016 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Glyne Griffith Rachel L. Mordecai Lisa Outar Ian Strachan BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full time academics and with minimal funding or institutional support, the Journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. -
Roger Mais and George William Gordon
KARINA WILLIAMSON Karina Williamson is retired. She was university lecturer in English Literature at Oxford and Edinburgh, has researched, taught and published on 20th century Caribbean literature, and has just edited the Jamaican novel Marly (1828) for the Caribbean Classics series. She is now preparing an anthology of poems on slavery and abolition, 1700-1834. ______________________________________________________________________ The Society For Caribbean Studies Annual Conference Papers edited by Sandra Courtman Vol.3 2002 ISSN 1471-2024 http://www.scsonline.freeserve.co.uk/olvol3.html _____________________________________________________________________ RE-INVENTING JAMAICAN HISTORY: ROGER MAIS AND GEORGE WILLIAM GORDON Karina Williamson Abstract This paper represents the convergence of two lines of interest and research: (1) in concepts and uses of history in Caribbean literature; (2) in the Jamaican writer Roger Mais. George William Gordon comes into the picture both as a notable figure in Jamaican history and as a literary subject. Gordon, a coloured man, was Justice of the Peace and representative of St Thomas in the East in the House of Assembly in the 1860s. Although he was a prosperous landowner himself, he fought vigorously on behalf of black peasants and smallholders against members of the white plantocracy, and was an outspoken critic of Governor Eyre in the Assembly. After the Morant Bay rebellion in 1865 he was arrested on Eyre’s orders and executed for his alleged implication in the rebellion. In 1965 he was named as a National Hero of Jamaica, alongside Paul Bogle, 1 leader of the rebellion. In a now almost forgotten play George William Gordon, written in the 1940s, Roger Mais dramatised Gordon’s involvement in the events of 1865.[1] Mais was not the first or last writer to turn Gordon into a literary hero or to recast the rebellion in fictional terms, but his reinvention of this historic episode is of peculiar interest because it is connected with events which earned Mais himself a small but unforgotten niche in modern Jamaican history. -
Ms. Chamberlin, J. Edward Papers Coll. 731 1 Gift of J. Edward
Ms. Chamberlin, J. Edward papers Coll. 731 Gift of J. Edward Chamberlin 2015 Includes Lorna Goodison material such as drafts, proofs and notes for From Harvey River; early drafts of ‘Supplying Salt and Light/Oracabessa’; Travelling Mercies; By Love Possessed; drafts for unpublished ‘The Book of Amber’; Controlling the Silver; personal and professional correspondence, including Rex Nettleford, Derek Walcott and others; ink doodles and drawings within texts; appearances; photographs; “Run of poetry by Canadian Poets (each illustrated) in Saturday Night, January 1989 – January 1995. Poetry editor J. Edward Chamberlin”; and various other material related to the lives and work of Lorna Goodison and J. Edward Chamberlin Extent: 17 boxes and items (3 metres) Box 1 Lorna Goodison 26 folders From Harvey River Drafts, proofs Folders 1-8 Lorna Goodison From Harvey River Clean word processed draft Folders 9-14 Lorna Goodison From Harvey River Edited draft with images, holograph notes and some correspondence Folders 15-22 Lorna Goodison From Harvey River Word processed draft with holograph revisions Folders 23-26 Lorna Goodison From Harvey River Clean word processed draft, variously paged Box 2 Lorna Goodison 23 folders From Harvey River Drafts, proofs Folders 1-7 Lorna Goodison From Harvey River Clean word processed draft, variously paged Folders 8-14 Lorna Goodison From Harvey River Word processed draft with revisions 1 Ms. Chamberlin, J. Edward papers Coll. 731 Folders 15-17 Lorna Goodison From Harvey River Word processed draft Folder 18 ‘early -
The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of the Literary
The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of the Literary Raphael Dalleo Small Axe, Number 32 (Volume 14, Number 2), June 2010, pp. 56-82 (Article) Published by Duke University Press For additional information about this article http://muse.jhu.edu/journals/smx/summary/v014/14.2.dalleo.html Access Provided by Florida Atlantic University at 07/19/10 5:34PM GMT The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of the Literary Raphael Dalleo The 1930s and 1940s are pivotal to accounts of the history of anticolonial nationalism through- out the Caribbean, and especially in Jamaica. It has become commonplace to acknowledge that alongside the development of a powerful labor movement and the nation’s two major political parties, Jamaica’s literature also came into its own during this period. An image from Drumblair, the memoir of Norman and Edna Manley’s granddaughter Rachel, captures the most idealized sense of the complementarity between literature and politics within the antico- lonial movement: “In addition to the party executive, the Focus group was meeting from time to time to work on the third edition. It seemed quite natural to me that the progress towards nationhood should be made culturally in one room and politically in another.”1 Norman, the lawyer turned nationalist politician, and Edna, the sculptor and literary intellectual, are shown working in different rooms, although Rachel notes that in 1955, on the eve of Norman’s elec- tion, the “groups had merged, and they were all coming and going in each other’s times and voicing opinions on each other’s subjects. -
The Year That Was
Kunapipi Volume 2 Issue 1 Article 18 1980 The Year That Was Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, The Year That Was, Kunapipi, 2(1), 1980. Available at:https://ro.uow.edu.au/kunapipi/vol2/iss1/18 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Year That Was Abstract Australia It's been a year for the bizarre in Australian fiction: a transvestite who is a Byzantine empress/ station hand/ whore-mistress; a narrating foetus; a plantation owner who takes you out at night to wrestle renegade pineapples to the ground; characters with words stamped on their foreheads and one with a coffin owinggr out of his side ... This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol2/iss1/18 The Year That Was AUSTRALIA It's been a year for the bizarre in Australian fiction: a transvestite who is a Byzantine empress/ station hand/ whore-mistress; a narrating foetus; a plantation owner who takes you out at night to wrestle renegade pine apples to the ground; characters with words stamped on their foreheads and one with a coffin growing out of his side ... Little did Synge know when he said there should be material for drama with all those 'shepherds going mad in lonely huts'! The theme of the year's most remarkable book, Patrick White's The Twybom Affair Oonathan Cape) is caught early when one of its charac· ters remarks, 'The difference between the sexes is no worse than their appalling similarity'. -
Victor Stafford Reid Was Born on May 1, 1913, in Kingston, Jamaica, to Alexander and Margaret Reid
Biography Victor Stafford Reid was born on May 1, 1913, in Kingston, Jamaica, to Alexander and Margaret Reid. Victor, his two brothers and one sister grew up in Kingston where they attended school. He was educated at Central Branch Primary and the Kingston Technical High School. During his early life, Reid was employed in various positions. He also traveled to several countries. He worked as a farm overseer, a news- paper reporter, advertising executive, and journalist and at different times edited the weekly newspaper Public Opinion and the news magazine Spotlight. In addition, he held several posts in the Jamaican Government. These included serving as Chair- man of the Jamaica National Trust Commission (1974- 1981) and a trustee of the Historic Foundation Research Centre (1980). In 1935, he married Victoria Monica Jacobs. The marriage produced four children, Shirley, Vic Jr., Sonia and Peter. His extensive travels helped to shape his passion of writing. One of his greatest influences was his exposure to Anancy stories and other folk tales of Jamaica which he heard from several story-tellers, but particularly from his mother. Most of his fiction is set in rural Jamaica with which Reid identified and to which he returned frequently, for reinvigora- tion and inspiration. He made Jamaica, its history and its peo- ple the focus of his works; several, of which have become standard text books for studies in Jamaica and the Caribbean. He died on August 25, 1987,at the age of 74. Who was Victor Stafford Reid Victor Stafford Reid (Vic Reid) was one of a handful of writers to emerge from the new literary and nationalist movement that seized Jamaican sentiment in the period of the late 1930s. -
Laurence A. Breiner October 2013
Laurence A. Breiner October 2013 Department of English Boston University 236 Bay State Road Boston, MA 02215 (617) 358-2544 [email protected] Boston College B.A. (English, summa cum laude) 1968 Yale University M.Phil. (Comparative Literature) 1971 Yale University Ph.D. ( " " ) 1973 Dissertation: The Development of a Language of Representation for Science: 1550-1650 Academic Positions 2004 -Visiting Professor, American Studies, University of Tokyo 2000- - Professor of English 1981-2000 - Associate Professor of English, with tenure 1980-81 - Fellow, National Endowment for the Humanities 1976-78 - Research Fellow, University of the West Indies, Mona (Jamaica) 1973-81 - Assistant Professor of English, Boston University 1972-73 - Instructor, Boston University Fall, 1971 - convener, "Introduction to Comparative Literature," Hall seminar in Yale's Branford College Spring, 1971 - teaching assistant, "Classical Comedy," Yale University Grants and Fellowships Henderson Senior Fellow, Humanities Foundation, Boston University, 2010-2011 Grant-in-Aid, Folger Institute, March, 2001 Senior Fellow, Society of Fellows, Boston University, 1998-99 Rockefeller Fellow, Center for the Study of Black Literature and Culture, University of Pennsylvania, 1991-1992 Senior Fellow, Society of Fellows, Boston University, 1989-90 Seed grant, Boston University Graduate School, June 1988 ACLS Grant-in-Aid for research in Venice, 1984 National Endowment for the Humanities Grant, 1980-81 Joint Committee on Latin American Studies, ACLS/SSRC, 1976-77 Woodrow Wilson Fellow, 1968