PDF Brochure

Total Page:16

File Type:pdf, Size:1020Kb

PDF Brochure FOR LEASE Maryland DC • Virginia Online 605 South Eden Street, Ste 200 1600 Wilson Boulevard, Ste 930 www.segallgroup.com Baltimore, MD 21231 Arlington, VA 22209 Member of 410.753.3000 202.833.3830 Where the Midtown neighborhoods of Mt Vernon, Station North and Bolton The Opportunity Hill meet, you will find The Fitzgerald. Inspired by F. Scott Fitzgerald and Approximately 19,000 square feet of prime space is available on the energy of his era, this Baltimore development offers more than just two levels – 14,359 on the ground floor and 5,069 square feet on a somewhere to hang your hat. The developer, Bozzuto Group, blended Mezzanine level open to the floor below. These two areas are currently connected by elevator and escalator and, due to Oliver Street’s rising stunning features with fantastic amenities in a culturally rich environment. slope, both at street grade. Entertainment, grocery or fitness uses are Sandwiched between the Maryland Institute College of Art (MICA) and the sought for the larger portion or the entirety, while the smaller area can University of Baltimore, The Fitzgerald is a mixed use project consisting of be demised for a café that caters to this culturally rich party of the City. almost 25,000 square feet of dynamic urban retail space, 275 residential units and a 1,250 space parking garage that serves University of Baltimore Quick Facts students as well as area visitors. The project’s retail component is ideal for Location Retail space in Luxury Apartment Building entertainment, service, retail and restaurant uses to serve students and faculty, 19,428 square feet Size neighborhood residents, out of town visitors, local office workers and patrons (14,359 lower level and 5,069 Mezzanine) of the great local entertainment and cultural venues including the Lyric Opera Delivery Immediate House & Theater, The Meyerhoff Symphony Hall, and the Parkway, Centre and Rental Rate Negotiable Charles Theatres in the nearby “Station North” Arts District. A Light Rail stop Parking 1,250 spaces with on-site parking garage is adjacent, and Amtrak’s Penn Station is within easy walking distance. 9,270 AADT - W. Mt. Royal Ave Traffic Counts 27,981 AADT - N. Howard Street Property Overview The Fitzgerald / 1201 W. Mt. Royal Avenue / Baltimore, MD 21217 2019 Demographics 5 minutes 1 mile 3 mile POPULATION 40,768 50,331 306,592 HOUSEHOLDS 21,065 22,713 126,228 AVG. HH INCOME $54,104 $56,997 $74,856 DAYTIME POPULATION 59,178 68,833 430,673 TRAFFIC COUNTS 9,270 AADT 27,981 AADT (W. Mt. Royal Ave) (N. Howard Street) Retail Expenditures 5 minutes 1 mile 3 miles APPAREL & SERVICES $31M $34M $245M EDUCATION $21M $23M $172M ENTERTAINMENT $42M $47M $347M HEALTHCARE $74M $83M $621M FOOD & DRINK $126M S139M $1B Demographics The Fitzgerald / 1201 W. Mt. Royal Avenue / Baltimore, MD 21217 MIDTOWN MARKETPLACE BALTIMORE CITY PUBLIC SCHOOLS 83 DISTRICT OFFICE CENTRE THEATRE US 1 16,212 AADT E North Ave US W North Ave PARKWAY 27,102 AADT 1 THEATRE W Mt Royal Ave N Calvert St 27,375 AADT MarylandAve THE CHARLES THEATRE 115,601 AADT Greenmount Ave N Charles St N Howard St CAMPUS BUILDINGS & PARKING 11,025AADT 3,500 STUDENTS SITE PENN STATION 83 State • St Paul St City MODELL PERFORMING ARTS CENTER AT THE LYRIC 16,001AADT Address E Mt Royal Ave CAMPUS BUILDINGS & PARKING 5,041 STUDENTS 27,981 AADT 27,981 E Preston St Dolphin St MEYERHOFF SYMPHONY HALL E Biddle St MARYLAND 83 MUSEUM OF MILITARY HISTORY SOCIAL SECURITY OFFICE MARKET AERIAL Site Aerial The Fitzgerald / 1201 W. Mt. Royal Avenue / Baltimore, MD 21217 T ST E R ST 1 GALLERIES, STUDIOS & SUPPLIES MARLA AE MARLA committed to the practical integration, AR ST AR 1 Galerie Myrtis ARCLA ST ARCLA display and storage of artistic works, ILR AE ILR 2 The Motor House archival materials and special collections E ST 3 Westnorth Studio 4 Baltimore Print Studios 13 Station North Tool Library A public access, letterpress and Lends artists' tools and hosts DIY screenprinting studio. workshops as well as community service 1 and social events. REEMT AE CALERT ST CALERT ST AL ST AL ST 5 The Centre at 10 E. North Avenue $18 million project to create a venue 14 Area 405 for film screenings, live music, artists' Converted warehouse with exhibition studios, galleries, a playhouse and a and studio space for visual arts, dance, restaurant. theatre and film. 15 City Arts Gallery E ST E 6 Artist & Craftsman Supply Located in the City Arts Apartments 7 Station North Arts Gallery Café building for resident artists. 8 Metro Gallery 9 Guest Spot at the Reinstitute 3 4 5 10 New Door Creative 2 3 A gallery representing artists of local 2 4 and international renown; presenting CARLES ST CARLES E RT AE exhibitions and fine art events. RT AE 1 11 The Bell Foundry 5 A cooperatively and progressively 6 1 6 2 organized multi-use arts center including 7 performance and rehearsal studios, ST AL ST AL ST skate park, garden and print shop. MARLA AE MARLA E LAAETTE AE STA A 12 Case[werks] 7 2 A sales and service organization AR ST 8 MT RYAL AE 83 9 11 9 3 MT RYAL AE JOES ALLS E 12 EATING & DRINKING 8 ST ARCLA 10 E LAALE ST 1 iBar Restaurant 7 The Depot Internet café, bar and restaurant. 8 Club Charles 2 Red Emma's 9 Tapas Teatro Bookstore & Coffeehouse 10 Bottega 10 3 Liam Flynn's Ale House 11 Gallery One Bar ILR AE ILR CALERT ST CALERT 11 AE REEMT 4 Windup Space Bar & Arts Venue 12 Pen & Quill A multipurpose performance space, ST AL ST AL ST 3 art gallery & bar. Featuring musical 13 Café Mocha Located in the Case[werks] building 4 15 performances, film screenings, design conversations and other events. featuring beverages, sandwiches, baked goods and free wi-fi. 13 5 Joe Squared CARLES ST CARLES 12 13 6 Caribbean Paradise The Fitzgerald 14 MARLA AE MARLA 83 THEATRES EDUCATION 1 Parkway Theater 1 MICA Graduate Studio Center 2 Stillpointe Theatre 2 Schuler School of Fine Arts MT RYAL AE 3 Charles Theatre 3 Baltimore School of Design Baltimore's oldest movie theatre (5 screens). ARTIST HOUSING 4 Copycat Theatre CATERAL ST CATERAL E REST ST A DIY experimental theatre located 1 Area 405 in the Copycat warehouse. 2 City Arts Apartments 3 The Copycat Building 83 REEMT AE REEMT CALERT ST CALERT AR ST AR E ILE ST Station North Arts & Entertainment District The Fitzgerald / 1201 W. Mt. Royal Avenue / Baltimore, MD 21217 MT RYAL AE FALLS R CALERT ST CALERT ST AL ST AL ST 83 ST CARLES 26 E RT AE RT AE e a UNIVERSITY OF BALTIMORE 3 2 19 21 11 UB Foundation Building 27 JOES ALLS E KEY LOCATIONS 1 Langsdale Library 12 1120 N. Charles Street 4 25 20 2 Learning Commons 13 1030 N. Charles Street 5 E LAAETTE AE MT RYAL AE 3 Gordon Plaza 14 5 W. Chase Street 1 MT RYAL AE AR ST CARLES ST CARLES 15 40 W. Chase Street 24 AE ILR 4 Academic Center PARK AE AE MARLA 5 John and Frances Angelos 16 1104 Maryland Avenue PARK AE 6 Law Center 17 1107 Cathedral Street 8 E LAALE ST 6 UB Student Center and Barnes & 7 83 Noble at the University of Baltimore PARKING 18 Maryland Avenue Garage 9 7 William H. Thumel Sr. MCMECE ST 19 Cathedral Street Lot Business Center 23 21 20 Mount Royal Avenue Lot 10 13 1 8 Liberal Arts and Policy Building 12 ST AL ST 21 Fitzgerald Garage 9 Charles Royal Building 11 9 10 1304 St. Paul Street 14 17 15 16 ST CALERT MARYLAND INSTITUTE COLLEGE OF ART 1 2 4 83 5 KEY LOCATIONS 15 Art/Tech Center 2 3 1 Founders Green 16 Dolphin Building 18 MT RYAL AE 10 2 The Gateway 17 MICA Store 22 20 3 Firehouse 18 Mount Royal Station 7 9 6 10 4 15/15 Building 19 Graduate Studio Center AR ST AR ETA L 5 Wellness Center 20 1801 Building CATERAL ST CATERAL 8 E REST ST 6 Bunting Building LI ST PARKING 11 7 Cohen Plaza 21 Studio Center Lots ETA L 3 8 Fox Building 9 Brown Building 22 Mount Royal Station Lot MARLA AE MARLA 23 Church Lot E ILE ST 10 Meyerhoff House 11 4 11 The Annex 24 Bunting Lots 18 12 Main Building 25 1501 - 1515 Lots 12 13 School for Professional 26 North Avenue Lot 17 16 12 27 Founders Green Lot ETA ST 19 E CASE ST Continuing Studies 15 14 Campus Safety 13 6 14 LI ST 5 LANDMARKS RESIDENTIAL HOUSING MCCLL ST 1 Penn Station 9 The Fitzgerald E EAER ST 2,500 Passengers Daily Apartments featuring up to 1,400 2 The Lyric Opera House square feet of living space. Complex contains Noona’s and Brass Tap. RI ILL AE 3 Joseph Meyehoff Symphony 4 National Guard Armory 10 Henderson House Apartments CALERT ST CALERT 106 Employees 11 The Varsity CARLES ST CARLES MARTI LTER KI R LVD 5 State Center 11 story Student Housing (320 Beds) 7 ST AR E REA ST 6 The Belvedere Hotel 12 Symphony Center Apartments 7 Maryland General Hospital ST AL ST AL ST 1,100 Employees 8 Baltimore School for the Arts MAIS ST 370 Students 8 Universities & Landmarks The Fitzgerald / 1201 W. Mt. Royal Avenue / Baltimore, MD 21217 I-83 (JONES F FIRST FLOOR SPACES ALLS EXPRESSWAY) 1 Brass Tap 2 Noona’s 3 Available - Bookstore with Café 4 The Fitzgerald Apartments AVAILABLE SPACE BREAKDOWN Former Barnes & Noble and Café 19,428 square feet Café Space 5,069 square feet Bookstore Space 14,359 square feet 1,250 Structured Parking Spaces 4 B 7 2 ’ ORE R1 E TA I L 1 BLE SF 2,400 S F (AREA) UCKS CAFÉ 20’ SLAB–TO–SLA 9,500 S & NO ARB 1 5 8 ’ ’ 3 3 W.
Recommended publications
  • Community Profile for the Stavros Niarchos Foundation Parkway Theatre
    Khamar Hopkins Sunday, February 24, 2019 AAD 612 - Marketing and the Arts Michael Crowley Community Profile for The Stavros Niarchos Foundation Parkway Theatre The Stavros Niarchos Foundation Parkway Theatre, or better known as the Parkway, is a historic theatre located in the heart of Baltimore’s Station North Arts and Entertainment District that recently reopened its doors in the spring of 2017. The Parkway first opened its doors on October 23rd, 1915, with the feature premiere of Zaza, directed by Hugh Ford and Edwin S. Porter, and starring Pauline Fredrick.i During its first decade the Parkway would screen Paramount movies, had an orchestra, an organ, a cameraman, and could seat up to 1100 patrons. In 1926 the theatre was purchased and remodeled by Loews Incorporated, also known as Loew’s Cineplex Entertainment Corporation (as of January 26, 2006, Loews was acquired by AMC Entertainment Inc.)ii and 2 years later it got rid of its orchestra for Vitaphone and Movietone sound systems, and could now only seat 950 customers. The theatre would continue to function as a Loews theatre until it closed during the summer of 1952. With its next owner, Morris Mechanic, the Parkway had a short-lived season as a live theatre before it closed again. On May 24th, 1956, the Parkway reopened under the new name, 5 West, with the premiere of Ladykillers, and started rebranding itself as an art-house cinema. The new 5 West cinema could only hold 435 guests and provided great entertainment to the local community along with its neighboring theatres, but it started to struggle in the late 1970’s and then closed its doors again in the winter of 1978.
    [Show full text]
  • SG the Fitzgerald Brochure New.Indd
    FOR LEASE Maryland DC • Virginia Online 605 South Eden Street, Ste 200 1600 Wilson Boulevard, Ste 930 www.segallgroup.com Baltimore, MD 21231 Arlington, VA 22209 Member of 410.753.3000 202.833.3830 Where the Midtown neighborhoods of Mt Vernon, Station North and Bolton The Opportunity Hill meet, you will fi nd The Fitzgerald. Inspired by F. Scott Fitzgerald and Approximately 19,000 square feet of prime space is available on the energy of his era, this Baltimore development offers more than just two levels – 14,359 on the ground fl oor and 5,069 square feet on a somewhere to hang your hat. The developer, Bozzuto Group, blended Mezzanine level open to the fl oor below. These two areas are currently connected by elevator and escalator and, due to Oliver Street’s rising stunning features with fantastic amenities in a culturally rich environment. slope, both at street grade. Entertainment, grocery or fi tness uses are Sandwiched between the Maryland Institute College of Art (MICA) and the sought for the larger portion or the entirety, while the smaller area can University of Baltimore, The Fitzgerald is a mixed use project consisting of be demised for a café that caters to this culturally rich party of the City. almost 25,000 square feet of dynamic urban retail space, 275 residential units and a 1,250 space parking garage that serves University of Baltimore Quick Facts students as well as area visitors. The project’s retail component is ideal for LLocationocation Retail space in Luxury Apartment Building entertainment, service, retail and restaurant uses to serve students and faculty, 19,428 square feet SSizeize neighborhood residents, out of town visitors, local offi ce workers and patrons (14,359 lower level and 5,069 Mezzanine) of the great local entertainment and cultural venues including the Lyric Opera DDeliveryelivery Immediate House & Theater, The Meyerhoff Symphony Hall, and the Parkway, Centre and RRentalental RRateate Negotiable Charles Theatres in the nearby “Station North” Arts District.
    [Show full text]
  • Railroad Depots Into Cultural Centers Hearing
    TO MAKE USED -RAILROAD DEPOTS INTO CULTURAL CENTERS HEARING BEFORE THE SELECT SUBCOMMITTEE ON EDUCATION OF THE COMMITTEE ON EDUCATION AND LABOR HOUSE OF REPRESENTATIVES NINETY-SECOND CONGRESS SECOND SESSION ON H.R. 9719 TO AMEND THE NATIONAL FOUNDATION ON THE ARTS AND HUMANITIES ACT OF 1965 TO FURTHER CULTURAL ACTIVI- TIES BY MAKING UNUSED RAILROAD PASSENGER DEPOTS AVAILABLE TO COMMUNITIES FOR SUCH ACTIVITIES HEARING HELD IN BALTIMORE, MD.. AUGUST 4, 1972 Printed for the use of the Committee on Education and Labor CARL D. PERKINS, Ohairman U.S. GOVERNMENT PRINTING OFFICE *4-247 WASHINGTON : 1972 COMMITTEE ON EDUCATION AND LABOR CARL D. PERKINS, Kentucky, Chairman EDITH GREEN, Oregon ALBERT H. QUIET, Minnesota FRANK THOMPSON, New Jersey JOHN M. ASHBROOK, Ohio JOHN H. DENT, Pennsylvania ALPHONZO BELL, California ROMAN C. PUCINSKI, Illinois JOHN N. ERLENBORN, Illinois DOMINICK V. DANIELS, New Jersey JOHN R. DELLENBACK, Oregon JOHN BRADEMAS, Indiana MARVIN L. E0CH, Michigan JAMES 0. O'HARA, Michigan EDWIN D. ESHLEMAN, Pennsylvania AUGUSTUS F. HAWKINS, California WILLIAM A. STEIGER, Wisconsin WILLIAM D. FORD, Michigan EARL F. LANDGREBE, Indiana PATSY T. MINK, Hawaii ORVAL HANSEN, Idaho JAMES H. SCHEUER, New York EARL B. RUTH, North Carolina LLOYD MEEDS, Washington EDWIN B. FORSYTHE, New Jersey PHILLIP BURTON, California VICTOR V. VEYSEY, California JOSEPH M. GAYDOS, Pennsylvania JACK F. KEMP, New York WILLIAM (BILL) CLAY, Missouri PETER A. PEYSER, New York SHIRLEY CHISHOLM, New York CLIFFARD D. CARLSON, Illinois MARIO BIAGGI, New York ELLA T. GRASSO, Connecticut LOUISE DAY HICKS, Massachusetts ROMANO L. MAZZOLI, Kentucky HERMAN BADILLO, New York SELECT SUBCOMMITTEE ON EDUCATION JOHN BRADEMAS, Indiana, Chairman PATSY T.
    [Show full text]
  • Artists Are a Tool for Gentrification’: Maintaining Artists and Creative Production in Arts Districts
    International Journal of Cultural Policy ISSN: 1028-6632 (Print) 1477-2833 (Online) Journal homepage: http://www.tandfonline.com/loi/gcul20 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich To cite this article: Meghan Ashlin Rich (2017): ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts, International Journal of Cultural Policy, DOI: 10.1080/10286632.2017.1372754 To link to this article: https://doi.org/10.1080/10286632.2017.1372754 Published online: 06 Sep 2017. Submit your article to this journal Article views: 263 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=gcul20 INTERNATIONAL JOURNAL OF CULTURAL POLICY, 2017 https://doi.org/10.1080/10286632.2017.1372754 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich Department of Sociology/Criminal Justice, University of Scranton, Scranton, PA, USA ABSTRACT ARTICLE HISTORY This study investigates the relationship between arts-themed development Received 7 June 2017 and the strategies used by neighborhood stakeholders, including artists Accepted 16 August 2017 and other marginalized populations, to maintain their place in gentrifying KEYWORDS arts and cultural districts. Using a case study of a state-sanctioned Arts & Artist communities; creative Entertainment District in Baltimore, MD (U.S.A.), I find that the organizations placemaking; gentrification; that are ‘thoughtful’ in their development actively seek to maintain the urban planning and policy production of arts and the residency of artists in the neighborhood into perpetuity.
    [Show full text]
  • Ceramics Monthly Mar05 Cei03
    www.ceramicsmonthly.org Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Ren£e Fairchild assistant editor Jennifer Poellot publisher Rich Guerrein Advertising/Classifieds [email protected] (614) 794-5809 fax: (614) 891-8960 [email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (614) 794-5890 [email protected] marketing manager Susan Enderle Design/Production design Paula John graphics David Houghton Editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle Dick Lehman Don Pilcher Bernie Pucker Tom Turner Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The Ameri­ can Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add 7% GST (registration number R123994618). back issues: When available, back issues are $6 each, plus $3 shipping/ handling; $8 for expedited shipping (UPS 2-day air); and $6 for shipping outside North America. Allow 4-6 weeks for delivery. change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation De­ partment, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available online at www.ceramicsmonthly.org.
    [Show full text]
  • Front and Center: a 5-Year Equity Plan for Central Baltimore
    AUGUST 2017 A 5-year Equity Plan for Central Baltimore TABLE OF CONTENTS Executive Summary Chapter 1: Introduction A. Purpose of Plan B. Central Baltimore Partnership C. Homewood Community Partners Initiative D. Progress To Date E. Why a New Plan F. Making Equity Front and Center G. Planning Process: 1. Front and Center Plan Goal 2. Phase 1: Understanding Existing Conditions 3. Phase 2: Preliminary Recommendations 4. Phase 3: Finalizing the Front and Center Plan Chapter 2: Planning Context H. Central Baltimore History I. Existing Conditions Chapter 3: Recommendations and Implementation Plan J. Recommendations • Social Fabric: Youth and Families • Economic Mobility: Workforce Development and Opportunities • Community Health: Physical and Mental Health, Safety, Public Space • Housing Access: Preserving Affordability, Improving Quality, Expanding Choices 2 CREDITS Planning Team: Keswick Multi-Care Center Joe McNeely, Planning Consultant Lovely Lane United Methodist Church Neighborhood Design Center, Design Consultant Maryland Bay Construction Maryland New Directions Planning Partners: Mosaic Community Services, Inc. 29th Street Community Center Open Works AHC, Inc. Greater Baltimore - Workforce Program People’s Homesteading Group Annie E. Casey Foundation Strong City Baltimore Association of Baltimore Area Grantmakers Telesis Baltimore Corporation (ABAG) Wells Fargo Regional Foundation Baltimore City Department of Housing and Community Development Data Work Group Members: Baltimore City Department of Planning Assistant Commissioner, Maryland
    [Show full text]
  • SARA GROSE [email protected]
    SARA GROSE [email protected] www.saragrose.com EDUCATION 2014 BFA in Interdisciplinary Sculpture Maryland Institute College of Art, Baltimore, MD AWARDS 2013 Dr. Frank Marino Scholarship, Betty Cooke ’46 Scholarship -Merit scholarships awarded partway through MICA education Dean’s List, MICA -Fall 2010 - Spring 2011, Spring 2012 - Fall 2013 2012 Winnifred Gordon Foundation Grant -Funding awarded to attend a summer intensive traveling through Turkey studying the intersection of Turkish textiles and history 2010 Maryland Distinguished Scholar, Maryland Senatorial Scholarship -Funding awarded by the state for eduction at MICA MICA Presidential Scholarship, MICA Grant, MICA General Grant, National Art Honor Society Scholarship -Funding awarded by MICA SELECTED EXHIBITIONS 2018 Down to the Dust: An Exploration of the Everyday Until it isn’t Duo Exhibition: Artist Run Art Fair at Artscape via Open Space, Baltimore, MD curated by Marissa Fein Like Glue Group Exhibition: Artist Studios at the Fox Building, Baltimore, MD curated by Jared Christensen, Rodrigo Carazas and Joseph Orzal 2015 No More Sun! Solo Exhibition: Lil’ Gallery, Baltimore, MD Blushing Group Exhibition: Ballroom Gallery, Baltimore, MD curated by Claire Felonis All That Group Exhibition: Platform Art Center, Baltimore, MD curated by Abigail Parrish and Lydia Petit 2014 Dance of the Gremlins Group Exhibition: La Bodega, Baltimore, MD curated by Eric Antonio Benitez 2013 Fabrications Group Exhibition: Gallery 788, Baltimore, MD curated by Eduardo Rodriguez 2012 Uncommon Place Group Exhibition: In/Flux, Baltimore, MD PROJECTS 2018 Celestial, Terrestrial Maryland Space Grant Observatory at Johns Hopkins University Organizer and curator -A two night event utilizing the Morris W. Offit telescope as a workable material; aiming to bridge the gap between the Baltimore artist and scientist communities while providing a platform for critical discussion of our relationship to, and place within the cosmos.
    [Show full text]
  • KYLE TATA 443-854-6585 (B.1990, Baltimore,MD)
    [email protected] www.kyletata.com KYLE TATA 443-854-6585 (b.1990, Baltimore,MD) EDUCATION 2022 MFA in Art, University of California, Los Angeles 2012 BFA in Photography, Maryland Institute College of Art SELECTED SOLO AND TWO PERSON EXHIBITIONS 2017 Secure Patterns, Hamiltonian Gallery, Washington, DC 2016 Asleep in The Factory, Hamiltonian Gallery, Washington, DC 2014 Tenebris: Kyle Tata & James Bouché, Spudnik Press & Gallery, Chicago,IL 2013 Assembly Affect, Current Gallery, Baltimore,MD SELECTED GROUP EXHIBITIONS 2020 After Life, Fulcrum, Los Angeles, CA Archive Machines, Los Angeles Municipal Art Gallery (Online) 2018 Public Ghoul, Public Pool Gallery, Los Angeles, CA Volta New York, solo representation by Hamiltonian Gallery, New York, NY 2017 Walter and Janet Sondheim Artscape Prize Finalists Exhibtion, Walters Art Museum, Baltimore,MD (Juried by Nat Trotman, curator, Solomon R. Guggenheim Museum; Clifford Owens, Artist; Ruba Katrib,Curator MOMA PS1) It’s Still All Up to You, Hamiltonian Gallery, Washington, DC (Curated by Will Hutnick & Eve Biddle, Wassiac Project Residency) 2016 Inaugural Exhibition, Gallery 79, Washington, DC Fellows Converge, Hamiltonian Gallery, Washington, DC (Curated by Camilo Alverez, Samson Projects) Material/Reference, Towson University, Baltimore, MD (Curated by Alex Ebstein, Resort Baltimore) Ballroom Presents, Ballroom Gallery, Baltimore,MD Proximity, Area 405, Baltimore, MD (Curated by Sarah Tanguy, Art in Embassies curator) 21st Marquee Ball Exhibition, Creative Alliance, Baltimore, MD 2015 Aqua
    [Show full text]
  • Baltimore Region Rail System Plan Report
    Baltimore Region Rail System Plan Report of the Advisory Committee August 2002 Advisory Committee Imagine the possibilities. In September 2001, Maryland Department of Transportation Secretary John D. Porcari appointed 23 a system of fast, convenient and elected, civic, business, transit and community leaders from throughout the Baltimore region to reliable rail lines running throughout serve on The Baltimore Region Rail System Plan Advisory Committee. He asked them to recommend the region, connecting all of life's a Regional Rail System long-term plan and to identify priority projects to begin the Plan's implemen- important activities. tation. This report summarizes the Advisory Committee's work. Imagine being able to go just about everywhere you really need to go…on the train. 21 colleges, 18 hospitals, Co-Chairs 16 museums, 13 malls, 8 theatres, 8 parks, 2 stadiums, and one fabulous Inner Harbor. You name it, you can get there. Fast. Just imagine the possibilities of Red, Mr. John A. Agro, Jr. Ms. Anne S. Perkins Green, Blue, Yellow, Purple, and Orange – six lines, 109 Senior Vice President Former Member We can get there. Together. miles, 122 stations. One great transit system. EarthTech, Inc. Maryland House of Delegates Building a system of rail lines for the Baltimore region will be a challenge; no doubt about it. But look at Members Atlanta, Boston, and just down the parkway in Washington, D.C. They did it. So can we. Mr. Mark Behm The Honorable Mr. Joseph H. Necker, Jr., P.E. Vice President for Finance & Dean L. Johnson Vice President and Director of It won't happen overnight.
    [Show full text]
  • Surviving Maryland Railroad Stations
    Surviving Maryland Railroad Stations Baltimore : The Baltimore & Ohio Railroad's Mount Royal Station, Camden Station and Mount Clare Station all still stand. Also, two former B&O office buildings remain. Also, two former Pennsylvania Railroad and one Philadelphia, Baltimore and Washington Railroad (PRR subsidiary) passenger station still stand. Lastly, a Maryland & Pennsylvania Railroad freight depot remains. Aberdeen : Originally built by the B&O, to be restored (last known wooden depot standing designed by architect Frank Furness). Also, the former PRR passenger station here still stands, used as an Amtrak/MARC stop. Airey : Originally built by the Dorchester & Delaware Railroad, privately owned. Alesia : Originally built by the Western Maryland Railway, used as apartments. Antietam Station : Originally built by the Norfolk & Western Railway, used as a museum. Barclay : Originally built by the Queen Anne & Kent Railroad, privately owned and moved to Sudlersville. Bethlehem : Originally built by the Baltimore, Chesapeake & Atlantic Railway, privately owned. Blue Mount : Originally built by the Pennsylvania Railroad, privately owned. Boring : Originally built by the Western Maryland Railway, used as a post office. Bowie : Originally built by the PRR, used as a museum. Also, the former PRR freight depot here still stands, used as a museum. Brooklandville : Originally built by the PRR, privately owned. Also, the former Baltimore & Susquehanna Railroad depot here still stands, used as a business. Brunswick : Originally built by the B&O, used as a MARC stop. Bynum : Originally built by the Ma & Pa, privately owned. Cambridge : Originally built by the Dorchester & Delaware Railroad, used as a business. Centreville : The original Queen Anne & Kent Railroad freight depot here still stands.
    [Show full text]
  • Open Swab Final Thesis B.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF GEOGRAPHY BUILDING SUBURBAN LIFE: ROLAND PARK, BALTIMORE AND THE REGULATION OF SPACE JOHN JOSEPH SWAB SPRING 2017 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Geography and History with honors in Geography Reviewed and approved* by the following: Deryck W. Holdsworth Professor of Geography Thesis Supervisor Roger M. Downs Professor of Geography Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT An understudied example of an early modern suburb, Roland Park, Baltimore (constructed 1891- 1915) bridges the gap between the streetcar suburbs of the late nineteenth century and the tract suburbs of the mid-twentieth century. As an early modern suburb, the development of the Roland Park led to the formalization and creation of many of the social and cultural norms in addition to the landscape elements of today’s modern suburbs. This thesis examines these elements, by-products of the formation of an elite community, focusing on the regulation of Roland Park’s space in protecting it from the real and perceived negative influences of the outside world. Moreover, the thesis explores in depth the peopling of Roland Park’s built environment, a topic of great importance to the success of the community. Finally, the research places Roland Park in the larger spatial and temporal contexts of the development of other Baltimore communities, of other elite suburban developments within the United States, and the broader, global history of suburbs. ii TABLE OF CONTENTS LIST OF FIGURES ..................................................................................................... iv LIST OF TABLES ....................................................................................................... viii ACKNOWLEDGEMENTS ........................................................................................
    [Show full text]
  • Maryland Film Festival Director of Development the Maryland Film Festival (Mdff) Seeks a Seasoned Director of Development To
    Maryland Film Festival Director of Development The Maryland Film Festival (MdFF) seeks a seasoned Director of Development to create and implement the fund development strategy and plans to maximize contributed revenue from individuals, corporations, foundations and government sources. The mission of the Maryland Film Festival (MdFF) is to bring films, filmmakers, and audiences together in a friendly, inclusive atmosphere that reflects the unique aspects of our community, while participating in and adding to the larger film dialogue across the country and across the world. Film for Everyone. In the fall of 2018 MdFF adopted a five-year plan to fully realize its role in Baltimore and the field as a respite for filmmakers, a world-class destination for cinema, and a stalwart advocate for the democratizing the power of story, as told through film, and expressed through each individual storyteller’s voice. The SNF Parkway functions as a multi-disciplinary film, community, and education hub serving a broad cross- section of the Baltimore public and beyond. MdFF leverages the powerful assets of the Johns Hopkins University, Maryland Institute College of Art and surrounding campus communities to function as a vibrant, regional nerve center for dialogue, discussion, and debate on the key issues of the day, with film as the central axis in broad public discussions. Through programming, education and community ventures, MdFF is establishing a year-round a platform for all voices that are reflective of the diverse population of greater Baltimore and the nation. The five-year strategic plan has recently been extended through 2025 with a revised model season to account for online screenings, hybrid programming, and the return of in-person movie-watching at the SNF Parkway.
    [Show full text]