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PAPER VI UNIT I Non-Fictional Prose—General
PAPER VI UNIT I Non-fictional Prose—General Introduction, Joseph Addison’s The Spectator Papers: The Uses of the Spectator, The Spectator’s Account of Himself, Of the Spectator 1.1. Introduction: Eighteenth Century English Prose The eighteenth century was a great period for English prose, though not for English poetry. Matthew Arnold called it an "age of prose and reason," implying thereby that no good poetry was written in this century, and that, prose dominated the literary realm. Much of the poetry of the age is prosaic, if not altogether prose-rhymed prose. Verse was used by many poets of the age for purposes which could be realized, or realized better, through prose. Our view is that the eighteenth century was not altogether barren of real poetry. Even then, it is better known for the galaxy of brilliant prose writers that it threw up. In this century there was a remarkable proliferation of practical interests which could best be expressed in a new kind of prose-pliant and of a work a day kind capable of rising to every occasion. This prose was simple and modern, having nothing of the baroque or Ciceronian colour of the prose of the seventeenth-century writers like Milton and Sir Thomas Browne. Practicality and reason ruled supreme in prose and determined its style. It is really strange that in this period the language of prose was becoming simpler and more easily comprehensible, but, on the other hand, the language of poetry was being conventionalized into that artificial "poetic diction" which at the end of the century was so severely condemned by Wordsworth as "gaudy and inane phraseology." 1.2. -
By William Shakespeare
BEYOND THE POINT OF CHILDISHNESS (Volume II) THE ANNOTATED BIBLIOGRAPHY OF PROSE NARRATIVES ADAPTED FOR CHILDREN FROM SHAKESPEARE' S PLAYS 1807-1998 by (WINIFRED) WEI-FANG YIN A thesis submitted to the Faculty of Arts of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English School of Humanities The University of Birmingham June 1999 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. r\> ^ s to cO <i- cr 6 2. Guidelines for Using the Annotated Bibliography of Prose Narratives Adapted for Children from Shakespeare' s Plays 1807-1998 Scope of Bibliography: The Annotated Bibliography seeks to document different English versions of prose stories, retold from Shakespeare' s plays for the purpose of introducing children to Shakespeare, and published as children' s literature, including the nineteenth century chapbooks and penny-dreadful magazines. Anything that falls out of this category, i.e. text-books, theatre-guides and adult-books, will not be included. However, Lambs' tales were originally written for children. Although some editions of Lambs' tales were published as adults' books, they have been treated as children' s books, simply because they contain illustrations. -
Nervous Sympathy in the Familial Collaborations of the Wordsworth
The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions. -
1822 ESSAYS Charles Lamb
1822 ESSAYS Charles Lamb Lamb, Charles (1775-1834) - English essayist and critic well-known for the humorous and informal tone of his writing. His life was marked by tragedy and frustration; his sister Mary, whom he took lifelong care of, killed their parents in a fit of madness, and he himself spent time in a madhouse. Essays (1822) - A collection of essays written by Lamb under the pseudonym, “Elia,” including, among others, “On the Tragedies of Shakspeare,” “On the Genius and Character of Hogarth,” and “Recollections of Christ’s Hospital.” Table Of Contents CONTENTS . 3 RECOLLECTIONS OF CHRIST’S HOSPITAL . 4 ON THE TRAGEDIES OF SHAKSPEARE . 13 SPECIMENS FROM THE WRITINGS OF FULLER, THE CHURCH HISTORIAN . 25 ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY . 31 ON THE POETICAL WORKS OF GEORGE WITHER 45 THE END OF THE ESSAYS OF CHARLES LAMB . 48 CONTENTS Recollections of Christ’s Hospital On the Tragedies of Shakspeare Specimens for the Writings of Fuller On the genius and Character of hogarth On the Poetical Works of George Wither RECOLLECTIONS OF CHRIST’S HOSPITAL To comfort the desponding parent with the thought that, without diminishing the stock which is imperiously demanded to furnish the more pressing and homely wants of our nature, he has disposed of one or more perhaps out of a numerous offspring, under the shelter of a care scarce less tender than the paternal, where not only their bodily cravings shall be supplied, but that mental pabulum is also dispensed, which HE hath declared to be no less necessary to our sustenance, who said, that, “not by bread alone man can live”: for this Christ’s Hospital unfolds her bounty. -
Samuel Taylor Coleridge John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 6 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Samuel Taylor Coleridge John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Samuel Taylor Coleridge," The Kentucky Review: Vol. 4 : No. 1 , Article 6. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/6 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Samuel Taylor Coleridge Gc car un1 To brc de~ In Wordsworth's judgment, Samuel Taylor Coleridge (1772-1834) was "the most wonderful man" he ever met. Endowed with one of So1 the most brilliant and complex minds of his day, he would, like bUJ Chaucer's parson, "gladly .. learn, and gladly teach." If he an< squandered a wealth of thought in correspondence and wh conversation, and left unfinished or merely projected major poems, Rh lectures, and systematic expositions of his philosophical tenets, his pre critical theories, and his theology, he nevertheless produced a vast So1 and impressive array of poetry, prose, and criticism. -
Gilchrist Family Papers Ms
Gilchrist Family papers Ms. Coll. 116 Finding aid prepared by Donna Brandolisio. Last updated on April 15, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1992 Gilchrist Family papers Table of Contents Summary Information...................................................................................................................................3 Biography/History.........................................................................................................................................4 Scope and Contents.......................................................................................................................................7 Administrative Information...........................................................................................................................7 Controlled Access Headings......................................................................................................................... 8 Collection Inventory..................................................................................................................................... 9 Correspondence and writings..................................................................................................................9 Miscellaneous memorabilia.................................................................................................................. 13 Diaries of Grace Gilchrist.................................................................................................................... -
A Handlist to the Charles Lamb Society Collection at Guildhall Library
A Handlist to the Charles Lamb Society Collection at Guildhall Library A Handlist to the Charles Lamb Society Collection at Guildhall Library DEBORAH K. HEDGECOCK THE CHARLES LAMB SOCIETY 1995 A Handlist to the Charles Lamb Society Collection at Guildhall Library Copyright Deborah Hedgecock 1995 All rights reserved The Charles Lamb Society 1a Royston Road Richmond Surrey TW10 6LT Registered Charity number 803222: a company limited by guarantee ISSN 0308-0951 Printed by the Stanhope Press, London NW5 (071 387 0041) A Handlist to the Charles Lamb Society Collection at Guildhall Library Contents Preface and Acknowledgements 4 Abbreviations 4 Information on Guildhall Library 4 1. Introduction 5 2. Printed Books 6 2.1 Access conditions 6 2.2 Charles Lamb Society Collection: Printed Books 7 2.2.1 The CLS Pamphlet and Large Pamphlet Collection 8 2.2.2 The CLS Lecture Collection 8 2.2.3 Charles Lamb Society Publications 8 2.2.3.1 Charles Lamb Bulletins 8 2.2.3.2 Indexes to Bulletin 9 2.2.3.3 List of supplements to Bulletin 9 2.2.3.4 Charles Lamb Society Annual Reports and Financial Statements 9 3. Manuscripts 9 3.1 Access conditions 9 3.2.1 18th- and 19th-century autograph letters and manuscripts 10 3.2.2 Facsimiles and reproductions of Lamb's letters 18 3.2.3 20th-century Individuals and Collections 20 3.2.4 The Elian (Society) 25 3.2.5 The Charles Lamb Society Archive 26 4. Prints, Maps and drawings 35 4.1 Access Conditions 35 4.2.1 Framed Pictures 36 4.2.2 Pictures and Ephemera Collection 37 4.2.3 Collections of Pictures 58 4.2.4 Ephemera Cuttings Collection 59 4.2.5 Maps 61 4.2.6 Printing Blocks 61 4.2.7 Glass Slides 61 5. -
Passion and Language in Eighteenth- Century Literature
Copyrighted Material - 9781137442048 Passion and Language in Eighteenth- Century Literature The Aesthetic Sublime in the Work of Eliza Haywood, Aaron Hill, and Martha Fowke Earla Wilputte Copyrighted Material - 9781137442048 Copyrighted Material - 9781137442048 PASSION AND LANGUAGE IN EIGHTEENTH- CENTURY LITERATURE Copyright © Earla Wilputte, 2014. All rights reserved. An earlier version of part of Chapter 4 originally appeared in the essay “Eliza Haywood’s Poems on Several Occasions: Aaron Hill, Writing, and the Sublime,” Eighteenth- Century Women: Studies in their Lives, Work, and Culture 6 (2011): 79– 102 (AMS Press). Part of Chapter 5 originally appeared in the essay “Midwife for the Mind: Delivering the Passions in Aaron Hill’s The Plain Dealer (1724),” Journal for Eighteenth- Century Studies 31, no. 1 (2008): 1– 15. They are used here in revised form, with permission. First published in 2014 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978- 1- 137- 44204- 8 Library of Congress Cataloging- in- Publication Data Wilputte, Earla Arden, 1959– Passion and language in eighteenth- century literature : the aesthetic sublime in the work of Eliza Haywood, Aaron Hill, and Martha Fowke / by Earla Wilputte. -
Samuel Johnson's Pragmatism and Imagination
Samuel Johnson’s Pragmatism and Imagination Samuel Johnson’s Pragmatism and Imagination By Stefka Ritchie Samuel Johnson’s Pragmatism and Imagination By Stefka Ritchie This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Stefka Ritchie All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1603-2 ISBN (13): 978-1-5275-1603-8 A sketch of Samuel Johnson, after Joshua Reynold (circa 1769) By Svetlan Stefanov (2009) (http://www.phot4oart.com) CONTENTS List of Illustrations ................................................................................... viii Abstract ...................................................................................................... ix Preface ........................................................................................................ xi Acknowledgements .................................................................................. xiv Chronology: Samuel Johnson (1709-1784) ............................................... xv Abbreviations ......................................................................................... xviii Chapter One ................................................................................................ -
Literature in Context: a Chronology, C16601825
Literature in Context: A Chronology, c16601825 Entries referring directly to Thomas Gray appear in bold typeface. 1660 Restoration of Charles II. Patents granted to reopen London theatres. Actresses admitted onto the English and German stage. Samuel Pepys begins his diary (1660 1669). Birth of Sir Hans Sloane (16601753), virtuoso and collector. Vauxhall Gardens opened. Death of Velàzquez (15591660), artist. 1661 Birth of Daniel Defoe (c16611731), writer. Birth of Anne Finch, Countess of Winchilsea (16611720), writer. Birth of Sir Samuel Garth (16611719). Louis XIV crowned in France (reigns 16611715). 1662 Publication of Butler’s “Hudibras” begins. The Royal Society is chartered. Death of Blaise Pascal (16231662), mathematician and philosopher. Charles II marries Catherine of Braganza and receives Tangier and Bombay as part of the dowry. Peter Lely appointed Court Painter. Louis XIV commences building at Versailles with Charles Le Brun as chief adviser. 1663 Milton finishes “Paradise Lost”. Publication of the Third Folio edition of Shakespeare. The Theatre Royal, Bridges Street, opened on the Drury Lane site with a revival of Fletcher’s “The Humorous Lieutenant”. Birth of Cotton Mather (16631728), American preacher and writer. 1664 Birth of Sir John Vanbrugh (16641726), dramatist and architect. Birth of Matthew Prior (16641721), poet. Lully composes for Molière’s ballets. “Le Tartuffe” receives its first performance. English forces take New Amsterdam and rename it New York. Newton works on Theory of Gravity (16641666). 1665 The Great Plague breaks out in London. Newton invents differential calculus. The “Journal des Savants”, the first literary periodical, is published in Paris. -
Issue 140 (Oct 2007)
The Charles Lamb Bulletin The Journal of the Charles Lamb Society Oct 2007 New Series No. 140 Contents Articles DUNCAN WU: Correcting the Lambs’ Tales: A Printer’s Records 150 JAMES VIGUS: Teach yourself guides to the literary life, 1817-1825: Coleridge, DeQuincey, and Lamb 152 RICHARD LINES: Coleridge and Charles Augustus Tulk 167 EDMUND GARRATT: ‘published at the request of a poet of great and deserved celebrity’: Samuel Taylor Coleridge’s Kubla Khan and the 1816 Edinburgh Review 180 Reviews Felicity James on Mad Mary Lamb: Lunacy and Murder in Literary London By Susan Tyler Hitchcock 184 Society Notes and News from Members CHAIRMAN’S NOTES 187 150 Correcting the Lambs’ Tales: A Printer’s Records By DUNCAN WU This year marks the bicentenary of Charles and Mary Lamb’s most enduringly popular publication, Tales from Shakespear, which was published by M. J. Godwin and company,1 and has not been out of print since. At one point the Tales were to have been published anonymously but William Godwin persuaded Charles to place his name on the title-page. Mary, who wrote most of the stories, did not appear on the title-page for many years. As Charles told Wordsworth, ‘I am answerable for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail piece or correction of grammar, for none of the cuts and all of the spelling. The rest is my Sister’s.’2 The Tales are evidence of their great love of children, something reflected throughout their lives. Posing for Hazlitt’s great Venetian senator portrait in John Hazlitt’s studio in 1806, Lamb became very attached to Harriet Hazlitt, John Hazlitt’s young daughter. -
Chronological Biography of John Forster, 1812-1876
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1927 Chronological biography of John Forster, 1812-1876 Catherine Ritchey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Ritchey, Catherine, "Chronological biography of John Forster, 1812-1876" (1927). Graduate Student Theses, Dissertations, & Professional Papers. 1800. https://scholarworks.umt.edu/etd/1800 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. 'CHROITOLOGICAL BIOGRAPHY OP JOHH P0RST5H 1812-1876 ty Catherine Ritchey Presented in partial fulfillment of the req^uirement for the degree of Master of Arts. State University of Montana 19E7 {Signed) Oliairman ^2xam. Oom UMI Number EP35865 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT yaMfiiBOfi riiDRwvng UMI EP35865 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest ProQuest LLC.