The Montreal Museum of Fine Arts

Annual Report 05/06 The Montreal Museum of Fine Arts Conserving for All to Share The Montreal Museum of Fine Arts, true to its vocation of acquiring and promoting the work of Canadian and international artists past and present, has a mission to attract the broadest and most heterogeneous public possible, and to provide that public with ﬁrst-hand access to a universal artistic heritage. Annual Report 05/06

Cover: The Montreal Museum Michael Snow of Fine Arts Four Grey Panels and Four Figures From the series “Walking Woman”, 1963 Purchase, The Montreal Museum of Fine Arts’ /03 President’s Report Volunteer Association Fund and /07 Director’s Report Horsley and Annie Townsend Bequest 2005.97.1-4 /12 Volunteers’ Reports /13 Ofﬁcers and Board of Trustees /14 Committees /15 Exhibition Calendar /16 Acquisitions /36 Auditors’ Report and Financial Statements

The Montreal Museum of Fine Arts Foundation

/51 President’s Report /53 Ofﬁcers, Trustees and Committees /54 Auditors’ Report and Financial Statements /60 Fund-raising

/69 Sponsors /70 Museum Staff The Montreal Museum of Fine Arts 02/03

President’s Report

As I study the results and projects such as the acquisition Museum could again become a the high quality of our services. performance of the Montreal of the Erskine and American flagship for the arts in Montreal. But the facts must be faced: Museum of Fine Arts in the Church and its conversion to a I am delighted to be able inventiveness has its limits, and year 2005-2006, the word that Pavilion of Canadian Art and the to report that, overall, the the financial constraints under comes to mind is “paradox.” It is eventual expansion southward Montreal Museum of Fine Arts which we labour constitute a truly paradoxical that, despite of the Jean-Noël Desmarais still stands in a class of its own; severe handicap on our ambi- the fact that we have had our Pavilion ought to be not only nevertheless, year after year tions for the future. second best year in terms of encouraged but supported in a I am saddened by our ongoing Thanks to a remarkable attendance, and our best ever in concrete manner. The exhibition state of financial paralysis. In programme of superb tempo- terms of the number of members space currently available for this respect, I must acknowledge rary exhibitions, we welcomed and partnerships with major the display of our collection is the Quebec government’s addi- a total of 611,390 visitors to institutions both nationally and already inadequate and has been tional funding of $2 million to the galleries during the twelve- internationally, at the same for many years. It is unthinkable help us balance our operating month period ending on March time the Museum has been in a that we should be obliged to call budget and reduce the deficit 31, 2006. This result has only situation of paralyzing financial a halt to the enrichment of our accumulated in 2005-2006. But been surpassed once in the insecurity. collection because of a lack of this was just a one-time contri- history of the institution, in the It is equally paradoxical that, space. The expansion that we bution: the disturbing reality is year 2000-2001, when 626,610 while in eight years, thanks to the envisage would certainly permit that the slight surplus remaining people visited the Museum, Museum Foundation and donors, us to display many more works at the end of this fiscal year is 327,644 of them just to see we have acquired over ten thou- than at present, and furthermore, still insufficient to wipe out our the exhibition From Renoir to sand distinguished artworks, it would enable us to acquire new accumulated operating deficit Picasso: Masterpieces from the that this year’s acquisitions works with a view to judiciously of $1.6 million. We are back to Musée de l’Orangerie. Given are valued at over $8 million, enlarging each of our collections square one. The Museum is forced that there has been a worldwide compared to $1.5 million fifteen and hence to preserving more of to struggle year after year to drop in museum attendance, I am years ago, and that we are our collective artistic heritage. obtain the funding it needs in particularly delighted by these receiving ever more offers of With these new infrastructures, order to operate, perpetually results. significant artworks thanks to the Museum would be in a posi- juggling with a precarious finan- In drawing your attention to the tireless efforts of the whole tion to fulfil its role as a unique cial situation that undermines these achievements I must not Museum staff and in particular cultural landmark with renewed its ability to achieve its full fail to give full credit to our faith- the Curatorial and Development vigour, and to establish itself potential. For quite some time ful supporters, the Friends of the Departments, yet the search as the economic and artistic now, we have been performing Museum. We now have 44,172 for funding for the Museum’s force that it could and should this high-wire act in order to members – more than ever expansion projects has gotten be. I am convinced that, with the produce exhibitions of interna- before! Their strong attachment bogged down. It is clear that firm support of its partners, the tional calibre while maintaining to the Museum and the loyalty of an ever growing public encour- the Museum Foundation. Their volunteers. Their exemplary a profit. Given the growing age us to pursue our mission and sincere commitment and unwa- dedication and passionate number of benefit events in to develop even more exciting vering loyalty constitute further commitment not only help to Montreal, this is undoubtedly exhibitions and activities. proof of the inherent vitality of establish good relations with a most encouraging sign. I also salute the outstanding this institution. our visitors on a daily basis but Of course, it is obvious that work done by the Board of Trust- The support of our sponsors also guarantee the success of we could not possibly continue ees and the Museum’s numerous is, of course, vital. We have the our fund-raising events. I should to carry out our mandate without committees, who have used good fortune to be able to rely on also like to thank the many the ongoing collaboration of their expertise and networking funding from distinguished com- individuals whose contributions our government partners. Here contacts to help launch many panies like Sun Life Financial, ensured that this year’s Museum I must stress the support of institutional and educational which presented the exhibition Ball made a record profit, en- Quebec’s Ministère de la Culture projects. By building relation- Edwin Holgate in the summer abling the Volunteer Association et des Communications, which ships between the Museum and of 2005. Our thanks also go to to present us with a cheque for has responded to our appeals for various companies, foundations, Dynamic Mutual Funds and to our $830,000. These funds permit assistance in recent years. I am organizations and patrons, we devoted partner METRO; without us to present world-class exhibi- also grateful to Canadian Herit- acquire the resources to offer these sponsors the Montreal tions, to publish the catalogues age and its Museums Assistance a varied programme that helps presentation of the exhibition for which the Museum is famous Program, to the Conseil des arts make the Museum a leader in Landscape in Provence would and to acquire more works of de Montréal and the Canada its field. not have been possible. We are art for our collection. This year Council for the Arts, also major This year, we have had the also most grateful to Hydro- I want to stress the Volunteers’ a contributors. pleasure of welcoming two Québec, a long-time partner priori support for our expansion We have recently had the new members to the Board of and the proud sponsor of the project, since a portion of their good fortune to attract to our Trustees, the Honourable Francis exhibition Catherine the Great, donation will help finance the ranks Michel Lamoureux, the Fox and Huu Trung Nguyen. Our presented last spring. purchase of the Erskine and new Executive Director of the warmest thanks go to the retir- Many companies and foun- American Church, which will, Museum Foundation. The Foun- ing members, Louis Bernard, dations have demonstrated we hope, be converted into a dation’s role is a vital one for Rachel D. Sachs and Christine their support for the various Pavilion of Canadian Art. I must the Museum’s future, and I am Marchildon, who throughout activities of the Education and also congratulate the Volunteer confident that he will be success- their mandate have given us the Public Programmes Department, Association for having instituted ful in rising to this challenge. benefit of their managerial skills and we offer them our warmest a new fund-raising event de- And speaking of success, I am and their love of the visual arts. thanks. signed to attract new donors. In immeasurably grateful to Réal I should like to take this oppor- And here I must acknow- less than two years, the original Raymond, now embarking on his tunity to thank each and every ledge with deep gratitude the masked soirée known as “Eyes third year as President of the member of the Board and of tremendous work done by our Wide Open” is already showing Museum Foundation. With his 04/05

enthusiasm, his ready availabil- specialists have made signifi- museums and occupying a unique ity and his idealism, he projects cant contributions to the history position among the museums of a huge optimism about our of art. Canada. We are confident that development projects. It will be In addition to greatly expand- the various levels of government thanks to committed people like ing our collection over the past will also assign it a special place Mr. Raymond that we will be able decade, Mr. Cogeval’s bold and in their list of top priorities. to contribute to the new dynamic original vision has brought the of Montreal in the twenty-first MMFA to the attention of major century. museums the world over. By Let me conclude these striking out in new directions, acknowledgements by paying he has attracted the interest Bernard Lamarre tribute to the astonishing crea- of such legendary institutions President tive energy of our Director, Guy as the Louvre, the Met, the Cogeval. In the past year, his Hermitage and the Grand Palais adventurous spirit and initiative and made them actual or poten- not only brought us the exhibi- tial partners. tion Landscape in Provence, But even a visionary like co-produced with the Musées the Director would be unable de Marseille, but also the extraor- to achieve these successes dinary Catherine the Great in without the co-operation, pro- collaboration with the State fessionalism, dedication and Hermitage Museum and the Art efficiency of his matchless team Gallery of Ontario. Once again, headed by Nathalie Bondil, Chief his resourcefulness and deep Curator; Danielle Champagne, knowledge of the arts have en- Director of Communications; abled the Montreal Museum of and Paul Lavallée, Director of Fine Arts to take its place on the Administration. world stage. In light of these achieve- We should not forget the ments, the result of the hard publication of the many exhi- work of its staff, its volunteers bition catalogues for which the and its partners, the Montreal Museum is celebrated. These Museum of Fine Arts is undeni- richly illustrated volumes with ably an exceptional institution, essays contributed by renowned ranked among the world’s leading

06/07

Director’s Report

Like our President, Bernard funding, which now covers mandate or contribute to the the Hermitage Museum, Mikhail Lamarre, I find it deplorable that between 40 and 50% of the recognition of our community Piotrovsky, gave a memorable our uncertain financial situation operating costs. What is more, beyond our borders. address. Congratulations to is preventing us from achieving our acquisitions of works of art As I said before, the Montreal the Museum’s Chief Curator our goals, while for years the must be almost entirely self- Museum of Fine Arts is famous and curator of this exhibition, combined efforts of everyone at funded. For a museum in Canada, because of the quality of its Nathalie Bondil, for succeeding the Museum have contributed so where private cultural initiative programmes. By backing major in making a historical character much to the fame and reputation is less common than in the exhibitions like Eternal Egypt: accessible, and investing so of Montreal and indeed of all United States, this is truly an Masterworks of Ancient Art much energy and effort, passion Quebec. achievement. from the British Museum, Right and knowledge in the planning We have great aspirations So it is reassuring, indeed under the Sun: Landscape in and execution of the project! The for the Montreal Museum of Fine encouraging, that the number Provence, from Classicism to exhibition catalogue Catherine Arts, and the potential spin-offs of Friends of the Museum has Modernism (1750-1920) and the Great immediately became of these aspirations for our city grown phenomenally this year, Catherine the Great: Art for the reference on the subject; and province are even greater. more than any time in our his- Empire – Masterpieces from the a special thank you to the Our President and I continue tory. We are now counting more State Hermitage Museum, Saint Museum’s publishing team. to believe in our dreams and than ever on the unconditional Petersburg, we took a gamble Apart from pleasing art are determined to continue the support of these 45,000 mem- that paid off, attracting a vast lovers, these major shows turn- expansion and enrichment of our bers, whose legendary solidarity audience with these ambitious ed out to be opportunities for collection and our institution. is expressed in a variety of ways. presentations. I am particularly forging and strengthening links The Montreal Museum of Fine Thus, hundreds of thousands of happy about the high number with the international museum Arts must become a benchmark dollars are generated by indi- of visitors recorded this year, community. The exhibition dedi- for museums in Canada. It is the vidual donations during each especially when compared to cated to Landscape in Provence country’s oldest cultural insti- Annual Fund-raising Campaign. the drop in attendance in most is the most convincing example tution and should continue to In the face of such generosity, museums. of such connections. For this be recognized as much for its we could not hope to expect It would be negligent of me event, the Museum’s expertise encyclopedic collection as for its more support from our members not to emphasize the extraor- came into its own, especially in original exhibitions orchestrated and the general population. dinary success of the exhibition the initial preparation phase. by our own team and interna- I would also like to express my Catherine the Great. It attracted First, the division of the sub- tional partners. gratitude to all the individuals some 185,000 visitors, who came ject matter, starting with the I would like to emphasize and all the businesses who to learn more about a woman Romanticism of Joseph Vernet once again the considerable believe in our mission. Without who influenced the course of and ending with the Fauves, effort the Museum has made to our donors’ financial support, we history. At the inaugural ceremo- was unusual. Next, the Montreal maintain its high level of self- could not properly carry out our nies for this event, the Director of Museum of Fine Arts played a major role in organizing and Pepall, the exhibition Edwin illustration, design, watercolour collections of Canadian art prior presenting this exhibition in Holgate was the first major and oil painting. In connection to 1950. The event was a great Marseilles. This initiative meant retrospective dedicated to this with this exhibition, a presenta- success and will be repeated in that the talent of our curators, painter since his death. It re- tion of some of Sean Murphy’s 2006 on the subject of contem- our conservators, technicians vealed the great talent of this favourite works were featured porary Canadian art. and installation team made leader in modern Canadian art of in The Collector’s Eye. Stéphane The mission of promoting an impression in France. Even the 1920s and 1930s. Not only Aquin organized the Freeform Canadian art has crossed the the design of the Marseilles was this exhibition shown in our Series exhibition John Oswald: Atlantic with the organization presentation was the work of Museum, it also travelled to four instandstillnessence, which and presentation of Riopelle, one of Quebec’s own, designer other Canadian institutions: the plunged us into the unusual world shown at the State Hermitage Christiane Michaud. Glenbow Museum in Calgary, of time-lapse photography. The Museum in Saint Petersburg in During the year 2005-2006, the McMichael Canadian Art exhibitions Jean McEwen: “From summer 2006 and at the Musée visitors also discovered Dutch Collection in Kleinburg, Ontario, My Hand into Colour” and the Cantini in Marseilles in winter Prints and Drawings from the the National Gallery of Canada in admirable Nicolas Baier: Hunting 2006-2007. Golden Age: 1585-1660, pre- Ottawa and the Beaverbrook Art Gallery also turned out to be The Museum’s image was sented in the Marjorie and Gallery in Fredericton (where it unmissable events. For the latter consolidated abroad as well. Gerald Bronfman Prints and will be shown in 2007). exhibition, the Museum collabo- Several international projects Drawings Gallery. Organized to Our curatorial team present- rated for the first time with the will soon come to fruition with commemorate the sixtieth anni- ed other exhibitions dedicated Musée d’art contemporain de the collaboration of prestigious versary of the liberation of the to Canadian artists. Our curator Montréal in the co-publication partners: the Réunion des mu- Netherlands by Canada, the Jacques Des Rochers organized of a monograph on the artist. sées nationaux and the Louvre exhibition featured etchings by Sam Borenstein, which revealed These events centred on as well as the Art Institute of Rembrandt, including two self- the dynamic and striking oeuvre Canadian art reflect the Mu- Chicago and the Metropolitan portraits and an engraving, as of the Lithuanian-born painter. seum’s determination to raise Museum of Art for the exhibition well as drawings by Hendrick Cecil Buller proved to be the the profile of our national art as Girodet, Romantic Rebel; the Goltzius. It was inaugurated at most important exhibition yet much as possible. We regard Musée d’Orsay and the Réunion the Museum by Princess Margriet dedicated to this artist, who this mission as an undertaking des musées nationaux for the of the Netherlands. earned numerous awards over towards our artists, whom we exhibition Maurice Denis: Earthly This year, the Museum gave her long career. Cecil Buller was are trying to promote via trav- Paradise; and the Réunion des priority to Canadian art and the mother of Dr. Sean Murphy, elling exhibitions, symposiums musées nationaux and the Grand offered the public the chance a Museum Trustee and former and acquisitions. The Museum Palais for the presentation Once to discover or rediscover some President and a passionate also hosted a national sym- Upon a Time Walt Disney. In great homegrown artists. Cap- champion of the MMFA. Buller posium on Canadian art that the longer term, the Museum tained by our curator Rosalind practised engraving as well as explored the issues surrounding is working at present in close 08/09

collaboration with the Havana Museum in Toronto and then to 483 works with a total value in fall-front secretary of painted National Museum of Fine Arts the Mart in Italy. excess of $8 million, bringing wood, gold leaf and leather by on an exhibition devoted to All these partnerships have the number of items acquired Maurice Dufrêne. This is a rare twentieth-century Cuban art; helped us increase the visibil- in eight years to almost ten transitional piece exhibiting and with the Museo di arte ity of the Museum as the largest thousand. This represents a many Art Nouveau elements but moderna e contemporanea di bilingual publisher of art books 25% increase in our collection, heralding the simpler, more sober Trento e Rovereto (Mart) on a in Quebec and one of the largest which could not have been design of Art Deco. A generous show focussing on art and jazz in in Canada. It is worth noting that achieved without the generos- gift from The Museum Campaign the twentieth century. Following the catalogue on Catherine II of ity of numerous collectors and 1988-1993 Fund enabled us to the presentation of Catherine Russia was the 200th publica- donors like Liliane and David M. acquire the spectacular Proust’s the Great, new projects are tion by the Museum’s Publishing Stewart, whose gift represents Armchair by the Italian designer underway with the Hermitage Department. While the exhibi- half of the pieces acquired. Alessandro Mendini. Museum: an exhibition on the tions last only a few months, I would also like to thank Renata The Museum also thanks two last Czars, Alexander III and their complementary catalogues and Michal Hornstein, who have the International Friends of the Nicolas II, in collaboration with live on after them. Published given us priceless works that will Montreal Museum of Fine Arts the Art Gallery of Ontario; and an simultaneously in French and be admired by Museum visitors and the Museum’s Volunteer exhibition on the contemporary English, sometimes even in other for generations to come. I also Association Fund for purchasing design collection at the Montreal languages (Italian for Il Modo salute our team of experts and Raoul Dufy’s L’Estaque, painted Museum of Fine Arts together Italiano and Russian for Riopelle), curators, whose expertise en- in 1913. Another treasure with objets d’art from the they add to the Museum’s inter- sures that our collection grows among recent acquisitions is Hermitage. This project will allow national reputation. They are in an intelligent manner. the Halberdier, painted in 1895 the Museum to demonstrate its distributed in Canada and abroad The 2005-2006 ﬁnancial year by the Swiss artist Ferdinand creativity in presenting tempo- by international co-publishers saw the acquisition of several Hodler. This monumental work rary exhibitions, and will make – Flammarion, Gallimard, Hazan, important pieces: the purchase now forms a centrepiece in the its decorative art collection Skira, Snoeck and Somogy – that of Self-portrait Smiling, a print Museum’s Collection of Euro- known beyond our borders. In the Museum collaborates with. by Marc Chagall; Feliciter or The pean Art thanks to an exemplary 2000, the Museum acquired the This is why the Montreal Museum Scottish Girl, a rare bust in paint- gift from Michal and Renata prestigious Liliane and David M. of Fine Arts’ publications can be ed terracotta by Henry Cros, and Hornstein, who have already Stewart collection of decora- seen in the best European and a collage by Christo entitled given us 327 drawings by this tive arts, the range of which was American bookstores, including The Pont Neuf, Wrapped, Project artist. demonstrated by the exhibition those of great museums like the for Paris. Thanks to the generous The Museum can also be Il Modo Italiano. This was mount- Louvre and the Metropolitan. ﬁnancial support of the Société proud of acquiring several works ed by the MMFA and will travel This year, the Museum’s Générale/Fimat, we have enrich- by major Canadian painters: this fall to the new Royal Ontario collection was expanded by ed our collection with a superb these include Jean-Paul Riopelle’s Gravity, a wonderful vertical positions linked to the various ment. By sharing their love of art My sincere thanks go to this mosaic painted in 1956 and exhibitions being presented. with our visitors, the Volunteer enthusiastic and dedicated given to us by Yseult Riopelle; a And the Cirque du Soleil and its Guides make a vital contribution team of people to whom we historic work by Michael Snow founder and CEO Guy Laliberté to the life of the Museum. My undoubtedly owe the astonishing donated by the Volunteer agreed to a long-term loan special thanks go to each and attendance figures recorded this Association, Four Grey Panels of their collection of African every one of the hundred and year. Given the difficult financial and Four Figures (1963) from art to the Museum. We took twenty guides for the wonderful situation that has obliged us to the series “Walking Woman,” of advantage of this opportunity to work they do. cancel some ventures in pro- which the Museum also pos- redesign new galleries for our As regards our involvement gramming, communications and sesses three other works; and collection. With its thirty-six with the community, the Museum acquisitions, their commitment Rita Letendre’s Poetic Device, sculptures executed between takes particular pride in the suc- is the more remarkable. It is recently donated by Guy Fournier, the mid-nineteenth and the early cess of its outreach programme clear that without the hard work who has also given us several twentieth century, on public “Sharing the Museum,” an ini- of every member of our staff, works by celebrated artists display for the first time, the tiative designed to welcome the achievements we pride our- like Pellan, Toupin, Comtois and Cirque du Soleil became our main a less privileged clientele into selves on today could never have Vasarely. Speaking of Pellan, partner in these new galleries. our galleries in a context that is been so spectacular. I must stress the fact that Warm thanks are also due to both educational and enjoyable. Fortunately, our chronic Madeleine Pellan gave us the McGill University’s Redpath We rejoice in the popularity of under-funding problem was entire corpus of prints executed Museum for lending us a num- this programme, inspired by counterbalanced by the gener- by her husband, Alfred Pellan, ber of works to complete this role models of good citizenship, osity of a number of donors to a total of seventy-two artist’s exhibition. Finally, I must not which enables us to play our whom I am exceedingly grateful. proofs in impeccable condition. fail to mention our partnership part as responsible corporate Special evening events were I am happy to report that we with another leading citizen of citizens. organized in honour of Dr. Sean have established auspicious part- Montreal: the Daniel Langlois We are also proud of our B. Murphy, Sir Neil M. Shaw and nerships with other Montreal Foundation, with whom we presentation A Topsy-Turvy Yvon Tardif, three outstanding celebrities with the aim of are preparing an exhibition of World: Museum Employees in patrons to whom we largely owe enriching the cultural life of the contemporary art for 2007. the Spotlight, held in March the enrichment of our collection. city. Kent Nagano, musical direc- In 1879, the Museum was 2006. This exhibition of works My warmest thanks go to tor of the Montreal Symphony already pursuing an educational executed by the Museum’s staff people who have wholeheartedly Orchestra, and I announced the mission, which is still very was an unusual way of bringing supported me for many years: to inauguration of a new series of much alive today. The fortieth to light the hidden talents of our Bernard Lamarre, our President, chamber music concerts in the anniversary of the Museum’s employees and revealing their whose devotion to the Museum galleries, featuring musicians Association of Volunteer Guides strong sense of belonging to is immeasurable; I have not the from the orchestra playing com- is testimony to this commit- our institution. words to express my sense of 10/11

indebtedness to him; and to Réal Raymond, President of the Foundation, who, since joining us has been doing a job with enormous implications for the future of the Museum. Finally, I should like to reiterate my sincere thanks to the Museum’s Volunteer Association, who presented us with a record donation of $830,000 – I can never thank them enough for their dedication and their tireless and invaluable work. And of course thank you to the Volunteer Guides, the Friends of the Museum and all the staff. Their commitment, tangible proof of their affection for this institution, is a real source of pleasure and gives me a sense of great satisfaction and pride.

Guy Cogeval Director Volunteers’ Reports

Volunteer Association

Since 1948, the members of the former Erskine and American objective is to organize activities Volunteer Association of the Church, which will be convert- that contribute to increasing Montreal Museum of Fine Arts ed to exhibition space while the Museum’s visibility and have worked tirelessly in order to maintaining its architectural attracting more visitors and new Jennifer K. Steber achieve two main goals: to raise integrity. members. These activities in- funds to support the Museum’s This donation of $680,000 clude the Museum Ball, the “Eyes activities and to help raise the is in addition to the $150,000 Wide Open” masked soirée, Museum’s profile. donation made to the Museum cultural trips and tours, art sales Fund-raising in Montreal is a in September 2005, which was and rentals at the Galerie Arte difficult task, as more and more used to acquire two works of art Montréal (formerly the Art Sales organizations vie for the same whose importance is matched and Rental Gallery), and the dollars. However, the creativity, only by their great diversity: Christmas tree display and Yvonne Zacios perseverance and dedication Michael Snow’s Four Grey Panels concerts. In 2005-2006, these Co-presidents of the Volunteer Association and Four Figures from the series activities drew close to three have once again been rewarded. “Walking Woman” (1963) and thousand Montrealers and gen- On May 31, 2006, the Volun- Jean-Victor Bertin’s Forest Inte- erated major media coverage. teer Association presented rior (1826). And so, the Volunteer It goes without saying that Guy Cogeval with a cheque for Association’s total gift to the these outstanding achievements $680,000. Part of these funds Museum for the 2005-2006 are due to the combined efforts of will be used to help the Museum fiscal year is $830,000. all the volunteers working on the finance the acquisition of the The Association’s second Association’s many committees.

Association of Volunteer Guides

The year 2005-2006 was truly State Hermitage Museum in Stern Sculpture Garden during outstanding for the Association Saint Petersburg. the summer. In total, we led of Volunteer Guides in many All year long, we had the 34,404 visitors on guided tours. Diane Gauthier regards. We had the privilege pleasure of leading visitors on For over forty years, the of leading guided tours of four tours through the treasures in the Museum’s Association of Volun- very interesting temporary Museum’s collections. Wednes- teer Guides has played an exhibitions: masterpieces of days and Sundays, our tours important role in Museum life. antiquities from the British for the general public focussed Encouraged by our visitors’ won- Museum, presented in the exhi- on a specific collection. And of derful support, we are putting Patricia Wenzel-Ades bition Eternal Egypt; Canadian course we adapted our tours all our energy to work preparing Co-presidents landscapes seen through the for all ages and levels when new guided tours. We would like eyes of Edwin Holgate; land- dealing with school groups. We to extend our thanks to all the scapes from Provence in the also added two new tours to our Museum’s staff and the curators magnificent works presented in repertoire: a Tour-in-a-Wink for for facilitating our preparatory Under the Sun; and the treasures families one Sunday a month work and making our guiding so of Catherine the Great from the and a tour of the Max and Iris enjoyable. 12/13

Ofﬁcers and Board of Trustees as of March 31, 2006

Ofﬁcers of the Museum Board of Trustees Chairman President Bernard Lamarre, Eng., o.c., o.q. Bernard Lamarre, Eng., o.c., o.q. Michel Blouin Vice-presidents Christiane Charette Christiane Charette Suzanne Chassé Michal Hornstein, o.c., o.q. Jean-Guy Desjardins Special Treasurer François Ferland Brian M. Levitt The Hon. Francis Fox, p.c., q.c. Special Secretary Michal Hornstein, o.c., o.q. Michel Blouin The Hon. Charles Lapointe, p.c. Andrée D. Lessard Museum Secretary Brian M. Levitt Danielle Jodoin René Malo Director General Bruce McNiven Guy Cogeval Marie-José Nadeau Marisa Nardini Bellini Director of Administration Huu Trung Nguyen Paul Lavallée Clément Richard Chief Curator Jean Rizzuto Nathalie Bondil Mrs. David M. Stewart Director of Communications Honorary Presidents Danielle Champagne Jacques M. Brault Fernand Lalonde, q.c. Executive Committee Bernard Lamarre, Eng., o.c., o.q. Chairman Dr. Sean B. Murphy Bernard Lamarre, Eng., o.c., o.q. Honorary Advisors Michel Blouin Dana T. Bartholomew Christiane Charette Claire Bertrand Michal Hornstein, o.c., o.q. Maurice Chartré, c.a. Brian M. Levitt Robert M. Cummings Bruce McNiven Jean-Claude Delorme Clément Richard Nicole V. Doucet Jean Rizzuto The Hon. Judge Charles D. Gonthier, p.c. Mrs. David M. Stewart Yves Guérard Jeannine Guillevin Wood, o.c. Kathleen Laing Marie L. Lambert Michael Mackenzie Christopher W. McConnell Joan McDougall Joan McKim Alfred N. Miller Dr. John W. O’Brien Trevor F. Peck Betty Reitman Léon Simard Committees as of March 31, 2006

Acquisition Committee Acquisition Committee Nominating Volunteer Association of Non-Canadian Art before 1900 Decorative Arts Committee the Montreal Museum of Fine Arts Chairman Chairwoman Chairman Co-presidents Michal Hornstein, o.c., o.q. Mrs. David M. Stewart Michel Blouin Jennifer K. Steber Vice-chairmen Farid Andraos Bernard Lamarre, Eng., o.c., o.q., Yvonne Zacios Bruce McNiven Michel Dallaire, c.m., c.q. ex ofﬁcio Vice-presidents Dr. Sean B. Murphy Joan F. Ivory The Hon. Charles Lapointe, p.c. Georgette L. Allard Joseph Battat Dr. Sean B. Murphy Bruce McNiven Éric Arminjon Marcel Brisebois Louise Vernier Blouin Clément Richard Ami Bard Irwin Browns Nelu Wolfensohn Mireille Harris François-Marc Gagnon Programming Advisory Committee Marie Sofﬁentini Joan F. Ivory Friends of the Museum Advisory Chairwoman Secretaries Jean H. Picard Committee Christiane Charette Thérèse Deschênes Chairman Vice-chairman Marjorie Gawley Acquisition Committee Michel Blouin Dr. Sean B. Murphy Treasurer Non-Canadian Art after 1900 Vice-chairman Michèle Asselin Susan Salvati Chairman François Ferland Suzanne Chassé Assistant Treasurer The Hon. Charles Lapointe, p.c. Suzanne Chassé François Ferland Irène Fabry Vice-chairman Joan F. Ivory Marie Élie Lalonde Directors Jacques M. Brault Andrée D. Lessard Betty Reitman Micheline B. Crevier Paul Lowenstein Nadia Kronfol David Appel Marie Senécal-Tremblay Audit and Financial Administration Alexandra MacDougall Colas Denys Arcand Jennifer K. Steber Committee Géraldine Nadeau Mitchell Ann F. Birks Louise Vernier Blouin Chairman Nathalie Schwartz Décarie François-Marc Gagnon Patricia Wenzel-Ades Brian M. Levitt Roy L. Heenan, q.c. Yvonne Zacios Vice-chairman Association of Volunteer Guides of Philippe Lamarre, Eng. the Montreal Museum of Fine Arts Dr. Sean B. Murphy Buildings, Maintenance and René Malo Charles S. N. Parent Security Advisory Committee Louis Bernard Co-presidents H. Arnold Steinberg Michel Blouin Diane Gauthier Chairman Patricia Wenzel-Ades Bruce McNiven Robert D. Murray Acquisition Committee Huu Trung Nguyen Vice-presidents Canadian Art Michal Hornstein, o.c., o.q. Pierre Sébastien, q.c. Jacques Noël Michel Kaine, Eng. Yvon Turcot Cheryl Partridge Chairman Guy Knowles Clément Richard Claude Liboiron, Eng. Secretaries Ad Hoc – Development and Nora Arrata Vice-chairman Yves R. Maheu Financing Committee René Malo Jean-Claude Marsan Muriel Godard Jean-François Sauvé Chairwoman Treasurer Jean-Guy Desjardins Marie-José Nadeau François-Marc Gagnon Museum Representatives Annick Azouz Marie Élie Lalonde Guy Cogeval François Camirand Philippe Lamarre, Eng. Paul Lavallée Éli Jean Chaib The Hon. Charles Lapointe, p.c. Claude Paradis Mario Deschamps Andrée D. Lessard Bernard Lamarre, Eng., o.c., o.q. Museum Union Representative Jean Rizzuto The Hon. Louise Otis, j.a. Estelle Richard Monique Parent Rémi Racine Marc Régnier Alexandre Taillefer 14/15

Exhibition Calendar

Temporary Exhibitions Right under the Sun Michal and Renata Hornstein Pavilion The Kogo Collection of the Montreal Presented at the Museum Landscape in Provence, Museum of Fine Arts from Classicism to Modernism Edwin Holgate June 4 – July 10, 2005 Jean-Noël Desmarais Pavilion (1750-1920) May 26 – October 2, 2005 Minami-Alps City Museum of Art, September 22, 2005 – January 8, 2006 Japan Eternal Egypt A co-production of the MMFA and the Catherine the Great: Art for Empire Masterworks of Ancient Art from Musées de Marseille Masterpieces from the State Catherine the Great: Art for Empire the British Museum Hermitage Museum, Masterpieces from the State January 27 – May 23, 2005 French Drawings of the Nineteenth Saint Petersburg Hermitage Museum, Saint Petersburg A co-production of the American and Early Twentieth Centuries February 2 – May 7, 2006 October 1, 2005 – January 1, 2006 Federation of Arts and the British Museum Acquisitions of the Past Five Years A co-production of the Montreal Museum Art Gallery of Ontario, Toronto October 25, 2005 – March 26, 2006 of Fine Arts, the Art Gallery of Ontario A co-production of the Montreal Museum Jean McEwen and the State Hermitage Museum, of Fine Arts, the Art Gallery of Ontario “From My Hand into Colour” Literally and Figuratively in collaboration with the Hermitage and the State Hermitage Museum, Museum Foundation of Canada April 6 – August 14, 2005 Photographs from the Museum’s in collaboration with the Hermitage Museum Foundation of Canada. Collection Temporary Exhibitions John Oswald: instandstillnessence Recent Acquisitions Presented Outside the Museum Sam Borenstein Freeform Series December 15, 2005 – May 21, 2006 October 6 – November 3, 2005 April 7 – August 14, 2005 Fritz Brandtner The Justina M. Barnicke Gallery, A Topsy-Turvy World May 14 – August 28, 2005 Hart House, University of Toronto Cecil Buller (1886-1973) Museum Employees in the Spotlight Beaverbrook Art Gallery, A Retrospective March 16 – June 4, 2006 January 13 – February 25, 2006 Fredericton, N. B. and The Owens Art Gallery,

Sean B. Murphy Nicolas Baier Mount Allison University, Right under the Sun The Collector’s Eye Hunting Gallery Sackville, N. B. Landscape in Provence, April 21 – June 12, 2005 Freeform Series from Classicism to Modernism March 21 – May 28, 2006 (1750-1920) Dutch Prints and Drawings The exhibition was presented in the May 19 – August 21, 2005 from the Golden Age: 1580-1660 Museum’s three pavilions. Centre de la Vieille Charité, Marseilles May 3 – September 25, 2005 A co-production of the MMFA and the Jack Lenor Larsen Musées de Marseille Creator and Collector A Dealer for “Living Art” June 23 – August 21, 2005 Selected Works from the Max and A co-production of the Museum of Arts Iris Stern Donation to Montreal & Design, New York, and the Liliane and David M. Stewart Program for Modern May 21 – August 21, 2005 Design, Montreal McMichael Canadian Art Collection, Kleinburg, Ont. Sam Borenstein December 10, 2005 – March 3, 2006 June 29 – September 18, 2005 Beaverbrook Art Gallery, Fredericton, N. B. Tracey Moffatt [Le Mois de la photo] September 7 – December 4, 2005 Acquisitions 16/17

1 Jean-Paul Riopelle Gravity, 1956 Gift of Yseult Riopelle © Estate of Jean-Paul Riopelle/ SODRAC (2006) 2005.134

1 2 Markusi Nunngaq Kuannanaaq Untitled (Nursing Mother Tending a Qulliq, Inuit Stone Oil Lamp) About 1968 Gift of Lois and Daniel Miller 2005.115

3 Martin Schongauer The Entombment, about 1480 Purchase, anonymous fund 2006.6

4 César Isidore Henry Cros Feliciter, or The Scottish Girl, 1882 Purchase, The Museum Campaign 1988-1993 Fund, Marguerite and Cecil Buller Fund, and gift of Rachel Sachs, Raymond D. LeMoyne, 2 3 Guy Cogeval, Jean H. Picard, Betty Reitman, Mr. and Mrs. Michal Hornstein, Mrs. Neil B. Ivory, the St. Andrew’s Society of Montreal, Nathalie Bondil, Helgi Soutar and Ian Aitken 2005.36.1-2

5 Maurice Dufrêne Fall-front Secretary About 1912-1913 Purchase, Société Générale/ Fimat Fund 2005.40.1-17

6 Pierre-Paul Prud’hon Phrosine and Mélidor, 1797 Purchase, anonymous fund 2006.7

4 7 Raoul Dufy L’Estaque, 1913 Purchase, gift of International Friends of the Montreal Museum of Fine Arts and The Montreal Museum of Fine Arts’ Volunteer Association Fund 5 2005.37 18/19

7 8 Christo The Pont-Neuf, Wrapped, Project for Paris, 1985 1985 two-part collage Gift of Roy Lacaud Heenan © Christo 1985 2005.171.1-2

9 Lars Kinsarvik Viking Style Armchair, about 1900 Purchase, Deutsche Bank Fund 2005.91

10 Marc Chagall Self-portrait Smiling, 1927 Gift of Freda and Irwin Browns 8 © Estate of Marc Chagall/ SODRAC (2006) 2005.283

11 Alessandro Mendini La Poltrona di Proust [Proust’s Armchair], 2001 Purchase, The Museum Campaign 1988-1993 Fund 2005.88

12 Jean-Baptiste Roy-Audy Dr. Charles Paphnuce Anaclet Boucher, between 1831 and 1838 Purchase, The Museum Campaign 1988-1993 Fund 2006.21

13 Robert Longo Joe Test / Russian, 2004 10 Purchase, The Museum Campaign 1988-1993 Fund 2005.41

9 20/21

11 12

13 15

16 22/23

14 Rachel Harrison Getting Ahead, 2005 Purchase, Carol and David Appel Fund, gift of the Louise and Bernard Lamarre family and of Nathalie Goyette and Philippe Lamarre 2006.8.1-3

15 Eugène Samuel Grasset Exhibition of Decorative Arts at the Grafton Gallery, London, 1893 Purchase, The Museum Campaign 1988-1993 Fund 2005.178

16 James Ensor The Entry of Christ into Brussels, 1898 Purchase, anonymous fund 2006.10

17 Norval Morrisseau Ojibway Shaman Figure, 1975 Gift of Freda and Irwin Browns 2006.23

17 18 Alfred Pellan Water Sprites, from the series “Estampes d’interprétation”, 1971 Gift in memory of Alfred Pellan, from his wife, Madeleine © Estate of Alfred Pellan/ SODRAC (2006) 2005.278

19 Giovanni Antonio Canal, called Canaletto Imaginary View of San Giacomo di Rialto, 1740-1744 Gift of Dr. Sean B. Murphy 2005.106

19 24/25

Acquisitions

Canadian Art Betty Goodwin Léon Belleﬂeur The Choice, 1968 Installations Born in Montreal in 1923 Born in Montreal in 1910 Woodcut, 3/14 Chaos Below, 1999 Untitled, 1958 67.5 x 54.2 cm (sheet) Charles Gagnon Oil stick, pastel and silvered paper Pen, brush and ink, 64.8 x 49.1 cm (image) Montreal 1934 – Montreal 2003 collage on gelatin silver print on possibly transfer printing Anonymous gift Being the Shadow of Its Self, 1996 translucent plastic sheet, found 30.4 x 25.3 cm 2005.165 Assembly of six paintings object (shovel), paint Gift of Guy Fournier Come, Honorine. Let’s Go In!, 1969 and six photograms 237.6 x 120.7 cm (drawing) 2005.189 Woodcut, 6/11 Oil on canvas, gelatin silver Gift of Betty and Martin Goodwin The Couple, 1957 63 x 101 cm (sheet) prints, wood 2006.11.1-2 Ink, watercolour 61.3 x 76.5 (image) 210 x 275 x 35 cm (max. dim.) 66.5 x 51.5 cm (by sight) Anonymous gift Gift of Glen A. Bloom and Nelson Henricks Gift of Guy Fournier 2005.166 Deborah M. Duffy Born in Bow Island, Alberta, in 1963 2005.190 Not Too Hard, Val, undated 2005.170.1-44 Satellite, 2004 Woodcut, heightened Video projections (music: Jean Dallaire with watercolour, edition of 5 Jean-Pierre Gauthier Jackie Gallant and Nelson Henricks) Hull, Quebec, 1916 – 32 x 23 cm Born in Matane in 1965 Duration: 10 min. Vence, France, 1965 Anonymous gift The Janitor Has Gone to Lunch, Purchase, The Canada Council The Buffalo, 1962 2005.167 1998-2002 for the Arts’ Acquisition Assistance Oil paint, charcoal Cleaner’s cart, liquid soap, water, Program and Marjorie Caverhill 23.1 x 29.8 cm Pierre Gauvreau aquarium pump, air compressor, Bequest Gift of Guy Fournier Born in Montreal in 1922 air tank, electrical components 2005.53.1-8 2005.195 White Plays and Wins, 1961 Duration of cycle: 3 min. 15 sec. Gouache on cardboard Purchase, The Canada Council for Canadian Art Albert Dumouchel 85.3 x 60.9 cm the Arts’ Acquisition Assistance Works on Paper Valleyﬁeld 1916 – Gift of Guy Fournier Program and Mona Prentice Bequest Saint-Antoine-sur-Richelieu 1971 2005.196 2005.57 Attributed to Philip John Bainbrigge The Danish Couple, 1970 Woodcut, A.P., 1/4 Roland Giguère Peter Gnass Straffordshire, England, 1817 – Montreal 1929 – Montreal 2003 Born in Rostock, Germany, in 1936 Blackheath, England, 1881 47.1 x 64.6 cm (sheet) 30.3 x 40.3 (image) Cause for Concern, 1960 Das Gefühl [Sensation], 1984 Montreal from Côte-des-Neiges Anonymous gift Ink Oil stick and graphite drawing on Road, about 1840 2005.163 40 x 50.2 cm cream wove paper, copper plate, Watercolour and gum arabic The House of Madam T., 1969 Gift of Guy Fournier plywood, graphite, pouncing paper over graphite drawing 2005.201 61 x 80.5 cm (drawing) 34.9 x 45.3 cm Woodcut, 13/15 98 x 32 x 38 cm (max. dim., base Purchase, Arthur Lismer Fund 67.5 x 53 cm (sheet) and copper plate) 2006.9 61.2 x 46 cm (image) Anonymous gift Anonymous gift 2005.182.1-8 2005.164 Beast on the Watch, 1958 The Incorporation (Polyco), 1995 Untitled, undated The Street -B-, from the series Ink Ink and graphite on plastic-coated Acrylic “Twelfth Night”, 1971 19 x 28.3 cm wove paper 70.3 x 100.4 cm Silkscreen, A.P., 5/10 Gift of Guy Fournier 56.3 x 76.1 cm Gift of Carolyn Lund Mead 66 x 102 cm (sheet) 2005.202 Gift of Massimo Guerrera 2005.28 25.5 x 63.9 cm (image) Signals, 1958 2005.59.1-2 Untitled, 1993 Gift in memory of Alfred Pellan, Lithograph, 9/20 We Were Just Wondering Whether Acrylic from his wife, Madeleine 62.5 x 50.5 cm We Could Locate Our Identity, 56 x 76 cm 2005.229 Gift of Guy Fournier 2002-2004 Gift of Carolyn Lund Mead The Duke’s Palace -C-, 2005.203 Red ink, graphite 2005.29 from the series “Twelfth Night”, 1973 Window on the Night, 1960 57.3 x 77 cm Untitled, 1993 Silkscreen, A.P., 1/10 Ink Gift of Massimo Guerrera Acrylic 66.5 x 101.9 cm (sheet) 32.7 x 25.1 cm 2005.60 56 x 76.1 cm 38 x 76.4 cm (image) Gift of Guy Fournier An Instant Suspended, between Gift of Carolyn Lund Mead Gift in memory of Alfred Pellan, 2005.204 Unity and Distinctness, 2002-2004 2005.30 from his wife, Madeleine 2005.230 October Rendezvous, 1961 Red ink, graphite Untitled, 1994 Ink on cardboard 57.2 x 77 cm Acrylic Room in Olivia’s House -A-, 65.1 x 46.8 cm Gift of Massimo Guerrera 40.7 x 30.5 cm from the series “Twelfth Night”, 1973 Gift of Guy Fournier 2005.61 Gift of Carolyn Lund Mead Silkscreen, A.P., 1/10 2005.205 Maintenance Bib P-103, 1996 2005.31 66.5 x 102 cm (sheet) Ink on plastic-coated wove paper 37.8 x 76.4 cm (image) Untitled, 1994 Gift in memory of Alfred Pellan, Alan Glass 50.2 x 65.8 cm Acrylic Born in Montreal in 1932 Gift of Massimo Guerrera from his wife, Madeleine 40.7 x 30.4 cm 2005.231 Untitled, 1955 2005.62.1-2 Gift of Carolyn Lund Mead Ink 2005.32 Seacoast -B-, from the series 26.1 x 33.5 cm Adrien Hébert “Twelfth Night”, 1975 Paris 1890 – Montreal 1967 Untitled, 1994 Silkscreen, A.P., 1/15 Gift of Guy Fournier Acrylic 2005.208 View of Montreal Harbour 66.5 x 102 cm (sheet) 40.5 x 30.5 cm 34.7 x 81.7 cm (image) Untitled, 1968 About 1940 Gift of Carolyn Lund Mead Charcoal Gift in memory of Alfred Pellan, Ink, pastel, possibly white oil paint 2005.33 from his wife, Madeleine 75.2 x 100.2 cm 47.7 x 63 cm Gift of Émile Colas q.c., ll.d. Untitled, 1994 2005.232 Gift of Guy Fournier Acrylic 2005.211 2005.226 Polychromed -O-, 1973 40.5 x 30.5 cm Silkscreen, A.P., 2/10 Untitled, 1968 Peter Krausz Gift of Carolyn Lund Mead 89.3 x 58.7 cm Ink Born in Brasov, Romania, in 1946 2005.34 Gift in memory of Alfred Pellan, 32.6 x 25.4 cm Earth Song (Tribute to Y. G.), 2003 Untitled, 1993 from his wife, Madeleine Gift of Guy Fournier Acrylic 2005.233 2005.212 Charcoal, pastel, ink and gesso on paper, mounted on canvas 48.2 x 60.9 cm Polychromed -T-, 1972 244 x 508 cm Gift of Carolyn Lund Mead Silkscreen, A.P., 2/10 Peter Gnass 2005.35 Born in Rostock, Germany, in 1936 Anonymous gift 89.3 x 58.8 cm 2005.169.1-96 Gift in memory of Alfred Pellan, Alles ging so unglaublich schnell. Alfred Pellan from his wife, Madeleine Plötzlich war er da. [Everything Fernand Leduc Quebec City 1906 – Laval 1988 2005.234 happened so incredibly fast. Born in Montreal in 1916 Seven Birds, 1970 Suddenly, there it was.], 1984 Polychromed -C-, 1973 Untitled, 1963 Pen and ink, wash Silkscreen, A.P., 2/10 Oil stick, graphite 20.2 x 17.6 cm 121.5 x 80.6 cm Gouache 89.2 x 58.7 cm 78.3 x 58 cm Gift of Guy Fournier Gift in memory of Alfred Pellan, Anonymous gift 2005.200 2005.179 Gift of Guy Fournier from his wife, Madeleine 2005.194 Les pères Noëls Album [The Santa 2005.235 Wir-Die [Us-Them], 1984 Clauses Album], 1962-1974 Polychromed -B-, 1972 Oil stick, graphite Rita Letendre 10 silkscreens, A.P., 2/10 81 x 60.7 cm Silkscreen, A.P., 2/10 Born in Drummondville in 1929 50.9 x 35.7 cm (each) 89.2 x 58.8 cm Anonymous gift Gift in memory of Alfred Pellan, 2005.180 Sunrise II, 1971 Gift in memory of Alfred Pellan, Silkscreen, A.P. from his wife, Madeleine from his wife, Madeleine Da auch nicht, [Not there either], 70.4 x 96 cm 2005.227.1-11 2005.236 1984 Gift of Mimi and Jacques Laurent Twelfth Night Album, 1971 Polychromed -M-, 1972 Oil stick, graphite 2005.86 8 silkscreens, A.P., 1/10 61.5 x 80.5 cm Silkscreen, A.P., 2/10 65.9 x 50.8 cm (costumes, 1-7) 89.2 x 58.8 cm Anonymous gift Ray Mead 65.9 x 101.6 (scenery, 8) 2005.181 Gift in memory of Alfred Pellan, Watford, England, 1921 – Gift in memory of Alfred Pellan, from his wife, Madeleine Toronto 1998 from his wife, Madeleine 2005.237 Massimo Guerrera 2005.228.1-9 Born in Rome in 1967 Untitled, 1992 Acrylic The Watertight Hearth, 1997 70.4 x 100 cm Ink on plastic-coated wove paper Gift of Carolyn Lund Mead 50.2 x 65.8 cm 2005.27 Gift of Massimo Guerrera 2005.58 26/27

Cats and Fish, from the series Glossing in Paint, from the series Andante, from the series “ETC 2” Youth, from the series “ETC 3”, 1975 “ETC 1”, 1968 “ETC 2”, 1973 1974 Silkscreen, A.P., 1/15 Silkscreen, A.P., 7/10 Silkscreen, A.P., 2/10 Silkscreen, A.P., 1/15 66.4 x 51.3 cm (sheet) 66 x 51 cm (sheet) 89.3 x 58.7 cm (sheet) 51.5 x 66.5 cm (sheet) 53.5 x 40.3 cm (image) 49.7 x 39.7 cm (image) 56.2 x 48.8 cm (image) 42.5 x 55 cm (image) Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, from his wife, Madeleine from his wife, Madeleine from his wife, Madeleine from his wife, Madeleine 2005.263 2005.238 2005.246 2005.255 Baroquerie, from the series “ETC 4” Elements, from the series “ETC 1” Shaping, from the series “ETC 2” Either We Change..., from the series 1975 1968 1973 “ETC 3”, 1974 Silkscreen, A.P., 1/15 Silkscreen, A.P., 5/10 Silkscreen, A.P., 1/10 Silkscreen, A.P., 4/15 112 x 81.5 cm (sheet) 66 x 51 cm (sheet) 89.3 x 58.7 cm (sheet) 112 x 81.5 cm (sheet) 91.8 x 63.7 cm (image) 49.8 x 33.3 cm (image) 56.1 x 48.7 cm image) 79.3 x 68 cm (image) Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, from his wife, Madeleine from his wife, Madeleine from his wife, Madeleine from his wife, Madeleine 2005.264 2005.239 2005.247 2005.256 Sioux, from the series “ETC 4”, 1975 Zodiac, from the series “ETC 1”, 1972 Branching, from the series “ETC 2” Either We Change..., from the series Silkscreen, A.P., 1/15 Silkscreen, A.P., 2/10 1973 “ETC 3”, 1974 112 x 81.5 cm (sheet) 66.3 x 51.1 cm (sheet) Silkscreen, A.P., 1/10 Silkscreen, A.P., 1/15 66.7 x 69.6 cm (image) 51.6 x 47.2 cm (image) 89.3 x 58.8 cm (sheet) 112 x 81.5 cm (sheet) Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, 56.3 x 48.4 cm (image) 79.3 x 68 cm (image) from his wife, Madeleine from his wife, Madeleine Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, 2005.265 2005.240 from his wife, Madeleine from his wife, Madeleine Flower Gizmos, from the series Pop Shop, from the series “ETC 1” 2005.248 2005.257 “ETC 5”, 1975 1972 Bestiary, from the series “ETC 1” Folies-Bergères, from the series Silkscreen, A.P., 4/15 Silkscreen, A.P., 2/10 1973 “ETC 3”, 1974 81.3 x 111.8 cm (sheet) 66.3 x 51.1 cm (sheet) Silkscreen, A.P., 3/10 Silkscreen, A.P., 1/15 45.7 x 91.8 cm (image) 46.8 x 40.3 cm (image) 111.7 x 81.4 cm (sheet) 66.5 x 51.5 cm (sheet) Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, 59.5 x 70.5 cm (image) 53.2 x 40.9 cm (image) from his wife, Madeleine from his wife, Madeleine Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, 2005.266 2005.241 from his wife, Madeleine from his wife, Madeleine Disco, from the series “ETC 5”, 1975 Oneiromancy, from the series 2005.249 2005.258 Silkscreen, A.P., 4/15 “ETC 1”, 1972 Bestiary -2-, 1974 The Graces, from the series “ETC 3” 66.3 x 101.9 cm (sheet) Silkscreen, A.P., 3/10 Silkscreen, A.P., 1/15 1974 56 x 66.5 cm (image) 66.3 x 51.1 cm (sheet) 81.5 x 112 cm (sheet) Silkscreen, A.P., 1/15 Gift in memory of Alfred Pellan, 45.9 x 40.2 cm (image) 65.5 x 91.4 cm (image) 54 x 51.4 cm (sheet) from his wife, Madeleine Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, 41.2 x 66.5 cm (image) 2005.267 from his wife, Madeleine from his wife, Madeleine Gift in memory of Alfred Pellan, Joie de Vivre, from the series “ETC 5” 2005.242 2005.250 from his wife, Madeleine 1975 By the Sea, from the series “ETC 1” Bestiary -4-, 1974 2005.259 Silkscreen, A.P., 15/15 1972 Silkscreen, A.P., 1/15 Autumn Acrobatics, from the series 102 x 66.5 cm (sheet) Silkscreen, A.P., 4/10 81.5 x 112 cm (sheet) “ETC 3”, 1974 74 x 56.3 cm (image) 51 x 66.3 cm (sheet) 66.4 x 87.5 cm (image) Silkscreen, A.P., 1/15 Gift in memory of Alfred Pellan, 35.1 x 56.1 cm (image) Gift in memory of Alfred Pellan, 51.5 x 66.4 cm (sheet) from his wife, Madeleine Gift in memory of Alfred Pellan, from his wife, Madeleine 41.1 x 53.9 cm (image) 2005.268 from his wife, Madeleine 2005.251 Gift in memory of Alfred Pellan, Mini -J-, from the series “ETC 5”, 1975 2005.243 Bestiary -5-, 1974 from his wife, Madeleine Silkscreen, A.P., 1/15 The Lookouts, from the series Silkscreen, A.P., 2/15 2005.260 66.5 x 102 cm (sheet) “ETC 1”, 1973 81.5 x 112 cm (sheet) Little Child, from the series “ETC 3” 55.4 x 67 cm (image) Silkscreen, A.P., 1/10 56.3 x 92.8 cm (image) 1974 Gift in memory of Alfred Pellan, 66.3 x 66.2 cm (sheet) Gift in memory of Alfred Pellan, Silkscreen, A.P., 1/15 from his wife, Madeleine 48.1 x 56.2 cm (image) from his wife, Madeleine 66.5 x 51.3 cm (sheet) 2005.269 Gift in memory of Alfred Pellan, 2005.252 54 x 41.2 cm (image) Six Flowers, 1981 from his wife, Madeleine Rest, from the series “ETC 2”, 1974 Gift in memory of Alfred Pellan, Silkscreen, A.P., 1/8 2005.244 Silkscreen, A.P., 1/15 from his wife, Madeleine 50.5 x 32.9 cm (sheet) Graffiti, from the series “ETC 2” 66.4 x 51.4 cm (sheet) 2005.261 17.9 x 19.3 cm (platemark) 1973 53.9 x 41.2 cm (image) Flower Ring, from the series “ETC 3” Gift in memory of Alfred Pellan, Silkscreen, A.P., 1/10 Gift in memory of Alfred Pellan, 1975 from his wife, Madeleine 89.1 x 58.2 cm (sheet) from his wife, Madeleine Silkscreen, A.P., 1/10 2005.270 56.1 x 49.9 (image) 2005.253 81.4 x 112 cm (sheet) Le cirque sacré Album, Gift in memory of Alfred Pellan, Twilight, from the series “ETC 2” 63.1 x 91.7 (image) [The Sacred Circus Album], 1981 from his wife, Madeleine 1974 Gift in memory of Alfred Pellan, Aquatint, H.C. V, and box 2005.245 Silkscreen, A.P., 1/15 from his wife, Madeleine with printing plate embedded 66.5 x 51.5 cm (sheet) 2005.262 38.1 x 28.6 cm 53.8 x 41.3 cm (image) (each of 6 sheets, folded) Gift in memory of Alfred Pellan, Gift in memory of Alfred Pellan, from his wife, Madeleine from his wife, Madeleine 2005.254 2005.271.1-7 Untitled (Bestiary 18th), from the Night Spirits, from the series Jeannie Thib Untitled, 1958 series “Delirium Concerto”, 1981 “Estampes d’interprétation”, 1970 Born in North Bay, Ontario, in 1955 Ink and watercolour on canvas, edition 1982 Silkscreen, T.P., 22/40 Archive (5) (Torso), 1995 mounted on cardboard Aquatint, 75/80 66.6 x 48.3 cm (sheet) Silkscreen on translucent 31.7 x 31.3 cm 56.8 x 76.2 cm (sheet) 31.2 x 24.4 cm (image) plastic film, 2/3 Gift of Guy Fournier 36.6 x 59.9 cm (platemark) Gift in memory of Alfred Pellan, 121.3 x 91.8 cm 2005.210 Gift in memory of Alfred Pellan, from his wife, Madeleine Gift of the artist from his wife, Madeleine 2005.280 2005.16 Edwin Headley Holgate 2005.272 Café, from the series “Estampes Allandale, Ontario, 1892 – Archive (Arm), 1995 Montreal 1977 Untitled (Bestiary 6th), from the d’interprétation”, 1970 Silkscreen on translucent series “Delirium Concerto”, 1981 Silkscreen, T.P., 3/40 plastic film, 2/3 Notre-Dame de Paris, 1914 edition 1982 66.8 x 48.2 cm (sheet) 121.5 x 91.5 cm Oil on panel Aquatint, 75/80 32.2 x 25.2 cm (image) Purchase, Horsley and 12 x 18 cm 56.5 x 76 cm (sheet) Gift in memory of Alfred Pellan, Annie Townsend Bequest Gift of Émile Colas, q.c., ll.d. 37.6 x 62.8 cm (platemark) from his wife, Madeleine 2005.17 2005.137 Gift in memory of Alfred Pellan, 2005.281 Curé of Natashquan, 1931 from his wife, Madeleine Gordon Webber Oil on panel 2005.273 Jean-Paul Riopelle Sault-Sainte-Marie 1909 – 40.5 x 31.5 cm Untitled (Corner of Town), from the Montreal 1923 – Montreal 1965 Anonymous gift in memory L’Isle-aux-Grues 2002 series “Delirium Concerto”, 1982 Michigan Incident, 1957-1959 of the Terroux family Aquatint, 75/80 Percée, 1967 Gouache and gum arabic (?) 2005.43 76.2 x 56.5 cm (sheet) Aquatint, etching, 54/75 on canvas, mounted on cardboard 60.5 x 45.2 cm (platemark) 45.2 x 56.5 cm (sheet) 40.4 x 50.5 cm Jacques Hurtubise Gift in memory of Alfred Pellan, 19.8 x 29.9 cm (platemark) Gift of Gilles Gagnon Born in Montreal in 1939 from his wife, Madeleine Gift of Dr. Sean B. Murphy 2005.85 Painting No. 20, 1963 2005.274 2005.107 Oil on canvas, mounted on stiff Untitled (The Neighbours), from the Parler de corde Album Robert Wolfe cardboard (Masonite ?) series “Delirium Concerto”, 1982 [String Talk Album], 1972 Montreal 1935 – 120 x 92 cm Aquatint, 75/80 13 lithographs, 10/75 Saint-Jacques-le-Mineur 2003 Gift of Marguerite and 76 x 56.5 cm (sheet) 46 x 32.1 cm (sheet, each) Esther, 1971 Claude Lamarre 59.9 x 44.9 cm (platemark) Gift of Yvon M. Tardif, MD Lithograph, 41/75 2006.25 Gift in memory of Alfred Pellan, 2005.173.1-14 25.7 x 18.1 cm (sheet) from his wife, Madeleine Lied à Émile Nelligan Album 15.5 x 16.6 cm (image) Harold Klunder 2005.275 [Lied for Émile Nelligan Album] Gift of the Galerie Graff Born in Deventer, Netherlands, Untitled (Bestiary 3rd, with 1977-1979 2006.24 in 1943 Reclining Woman), from the series 16 lithographs, 59/75 Red Self-portrait, 2004 “Delirium Concerto”, 1982 56.1 x 76.3 cm (sheet, each) Canadian Art Oil on canvas Aquatint, 75/80 Gift of Dr. Serge Boucher Painting 213.5 x 213.5 cm 56.7 x 76.1 cm (sheet) 2005.174.1-17 Purchase, Horsley and 44.9 x 63.5 cm (platemark) Léon Bellefleur Annie Townsend Bequest Gift in memory of Alfred Pellan, Robert Roussil Born in Montreal in 1910 2005.50 from his wife, Madeleine Born in Montreal in 1925 Castle in Provence, 1959 2005.276 Untitled, 1958 Oil on paper, mounted on cardboard Rita Letendre Untitled (The Student), from the Woodcut, 11/20 19.9 x 15.5 cm Born in Drummondville in 1929 series “Delirium Concerto”, 1982 56.4 x 38.3 cm Gift of Guy Fournier Poetic Device, 1961 Aquatint, 75/80 Gift of Guy Fournier 2005.188 Oil on canvas 76.3 x 56.5 cm (sheet) 2005.199 152 x 165.5 cm 59.9 x 44.8 cm (platemark) Ulysse Comtois Gift of Guy Fournier Gift in memory of Alfred Pellan, Barbara Steinman Granby 1931 – 2005.191 from his wife, Madeleine Born in Montreal in 1950 Sainte-Madeleine 1999 2005.277 Traces in Red, 2003 Bau Bau, 1961 Christine Major Water Sprites, from the series Book with 83 red-ink lithographs; Oil on canvas Born in Quebec City in 1966 “Estampes d’interprétation”, 1971 cardboard and fabric box, 4/5 35.8 x 40.8 cm The Studio, 2003 Silkscreen, T.P. 21.1 x 30.5 x 4.7 cm (book) Gift of Guy Fournier Acrylic on canvas 90.6 x 66.3 cm (sheet) Purchase, The Canada Council 2005.192 198 x 152.2 cm 71.5 x 51 cm (image) for the Arts’ Acquisition Assistance Ouranos, 1962 Purchase, Horsley and Gift in memory of Alfred Pellan, Program and Harry W. Thorpe Bequest Oil on canvas Annie Townsend Bequest from his wife, Madeleine 2005.78.1-2 46 x 38 cm 2005.19 2005.278 Gift of Guy Fournier Wild Dogs, 2004 In Moonlight, from the series Jana Sterbak 2005.193 Acrylic on canvas “Estampes d’interprétation”, 1971 Born in Prague in 1955 137 x 162.8 cm Silkscreen, T.P. Untitled, 1982 (?) Alan Glass Gift of the artist 98.9 x 66.3 cm (sheet) Drypoint, 3/10 Born in Montreal in 1932 2005.20 73.9 x 44.2 cm (image) 32.8 x 46.8 cm (top) Untitled, 1958 Gift in memory of Alfred Pellan, 13.9 x 29.4 cm (middle) Ink and watercolour on canvas, from his wife, Madeleine 6 x 70.1 cm (bottom) mounted on cardboard 2005.279 Gift of Jacques Champagne 25.7 x 29.8 cm 2006.12.1-3 Gift of Guy Fournier 2005.209 28/29

Ray Mead Canadian Art Man with Fish, about 1981-1982 The Montreal Museum of Fine Arts, Watford, England, 1921 – Photography Colour Polaroid Sherbrooke Street Entrance Toronto 1998 36.5 x 8.9 cm 1976, print 2006 Untitled, 1993 Robert Burley Gift of Serge Marcoux Colour ink-jet print, 1/1 Acrylic on canvas Born in Picton, Ontario, in 1957 2005.70 50.8 x 61.1 cm 106.7 x 162.8 cm Ontario-Toronto, from the series Gift of Bruce McNiven and Gift of Carolyn Lund Mead “Shorelines”, 2001, edition 2004 Pascal Grandmaison Marie Senécal-Tremblay 2005.26 Digital print, 3/10 Born in Montreal in 1975 2006.18 79.3 x 101.5 cm Glass 4, 2003 Norval Morrisseau Purchase, The Canada Council Chromogenic print, Canadian Art Born in Fort William (Thunder Bay) for the Arts’ Acquisition Assistance mounted on acrylic, 1/3 Sculpture in 1932 Program and Harry W. Thorpe Bequest 182.6 x 182.5 cm 2005.56 Purchase, The Canada Council Kim Adams Ojibway Shaman Figure, 1975 Born in Edmonton in 1951 Acrylic on cardboard for the Arts’ Acquisition Assistance 101.5 x 81.2 cm Edward Burtynsky Program and Harry W. Thorpe Bequest Hamburg Project, 1996 Gift of Freda and Irwin Browns Born in Saint Catharines, Ontario, 2005.54 Plastic 2006.23 in 1955 47.5 x 110 x 26 cm Oxford Tire Pile No. 4, Westley, Scott McFarland Purchase, The Canada Council Jean-Paul Riopelle California, 1999, edition 2002 Born in Hamilton, Ontario, in 1975 for the Arts’ Acquisition Assistance Montreal 1923 – Chromogenic print, 4/5 Boiling Water, Kitchen Appliances Program and Harold Lawson Bequest L’Isle-aux-Grues 2002 102 x 127.6 cm and Time Light, 2002, print 2003 2005.55.1-2 Gravity, 1956 Gift of the artist Digital colour print, 1/5 2005.131 101.6 x 124.5 cm Charles Daudelin Oil on canvas Granby 1920 – Montreal 2001 300 x 200 cm Mines No. 17, Lomex Open Pit Gift of Scott McFarland Gift of Yseult Riopelle Copper Mine, Highland Valley, 2005.109 Anoudeu (Small), 1989 2005.134 British Columbia, 1985, edition 2003 Fountain Study, Late Fall; Bronze, 1/8 22.5 x 12.6 x 24 cm Saint-Adolphe, 1943 Gelatin silver print, 2/5 Cedrus atlantica, Acer palmatum, 101.3 x 127.2 cm Populus nigra, 2004, print 2005 Gift of Louise Daudelin Oil on canvas 2005.213 35.5 x 30.4 cm Purchase, Harold Lawson and Digital colour print, 2/5 Gift of Martin Gauvreau Marjorie Caverhill Bequests 104.1 x 305 cm Cube of Ambiguous Space, 1970 2005.135 2005.24 Purchase, through the generosity Bronze, 95/100 Three Gorges Dam Project, of François R. Roy 7.2 x 7.2 x 7.2 cm Jean-Baptiste Roy-Audy Wan Zhou No. 2, Yangtze River, 2005.99 Gift of Louise Daudelin Quebec City 1778 – China, 2002, print 2003 2005.214.1-2 Trois-Rivières before 1848 Gelatin silver print, A.P. 1 Brian Merrett Trophy, 1972 101.2 x 127.2 cm Born in Saint John, New Brunswick, Bronze, 6/50 Dr. Charles Paphnuce Anaclet in 1945 Boucher, between 1831 and 1838 Purchase, Harry W. Thorpe and 26.3 x 12.7 x 12.7 cm Oil on canvas Mona Prentice Bequests Four Views of the Montreal Museum Gift of Louise Daudelin 67 x 56.8 cm 2005.25 of Fine Arts, 1976, print 2006 2005.215 Purchase, The Museum Campaign Colour ink-jet print, A.P. Cu-bis, 1969 1988-1993 Fund Evergon 21.9 x 27.2 cm Bronze, A.P. 2006.21 Born in Niagara Falls in 1946 Gift of Bruce McNiven and 14.5 x 16 x 13.7 cm Dede with Calla Lilies Marie Senécal-Tremblay Gift of Louise Daudelin Michael Snow About 1981-1982 2006.14 2005.216.1-2 Born in Toronto in 1929 Colour Polaroid The Montreal Museum of Fine Arts, Deboudeu, 1987 Four Grey Panels and Four Figures, 36.7 x 17.8 cm Ontario Avenue (du Musée Avenue) Brass from the series “Walking Woman” Gift of Serge Marcoux 1976, print 2006 78 x 21.5 x 21.5 cm 1963 2005.66 Colour ink-jet print, 1/1 Gift of Louise Daudelin Oil on canvas Pierre D. in Starched White Shirt 50.8 x 61.1 cm 2005.217 Gift of Bruce McNiven and 52 x 50.5 cm (each panel, approx.) About 1981-1982 Cube + or -, 1974 Purchase, The Montreal Museum Colour Polaroid Marie Senécal-Tremblay 2006.15 Stainless steel, Plexiglas of Fine Arts’ Volunteer Association 36.5 x 8.8 cm 22.9 x 23.1 x 23.1 cm Fund and Horsley and Gift of Serge Marcoux The Montreal Museum of Fine Arts, Gift of Louise Daudelin Annie Townsend Bequest 2005.67 Ontario Avenue (du Musée Avenue) 2005.218.1-2 2005.97.1-4 1976, print 2006 Anne Y. in White Chemise and Charlottetown (First Model), 1965 Flowers in Her Hair, about 1981-1982 Colour ink-jet print, 1/1 Fernand Toupin 50.8 x 61.1 cm Bronze, wood, Plexiglas Colour Polaroid 33 x 45.5 x 45 cm Born in Montreal in 1930 36.5 x 8.8 cm Gift of Bruce McNiven and Marie Senécal-Tremblay Gift of Louise Daudelin Morval, 1958 Gift of Serge Marcoux 2005.219 Oil on canvas 2005.68 2006.16 Couple, 1969 122 x 91.5 cm Woman with Fish, about 1981-1982 The Montreal Museum of Fine Arts, Gift of Guy Fournier Sherbrooke Street Façade, May 8, Bronze, 2/20 Colour Polaroid 15.8 x 15.2 x 10.1 cm 2005.197 36.6 x 8.9 cm 1976, 1976, print 2006 Colour ink-jet print, 1/1 Gift of Louise Daudelin Nocturne, 1959 Gift of Serge Marcoux 2005.220 Oil on panel 2005.69 50.8 x 61.1 cm 60.8 x 76.1 cm Gift of Bruce McNiven and Gift of Mr. Jean-Pierre Valentin Marie Senécal-Tremblay 2005.82 2006.17 Odd Couple, 1969-1970 Alfred Laliberté Anonymous Non-Canadian Art Bronze, 2/20 Sainte-Élisabeth-de-Warwick 1878 – Untitled (Standing Woman), 1950s Installations 15.7 x 15.2 x 10.1 cm Montreal 1953 Steatite Gift of Louise Daudelin The Lumberjack, 1910-1911 14.9 x 6.3 x 5.4 cm Masakazu Kobayashi 2005.221 Bronze Gift of Michael Eaton Kyoto 1944 – Kyoto 2004 Multi X, 1975 20.5 x 18.5 x 11.5 cm 2005.148 Bows, 1998 Aluminum, Plexiglas Gift of Jean-Claude Planchard Reed, silk, wood 10.2 x 10.2 x 10.2 cm 2005.160 Anonymous 130 x 305 x 305 cm Gift of Louise Daudelin Pig Scalding, about 1916 Untitled (Inuit Hunter Pulling a Seal Purchase, Mitsui Canada 2005.222 Terracotta from an Allu, Seal Breathing Hole) Foundation Fund Study, undated 21.7 x 21 x 22.5 cm 1950s 2005.51 Plexiglas Gift of Heather Winship and Ivory, steatite, leather 7.1 x 7.1 x 7.1 cm Jean-Pierre Valentin 11.4 x 10.8 x 5 cm Non-Canadian Art Gift of Louise Daudelin 2005.96 Gift of Michael Eaton Works on Paper 2005.223.1-3 2005.150.1-3 Inuit Art Pierre Alechinsky Antrenoir, 1967 Born in Brussels in 1927 Bronze, A.P. 2 Works on Paper Anonymous 21 x 27 x 17 cm Sanikiluaq Windows 4, 1977 Gift of Louise Daudelin Juanisialu Irqumia Untitled (Seated Hunter with Lithograph, etching, 61/99 2005.225 Northern Quebec 1910 – Harpoon by a Allu, Seal Breathing 100.8 x 90.7 cm Puvirnituq 1977 Gift of Manon Cloutier in memory Duo-deu, 1979 Hole), 1957 Gulls and Foxes Eating a Beached Olivine, ivory, seal leather of Laurier Grondin Gilded bronze, XXXIV/L 2005.100 10.4 x 4.6 x 0.9 cm Beluga Whale, 1965 18.5 x 16 x 16.5 cm Gift of Louise Daudelin Stonecut, 12/30 Gift of Michael Eaton Windows 5, 1977 2006.13.1-2 60.2 x 67.3 cm 2005.151.1-3 Lithograph, etching, 61/99 Gift of Mme. Juanita Toupin 101.7 x 71.8 cm Éric Daudelin 2005.145 Markusi Nunngaq Kuannanaaq Gift of Manon Cloutier in memory Born in Neuilly-sur-Seine in 1948 Born in Inirjuaq, Puvirnituq, in 1932 of Laurier Grondin Iyola Kinguatsiak Active in Puvirnituq 2005.101 Model of “Allegrocube” in Open Born in Amajjuaq (near Cape Dorset) Position, 1971 Untitled (Nursing Mother Tending in 1933 a Qulliq, Inuit Stone Oil Lamp) Anonymous Letraline tape on Plexiglas France 8.4 x 12 x 10.6 cm Gull with Char, 1971 About 1968 Gift of Louise Daudelin Etching, 44/50 Steatite Study for a Ceiling Project 2005.224 32.9 x 38.2 cm (sheet) 34 x 43.2 x 24.5 cm About 1660-1680 24.7 x 30.2 cm (platemark) Gift of Lois and Daniel Miller Pen and brown ink, grey wash Andrew Dutkewych Gift of Mme. Juanita Toupin 2005.115 over charcoal drawing Born in Vienna in 1944 2005.144 20.4 x 27.8 cm Betsy Meeko Gift of Thérèse Lecomte Gremlin on Tree Trunk, 1988 Annie Mikpigak Born in Sanikiluaq in 1943 2005.176 Wood, steel mesh, Ciment Fondu Akua (near Puvirnituq) 1900 – 270 cm (h.); 120 cm (diam.) Untitled (Snowy Owl), undated Puvirnituq 1984 Steatite Giacomo Balla Gift of Christine Veilleux and Turin 1871 – Rome 1958 Martin Champagne Polar Bear, 1962 9.5 x 14 x 5.2 cm 2005.136.1-3 Stonecut, 21/30 Gift of Mme. Juanita Toupin Untitled, 1915-1925 31.9 x 31.7 cm 2005.142 Gouache, coloured pencil, Alan Glass Gift of Mme. Juanita Toupin gum arabic highlights Born in Montreal in 1932 2005.143 Samuili Nunga Qinuajua 4.8 x 17.1 cm (?) 1925 – Puvirnituq 1963 Gift of Guy Joussemet Birds of the Bones, 1967 Inuit Art Untitled (Grouse ?), about 1970 2005.282 Various materials in a wooden case Sculpture 73.2 x 55.2 x 17.2 cm Steatite 11.4 x 24 x 9.7 cm Pierre Bonnard Gift of Guy Fournier Peter Iqallu Angutikirq Fontenay-aux-Roses 1867 – 2005.206 Gift of Mme. Juanita Toupin Born in Puvirnituq in 1919 2005.139 Le Cannet 1947 Untitled, 1968 Untitled (Otter with a Fish in Its Portrait of Ambroise Vollard, Various materials in a wooden case Mouth), before 1970 Nauya Tassugat (Nowya) about 1924 68 x 37 x 16 cm Steatite (?) 1917 – Clyde River Drypoint, state I Gift of Guy Fournier 10.4 x 23 x 13 cm (Kangiqtugaapik) (?) 42.4 x 29.1 cm (sheet) 2005.207 Gift of Mme. Juanita Toupin Untitled (Owl with Spread Wings) 35.5 cm x 24.1 cm (platemark) 2005.140 Gift of Freda and Irwin Browns Louis-Philippe Hébert Undated Steatite 2005.285 Sainte-Sophie-d’Halifax 1850 – Attributed to Westmount 1917 8.2 x 15 x 8.9 cm Irene Kataq Angutitok Gift of Mme. Juanita Toupin Giovanni Antonio Canal, Spring, 1909 Repulse Bay 1914 – 2005.141 called Canaletto Plaster Repulse Bay 1971 Venice 1697 – Venice 1768 51 x 24.5 x 26 cm Untitled (Birds Taking Flight from Imaginary View of San Giacomo Gift of Émile Colas, q.c., ll.d. the Water), before 1965 di Rialto, 1740-1744 2006.27 Ivory, stone Etching, state I/II 3.2 x 6.5 x 39 cm 26.8 x 27.5 cm (sheet) Gift of Michael Eaton 14.3 x 21.6 cm (platemark) 2005.149.1-8 Gift of Dr. Sean B. Murphy 2005.106 30/31

Jacques Carlu James Ensor Utagawa Kunisada (Toyokuni III) Seven Portrait Studies of Whistler, Bonnières-sur-Seine 1890 – Ostend 1860 – Ostend 1949 Edo (Tokyo) 1786 – Edo 1864 1880s Paris 1976 The Entry of Christ into Brussels, 1898 Kakegawa on the Tokaido, from Drypoint and Drypoint, etching, state III/IV the series “Along the Tokaido, 27.5 x 32.2 cm (sheet) Natacha (Anne) Carlu 50.4 x 39.6 cm (sheet) Fifty-three Stages”, about 1835-1845 23.1 x 27.2 cm (image) 1895-1972 24.9 x 35.8 cm (image) Woodcut, only state Gift of Freda and Irwin Browns Dining Room, T. Eaton, Montreal, Purchase, anonymous fund 25.7 x 17.7 cm 2005.47 Canada, about 1930 2006.10 Gift of Jean-Claude Planchard Gouache over green pencil drawing, 2005.157 Claes Oldenberg traces of graphite Jean Fautrier Born in Stockholm in 1929 57.2 x 24.3 cm Paris 1898 – Châtenay-Malabry 1964 Utagawa Kuniyoshi Lake Union, Seattle, Washington, Purchase, grant from the Projections, 1962 Japan 1798 – Edo (Tokyo) 1861 1972 Government of Canada under the Etching, 19/100 Kabuki Scene with Drummer Lithograph, offset halftone, terms of the Cultural Property 56.5 x 76.2 cm (sheet) Sticking Out His Tongue at Beauties 247/300 Export and Import Act, and Société 47.4 x 64.7 cm (image) About 1840 62.6 x 82.3 cm Générale/Fimat Fund Anonymous gift Woodcut Gift of Dr. Sean B. Murphy 2006.19 2005.128 36.5 x 25.6 cm (left sheet) 2005.132 36.5 x 25.4 cm (centre sheet) Marc Chagall Sam Francis 36.6 x 25.5 cm (right sheet) Pierre-Paul Prud’hon Vitebsk 1887 – San Mateo, California, 1923 – Gift of Gilles Gagnon Cluny 1758 – Paris 1823 Saint-Paul-de-Vence 1985 Santa Monica 1994 2005.84.1-3 Phrosine and Mélidor, 1797 Self-portrait Smiling, 1927 Chinese Balloons, 1963 Etching Etching or drypoint, state III/III Lithograph Martin Lewis 29.3 x 21 cm (sheet) 53.9 x 37.8 cm (sheet) 65.5 x 50.3 cm Castlemaine, Australia, 1881 – 21.2 x 14.6 cm (image) 27.5 x 21.8 cm (image) Gift of Mario Malenfant New York 1962 Purchase, anonymous fund Gift of Freda and Irwin Browns 2005.154 Day’s End, 1937 2006.7 2005.283 Etching Lust III, from the series “The Seven Eugène Gaujean 34.1 x 43.2 cm (sheet) Odilon Redon Deadly Sins”, 1925 Pau 1850 – Andrésy 1900 24.6 x 34.3 (image) Bordeaux 1840 – Paris 1916 Etching, only state After Félicien Rops (1833-1898) Gift of Dr. Sean B. Murphy To Gustave Flaubert: 25 x 20.5 cm (sheet) Pornokratès, or La Dame au cochon, 2005.108 Six Drawings for “The Temptation 17.2 x 11.6 (platemark) 1887 of Saint Anthony”, 1889 Gift of Freda and Irwin Browns Drypoint, roulette, only state Robert Longo Lithograph 2005.284 26.6 x 17.6 cm (sheet) Born in Brooklyn in 1953 (frontispiece and 6 prints) 15.8 x 10.9 cm (image) Joe Test / Russian, 2004 54.8 x 35.9 cm Christo Purchase, Harry W. Thorpe and Charcoal Purchase, Wake Robin Fund Born in Gabrovo, Bulgaria, in 1935 Mona Prentice Bequests 100.4 x 125.4 cm in memory of Nelo St. B. Harrison The Pont-Neuf, Wrapped, 2006.5 Purchase, The Museum Campaign 2005.38.1-7 Project for Paris, 1985 1988-1993 Fund Pencil, charcoal, pastel, wax crayon, Anne-Louis Girodet 2005.41 Félicien Rops fabrics, fabric sample, twine, archi- Montargis 1767 – Paris 1824 Namur, Belgium, 1833 – tectural drawing, aerial photograph Engravings after drawings by Girodet: Édouard Manet Essonnes, France, 1898 by Wolfgang Volz Henri-Guillaume Chatillon Paris 1832 – Paris 1883 Hamadryade, 1888 1985 two-part collage: (1780-1856) Jeanne (The Spring) Etching, drypoint, red chalk, 27.9 x 71.1 cm (panel 1) Anacréon, 1825 1882, edition 1902 state III/IV 56 x 71.1 cm (panel 2) Book illustrated with 54 lithographs Etching, only state 32.4 x 22.2 cm (sheet) Gift of Roy Lacaud Heenan 35.5 x 26.5 x 3.5 cm (book, closed) 27.8 x 18.5 cm (sheet) 22.1 x 12.3 cm (platemark) 2005.171.1-2 34.9 x 25.7 cm (leaves) 15.6 x 10.7 cm (image) Purchase, Harold Lawson Bequest Gift of Mr. Louis Godbout Gift of Freda and Irwin Browns 2006.3 Antoni Clavé 2005.152 2005.286 Hamadryade, 1888 Barcelona 1913 – Saint-Tropez 2005 Sappho, Bion, Moschus, 1829 Drypoint, state IV/IV Untitled, late 1970s Book illustrated with 40 lithographs Mortimer Menpes 27.2 x 18.7 cm (sheet) Etching, 58/75 36.1 x 27 x 1.7 cm (book, closed) Port Adelaide, Australia, 1855 – 21.9 x 12.1 cm (platemark) 47.7 x 37.5 cm 35.4 x 25.6 (leaves) London 1938 Purchase, Marjorie Caverhill Bequest Gift of Manon Cloutier in memory Gift of Mr. Louis Godbout Portrait of Whistler Smiling, 1880s 2006.4 of Laurier Grondin 2005.153 Drypoint 2005.102 23.6 x 22.5 cm (sheet) Martin Schongauer Eugène Samuel Grasset 16.6 x 14.8 cm (image) Colmar 1440/50 – Breisach 1491 Salvador Dalí Lausanne 1841 – Sceaux 1917 Gift of Freda and Irwin Browns The Entombment, about 1480 Figueras, Spain, 1904 – 2005.45 Engraving, only state Figueras 1989 Exhibition of Decorative Arts at the Grafton Gallery, London, Poster Whistler with the White Lock, 1890 16.2 x 11.3 cm The Barrel, from the series 1893 Drypoint Purchase, anonymous fund “Decameron 2” Lithograph, only state 27.7 x 22.6 cm (sheet) 2006.6 Drypoint, XXIV/XXV 76 x 55.8 cm (sheet) 16.7 x 14.9 cm (image) 44.5 x 31.5 cm (sheet) 66.3 x 45.4 cm (image) Gift of Freda and Irwin Browns 17.7 x 12.6 cm (platemark) Purchase, The Museum Campaign 2005.46 Gift of Manon Cloutier in memory 1988-1993 Fund of Laurier Grondin 2005.178 2005.103 Antoni Tàpies James Abbott McNeill Whistler Ferdinand Hodler Non-Canadian Art Born in Barcelona in 1923 Lowell, Massachusetts, 1834 – Bern 1853 – Geneva 1918 Sculpture Cape, 1987 London 1903 Halberdier, 1895 Carborundum engraving, Whistler with the White Lock, 1879 Oil on canvas, mounted on plywood Eugène-Antoine Aizelin embossing, 39/99 Drypoint, plate toning, only state 308 x 107.5 cm Paris 1821 – Paris 1902 96 x 132.5 cm 23.9 x 15.1 cm (sheet) Gift of Mr. and Mrs. Michal Hornstein Nyssia Bathing, about 1859 Gift of Yvon M. Tardif, md 11.7 x 7.9 cm (image) 2005.175 Silvered bronze 2005.168 Gift of Freda and Irwin Browns 34.3 x 11 x 12.2 cm 2005.49 Henri Lehmann Gift of Jean-Claude Planchard Kitagawa Utamaro Kiel, Germany, 1814 – Paris 1882 2005.159 Kawagoe 1753 – Tokyo 1806 Non-Canadian Art The Education of Tobias, before 1859 Comic Hair-dressing Scene, from Painting Oil on panel Adolfo Apolloni the series “Studies of Women”, 1803 55.8 x 45.8 cm Rome 1845 – Rome 1923 Woodcut Valerio Adami Purchase, The Museum Campaign Beatrice, before 1893 28.5 x 18.7 cm Born in Bologna in 1935 1988-1993 Fund Marble, wood Gift of Gilles Gagnon Hominum rosa est voluptas, 1971 2005.98 83.3 cm (diam.) 2005.83 Oil on canvas Gift of the St-Louis family 64.5 x 53.5 cm Non-Canadian Art 2005.133 Victor Vasarely Gift of Mario Malenfant Photography Pécs, Hungary, 1908 – Paris 1997 2005.155 Anonymous Untitled, 1960 Günther Förg Italy Silkscreen Anonymous Born in Füssen, Germany, in 1952 Apollo and the Satyr Marsyas 70.5 x 70.6 cm Egypt 2nd half of 15th c. Gift of Guy Fournier Madonna and Child (central Untitled, from the series Bronze relief 2005.198 panel), with Saint George Slaying “Moscow/Moskau”, 1995 4.7 x 3.6 cm the Dragon (left panel) and Saint Gelatin silver print Gift of Dr. Paul O. Leblanc Édouard Vuillard Demetrius Spearing Kaloyan 58.9 x 43.7 cm 2005.129 Cuiseaux, France, 1868 – (right panel), 20th c. Gift of Luc LaRochelle La Baule 1940 Tempera and gilt foil (?) on panel 2005.112 Antoine Louis Barye Jupiter and Antiope (?) (recto) Triptych: Untitled, from the series Paris 1795 – Paris 1875 Portrait of Henri Roussel (verso), 36.6 x 44.8 x 7.5 cm (open) “Moscow/Moskau”, 1995 Elephant of Senegal, undated About 1890 36.6 x 25 x 3.2 cm (closed) Gelatin silver print Bronze Ink Gift of the Pierre Hébert family 54.8 x 38.3 cm 13.7 x 20.9 x 7.5 cm 13.6 x 10.5 cm 2006.48 Gift of Luc LaRochelle Gift of Jean-Claude Planchard Anonymous gift 2005.113 2005.161 2005.117.1-2 Anonymous Russia Wilmar Koenig Valerio Belli Preparatory Sketch for Born in Berlin in 1952 “The Bois de Boulogne” (recto) The Month of August, 19th c. Vicenza about 1468 – Vicenza 1546 Sketch for “Theatre Scene (L’Enfant Tempera on panel Untitled, 1981 Jesus among the Doctors, about 1532 prodigue)” (verso), about 1890 35.8 x 30.7 x 2.3 cm Gelatin silver print, 1/6 Bronze relief Graphite Gift of Yves Grenier 48.7 x 37.5 cm 6.3 x 10.2 cm 22 x 17.5 cm 2005.177 Gift of Luc LaRochelle Gift of Dr. Paul O. Leblanc Anonymous gift 2005.110 2005.130 2005.118.1-2 Anonymous Untitled, 1983 Spain, Valencia Head Studies for “The Weightlifter Gelatin silver print, 3/6 César Isidore Henry Cros on the Boulevards” (recto and verso), The Annunciation, about 1400 48.6 x 37.5 cm Narbonne 1840 – Sèvres 1907 About 1890 Tempera (oil ?), gilt on panel Gift of Luc LaRochelle Feliciter, or The Scottish Girl, 1882 Graphite 22.8 x 18.9 cm 2005.111 Painted terracotta 22 x 17.5 cm Gift of Suzanne Randall 57.1 x 35.5 x 26 cm Anonymous gift in memory of L. V. Randall Adi Nes Purchase, The Museum Campaign 2005.119.1-2 2005.81 Born in Kiryat Gat, Israel, in 1966 1988-1993 Fund, Marguerite and Program for the Théâtre de l’Œuvre: Untitled, 2003 Cecil Buller Fund, and gift of Raoul Dufy Chromogenic print, 1/10 Rachel Sachs, Raymond D. LeMoyne, Une Nuit d’avril à Céos and L’image, Le Havre 1877 – Forcalquier 1953 with an advertisement for La Revue 121.3 x 88.2 cm Guy Cogeval, Jean H. Picard, blanche, 1894 L’Estaque, 1913 Purchase, The Museum Campaign Betty Reitman, Mr. and Mrs. Michal Lithograph Oil on canvas 1988-1993 Fund Hornstein, Mrs. Neil B. Ivory, 32.8 x 48.3 cm 46.2 x 55.4 cm 2005.21 the St. Andrew’s Society of Montreal, Anonymous gift Purchase, gift of International Nathalie Bondil, Helgi Soutar and 2006.26 Friends of the Montreal Museum Marnie Weber Ian Aitken of Fine Arts and The Montreal Born in Bridgeport, Connecticut, 2005.36.1-2 Thomas Robert Way Museum of Fine Arts’ Volunteer in 1959 London 1862 (?) – London 1913 Association Fund Stone Garden, from the series 2005.37 Whistler with the White Lock, 1890 “Graveyard”, 2001 Lithograph Collage of magazine illustrations 25.3 x 17.1 cm (sheet) on a colour photograph 20.4 x 14.1 (image) 100.5 x 125.5 cm Gift of Freda and Irwin Browns Purchase, Ann F. Birks Fund 2005.48 2006.20 32/33

Rachel Harrison Alexander Begge Plate, about 1950 Georg Jensen Born in New York in 1966 Born in 1941 Partially glazed earthenware Copenhagen, founded in 1904 Getting Ahead, 2005 Casalino I Child’s Chair, 1970 5 cm (h.); 28.8 cm (diam.) Cactus Silverware Set, 1930 Plaster, acrylic, rubber, Moulded plastic Gift of Pierre and Marie Dumas Silver aluminum, plastic 59.4 x 42 x 41 cm 2006.28 Designed by Gundorph Albertus 166 x 68 x 88 cm (max. dim.) Gift of Mme. Juanita Toupin (1887-1970) Purchase, Carol and David Appel 2005.147 Brad Copping Various dimensions Fund, gift of the Louise and Bernard Born in Scarborough, Ontario, Marguerite E. Priddey Bequest Lamarre family and of Nathalie Bernardaud & Cie in 1961 2005.120.1-55 Goyette and Philippe Lamarre Limoges, founded in 1890 Wellstone, 2004 Pyramid Silverware Set, 1926 2006.8.1-3 Oval Plate, about 1925 Blown glass etched with acid, Silver Porcelain oil dye, paper, polyurethane Designed by Harald Nielsen Norma Minkowitz 3.4 x 29.5 x 22 cm 44.5 cm (h.); 56 cm (diam.) (1879-1957) Born in New York in 1937 Gift of Dr. Henri Lavigueur Liliane and David M. Stewart Various dimensions The Invaders, 1991 2006.2 Collection, Louise and Marguerite E. Priddey Bequest Fibre, paper, paint, ink, crayon Laurette D’Amours Bequest 2005.121.1-10 2005.87 51.5 x 46.5 x 8.5 cm Biais Frères et Fils Beaded Silverware Set, 1916 (left component) Paris, about 1926-1960s Waclaw Czerwinski Silver 50.5 x 46.5 x 10.5 cm Ciborium, 1932 Designed by Georg Jensen (centre component) Poland 1900 – (?) 1989 Silver, ivory, silver gilt, enamel and (1866-1935) 50 x 46 x 9.5 cm (right component) 25.8 cm (h.); 17.9 cm (diam.) Various dimensions Gift of Anna and Joe Mendel Hilary Stykolt Purchase, fund commemorating 1894-1974 Marguerite E. Priddey Bequest 2005.105.1-3 the 60th birthday of the Honourable 2005.122.1-11 Chair, 1946 Serge Joyal, p.c., o.c. Acorn Silverware Set, 1915 Haim Steinbach 2005.8.1-2 Bent laminated wood Born in Rehovo, Israel, in 1944 Produced by The Canadian Wooden Silver Designed by Johan Rohde Exuberant Relative, No. 3, 1986 Paul Boulva Aircraft 84 x 41.5 x 53.5 cm (1856-1935) Colour Formica, plastic hats, Born in Montreal in 1946 Various dimensions 4 aluminum cans filled with beer Gift of Mieczyslaw and Lotus Chair, 1976 Jadwiga Marcinkiewicz Marguerite E. Priddey Bequest and soda, 2/2 Polypropylene, chrome-plated steel 2005.123.1-9 63.5 x 143.5 x 38 cm 2005.89 Produced by Artena Cake Knife and Ladle, 1919 Gift of Marisa Zavalloni 72.5 x 62.5 x 60 cm 2005.44.1-5.1-3 James Donahue Silver Gift in memory of Aldée Regina, Saskatchewan, 1918 – (?) 1997 Designed by Georg Jensen Archambault CYPRUS Canadian Coconut or Winnipeg Chair (1866-1935) 2006.22 Various dimensions Rider, about 600 B.C. Late 1940s-early 1950s Fir plywood, painted steel, Marguerite E. Priddey Bequest Terracotta with polychrome Annie Cantin 2005.124.1-2 decoration Born in Saint-Jérôme in 1974 foam, fabric 18 x 12.5 x 5.6 cm 71.5 x 90 x 87.5 cm Spatula Buds in Space, 2004 Gift of Camille Cloutier Cantin Undated Gift of Jean des Gagniers Blown glass, leather, fabric, 2006.47 2005.90 Silver metal, wood, magnets 2.4 x 14 x 6.8 cm 69 x 79 x 41 cm Decorative Art Maurice Dufrêne Marguerite E. Priddey Bequest Liliane and David M. Stewart Paris 1876 – Nogent-sur-Marne 1955 2005.125 Collection, Louise and Laurent Amiot Laurette D’Amours Bequest Fall-front Secretary Quebec City 1764 – Quebec City 1839 About 1912-1913 Grainger Lee & Co. 2005.114.1-3 Worcester, England, 1814-1837 Incense Boat Painted wood, gold leaf, leather Between 1800 and 1839 Pierre Cardin 156.5 x 91 x 41.5 cm Pair of Plates Silver Born in Sant’Andrea di Barbara, Purchase, Société Générale/Fimat White porcelain, gilt 8.5 x 13.3 x 7.7 cm Treviso, in 1922 Fund 3 cm (h.); 21 cm (diam.) (each) 2005.40.1-17 Gift of Patrick McG. Stoker in Purchase, fund commemorating Environment Fabric, late 1960s the 60th birthday of the Honourable memory of his wife, Shirley Linton Linen Stephanie Forsythe St. Barbe Harrison Serge Joyal, p.c., o.c. Produced by P. Kaufmann 2005.39 Born in Kentville, Nova Scotia, 2005.94.1-2 370 x 137 cm in 1970 Service Plate Liliane and David M. Stewart and Martine Bedin White porcelain, gilt Collection Todd MacAllen Born in Bordeaux in 1957 4 x 26.9 x 19.5 cm 2005.126 Born in Vancouver in 1966 Holiday Floor Lamp, 1983 Gift of Patrick McG. Stoker in Painted steel, enamelled metal Jean Cartier Float Tea Service, 2001 memory of his wife, Shirley Linton Produced by Memphis Saint-Jean-sur-Richelieu 1924 – Glass St. Barbe Harrison 192 cm (h.); 39.2 cm (diam.) Montreal 1996 Produced by Molo Design Ltd. 2005.95 Teapot: 33.6 cm (h.); 10.5 cm (diam.) Gift of Carole and Geoffrey Robillard Vase, 1959 2005.14 Teacup (each of 4): 8.2 cm (h.); Glazed stoneware 8.1 cm (diam.) 20.8 cm (h.); 18.5 cm (diam.) Gift of Phyllis Lambert Gift of Jean-Claude Planchard 2005.172.1-8 2005.162 Josef Hoffmann Pair of Dessert Plates Carl Poul Petersen Raymond Loewy Associates Pirnitz, Austria, 1870 – Vienna 1956 Glazed earthenware Copenhagen 1895 – Montreal 1977 1944-1961 Chair, about 1902 3.2 x 20.3 x 19.8 cm Brooch, 1950s Continental Table Setting Bent beechwood, bent laminated 3.3 x 20 x 19.6 cm Silver About 1953 wood, upholstery (not original), metal Gift of Dr. Henri Lavigueur 4.4 x 6.1 x 1 cm Porcelain Produced by Jacob & Josef Kohn in memory of Miss Betty Ramsay Gift of the Honourable Serge Joyal, Produced by Rosenthal Block 97.5 x 47 x 58 cm and Mr. Freddy Cowans p.c., o.c. China Corporation Gift of Dr. Henri Lavigueur 2005.74.1-2 2005.42 Various dimensions 2005.9 Tea and Coffee Service, 1950s Gift of Mme. Juanita Toupin René Lalique Silver 2005.146.1-9 Ay, France, 1860 – Paris 1945 Hans Hollein Various dimensions Born in Vienna in 1934 Coquilles Hanging Lamp, 1921 Gift of the Honourable Serge Joyal, Mariette Rousseau-Vermette Schwarzenberg Table, 1981 Glass, silk cords p.c., o.c. Trois-Pistoles 1926 – Aniline-dyed briar, wood, gilded wood 52 cm (h.); 30 cm (diam.) 2006.40.1-4 Sainte-Agathe-des-Monts 2006 Gift of Dr. Henri Lavigueur Produced by Memphis Bowl, 1950s Reflets dans l’eau Tapestry, 1962 2006.1 78.7 x 165 x 43 cm Silver Wool Gift of Carole and Geoffrey Robillard 12.5 cm (h.); 25.5 cm (diam.) 264 x 325 cm Javier Mariscal 2005.11 Gift of the Honourable Serge Joyal, Gift of Messrs. Maurice Cabana Born in Valencia in 1950 p.c., o.c. and Michel Desrosiers, architects Nathalie Jean Hilton Trolley, 1981 2006.41 2005.23 Born in Montreal in 1963 Painted steel, glass Pablo Picasso Ajikata Screen, from the series Produced by Memphis Tobia Scarpa Málaga 1881 – Mougins 1973 “La Ville Nouvelle”, 2002 81 x 141 x 45 cm Born in Venice in 1935 Macassar ebony veneer, 1/6 Gift of Carole and Geoffrey Robillard Plate (“Motifs” No. 45), 1963 and Produced by Design Gallery Milano 2005.10 Terracotta, slip, enamel, Afra Bianchin Scarpa 199 x 245 x 80 cm partly glazed, 33/150 Born in Montebelluna in 1937 Liliane and David M. Stewart Ingo Maurer Produced by Poterie Madoura Biagio Lamp, 1968 Collection Born in Reichenau, Germany, in 1932 2.7 cm (h.); 25.7 cm (diam.) White marble 2005.18.1-8 Wo bist du, Edison...? Gift of Jean-Claude Planchard Produced by Flos Hanging Lamp, 1997 2005.156 34 x 13.9 x 39.5 cm Tamiko Kawata Hologram, acrylic glass, aluminum Cavalier and Horse Wine Jug, 1952 Gift of Mieczyslaw and Born in Kobe in 1936 Produced by Ingo Maurer GmbH Glazed earthenware, 260/300 Jadwiga Marcinkiewicz Soft Box IV, 2003 24 cm (h.); 45.3 cm (diam.) Produced by Poterie Madoura 2005.104 Steel safety pins Liliane and David M. Stewart 20.5 x 18.3 x 13.8 cm 19 x 19 x 3 cm Collection Gift of Freda and Irwin Browns Georges Schwartz Purchase, Mitsui Canada 2006.39 2005.63 Born in Paris in 1929 Foundation Fund Tuyères Ring, 1982 2005.52 Paul McCobb Dieter Rams Gold Boston 1917 – New York 1969 Born in Wiesbaden, Germany, in 1932 3.1 x 1.5 x 1.9 cm Lars Kinsarvik The Planner Group Chair, 1950 Studio 2 (CE 12) Radio, 1959 Gift of Georges Schwartz Hardanger, Norway, 1846 – Maple (?) Steel, aluminum, Bakelite, 2005.75 Hardanger 1925 Produced by Winchendon Furniture electrical components Ordonnance Ring, 1983 Viking Style Armchair, about 1900 78.5 x 52.5 x 50 cm Produced by Braun Gold Painted wood Gift of Mme. Juanita Toupin 11 x 20 x 33.5 cm 2.9 x 2.9 x 2.7 cm 94.5 x 55 x 61.5 cm 2005.138 Given in memory of Ernst Roch Gift of Georges Schwartz Purchase, Deutsche Bank Fund by his family 2005.76 2005.91 Alessandro Mendini 2005.184 Born in Milan in 1931 Pharos Ring, 1986 Studio 2 (CE 11) Amplifier, 1959 Gold, citrine Lakin & Poole La Poltrona di Proust Steel, electrical components 3.2 x 1.8 x 3.1 cm Burslem, England, about 1791-1795 [Proust’s Armchair], 2001 Produced by Braun Gift of Georges Schwartz Compote Wood, fabric, paint, passementerie 11 x 20 x 32 cm 2005.77 Glazed earthenware Produced by Atelier Mendini Given in memory of Ernst Roch 14.5 x 31.2 x 20.2 cm Painted by Claudia Mendini by his family George James Sowden Gift of Dr. Henri Lavigueur 106 x 102 x 92.5 cm 2005.185 Born in Leeds, England, in 1942 Purchase, The Museum Campaign in memory of Miss Betty Ramsay Studio 2 (CS 11) Turntable, 1959 Clock, 1981 and Mr. Freddy Cowans 1988-1993 Fund 2005.88 Steel, aluminum, Bakelite, Cardboard, paper (?) 2005.71 rubber, electrical components Produced by Memphis Fruit Basket and Platter Micheline de Passillé Produced by Braun 30.4 x 16.1 x 16.1 cm Glazed earthenware Born in Montreal in 1936 18 x 40 x 33.5 cm Gift of Carole and Geoffrey Robillard 7.6 x 24.2 x 20 cm (basket) and Given in memory of Ernst Roch 2005.12 by his family 3 x 27.5 x 22.3 cm (platter) Yves Sylvestre D’Antibes Cabinet, 1981 2005.186 Gift of Dr. Henri Lavigueur Born in Montreal in 1932 Painted wood, glass in memory of Miss Betty Ramsay Plate, 1960s LE 1 Speakers, 1959 Produced by Memphis and Mr. Freddy Cowans Steel, painted aluminum, 160 x 60 x 40 cm 2005.72, 2005.73 Enamel on copper 4.1 cm (h.); 30.2 cm (diam.) electrical components Gift of Carole and Geoffrey Robillard Gift of Pierre and Marie Dumas Produced by Braun 2005.13.1-3 2006.29 76 x 83 x 31.5 cm Given in memory of Ernst Roch by his family 2005.187.1-2 34/35

Eva Lisa (Pipsan) Saarinen Swanson Bracelet, 1994 FRANCE Kirkkonummi, Finland, 1905 – Acrylic Andiron, Mid-18th c. Bloomfield Hills, Michigan, 1979 12.5 x 10.6 x 5.5 cm Bronze Saratoga Fabric, 1952-1962 Gift of Alberto Zorzi and 34 x 34.3 x 11.9 cm Printed burlap Fiorella Rigoni Gift of Mieczyslaw and 306 x 718 cm 2006.36 Jadwiga Marcinkiewicz Liliane and David M. Stewart Bracelet, 1994 2005.93 Collection Enamelled acrylic 2005.127 16.6 x 9.2 x 6.5 cm GREECE, ATHENS Gift of Alberto Zorzi and Alabastron (perfume jar) Boris Tabacoff Fiorella Rigoni 1st half of 5th c. A.D. Dumas Chair, about 1971 2006.37 Black-figure ceramic Acrylic Bracelet, 1994 11.2 cm (h.); 3.2 cm (diam.) Distributed by MMM Enamelled acrylic Gift of Jean-Claude Planchard (Mobilier Modulaire Moderne) 13.9 x 8.3 x 7 cm 2006.44 82 x 47.5 x 47.5 cm Gift of Alberto Zorzi and Purchase, Lynne Verchere Fund Fiorella Rigoni GREECE, CORINTH 2005.15 2006.38 Alabastron (perfume jar) 575-500 B.C. Verreries Schneider Anonymous Black-figure ceramic Épinay-sur-Seine, 1913-1935 Coiffeuse, 1970s 16.2 cm (h.); 9 cm (diam.) Vase, about 1918-1925 Plastic Gift of Jean-Claude Planchard Glass Produced by Kastilia 2006.46 29.5 x 13.8 x 10 cm 112 x 52 x 50 cm (max. dim.) Gift of Jean-Claude Planchard Purchase, The Frothingham LEVANT 2005.158 Bursary Fund Lamp, 6th-7th c. A.D. 2005.116.1-2 Terracotta Reinhold Weiss 3.5 x 8.5 x 5.5 cm Born in Germany in 1934 Probably Gift of Jean-Claude Planchard and CANADA 2006.43 Robert Oberheim Club Chair (Hers), Mid-20th c. Born in Germany in 1938 Unguentarium (ointment jar) Velvet, wood 1st-2nd c. A.D. No. 4153 912 (MPZ 1) Juicer, 1965 77 x 94 x 84 cm Translucent greenish glass Metal, plastic, electrical components Purchase, The Museum Campaign 13.4 cm (h.); 6.7 cm (diam.) Produced by Braun 1988-1993 Fund Gift of Jean-Claude Planchard 16 x 18.5 x 16 cm 2005.79 2006.45 Given in memory of Ernst Roch Club Chair (His), Mid-20th c. by his family Velvet, wood NORTH AFRICA 2005.183.1-7 88 x 94 x 92 cm Volute Lamp, 1st-2nd c. A.D. Purchase, The Museum Campaign Alberto Zorzi Terracotta 1988-1993 Fund 3 x 10.7 x 7.7 cm Born in Santa Giustina in Colle 2005.80 in 1958 Gift of Jean-Claude Planchard Armchair, 1950s 2006.42 Necklace, 1989 Chrome-plated steel, zebra skin Silver 78 x 61.5 x 77 cm 7 cm (h.); 25 cm (diam.) Purchase, The Museum Campaign Gift of Alberto Zorzi and 1988-1993 Fund Fiorella Rigoni 2005.92.1-2 2006.32 Necklace, 1995 CHINA Burnished silver Qing dynasty (Manchu) (1644-1911), 2.5 x 2.5 x 54 cm Yongzheng reign (1723-1735) Gift of Alberto Zorzi and Bowl with Three Fish Fiorella Rigoni Porcelain 2006.33 3.6 cm (h.); 15.1 cm (diam.) Costruttivo Bracelet, 1998 Gift of Jeannie Lynn and Red-enamelled silver the Lynn family 3.7 cm (h.); 11.2 cm (diam.) 2006.30 Gift of Alberto Zorzi and Bowl with Three Fish Fiorella Rigoni Porcelain 2006.34 3.5 cm (h.); 15.3 cm (diam.) Bracelet, 1994 Gift of Jeannie Lynn and Acrylic the Lynn family 14 x 8.7 x 4.8 cm 2006.31 Gift of Alberto Zorzi and Fiorella Rigoni 2006.35 Auditors’ Report and Financial Statements of the Museum 36/37

Auditors’ Report

To the Members of principles used and significant The Montreal Museum estimates made by management, of Fine Arts as well as evaluating the overall financial statement presentation. We have audited the balance In our opinion, these financial sheet of The Montreal Museum statements present fairly, in all of Fine Arts as at March 31, material respects, the financial 2006 and the statements of rev- position of the Museum as at enues and operating expenses March 31, 2006 and the results and changes in net assets and of its operations and its cash cash flows for the year then flows for the year then ended ended. These financial state- in accordance with Canadian ments are the responsibility generally accepted accounting of the Museum’s management. principles. Our responsibility is to express an opinion on these financial statements based on our audit. We conducted our audit in accordance with Canadian generally accepted auditing standards. Those standards require that we plan and perform an audit to obtain reasonable assurance whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evi- dence supporting the amounts and disclosures in the financial Chartered Accountants statements. An audit also includes assessing the accounting May 26, 2006 Balance Sheet as at March 31, 2006

Total

General Fund Capital Assets Fund Acquisitions Fund 2006 2005

$ $ $ $ $ Assets Current assets Cash and term deposits 1,908,571 – 273,291 2,181,862 714,279 Accounts receivable 1,437,224 – – 1,437,224 1,077,824 Interfund balances 391,257 (882,049) 490,792 – – Amount receivable - Foundation 1,049,631 – 2,100 1,051,731 1,001,855 Grants receivable 1,150,590 3,904,824 – 5,055,414 4,174,373 Inventories 552,876 – – 552,876 660,469 Deferred charges 2,641,607 – – 2,641,607 1,402,512 9,131,756 3,022,775 766,183 12,920,714 9,031,312 Grants receivable (Note 6) 1,921,494 14,012,488 – 15,933,982 17,851,073 Investments 2,764,443 – 10,474,716 13,239,159 13,195,540 Accumulated interest – 4,400,000 – 4,400,000 4,800,000 Capital assets (Note 4) – 80,550,586 – 80,550,586 83,002,559 13,817,693 101,985,849 11,240,899 127,044,441 127,880,484

Liabilities Current liabilities Bank loan (Note 5) 356,011 – – 356,011 3,050,000 Accrued interest 40,307 610,049 – 650,356 693,613 Accounts payable and accrued liabilities 4,587,064 – – 4,587,064 3,411,789 Deferred contributions 5,524,415 – – 5,524,415 1,630,791 Current portion of long-term debt (Note 6) 255,802 3,454,048 – 3,709,850 3,962,719 10,763,599 4,064,097 – 14,827,696 12,748,912 Long-term debt (Note 6) 1,921,494 22,786,418 – 24,707,912 25,982,720 Deferred contributions (Note 7) – 52,835,817 – 52,835,817 54,952,624 Net assets Unrestricted (1,621,308) – – (1,621,308) (2,002,097) Invested in capital assets – 22,299,517 – 22,299,517 22,299,517 Restricted (Note 8) 2,753,908 – 11,240,899 13,994,807 13,898,808 1,132,600 22,299,517 11,240,899 34,673,016 34,196,228 13,817,693 101,985,849 11,240,899 127,044,441 127,880,484

Approved by the Board

Bernard Lamarre Michal Hornstein President Vice-president Director Director 38/39

Statement of Revenues and Operating Expenses and Changes in Net Assets year ended March 31, 2006

General Fund Total

Operations Restrictions Capital Assets Fund Acquisitions Fund 2006 2005

$ $ $ $ $ $ Revenues General Admissions and special events 3,735,013 – – – 3,735,013 2,056,834 Boutiques and bookstore 2,546,812 – – – 2,546,812 1,951,956 Donations of works of art – – – 8,299,265 8,299,265 7,364,913 Donations and sponsorships 1,432,469 – – 234,664 1,667,133 2,185,895 Donations from the Foundation (Note 10) 785,000 – – 139,845 924,845 949,781 Exhibition catalogues 687,890 – – – 687,890 348,157 Annual memberships 1,119,712 – – – 1,119,712 636,211 Investments (Note 8) 16,747 133,154 – 513,100 663,001 685,313 Rental income 475,347 – – – 475,347 467,620 Miscellaneous 1,468,972 – – – 1,468,972 291,909 12,267,962 133,154 – 9,186,874 21,587,990 16,938,589 Operating and acquisitions grants (Note 3) 16,454,976 – – 33,698 16,488,674 13,573,935 Amortization of deferred contributions – – 2,296,766 – 2,296,766 2,280,605 Grant – projects (Note 3) 101,850 – 1,419,462 – 1,521,312 1,644,105 28,824,788 133,154 3,716,228 9,220,572 41,894,742 34,437,234 Operating expenses Temporary exhibitions 7,086,670 – – – 7,086,670 4,540,471 Permanent collection 1,398,466 – – – 1,398,466 1,537,511 Security and maintenance 5,673,094 – – – 5,673,094 4,446,493 Administrative expenses (including interest expense of $91,889; $98,445 in 2005) 5,363,277 – – – 5,363,277 4,873,939 Boutiques and bookstore 2,462,398 – – – 2,462,398 1,881,403 Curatorial Division 3,489,799 – – 107,986 3,597,785 3,425,554 Communications Division 2,441,633 – – – 2,441,633 2,258,414 Rental expenses 351,895 – – – 351,895 371,565 Amortization of capital assets – – 2,505,541 – 2,505,541 2,477,324 Amortization of works of art – – – 8,299,265 8,299,265 7,364,913 Acquisitions of works of art – – – 776,141 776,141 1,306,319 Interest – projects 101,850 – 1,419,462 – 1,521,312 1,644,105 28,369,082 – 3,925,003 9,183,392 41,477,477 36,128,011 Excess (deficiency) of revenues over operating expenses before interfund transfers 455,706 133,154 (208,775) 37,180 417,265 (1,690,777) Interfund transfers: Contribution from Restricted Funds to Operations 133,858 (133,858) – – – – Contribution from General Fund to Capital Assets Fund (208,775) – 208,775 – – – Excess (deficiency) after interfund transfers 380,789 (704) – 37,180 417,265 (1,690,777) Endowment contributions – 59,523 – – 59,523 6,000 Net assets, beginning of year (2,002,097) 2,695,089 22,299,517 11,203,719 34,196,228 35,881,005 Net assets, end of year (1,621,308) 2,753,908 22,299,517 11,240,899 34,673,016 34,196,228 Statement of Cash Flows year ended March 31, 2006

2006 2005 $ $ Operating activities Excess (deﬁciency) of revenues over operating expenses 417,265 (1,690,777) Adjustments for: Amortization of capital assets 2,505,541 2,477,324 Amortization of deferred contributions related to capital assets (2,296,766) (2,280,605) 626,040 (1,494,058) Net change in non-cash operating working capital items 3,884,864 2,198,039 4,510,904 703,981

Financing and investing activities Endowments 59,523 6,000 Change in grants receivable 1,036,050 1,477,458 Change in investments (43,619) (176,334) Increase in deferred contributions related to capital assets 179,959 257,299 Acquisitions of capital assets (53,568) (144,728) Repayments of long-term debt principal (2,334,128) (2,319,352) Increase in long-term debt 806,451 – (349,332) (899,657)

Net increase (decrease) in cash and cash equivalents 4,161,572 (195,676) Cash and cash equivalents, beginning of year (2,335,721) (2,140,045) Cash and cash equivalents, end of year 1,825,851 (2,335,721)

Comprised of: Cash and term deposits 2,181,862 714,279 Bank loan (356,011) (3,050,000) 1,825,851 (2,335,721) 40/41

Notes to the Financial Statements year ended March 31, 2006

1 / Purpose of the organization

The Montreal Museum of Fine Arts (the “Museum”), a not-for-proﬁt organization, encourages the plastic arts and an appreciation thereof and acquires, conserves, collects, promotes, and exhibits works of art on behalf of the citizens of Montreal, the province of Quebec, Canada and elsewhere. The Museum is incorporated as a private corporation under the Loi sur le Musée des beaux-arts de Montréal and is a registered charity within the meaning of the Income Tax Act.

2 / Summary of signiﬁcant accounting policies

The financial statements have been prepared in accordance with Canadian generally accepted accounting principles and reflect the following significant accounting policies:

Fund accounting The Museum uses the deferral method to account for contributions and follows the fund accounting method whereby resources are classiﬁed into funds in accordance with speciﬁed activities or objectives. i) General Fund The General Fund reports the assets, liabilities, revenues and operating expenses related to the Museum’s day-to-day operating activities. Endowments, the income from which is to be used to increase the original endowment and for day-to-day operations, are presented as restricted net assets of the General Fund. ii) Capital Assets Fund The Capital Assets Fund reports the assets, liabilities, revenues and operating expenses related to capital assets and the restricted contributions specifically related thereto. Deferred contributions of the Capital Assets Fund combine federal and provincial grants and the donations specifically restricted for the financing of the buildings. iii) Acquisitions Fund The Acquisitions Fund reports the assets, liabilities, revenues and operating expenses related to acquisitions of works of art and endowments, the income from which is to be used to increase the original endowment and to purchase works of art.

Interfund balances Interfund balances comprise interfund advances without any terms of repayment.

Boutique and Bookstore inventories Inventories are valued at the lower of cost and net realizable value, cost being the average cost.

Deferred charges Costs of exhibitions and other speciﬁc events are charged to the year in which the exhibition or event is held. Investments Investments are stated at cost or the market value attributed at the time of the gift. Where there is a permanent impairment in value, management’s policy is to write down the investment to its estimated realizable value.

Accumulated interest The interest accumulated during the realization of the expansion project of the Jean-Noël Desmarais Pavilion was accumulated separately from the cost of construction and is being recovered through an annual grant from the Ministère de la Culture et des Communications.

Capital assets Capital assets are recorded at cost in the Capital Assets Fund and are amortized using the straight-line method over the following periods:

Buildings 40 years Furniture and equipment 5 years

Deferred contributions Contributions restricted to future period expenses are deferred and recognized as revenue in the year in which the related expenses are incurred. Deferred contributions reported in the Capital Assets Fund include the unamortized portion of contributions received speciﬁcally to defray the cost of the related capital assets and are amortized on the same basis.

Revenue recognition Restricted contributions are recognized as revenue of the appropriate fund in the year the related expenses are incurred. Unrestricted contributions are recognized as revenue of the appropriate fund when received or receivable. Endowment contributions are recognized as direct increases in net assets. Restricted investment income is recognized as revenue of the appropriate fund. Unrestricted investment income is recognized as revenue of the General Fund. Income from externally restricted investments is recognized as an increase in the net assets of the appropriate fund.

Works of art The Museum’s permanent collection comprises paintings, sculptures, drawings and prints, and decorative arts. The permanent collection is not reﬂected in the ﬁnancial statements. Donated works of art are accounted for at fair market value based on external appraisal reports. They are fully amortized in the year of acquisition.

Use of estimates The preparation of ﬁnancial statements in conformity with Canadian generally accepted accounting principles requires management to make estimates and assumptions that affect the reported amounts of assets and liabilities and disclosures of contingent assets and liabilities at the date of the ﬁnancial statements and the reported amounts of revenues and expenses during the reporting period. Actual results could differ from these estimates. 42/43

3 / Government grants 2006 2005 $ $ Operating grants Ministère de la Culture et des Communications 14,844,400 12,981,275 Conseil des arts de Montréal 370,000 350,000 15,214,400 13,331,275

Grants for specific projects and acquisitions Ministère de la Culture et des Communications – repair and maintenance of capital assets 909,576 – Department of Canadian Heritage 180,000 72,960 Canada Council for the Arts 159,698 169,700 Tourisme Montréal 25,000 – 1,274,274 242,660 16,488,674 13,573,935

Grants for expansion projects Government of Québec Ministère de la Culture et des Communications 1,521,312 1,644,105

4 / Capital assets

2006 2005

Accumulated Cost amortization Net book value Net book value

$ $ $ $ Land 22,299,517 – 22,299,517 22,299,517 Buildings 92,814,080 34,984,922 57,829,158 60,142,986 Furniture and Equipment 2,083,082 1,661,171 421,911 560,056 117,196,679 36,646,093 80,550,586 83,002,559

5 / Bank loan

The Museum has a bank loan available depending on its needs for a maximum of $5,000,000. It is payable on demand and bears interest at the prime rate. 6 / Long-term debt – General and Capital Assets Funds 2006 2005 $ $ Debts funded by the Government of Québec Loans from the ministère des Finances and Financement Québec Bearing interest at 6.334%, maturing October 2016 a), f) 18,920,000 20,640,000 Bearing interest at 6.076%, maturing June 2012 b), f) 824,311 942,600 Bearing interest at 4.732%, maturing October 2008 c), f) 119,035 158,714 Bearing interest at 5.085%, maturing October 2013 d), f) 1,385,700 1,558,912 Bearing interest at 4.501%, maturing July 2020 e), f) 806,451 – Bank loans Bearing interest at 6.05%, maturing December 2006 1,401,563 1,489,106 Bearing interest at 5.41% (6.90% in 2005), maturing August 2015 427,500 472,500 23,884,560 25,261,832

Debts not funded Bank loans Bearing interest from 4.95% to 6.44%, maturing at various dates through April 2015 4,533,202 4,683,607 28,417,762 29,945,439

Current portion 3,709,850 3,962,719 24,707,912 25,982,720

Principal payments required in subsequent years and the related grants are as follows:

Debt Repayment Grants $ $ 2007 3,709,850 3,551,042 2008 2,317,898 2,149,479 2009 3,776,015 2,149,479 2010 2,226,304 2,109,801 2011 3,599,022 2,109,801 2012 and thereafter 12,788,673 11,814,958 28,417,762 23,884,560 44/45 a) This debt is in relation to the Jean-Noël Desmarais Pavilion. On June 19, 1991, the Museum contracted a loan for $43,000,000 from the ministère des Finances du Québec as administrator of the Fonds de ﬁnancement. This loan was used to reimburse the bankers’ acceptances and accumulated interest under the special borrowing bylaw enacted on August 23, 1989. b) On December 19, 1991, the Museum contracted a $2,356,500 loan from the ministère des Finances du Québec as administrator of the Fonds de financement. This loan was used to fund the costs of improvements and equipment purchased for the Museum. c) On March 21, 2003, the Museum contracted a $198,392 loan from Financement Québec as administrator of the Fonds de financement, and this loan was used to fund the costs of the re-arrangement of the permanent collection. d) On October 15, 2003, the Museum contracted a $1,732,125 loan from Financement Québec as administrator of the Fonds de financement, and this loan was used to fund a capital payment of the debt described in a). e) On October 7, 2005, the Museum contracted a $806,451 loan from Financement Québec as administrator of the Fonds de Financement, and this loan was used to fund the costs of the repairs and maintenance of capital assets. f) In consideration of the loan, the Ministère de la Culture et des Communications is committed to providing an additional grant to enable the Museum to pay the principal and interest in accordance with the agreed terms of repayment. The capital grant was recorded as a grant receivable.

7 / Deferred contributions

The changes in the balance of deferred contributions related to capital assets for the year are as follows:

2006 2005 $ $ Balance, beginning of year 54,952,624 56,975,930 Contributions received during the year 179,959 257,299 Amortization for the year (2,296,766) (2,280,605) Balance, end of year 52,835,817 54,952,624 8 / Restrictions on net assets of the General and Acquisitions Funds 2006 2005 $ $ Amounts restricted to the General Fund, including endowments whose income is used to fund the Museum’s day-to-day operations 2,753,908 2,695,089 Amounts restricted to the Acquisitions Fund, including endowments whose income is used to fund the acquisitions of works of art 11,240,899 11,203,719 13,994,807 13,898,808

The endowments were invested. Total income from these endowment investments are as follows:

2006 2005 $ $ Income on resources held for endowment: Credited to the General Fund 149,901 137,641 Credited to the Acquisitions Fund 513,100 547,672 Total investment income recognized as revenue 663,001 685,313

9 / Commitments

The Museum leases premises under an operating lease that expires on June 30, 2013. Future lease payments total $3,195,242 and include the following minimum payments over the next ﬁve years:

$ 2007 365,043 2008 398,216 2009 398,216 2010 398,216 2011 398,216

These amounts are subject to annual increases in accordance with the consumer price index.

10 / Related organizations and transactions

The Montreal Museum of Fine Arts Foundation The Montreal Museum of Fine Arts Foundation (the “Foundation”) is considered, for accounting purposes, to be a related organization, as certain members of the Museum’s Board of directors are ex-ofﬁcio members of the Board of directors of the Foundation. The Foundation, incorporated on March 24, 1994 under Part III of the Companies Act (Québec), is a registered charity. The Foundation is mainly involved in soliciting and receiving donations, bequests and other contributions on behalf of the Museum and administering its funds. In addition, the Museum has entrusted the Foundation with the management of certain investments. The Foundation organizes and manages an annual fund-raising campaign (the “Annual Campaign”), the aggregate net revenue of which is given to the Museum for the financing of its operations. The Museum’s ﬁnancial statements include revenues of $1,130,696 from the Foundation ($914,285 in 2005), which is presented in “Donations and sponsorships”. The Foundation also gave the Museum an amount of $100,170 ($113,772 in 2005) for acquisitions of works of arts, which is included in the donations from the Foundation. 46/47

The Museum recorded a revenue from the Foundation and in accordance with donors’ wishes in the amount of $824,675 ($949,781 in 2005) from the 1998-2002 campaign as follows: $39,675 ($164,781 in 2005) for acquisitions of works of art, $10,000 ($10,000 in 2005) for educational activities, nil ($25,000 in 2005) for the Museum’s day-to-day operations, and an amount of $775,000 ($750,000 in 2005) for exhibitions. These amounts are presented in “Donations from the Foundation”. An amount of $372,500 was recorded as a deferred contribution in the General Fund.

Volunteer Association of the Montreal Museum of Fine Arts The Volunteer Association of the Montreal Museum of Fine Arts (the “Association”) is a separate not-for-proﬁt entity incorporated under Part III of the Companies Act (Québec). The purpose of the Association is to organize public fund-raising events for the beneﬁt of the Museum. The Association made a $830,000 donation ($550,000 in 2005) to the Museum. From this donation, an amount of $120,000 is presented in “Donations and sponsorships” in the statement of revenue and operating expenses and changes in net assets. The balance ($650,000) is presented as “Deferred contribution”. An amount of $680,000 is included in accounts receivable as at March 31, 2006 ($450,000 in 2005).

11 / Financial instruments

The Museum holds and issues ﬁnancial instruments such as investments, grants receivable and debt instruments. The investments are made up of securities and mutual funds that are primarily publicly traded shares, bonds and debentures.

Fair value The fair value of investments is based on quoted market prices at the reporting date. The fair value of the long-term debt is measured by discounting expected residual cash ﬂows at the year-end prime interest rate. Therefore, due to subjective judgment and uncertainty, the aggregate fair value amount should not be interpreted as the realizable value in an immediate settlement of the instruments. As at March 31, 2006 and 2005, the carrying value of all ﬁnancial instruments approximated fair value, with the following exceptions:

2006 2005

Carrying value Fair value Carrying value Fair value $ $ $ $ General Fund Investments 2,764,444 3,242,796 2,699,087 2,943,568 Grants receivable 3,072,084 3,010,424 2,401,446 2,489,113 Long-term debt (2,177,296) (2,155,942) (1,573,814) (1,661,481)

Capital Assets Fund Grants receivable * 21,707,263 23,049,552 23,688,019 26,244,272 Long-term debt (26,240,466) (27,603,415) (28,371,625) (31,213,469)

Acquisitions Fund Investments 10,474,717 12,287,195 10,496,453 11,450,815

* Excludes interest receivable of $610,049 ($665,981 in 2005) pertaining to the $2,000,000 debt for the Montreal Museum of Decorative Arts, the $43,000,000 debt for the Jean-Noël Desmarais Pavilion expansion project (Note 6 a)) and the debt of $1,732,125 for a capital payment related to the debt of $43,000,000 (Note 6d)). Credit risk The Museum has determined that credit risk is minimal given that the counterparties with which it conducts business are mainly government agencies.

Interest rate risk In its investment portfolio, the Museum holds interests in bond mutual funds. The bonds in these mutual funds bear ﬁxed interest rates. Consequently, a change in market interest rates will affect the market values of the mutual fund bond interests. Interest rate risk related to long-term debt is judged to be low, as most of the debt (including interest payments) is subsidized by the Government of Québec.

Currency risk In its investment portfolio, the Museum holds interests in U.S. and international securities and in mutual funds invested in U.S. and international securities. Consequently, a currency ﬂuctuation will have an impact on the market value of these investments.

12 / Collection of the Museum

In its mission to attract the widest possible range of visitors, the Museum has, over the last 146 years or so of its existence, assembled one of the most significant encyclopedic collections in North America. The collection includes mainly paintings, drawings and prints, photographs, sculptures, installations, jewellery, woodcraft, ceramics, furniture and precious metal artifacts. The collection has a global reach and covers all historical eras, from antiquity to the present day. The value of the collection is not reflected in the financial statements. Acquisitions are accounted for as expenses in the Acquisitions Fund. Works of art donated are accounted for at fair market value based on external appraisal reports. They are fully amortized in the year of acquisition (see Note 2). Restoration costs during the year amount to approximately $343,531 ($432,000 in 2005).

13 / Comparative ﬁgures

Certain comparative ﬁgures have been reclassiﬁed to conform to the current year’s presentation. The Montreal Museum of Fine Arts Foundation

50/51

President’s Report

This year, twelve years after its activities. Mr. Lamoureux holds linked to the quality of its cultural On the other hand, our founding, the Montreal Museum Bachelor’s degrees in Visual Arts institutions and the programmes budgetary situation remains of Fine Arts Foundation has and Social Sciences from the they present; this dimension of precarious, in terms both of taken a major step forward. The University of Ottawa. He also the urban reality is now consid- maintaining our assets and Museum’s Board of Trustees and studied at the Museum’s School ered one of the primary factors more importantly of developing the Board of the Foundation of Art and Design in the 1970s. in the quality of life. In this sense, as an institution. It is therefore decided to give the Foundation This new mandate represents the Montreal Museum of Fine vital that the Foundation’s its own permanent operating for him a return to his roots, to Arts makes a major contribution primary concern be funding, and structure, with the support of an the heart of his native city in an to its community, especially this is the area in which I intend experienced team that will work institution he holds dear. For us, when one takes into account its to work hard with the members closely in collaboration with the and for me personally, this is social and economic impact. of the Board, together with our Museum’s staff. excellent news that heralds the What the Museum has to offer new Executive Director and the The term “foundation” implies development of splendid new is a treasure-house of knowledge, Foundation team. a structure on which the future projects that will benefit the an inexhaustible source of inspi- I wish to acknowledge here of an institution is “founded,” or Museum and the city. ration that visitors can discover the generosity of our donors, based, and it is from a commit- And that brings us to the for themselves in our wide range who once again this year have ment to a fresh start and bearing question of development, a of exhibitions of works that can helped us enormously. The co- in mind our future development matter of primary importance for be movingly beautiful or stimul- presidents of the 2005-2006 that we have appointed the Foun- the Museum, as it is for Montreal. atingly original. The Museum Annual Fund-raising Campaign, dation’s first Executive Director, Nowadays, in many of the world’s is a window on the cultures of David H. Laidley and Huu Trung Michel Lamoureux, to oversee great cities, we see a strong trend the world, a place of delight in- Nguyen, achieved an impressive the Museum’s philanthropic and towards building major infra- formed by a sense of history result of almost $1.2 million. fund-raising operations. structures for museums; these both ancient and modern. It is I thank them and their team of Before joining us, Mr. Lamou- produce significant economic also a good citizen, working in canvassers, whose commitment reux was president and CEO of spin-offs that contribute greatly partnership with hundreds of to the Museum and tireless the Laval University Foundation in to the social and economic revital- Montreal’s community groups, efforts also represent a tangible Quebec City. He has considerable ization of the cities themselves. and a beacon for the international contribution to our neighbour- experience in the fields of phi- It might almost be called an reputation of Montreal, Quebec hood, our city and the future of lanthropy, communications and emergent trend of modern life and Canada. It preserves, dis- the whole community. government relations in Quebec that is as evident in Newcastle plays and shares our common At the end of my second year and across Canada. As Executive and London, Bilbao and Valencia, cultural heritage. And, of course, at the helm of the Museum Foun- Director of the Museum Founda- as it is in Milwaukee and Chicago. it represents a considerable dation, I wish to offer my warmest tion, his role is to oversee the Many observers believe that a asset to the local economy with thanks to Bernard Lamarre, strategic planning and imple- city’s power to attract individuals the numerous ﬁnancial spin-offs Chairman of the Museum’s mentation of our fund-raising and companies is increasingly it engenders. Board of Trustees. His unswerving The Montreal Museum of Fine Arts Foundation President’s Report

loyalty, wisdom and dedication reﬂect his sound sense of human values. I should also like to express my admiration for our Director, Guy Cogeval, whose worldwide reputation reflects credit on our institution and enables us to enter into rewarding partnerships with other great museums. My heartfelt gratitude goes to the members of the Museum’s Board and to the staff; their outstanding work helps to create a museum experience of international calibre that was appreciated this year by more than 600,000 visitors. In short, the Museum is a world in itself that embodies and expresses a rich history of the past century and a half. The ongoing story of the Museum, which is more dynamic than ever, will surpass all expectations in the years to come. My grateful thanks to all of you for your active involvement in the history of our Museum.

Réal Raymond Foundation President 52/53

Ofﬁcers, Trustees and Committees as of March 31, 2006

Ofﬁcers and Trustees Committees President Nominating Committee Réal Raymond Gretta Chambers Treasurer Bernard Lamarre, Eng., o.c., o.q. Brian M. Levitt Réal Raymond Jacques Bougie Jacques M. Brault Audit and Financial Administration Gretta Chambers Committee Yvon Charest, f.s.a., f.c.i.a. Chairman Guy Cogeval Paul Lowenstein Michel Décary, q.c. Jean-Guy Desjardins Yvon Charest, f.s.a., f.c.i.a. Jeannine Guillevin Wood, o.c. Jeannine Guillevin Wood, o.c. Fernand Lalonde, q.c. Fernand Lalonde, q.c. Bernard Lamarre, Eng., o.c., o.q. Guylaine Saucier André Lesage, fca Norman M. Steinberg Pierre H. Lessard Réal Raymond ex ofﬁcio Paul Lowenstein Michel Nadeau Investment Committee Jocelyn Proteau Chairman Betty Reitman Michel Nadeau Guy Saint-Pierre Guylaine Saucier André Lesage, fca Guy Savard Pierre H. Lessard Norman M. Steinberg Brian M. Levitt Robert Tessier Jocelyn Proteau Jonathan I. Wener Guy Saint-Pierre Executive Director Michel Lamoureux Allocation Committee Secretary Jean-Guy Desjardins Danielle Jodoin Fernand Lalonde, q.c. Bernard Lamarre, Eng., o.c., o.q. Réal Raymond Guy Savard Guy Cogeval, observer Auditors’ Report and Financial Statements of the Foundation 54/55

Auditors’ Report

To the Directors of principles used and significant The Montreal Museum estimates made by management, of Fine Arts Foundation as well as evaluating the overall financial statement presentation. We have audited the balance In our opinion, these financial sheet of The Montreal Museum statements present fairly, in all of Fine Arts Foundation as at material respects, the financial March 31, 2006 and the state- position of the Foundation as at ments of revenue and expenses March 31, 2006 and the results and changes in net assets for the of its operations and its cash year then ended. These financial flows for the year then ended in statements are the responsibility accordance with Canadian of the Foundation’s management. generally accepted accounting Our responsibility is to express principles. an opinion on these financial statements based on our audit. We conducted our audit in accordance with Canadian generally accepted auditing standards. Those standards require that we plan and perform an audit to obtain reasonable assurance whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evi- dence supporting the amounts and disclosures in the financial Chartered Accountants statements. An audit also includes assessing the accounting May 26, 2006 Statement of Revenue and Expenses year ended March 31, 2006

Restricted funds Total

Desmarais Other Educational Restricted General Exhibition Exhibition Acquisitions Activities Funds Fund Fund Fund Fund Fund Total 2006 2005 $ $ $ $ $ $ $ $

Revenue Contributions (net of expenses of Nil; $58,614 in 2005) 1,707,588 400,000 – 330,175 – 730,175 2,437,763 2,777,002 Investments 27,760 125,656 581,397 53,831 11,480 772,364 800,124 775,828 1,735,348 525,656 581,397 384,006 11,480 1,502,539 3,237,887 3,552,830

Expenses Donations to the Museum 1,603,366 – 775,000 39,675 10,000 824,675 2,428,041 1,987,838 Financial expenses 7,833 – – – – – 7,833 4,398 1,611,199 – 775,000 39,675 10,000 824,675 2,435,874 1,992,236 Excess (deficiency) of revenue over expenses 124,149 525,656 (193,603) 344,331 1,480 677,864 802,013 1,560,594

Statement of Changes in Net Assets year ended March 31, 2006

Restricted funds Total

Desmarais Other Educational Exhibition Exhibition Acquisitions Activities Restricted General Fund Fund Fund Fund Funds Fund with clause with clause without clause with clause without clause with clause Total 2006 2005 $ $ $ $ $ $ $ $ $ $

Net assets, beginning of year 439,437 2,274,486 9,602,211 2,234,532 865,131 49,697 231,065 15,257,122 15,696,559 14,135,965

Excess (deficiency) of revenue over expenses 124,149 525,656 487,605 (681,208) 368,058 (23,727) 1,480 677,864 802,013 1,560,594

Interfund transfers (Note 4) (563,586) – – – – 563,586 – 563,586 – – Net assets, end of year – 2,800,142 10,089,816 1,553,324 1,233,189 589,556 232,545 16,498,572 16,498,572 15,696,559

Comprised of: Unrestricted – – – – – – – – – 439,437 Restricted with clause – 2,800,142 10,089,816 – 1,233,189 – 232,545 14,355,692 14,355,692 12,972,893 Restricted, without clause – – – 1,553,324 – 589,556 – 2,142,880 2,142,880 2,284,229 – 2,800,142 10,089,816 1,553,324 1,233,189 589,556 232,545 16,498,572 16,498,572 15,696,559 56/57

Balance Sheet as at March 31, 2006

Restricted funds Total

Desmarais Other Educational Restricted General Exhibition Exhibition Acquisitions Activities Funds Fund Fund Fund Fund Fund Total 2006 2005 $ $ $ $ $ $ $ $ Assets Current assets Cash 135,416 – – – – – 135,416 451,646 Accounts receivable 19,057 – – – – – 19,057 15,586 154,473 – – – – – 154,473 467,232

Investments (Note 3) 86,661 2,800,142 12,418,140 1,824,845 267,545 17,310,672 17,397,333 16,523,196 241,134 2,800,142 12,418,140 1,824,845 267,545 17,310,672 17,551,806 16,990,428

Liabilities Current liabilities Account payable and accrued liabilities 1,503 – – – – – 1,503 – Due to the Museum 239,631 – 775,000 2,100 35,000 812,100 1,051,731 1,001,855 Due to the International Friends of the Montreal Museum of Fine Arts, Inc. – – – – – – – 58,814 Deferred contributions – – – – – – – 233,200 241,134 – 775,000 2,100 35,000 812,100 1,053,234 1,293,869

Net assets Unrestricted – – – – – – – 439,437 Restricted, with clause – 2,800,142 10,089,816 1,233,189 232,545 14,355,692 14,355,692 12,972,893 Restricted, without clause – – 1,553,324 589,556 – 2,142,880 2,142,880 2,284,229 – 2,800,142 11,643,140 1,822,745 232,545 16,498,572 16,498,572 15,696,559 241,134 2,800,142 12,418,140 1,824,845 267,545 17,310,672 17,551,806 16,990,428

Approved by the Board

Réal Raymond Bernard Lamarre President Trustee Trustee Notes to the Financial Statements year ended March 31, 2006

1 / Purpose of the Organization

The Montreal Museum of Fine Arts Foundation (the “Foundation”) is incorporated as a not-for-proﬁt organization under Part III of the Companies Act (Québec). The Foundation is a registered charity and a public foundation within the meaning of the Income Tax Act. The Foundation is involved mainly in soliciting and collecting donations, bequests and other contributions on behalf of the Montreal Museum of Fine Arts (the “Museum”) and in administering its funds. In addition, under Article 4 of the agreement between the Foundation and the Museum, the Museum has entrusted the Foundation with the administration of certain investments. These investments are excluded from the Foundation’s ﬁnancial statements.

2 / Signiﬁcant accounting policies

The financial statements have been prepared in accordance with Canadian generally accepted accounting principles (“GAAP”) and reflect the following significant accounting policies:

Restricted fund accounting The Foundation follows the restricted fund method, whereby resources are classiﬁed into funds in accordance with speciﬁed activities or objectives. i) General Fund The General Fund reports the assets and liabilities, revenue and expenses related to the Foundation’s day-to-day operating activities as well as any other unrestricted fund item or restricted fund item, the materiality of which does not justify separate reporting. ii) Restricted funds Each restricted fund reports its assets and liabilities, revenue and operating expenses in accordance with its respective activities and purpose. The funds report separately the allocation of restricted donations with a minimum ten-year conservation clause and those with no similar clause. These donations are recorded in the statement of revenue and expenses under the fund corresponding to their restriction. The Foundation contributes to funding the Museum’s operations through the earnings on the investments in accordance with the objective of each fund and in compliance with the disbursement quota prescribed by law.

Investments Investments are recorded at the cost or market value assigned at the time of the donation. Where there is a permanent impairment in value, management’s policy is to write down the investment to its estimated realizable value.

Contributed services Volunteers contribute a significant amount of time each year to the Foundation, and the Museum’s resources and premises are made available to the Foundation. Because of the difficulty of determining their fair value, contributed services are not recognized in the financial statements.

Use of estimates The preparation of ﬁnancial statements in conformity with Canadian GAAP requires management to make estimates and assumptions that affect the reported amounts of assets and liabilities and disclosures of contingent assets and liabilities at the date of the ﬁnancial statements and the reported amounts of revenue and expenses during the reporting period. Actual results could differ from these estimates. 58/59

3 / Investments 2006 2005 $ $ Cash 17,051 11,867 Money Market 315,236 672,608 Bond Pooled Fund 5,605,983 5,271,491 Canadian Corporate Equity Securities 5,640,179 5,438,692 U.S. and International Corporate Equity Securities 2,534,222 2,603,459 Index Pooled Fund – U.S. Equity securities 663,498 – International Equity Pooled Fund 2,621,164 2,525,079 Book value 17,397,333 16,523,196

Market value* 20,407,730 18,024,639

* The market value of the investments is based on the year-end market price.

Investment management fees and safekeeping charges amount to $115,632 ($101,382 in 2005) and are presented as a decrease in investment revenue.

4 / Interfund transfers

The Foundation decided to transfer an amount of $563,586 from the General Fund to the Acquisitions Fund, without clause.

5 / Related party transactions

Donations made to the Museum are presented separately in the statement of revenue and expenses. The Museum pays certain expenses of the Foundation, including the salary of the executive director. These expenses are reimbursed to the Museum and are presented as an increase in donations to the Museum and amount to $145,778 ($197,779 in 2005).

6 / Financial instruments

Interest risk The bonds included in the Bond Pooled Fund bear ﬁxed interest rates. Consequently, a variation of the market rate will have an effect on the fair value of investments in the Bond Pooled Fund.

Currency risk The Foundation holds investments in U.S. and international securities and in mutual funds invested in U.S. and international securities. Consequently, a currency ﬂuctuation will have an impact on the market value of these investments.

Fair value The fair value of accounts receivable, accounts payable and accrued liabilities and due to the Museum is approximately equal to their carrying values due to their short-term maturity. The fair value of investments is presented in Note 3.

7 / Statement of cash ﬂows

A statement of cash flows has not been prepared since the cash flow information is readily apparent from other financial statements and related notes. Fund-raising 60/61 A Tribute to the Donors Thank you!

2005-2006 Annual Fund-raising Tony Meti Donations of $2,500 and more Desmarais, André and Campaign National Bank of Canada France Chrétien Michel Nadeau Archambault, Michel P. Di Tomaso, Frank Campaign Committee Institute of Governance Briand, Lise Dobell, Anthony R.C. and Cynthia P. † Brownstein, Morton Doucet, Nicole V. Honorary Co-chairmen HEC-Concordia Gouin, Serge Dufresne, Hélène Bernard Lamarre Jocelyn Proteau Grayib, Antoine S. Edmunds, Frédéric John President Standard Life Canada Greenberg, Reesa Fafard, Joe The Montreal Museum of Fine Arts Jean Rizzuto Laidley, David H. Anonymous Réal Raymond Voyages Aller-Retour Picard, Jean H. and Annick Balozian Fish, Anne President Sachs, S. Lyon and Dundi Rachel Fontaine, Huguette B. Jean-François Sauvé The Montreal Museum of Fine Arts Stevenson, Deirdre J. Forest, Georges C. Pictet Canada Foundation Fortier, Michael M. The Luigi Liberatore Foundation Guy Savard Fox, Francis Co-presidents Merrill Lynch Canada Inc. Addenda Capital Inc. Fox, Lillian AGF Management Ltd. David H. Laidley Robert Tessier Fraser, A. Scott Canadian Liquid Air Inc. Deloitte & Touche Gaz Métro Furst, Felix J. Cima+ Gagnon Giasson, Thérèse Huu Trung Nguyen Pierre Vandelac Construction Marathon Gervais, Richard G. Caisse Centrale Desjardins Société de transport de Montréal CORE – Est de Montréal Giguère, Marie Dessau Soprin Vice-presidents Jonathan I. Wener Godin, Hubert Canderel Management Inc. Quebecor Inc. Gomery, John H. Louis Audet Stikeman Elliott Graham, Robert Frank Zampino Cogeco Inc. The Standard Life Hébert, Adèle Ville de Montréal Denis Boivin Assurance Company Hecht, Thomas O. Samson Bélair / Deloitte & Touche Ultramar Ltd. Horwitz, Beverly Maron Ivory, Joan F. Richard Cacchione Donations of $10,000 and more Donations of $1,000 and more Jodoin, Maurice Hydro-Québec Production Joussemet, Guy François Camirand Raymond, Réal Allnutt, Alan Klinkhoff, Eric J. Scotia Bank Wilson, Lawrence R. Audet, Henri and Marie L. Kwitko, Alicja Renaud Caron J. Armand Bombardier Foundation Azrieli, David J. Labrecque, Louise CGI Group Inc. Beauchamp, Marc Lacroix, Thérèse Samson Bélair / Deloitte & Touche Béland, Pierre and Renée Lacoursière Lainey, Luc and Isabelle Dugas Yvon Charest Scotia Bank of Canada Bernier, Louis P. Lalime-Morrissette, Hélène Industrial Alliance Billick, Bonnie Lalonde, Fernand and Marie Élie Richard Côté Donations of $5,000 and more Blondeau, Diane Lamarre, Jacques and Céline RBC Royal Bank Blouin, Michel Lamarre, Pierre Y. Desjardins, Jean-Guy and Bondy, Alexander and Vera Lambert, Phyllis Sylvio De Rose Suzan Moreau Samson Bélair / Deloitte & Touche Bossé, Hélène C. Lapointe, Charles Lapointe, Pierre Bougie, Jacques Léger, Claire Francis Fox Levitt, Brian M. and Claire Gohier Bourke, Marlene G. LeMoyne, Raymond D. Fasken Martineau Reitman, Betty Bronfman, Barbara B. Lesage, André Shetty, Bhasker and Satinder Roy L. Heenan Brosseau, Pierre R. MacLaren, George R. 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At the Montreal Museum of Major Fellows Life Members Ursula Steiner Fine Arts, it is a tradition to add up (cumulative donation, (cumulative donation, Raymond U. Sylvestre to the credit of the donor all the between $25,000 and $50,000) between $2,000 and $5,000) David Tait donations – be they gifts of money Jeannie Thib and/or property – received over Serge Boucher Irwin Adelson Dusty Vineberg Solomon the years in order to bestow on them Hélène Lalime-Morrissette Rosaire Archambault Scott C.A. Watson the title of Distinguished Member. Jean and Jocelyne Monty Alan Barrett Andrée Olivier Welt According to article 3 of the Robert Nihon Francine O. Beaudet Henry B. Yates Regulation respecting the general Lyon and Dundi Rachel Sachs Nathalie Bélanger Yvonne Zacios administration of the Museum, the Bernard St-Louis John Blachford category of Distinguished Member David G. Wilson Diane Blondeau Deaths includes eight sub-categories, Emilien Bolduc with thresholds that vary between Fellows Jacques Brossard It was with regret that $2,000 and $500,000. (cumulative donation, Dr. Luc Bruneau we learned of the deaths of On March 31, 2006, the Museum between $10,000 and $25,000) André Bureau the following Distinguished had 1,808 Distinguished Members. Philippe Casgrain Members of the Museum: We are pleased to publish the names Xavier and Lise Briand Richard Cleary of those individuals whose annual Edward Burtynsky Pauline Daigneault Gordon Black contribution enabled them to attain Martin Champagne Aimée Danis Andrea Bronfman the status of Distinguished Member Manon Cloutier E.R. Danowski Stanley Clarke or accede to a higher category. We Hélène Couture Gerald Daoussis Claude Du Pont offer them our sincere congratulations. Louise Druckman Nicole Dasnoy-Le Gall Lee Hambleton Mr. and Mrs. Aaron M. Fish Jean Davignon Deborah Jones Major Patrons Antoine S. Grayib Michel de la Chenelière Jacques E. Lefebvre (cumulative donation Anonymous Paulette Gagnon Rose W. Levy of $500,000 and more) Dr. Henri Lavigueur Hubert Gendron Jonas London Jadwiga and Mieczyslaw Pauline Gertler Nicole Racicot Saia Joan F. Ivory Marcinkiewicz Louis Godbout Gisèle Richardson Dr. Sean B. Murphy Anna and Joe Mendel Rosalind and Morriss Goodman Belle Rudy Yseult and Sylvie Riopelle Denys Hardy Michaud Mervyn Gornitsky Lois and Daniel Miller Evelyn S. Hingston Patrons Angelo and Louise Pizzagalli Dr. Louise Labrecque (cumulative donation, Jean-Claude Planchard Guy Lafrenière between $250,000 and $500,000) Stephen Raphael Gilles Lavoie The Hon. Pierrette Rayle William J. Lawand Guy Fournier Guy Roy Thérèse Lecomte Richard J. and Priscilla Schmeelk Dr. Gurjinder P. Sall Rollande Lefebvre Leonard B.C. Schlemm Claude Lessard Major Benefactors Georges and Huguette Schwartz Denise Lévesque (cumulative donation, Alex U. Soyka Herbert S. Lewis between $100,000 and $250,000) Juanita Toupin Raymond Maclennan Pendleton Richard-Max Tremblay Marcel Masse Michael Eaton Robert Mongeon Dr. Mario Malenfant Eminent Supporters Michel Moreault Madeleine P. Pelland (cumulative donation, Martine Morin between $5,000 and $10,000) Mireille Morin Benefactors Suzanne Morin (cumulative donation, Marc Beauchamp Jay Moulton between $50,000 and $100,000) Renée and Pierre Béland Wakeham D.C. Pilot Pierre R. Brosseau Paule G. Pratte Anonymous Bernice and Morton Brownstein Frank Willliam Remiggi Glen A. Bloom and Deborah M. Duffy Jean-Marie Dufour Gisèle Richardson Louise Daudelin Jean-Marc Dumas François Rousseau Robert Johnson Yves Grenier Jérôme Rousseau Mr. and Mrs. Peter Krausz Massimo Guerrera Lise Rousseau Varga Jean-Pierre Valentin G. Pierre Lapointe Michel Roy Christine Major Gisèle Royal Serge Marcoux Camille Sandorfy Scott McFarland George Savoy Louis Racine Marilyn E. Schiff Joy Shannon Dr. Milena Simicic Bash and Satinder Shetty Linda Snell Martine St-Louis Edward Stansbury Special Events

Museum Ball Heenan Blaikie srl Guests Boucher, Bernard and Un air de Provence Imperial Tobacco Canada Nathalie Robichaud November 12, 2005 KPMG Aitken, Ian and Mary Leslie Boudreault, Louis and Josée-Lyne Lavery, de Billy Aksich, Anthony and Carol Bouffard, Pierre and Nathalie Soucy Organized by the Volunteer Lazard Allaire, Yvan and Mihaela Firsirotu Bougie, Jean-Marc and Association of the Montreal Museum Loto-Québec Angus, Mr. and Mrs. Gregor Marie-Josée Boivin of Fine Arts. Marché Public 440 Ltée Aquin, Stéphane Bourret, Ann-Michèle McKinsey & Compagnie Canada Armand, François and Luce Provost Bouthillier, Guy and guest The Volunteer Association of Mercer, Consultation en ressources Arminjon, Éric and Dominik Poirier Brassard, Philippe and Diane Forget the Montreal Museum of Fine Arts humaines Arsenault, Pierre and Bridges, Lloyd extends its sincere thanks to all Mouvement Desjardins Annie Gaudreault Brosseau, André and Andrée Vigneault those individuals and corporations Osler, Hoskin & Harcourt Aubry, Jean and Caroline Jobin Brosseau, Sylvain and who contributed to the success s.e.n.c.r.l. / s.r.l. Audet, Louis and Jocelyne Rachel Bergeron of the Museum Ball, an important Picchio, Neurochem et Adaltis Audet, The Hon. Michel and Brunet, Guy and Irène source of funding for the Museum, Power Corporation du Canada Francine Girard Brunet, Johanne especially Sylvia Papachristou Pratt & Whitney Canada Auray, Jacques Brunet, Pierre and Louise Rourke, Ball President, L. Yves Fortier PricewaterhouseCoopers Baird, Wayne and Joanne Bui, Patrick and Vanessa Larocque and Norman M. Steinberg, Honorary Publicis Canada Barbeau, Marc and Nancy Bélanger Bureau, Jean François and Julie Kidd Co-presidents of this fund-raising Quebecor inc. Baril, André and Élaine Goulet Cacchione, Richard and event, and the members of their Raymond Chabot Grant Thornton Barros, Luis and Cristina Nathalie Hamel committee, for their fantastic work RBC Marchés des Capitaux Bastien, Mr. and Mrs. Richard Calais, Philippe and Chantale and dedication. Samson Bélair / Deloitte & Touche Beauchamp, The Hon. Line and Pierre Calderoni, Ron and Michelle Bélanger SAQ Bibeau Campbell, Jennifer SNC-Lavalin inc. Beauchemin, Dany and Campbell, Ron and Mara Corporate Benefactors Stikeman Elliott s.e.n.c.r.l., s.r.l. Beth C. Downey Carrière, Germain and Guylaine TD Canada Trust Beaudin, Mr. and Mrs. Arnold Casavant, Jean-Pierre and Gold Corporations Télémission Information inc. Beauger, Patrick and Louise Marchand Ultramar Ltée Marie-Josée Neveu Cashman, Gilbert and Paule Gauthier Alcan Inc. Valeurs Mobilières TD inc. Beïque, Jacques and Hélène Cavalancia, Joseph and Bell Bélanger, France and guest Gislaine Goulet CN Patrons Bélisle, Daniel and Nancy Léveillé Caza, Elizabeth Bellefeuille, Martin and Ceccon, Vasco and Francine Léger Silver Corporations Michal and Renata Hornstein Marie-France Lalonde Chabot, Jean-Luc and Suzie Bernard Lamarre Bellemare, Alain and Katéri Da Silva Champagne, Danielle Banque Nationale Bellerose, Pierre and Lyne Voyer Chantal, Philippe and Caroline Lahaie BMO Groupe Financier Donors and Sponsors Bellini, Francesco and Marisa Charest, The Hon. Jean and CIBC World Markets Bellini, Roberto and Michèle Dionne Corporation Financière Power Ian Aitken and Mary Leslie Caroline Desmarais Charlebois, Maurice and Gaz Métro Jacques Auray Benjamin, Mr. and Mrs. Gerald Dominique Drouin Hydro-Québec Birks Bergeron, Claude and Charron, André B. and Joanne Pelletier Ogilvy Renault Cascades Sylvie Archambault Chevrier, Marie RBC Groupe Financier La Face Cachée de la Pomme Bernier, Jean and Isabel Jacques Choquet, Claude and Hélène Couture Scotia Capitaux inc. Giorgio Armani Parfums Bertrand, Mario and Julie Paquet Clark, Colin L. and Sandra Sverica International Gluskin Sheff & Associates Bertrand, Patrick and Linda Fournier Clerk, Jean and Josane Duhamel Tourisme Montréal Groupe Canam Inc. Bertrand, Stéphane and Louise Cloutier, Danielle and guest Peter and Claire Kruyt Bessette, Hugues and Cogeval, Guy and Marie-Paule Vial Bronze Corporations Yves A. Lefebvre Marie-Claude Boisvert Colas, Hubert and The Macdonald Stewart Foundation Bienvenu, Pierre and Karen Potter Alexandra MacDougall Blake, Cassels & Graydon, s.r.l. La Maison Simons inc. Blais, Francine Côté, Alain and Sylvie Rousseau Bruce Kent Group METRO Blanchard, Marc-André and Côté, André and guest Caisse de dépôt et The Montreal Museum of Fine Arts Monique Ryan Côté, Marcel and Louise Drouin placement du Québec La Famille Monty Bloomﬁeld, Mr. and Mrs. Harry Côté, Pierre and Nathalie Bernier CIBC Charles S.N. Parent Blouin, Michel and Louise Vernier Coulombe, Gilles and Isabelle Hudon Cogeco Inc. Publicis Boies, Dominique and Cousineau, Alain and Jocelyne Desjardins Ducharme, s.e.n.c.r.l. Quebecor inc. Catherine Senécal Craighead, Jane and guest Domtar Inc. SAQ Boivin, Denis and Johanne Crevier, Philippe and Diane Dufault Egon Zehnder International Robert Guy Scully Boivin, Valier and Johanne Carrier Cronin, David and Amélie Emergis / Ogilvy Renault Standard Life Bolduc, Mr. and Mrs. Alain Crowley, Steve and Peggy Ernst &Young Trudeau Corporation Bolduc, J.F. Robert and Rollande Dalaroy, Kit and Angelica Fiera Capital Vins Philippe Dandurand inc. Bondil, Nathalie Dallaire, Jean-Pierre and Le Groupe S.M. International Yves Chénier Design Bonin, Philippe and Anne-Sophie Roy Anne-Marie Gaudreau Groupe Tiru Bouchard, Alain and Dalphond, The Hon. Judge Pierre and Guillevin International Cie Sandra Chartrand Monique Mercier 66/67

Dancosse, Guy P. and Micheline Gravel, Claude and Isabelle Gélinas Lépine, Mr. and Mrs. René Pichette, Patrick and Tamar Daoust, Marcel and Andrée Grenier, Jules and Johane Samson Leroux, Marc and Monique F. Pilote, Pierre and Susan Ohrt De Becker, Carina and guest Guilbault, Gérard and Sylvie Gagné Lévesque, Jocelyn and Pinchevsky, Marcel and Pnina de Lavison, Mr. and Mrs. Jean-Paul Guimond, René and Manuela Goya Louise St-Pierre Plamondon, Luc and Madeleine Careau De Rose, Carlo and Teresa Haiman, Jim and Phan Lévesque, Réjean and France Poulin, Bernard and Deforges, Jacques and Hébert, Michel and Diane Giacomuzzi Levitt, Brian M. and Claire Gohier Liliana Komorowska Marie-Hélène Lecomte Hoppenheim, Melvin and Rosemary Lisio, Camillo and Louisa Pouliot, Adrien and Hélène Floch Dépatie, Robert and Horn, Sid and Ariane Bourque Little, James and Prévost, Michèle Christiane Laporte Hornstein, Michal and Renata Marie-Josée Castonguay Proteau, Mr. and Mrs. Alain Derome, Bernard and Hucal, George and Christine Loffreda, Tony and Angie Comparelli Provencher, Jean-Pierre and Suzanne Marie-Claire Beaudoin Hudon, Daniel and Sylvie Bertrand Longchamps, Martin and Provost, Mr. and Mrs. Marc Des Rochers, Jacques Iezzoni, Massimo and Patrica Martin Sophie Renard Provost, Normand and Diane Trudeau Desautels, Bruno and Nathalie Brault Jean, Pierre and Yolande Lorange, Robert and Marie Quenvile, Jean and Julie Léveillé DeSilva, Rajiv and Anne Joly, Clément and Carole-Marie Allard Lowenstein, Paul and Jewel Quintal, Stéphane and Annick Redburn Desnoyers, Alan and Shelley Barton Joly, Laurent and Nicole Lowy, Frederick and Mary Kay O’Neil Racine, Rémi and Maude Leclerc Despars, Pierre and Lucie Jouanneau, His Exc. Daniel and Odile Macdonell, Steve and France Thibert Raicek, Stephen and Barbara Segal Di Silvestro, Giacomo and Joanne Joyal, The Hon. Serge MacDougall, Reford and Natalie Rana, Frank and Mary Dicaire, Mr. and Mrs. André Katz, Warren and Wendy MacLennan, Chuck and Lois White Raymond, François and Didus, Terry and Jenny Kaufmann, Moneca Magnier, Yves and Vickie Dominique Poulin Dorval, Bernard and Édith Ducharme Kemball, Benj and Debby Maheu, Francis and Raymond, Réal and Élaine Ducharme, Mr. and Mrs. Bruno Kent, Bruce and Joëlle Gylane St-Georges Régimbal, Louis and Christine Lennon Ducros, Mr. and Mrs. Pierre Kessler, Marcel and Mallette, Jacques and Sylvie Bergeron Renaud, Serge and guest Dufour, Marie-Claude Cécile Kessler-Schlosser Manzanares, François X. and Rizzuto, Giovanni and Suzanne Dufresne, Paul and Gabrielle Collu Krysiewicz, Alex Jacqueline Leveillé Robert, Charles Duhaime, Pierre and Claire Chaillez Labonté, Michel and Marcotte, Louis and Céline Lauzier Robert, Nicholas and Nancy Dumas, Robert and guest Marie-Nicole Hébert Marcoux, Jean-François and Robitaille, Robert and Yolande Dupuis, The Hon. Jacques P. and guest Laboursodière, Pierre and Natasha Zénié Roiter, Gérald and Lynne Elman, Mr. and Mrs. Marc Martine Larouche Marcoux, The Hon. Yvon and Odette Roquet, Louis L. and Anna Maria Risa Emond, Charles and Labrèche, Jacques and Louise Maréchal, Paul Rosenthal, Mr. and Mrs. G. Renée-Claude Boivin Labrecque, Daniel and Lise Laberge Martel, Fernand Rourke, Glenn and Engen, Travis and Anne Lachapelle, Jean and Andréa Martin Martel, Jean and Louise Sylvia Papachristou Rourke Evans, Dick and Gretchen Lacroix, Laurier Massicotte, Guy-Paul and Diane Rousseau, Henri-Paul and Fard, Keyvan and Kathy Lagassé, Louis and Masson, Guy and Francine Monique Grégoire Fillion, Martial and Francine Sénécal Marie-Josée Trottier McAusland, David and Roy, Richard and Lise Desjardins Finn, Sean and Nicole Bélanger Laidley, David H. and Ellen Wallace Katherine Dallenbach Royer, Raymond and France Denis Fleurent, Pierre and Natalie Brown Lamarre, Bernard and Margot Lalonde McCarty, Don and Claudine Décarie Rudolph, Stephen and Edmée Métivier Foley, Steve and Diane Benoit Lamarre, Éric and Ménard, Sylvain and Sylvie Cadieux Ryan, Erik and Marie-Claude Roy Forest, David and Sylvie Marie-Lyse Bergeron Merszei, Geoff and MJ Salvati, Vincent and Susan Forget, Bettina Lamarre, Jean and Diane Fugère Michaud, Claude and Sansoucy, Jean and Lise Gagnon Fortier, L. Yves and Carol Lamarre, Nicolas and Lorraine Mailly Christiane Langevin Sarrazin, Hugo and Mili Fortin, Sophie and guest Lamarre, Philippe and Mittermaier, Pascal and Su-Yin Schubert, François and Marie Pineau Fournelle, Mr. and Mrs. Roger Nathalie Goyette Moulton, Jay and Louise Kierans Scott, Gary and Candy Fournier, Éric and Carole Deniger Lamarre, Pierre and Francine Neveu, Jean and Doris Guérette Scully, Robert Guy Fox, The Hon. Francis and Mrs. Lamothe, Marie-Josée Nguyen, Huu Trung and Mai Séguin, Claude and Francine Roy Frankel, Leslie and guest Lampron, Pierre and Lise Julien Normand, Robert and Pauline Séguin, Yves and Marie-José Nadeau Fréchette, Maurice and Lamy, Marc and Mélanie Dupuis Normandin, Marc and Claude Patry Sénécal, Jean-Guy and Hélène Courtemanche Laperrière, Luc and Louise Allard Noseworthy, Richard and Sylvie Bouthillier Frulla, The Hon. Liza and Lapointe, Guy and Nathalie Dorval Thérèse Gagnon Shein, Steven and Cheryl Ann André Morrow Laporte, Réal and Line Blackburn Notarnicola, Paolo and Siddall, Evan and Garnet Gagné, Pierre and Kathryn Gutkowski Larochelle, Pierre and Marie-Claude Rochon Silvestre, Jérôme and Dominique Gagnon, Jean and Julie Charbonneau Stéphanie Daigneault Odermatt, François and Simard, Pierre and Nancy Garcia, Claude and Danielle Laurin, François and Ingrid Heck Karine Lartendo Simon, Jéhanne Garneau, Richard and Jitane Lauzé, Benoit and Linda Hudon-Lauzé Olechnowicz, Kazimir and Sirard, André and Carol-Ann Forrest Gaulin, Paul and guest Lavigne, Michel and Carole Lemieux Gaétanne Fournier Sirois, Mr. and Mrs. Charles Genest, Mr. and Mrs. Richard Le Comte, André and Janet Roman Olivier, François and Isabelle Marcoux Smith, Ian and Robin Gervais, François and Leblanc, Bernard and Olivier, Simon and Smith, Rod and Ann Nathalie Berndsen Dominique Bourgeois Stéphanie Plessis-Bélair Spickler, Robert and guest Gervais, Richard Leblanc, Guy and Claire Léonard Ouellette, Pierre-François Steber, Martin and Jennifer K. Gibney, Robert and Louise Deragon LeBlanc, Martin and Marie-Josée Ouimet, Patrice and Isabelle Dreyer Steinberg, Norman and Renée Kessler Gibson, Doug and Jody Leblanc, Richard and Renée Ouimet, Pierre-André and guest Stewart, James and Réjeanne Gilman, Mr. and Mrs. John Leboeuf, Jean-Marc and Parisella, John and Esther Bégin St-Michel, Paul and Marie Brunet Giroux, Luc and Jacqueline Diane Beaulieu Parizeau, Robert and Monique Stréliski, Jean-Jacques and Léa Giroux, Marc and Magaly Charbonneau Leclerc, Pierre and Ginette Caron Patry, Bernard and Françoise Tanner, Andrew and Linda Goldfarb, Hilliard T. Lefebvre, Yves Payson, Russell and Peggy Tardif, Alain and Lorraine Potvin Goodman, Michael and Andrée Loty Legault, Francis and Peeters, Jan and Judith Kavanagh Tardif, Christian and Mélissa Perrotte Gougoux, Yves and Martine Turcotte Péladeau, Érik and Tardif, Jean-Yves and Martine Rivard Agnes Jarnuskiewicz Lemaire, René and Céline Côté Madeleine Samson Taschereau, François and guest Gourd, André and Martine St-Louis Lemarchand, François and Perron, Brian and Jeannine Robitaille Taschereau, François and Goyer, André and Sophie Paquette Marie-Josée Pinard Perron, Claude and Louise Latreille Marta Franco Goyette, Nycole and Paule Lemoine, Mr. and Mrs. Pierre Perrotta, Ron and Grace Paolucci Teasdale, Pierre and Christiane Jodoin Gratton, François and Léonard, Denis and Danielle Lamer Phaneuf, Pierre A. and Sileck Ung Tessier, Robert and Denyse Marie-Claude Dumas Leopold, John and Joanne Pharand, Gilles and Lise Theodoru, Razvan and Isabelle Cantin Thériault, The Hon. Lise and Gian Rocco Burle, Patrick Hébert, Sylvie Gérard Thérrien Gohier, Claire Canac-Marquis, Jacques Hemens, Deborah Toope, Stephen and Paula Rosen Hôtel St-Paul Cardinal, André and Jeanne Pilotte Heneine, Richard Tourangeau, Yves and Sylvie Drouin Isac’Soft Carpenter, Christine and Sherman Hennekens, Claude-Sophie and Toutant, Sylvain and Josée Michaud La Mer Carsley, Cynthia Martin Girard Tremblay, Gérald and Suzanne Côté La Senza Castellan, Agnès Houle, Alain and Annie Perrault Tremblay, Gilles and Judith Lemieux, Maxime Cauchies, Stéphane Italiano, Gina Tremblay, Michel and Carmen Les distilleries Corby ltée Champagne, Danielle Joly, Mélanie and guest Trempe, Isabelle A. Les petits plaisirs d’Andréa Champagne, Éric Katsiyionis, Nicolas Trudeau, Philippe and Lina’s Champion, Olivier Kaufmann, Moneca Isabelle Roberge MAC Charalambous, Nicole Kelly, Nicole Trung, Nguyen METRO Charlebois, Jérome Kelly, Steve Vachon, Jacques and guest Mimi & Coco Charlebois, Victor Khan, Yusuke Vachon, Louis and Chantal Carrier The Montreal Museum of Fine Arts Charron, Mylène Kierans, Louise Vadnais, Yvon Polar Ice Vodka Christen, Alexander Kouloumentas, John Vandal, Thierry and Produits Dermtek Citrom, Sharon and Rafi Hazam Laboursodière, Pierre and Marie-Claude Tellier pharmaceutiques ltée Cody, Neil Martine Larouche Verwiel, Frank and Francine Publicité Tournesol Cogeval, Guy Laframboise, Claude Vincent, Mr. and Mrs. Yves Push Radio Cohen, Mark and guest Lagarde, J.-Sébastien Wallet, Claude and Yvette Tattienne Radio-Canada Cohendet, Patrick Lalonde, Marc Williams, Denis and Céline Therrien Reversa Colas, Hubert and Lamarre, Isabelle Zacios, Yvonne Rose Drummond Alexandra MacDougall Lambert, Daniel Zuliani, Lynda and guest Rosen, Paula Corriveau, Paul and Stéphanie Légaré Lamoureux, Michel Russel’s Couture, Marc Landry, Mr. and Mrs. Claude Masked Soirée Saverne Québec inc. Crevier, Micheline Lapointe, Pierre Eyes Wide Open Schwartz’s Croux, Viviane Laroche, Pascale February 11, 2006 Techno-Lith Llée Dallaire, Marcel and Larouche, Martine Transcontinental O’Keefe Montréal Manon de Maisonneuve Larouche, Pierre The Volunteer Association of the Travail en forme Damie, Eve Latreille, Louise Montreal Museum of Fine Arts Zanetti’s D’anglejan-Chatillon, Alix Lavallée, Paul held a masked soirée for Valentine’s Davidson, Stéphane Lavoie, Marie-Claude Day on Saturday, February 11, Guests Dawson, Elizabeth and Chris Lavoie, Michel 2006. Event Co-presidents Bettina de la Porte, Alix Le Fèvre, Pierre and Lili Forget and Alexandra MacDougall Akel, Carmen de Luca, Tony Leboeuf, Maxime are delighted that over 500 guests Alie, Agathe Décary, Alexandre Lechner, François attended this special benefit event. Aquin, Stéphane Des Groseilliers, Sylvain and Leclerc, Frédérick Arpin, Jean Brigitte Vauclair Lefebvre, Jacques Black Programme Audet-Lapointe, Catherine Deschamps, Éric Lefrançois, Annik Auray, Jacques Desjardins, Martine Lemieux, Maxime Gildan Activewear Badler, Amélie Drouin, Myrtho-Émanuelle Lépine, Joé Mansfield Club Athlétique Bailey, Jennifer Anne Duncan, Kathleen Lithwick, Derek Neostyle Eyewear Baillargeon, Philippe Antoine Dumas, Pierre-Luc and guest Lord, Michael and Marie Nadeau RBC Capital Markets Barette, Jean-Christophe and Dumont, Rino Lotta, Lino Zeller Family Foundation Catherine Fortin Dupras, Martin and Luiza Staniec Loveland, Norman and Gay Baron, Anthony Durbet, Agnès Lulham, Joel and Carol White Programme Battista, Donna Dussault, Robert and Jeanne St-Jean Lulic, Velda Beaulé Laberge, Lina Faziao, Tina Maccabée, Michel Giorgio Armani Parfums Beaulieu, Francesca Ferland, François MacDougall, Reford and Nathalie Intelligent Data Systems Inc. Bedos, Zoé Fleurent, Pierre MacFarlane, Serena La Maison Simons Béland, Katrina and Alain Forget, Nicolas and Bettina Madrid, Connie Le Château inc. Bélanger, Jean-Sébastien Fournier, Marie-Claude Mahlke, Hermi Michael Goodman Recherche Bélanger, Nathalie Fournier, Martin and Madame Maillette, Josée and Éric Michaud de cadres Béliveau, Manon Frattaroli, Anthony Malley, Johanne Young Cuts Film Festival Bellerose, France Gagné, Stéphane Malley, Samantha Benarrous, Laurent Garcia, Gil Michel Martel, Mr. and Mrs. Guy Donors and Sponsors Bernier, Maxime Garneau, Nadine and Dudley Béland Martino, Leslie Beyold, Bernard Gauthier, Nathalie Massé, Geneviève and Martin Blais Angelo Luzio Dance Bilodeau, Caroline Gendron, Mélissa Mayr, Clemens AquaMedia Blain, Marc-André and George, William McGuigan, Mr. and Mrs. Brian Beckerleg, Michele Marie-Christine Lafrance Gignac, Sébastien Mendoza, Christina Boris Boisvert, Francis Giovanni, Paula D. Meunier, Charles BuenaNotte Boivin, Christine Girouard, Rob Michael, Rita Colas, Bernard and Marie-Josée Bomy, Stéphane Gold, Naomi Miron, Stéphane and Sacha Hague Coral Borod, Andrea Goodman, Michael Mondal, Kiron and Rinku Côté, Michel Bouchon, Bruno Grunfeld, Stanley Montagano, Alexander Cube Boudiva, Christina Guay, Jean-François Monty, Martha Dans un Jardin Canada inc. Boudreault, Charles Guay, Véronique Moretto, Nadia Design Numérique Wasabi Bourbonnais, Michel and Guimond, Vanessa Mueller-Judson, Ursula Eros Greatti Shelly Landau Habeichi, Philippe Nakad, Pascale and Jean-Paul Abbosk Fairmount Reine Elizabeth Bruneau, Marc Hageman, Esther Natale, Antoine Ferrero Rocher Bucheit, Louise and Michael Hallak, Hélène and Ken McInstosh Niro, Nadia Forget, Bettina Bunyar, Michael Harrison, Janet Oh, Esther 68/69

Ohayon, Sophie O’Meara, Christine Ouellette, Robin Sponsors Pagidas, Georgia Palardy, Danielle Paterson, Mr. and Mrs. Hartland Pawsey, Cary Ann Pelchat, Alain Perrault, Louis Perron, Claude Exhibitions Educational and Cultural Programmes Peyrot, Gérard and Sarah Orr Pichet, Caroline and Yves Nicol Eternal Egypt Esso Family Programmes Pilotte, Jeanne Masterworks of Ancient Art from Plourde, Nicolas Imperial Oil Foundation the British Museum Pollack, Gideon Porter, Arthur and Julie Quenneville American Express Foundation School Programmes Pourcelet, Véronique METRO Mouvement Desjardins Ramgoolan, Deon Volunteer Association of Chawkers Foundation Randall, Jay the Montreal Museum of Fine Arts Telus Ratcliff, Kevin and Susan Hum Canadian Heritage Jacques and Michel Auger Redpath, Maria B. Air Canada Foundation Reybier, Raphaël and Viviane Radio-Canada Alex U. Soyka Foundation Ribeiro, Silipe La Presse Saputo Inc. Riendeau, Julie The Gazette Rioux, Sylvain and Nathalie Ouellet The Museum Day Camp Robertson, Sybil Edwin Holgate Robinson, Ross Anonymous Sun Life Financial Merlin Fund Rosenfeld, Nicolas Volunteer Association of Rossi, Nicola and Marie Angèle the Montreal Museum of Fine Arts Programme “Sharing the Museum” Roy, Bruno Canadian Heritage Rutledge, Robert Air Canada Molson Foundation Ryan, Anne-Marie La Presse Great-West Life Saad, Sharini The Gazette London Life Salvati, Susan Canada Life Sarrazin, Mili Right under the Sun Fortune Hill Holdings Savard, Edith Landscape in Provence Guillevin International Schnyder, Anne-Christine From Classicism to Modernism Henry and Berenice Kaufmann Schumacher, Jenny and (1750-1920) Foundation Maxime Patenaude Drummond Foundation Schurr, Jean-Claude Dynamic Mutual Funds Marjorie and Gerald Bronfman Simon, Jéhanne METRO Foundation Sinor, Edouard and Dominique Volunteer Association of Felix Furst Fund Steber, Jennifer K. the Montreal Museum of Fine Arts Malouf Family Fund at Stehr, Alfred Canadian Heritage the Foundation of Greater Montreal Ste-Marie, Kyanne Air Canada Blairmore Foundation Tellier, Chantale Radio-Canada Hylcan Foundation Tétrault, Bruno La Presse Thérriault, Robert and Leslie The Gazette Cultural Activities Canada Council for the Arts Thind, Naveena René Malo Foundation Tichoux, Dorea and Henry Torano, Hidalgo Catherine the Great Art for Empire Expo-workshop Totan, Bob A Whole World of Objects Tremblay, Johanne Masterpieces from the State Trempe, Isabelle Hermitage Museum, Saint Petersburg TD Canada Trust Trop, Francesca Hydro-Québec Trudeau, Alexandre Volunteer Association of Tsolis, Karen the Montreal Museum of Fine Arts Tsolis, Trysa Canadian Heritage Walsh-Dawson, Carolyn Air Canada Yalden, Robert La Presse Zacios, Yvonne The Gazette Zikovsky, Claire and Mr. Zoldan, Ben Museum Staff as of March 31, 2006

Ofﬁce of the Director Curatorial Department Conservation Public Relations

Director Curator of Contemporary Art Department Head Department Head Guy Cogeval Stéphane Aquin Rodrigue Bédard Wanda Palma Secretary Senior Curator of Decorative Arts Painting Conservator Press Officer Monique Dénommée (Early and Modern) Catherine O’Meara Catherine Guex Museum Secretary Rosalind Pepall Decorative Arts Conservator Secretary Danielle Jodoin Curator of Canadian Art Estelle Richard Sylvie Des Rosiers Jacques Des Rochers Paper Conservator Special Events Co-ordinator Education and Public Programmes Curator of Photography and Johanne Perron Michel Ménard Contemporary Decorative Arts Conservation Technician Website Officer Department Head Diane Charbonneau Hélène Nadeau Sacha Marie Levay Philippe Parent Curator of Archaeology Secretaries Framer (Works on Paper) (Ancient Cultures) Bernard Labelle Editorial Services and Nathalie Bourcier John M. Fossey Graphic Design Gisèle Bourgeois Michèle Staines Secretaries Library Majella Beauregard Department Head Public Programmes Officer Pierrette Couture Department Head Serge Bergeron Dominic Hardy Jasmine Landry Joanne Déry Secretary Educational Programmes Officer – Lynn Lebel Secretary Odile Ouellet Families and Schools Sylvie Ouellet Danielle Blanchard Translator-Revisors Richard Roy Louise Giroux Technical Services – Exhibitions Technical Services Librarian Educational Programmes Officer – Thérèse Bourgault Jo-Anne Hadley Adults Graphic Designer Marilyn Lajeunesse Department Head Library Technician – Acquisitions Sandra Gagné Leeann Moss Bénédict Delvaux Educational Programmes Officer – Customs, Transport and Volunteer Guides Publishing Membership Office Jean-Luc Murray Insurance Technician Simon Labrie Department Head Department Head Curatorial Division Technicians Francine Lavoie Jean-Sébastien Bélanger Jacques Dragon Call Centre Clerks Chief Curator and Curator Dan Kelly Secretary Micheline M. Poulin Renée Desparois of European Art Signage Technician Mara Di Trapani Nathalie Bondil John R. Losito Translator-Revisors Pierre Poirier Associate Chief Curator and André Bernier Sylvie Santos Inventory Technician Clara Gabriel Curator of Old Masters Marcel Marcotte Lucille St-Laurent Hilliard T. Goldfarb Technicians, Photographic Services Inventory Clerks and Copyright Exhibition Co-ordinator Charles Blouin Pascal Normandin Linda-Anne D’Anjou Marie-Claude Saia Secretary Archives Chantal Doolub Photographic Services Clerk Registrar and Department Head Jeanne Frégault Danièle Archambault Photographer Secretary Christine Guest Karen Zimmer Communications Data Technician Michèle Sylvestre Director Documentation Technician Danielle Champagne Danielle Blanchette Secretary Loans and Acquisitions Technicians Mireille Masse Anne-Marie Chevrier Advertising and Promotional Louise Lalonde Projects Manager Cataloguer Katia Raveneau Natalie Vanier 70/71

Administration Security Computer Services Museum Foundation

Director Department Head Department Head Executive Director Paul Lavallée Claude Paradis Gaétan Bouchard Michel Lamoureux Secretary Assistant Heads Computer Technicians Director of Donor Relations Chantal Cyr Sophie Boucher Diane Lambert Michelle V. Provost Co-ordinator of Planned Giving Matthieu Gauvin Tan Phan Vu Secretaries Elaine Tolmatch Carl Vessia Vincent Pitre Marie-Claude Azzam Security Guards Caroline Nadeau Personnel and Labour Relations Victoire Barlettano Museum Boutique and Bookstore James Barman Department Head Lorraine Basque Manager Paul Lavallée Serge Bellemare Christine Hamel Secretary Mario Borgogno Assistant Manager Marthe Bélanger Catherine Brière Sylvie Labrosse Rachelle Brown Secretary Information Desk and Dominic Brunette Nicole Desrochers Ticket Counter Jean Charron Michel Daras Sales Clerks Sabine de Villenoisy Amélie Chartrand Department Head Normand Garand Claude Paradis Suzane Drolet Réal Gauthier Martine Goyette Mario Laroche Purchasing and Auxiliary Services Michel Giroux Jean Houle Johanne Loiselle André Jalbert Francine Lussier Department Head Thérèse Nadeau Francis Mailloux Normand Labelle Richard Lanciault Inventory Clerk Purchasing Clerks Daniel Lefebvre Alain Drouin Marlène Lavoie Marcelo Leiva Bookstore Clerk Dany Rivest Ginette Mailloux Blanche Charbonneau Reprographics Technician Carmen Martel Éric Charland Raynald O’Connell Purchasing Clerk Marilyne Pinheiro Gaëtan Hénault Mail Dispatcher Jean-Yves Bergeron Installation and Mail Clerk Maintenance Services Michelle Ngwan Department Head Financial Control and Accounting Claude Paradis Dispatching Secretary Comptroller Sonia Gaudreault Guy Parent Installation Technician Secretary Richard Pelletier Lise Beaulieu Maintenance Staff Accounting Technicians Bertrand Arseneault Anne-Marie Deland Réal Boucher Thérèse Martin Léo Dion Payroll and Social Beneﬁts Clerk Denis Fortin Raymonde Vincent Marc Fortin Accounting Clerks Lise Fournier Carole Michaud Claude Landriault Aline Montigny Pierre Larivée Claude Lavoie Sébastien Lessard Stéphane Léveillé Mario Morin Yvon Sénécal Raymond Sigouin The 2005-2006 Annual Report of the Montreal Museum of Fine Arts is a production of the Advertising, Editorial Services and Graphic Design Department, Communications Division. Co-ordination: Katia Raveneau Texts: Stéphanie Kennan Translation and revision: Jill Corner and Jo-Anne Hadley Translation and revision of acquisitions: Publishing Department, MMFA Proofreading: Jo-Anne Hadley Photography: Jean-François Brière, Christine Guest and Brian Merrett Graphic Design: Épicentre Printing: L’Empreinte

Back cover: Ferdinand Hodler Halberdier, 1895 Gift of Mr. and Mrs. Michal Hornstein 2005.175

The Montreal Museum of Fine Arts 1379-1380 Sherbrooke Street West Mailing address: P.O. Box 3000, Station “H” Montreal, Quebec H3G 2T9 Telephone: 514-285-1600 Fax: 514-285-6042 www.mmfa.qc.ca Code of Ethics for Trustees At all times, the Trustees respect the Code of Ethics for Trustees of the Montreal Museum of Fine Arts. No complaints have been ﬁled with regard to the application of this Code. Each year, all of the Museum’s Trustees sign a declaration confirming that they are aware of the Code and agree to respect it. In 2005-2006, all Trustees signed this declaration.