DOCSLIB.ORG

Plagiat Merupakan Tindakan Tidak Terpuji

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Plagiat Merupakan Tindakan Tidak Terpuji PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI SAUSSURIAN BINARY OPPOSITION AS THE NARRATIVE STRUCTURE OF WILLIAMS’SUMMER AND SMOKE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANITA PUTRI Student Number: 114214125 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI SAUSSURIAN BINARY OPPOSITION AS THE NARRATIVE STRUCTURE OF WILLIAMS’SUMMER AND SMOKE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANITA PUTRI Student Number: 114214125 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 ii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI “The greatest ideas are the simplest.” ― William Golding, Lord of the Flies vii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ACKNOWLEDGEMENTS I owe my deepest gratitude to my thesis advisor, Mr. P. Sarwoto, S.S., M.A., Ph.D. for sharing his pearls of wisdom during the undergraduate thesis preparation process, without his persistent guidance this thesis would not have been possible; to my co-advisor, Ni Luh Putu Rosiandani M.Hum., for her help in improving this thesis; to Drs. Hirmawan Wijanarka M.Hum for introducing me to Williams’ Summer and Smoke; and to other lecturers -who I cannot mention all due to the limited space provided- and all of the Department faculty members for their help and support for these past four years of my studying at Sanata Dharma University. This thesis is the culmination of my wondrously grueling yet wonderful years of studying with the most inspiring lecturers and broad-minded classmates. I am also grateful to my friends, Nelif Mike Simatupang and Naftalia Indah Lukartono, for their friendship through thick and thin. Special thanks are reserved for my boyfriend, Donny Mulyadi, who has always been there for me; for my sister, Olivia Putri, who helps me without her even knowing; for my brother, Julius Perdana, thank you for being the constant reminder for me to be a responsible grown-up; for mom, who inspires me. The last but not least is to thank my dad for his love and persistence in life that I have someone to hold onto. Thus, I proudly dedicate this thesis for him. Dad, thank you for making the best choice of my life that I went to Sanata Dharma to be the person I’ve become now. Anita Putri. viii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI TABLE OF CONTENTS TITLE PAGE…………………………………………………………… ii APPROVAL PAGE……………………………………………………. iii ACCEPTANCE PAGE………………………………………………… iv LEMBAR PERNYATAAN PERSETUJUAN KARYA ILMIAH………. v STATEMENT OF ORIGINALITY…………………………………… vi MOTTO PAGE………………………………………………………… vii ACKNOWLEDGEMENTS……………………………………………… viii TABLE OF CONTENTS……………………………………………….. ix LIST OF TABLES……………………………………………………… x ABSTRACT……………………………………………………………... xi ABSTRAK……………………………………………………………....... xii CHAPTER I: INTRODUCTION……………………………………….. 1 A. Background of the Study………………………………….......... 1 B. Problem Formulation………………………………………….... 3 C. Objectives of the Study……………………………………….... 4 D. Definition of Terms…………………………………………….. 4 CHAPTER II: REVIEW OF LITERATURE………………………….. 6 A. Review of Related Studies..……………………………….......... 6 B. Review of Related Theories……………………………….......... 14 1. Theory of Symbol…………………………………………... 14 2. Theory of Characters and Characterization…………………. 15 a. Character………………………………………………… 15 b. Characterization…………………………………………. 16 3. Theory of Binary Opposition……………………………….. 18 4. Theory of Narrative Structure………………………………. 19 C. Theoretical Framework.……………………………………….... 23 CHAPTER III: METHODOLOGY…………………………………… 25 A. Object of the Study……………………………………………. 25 B. Approach of the Study………………………………………… 27 C. Method of the Study…………………………………………… 28 CHAPTER IV: ANALYSIS (RESULTS AND DISCUSSION)……… 31 A. Analysis on Symbols and Characters…………………………. 31 1. Symbols Representing Alma and John and the Characteristics Revealed………………………………………………….. 31 a. Stone Angel…………………………………………… 32 b. Human Anatomy Chart……………………………….. 34 c. Telescope and Microscope……………………………. 36 d. Water Lily in Chinese Lagoon………………………… 38 e. Stone Pieta…………………………………………….. 40 ix PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI f. Summer, Firecracker, Firework, Fire…..………………. 41 g. Smoke…………………………………………………... 42 2. Binary Oppositions Revealed by the Symbols and Characters 44 B. Analysis on Binary Opposition as Summer and Smoke’s Narrative Structure………………………………………………………… 48 1. Subject Vs. Object (Desire, Search, or Aim)...…………….. 49 a. Subject/Object = Alma/John…………………………… 49 b. Subject/Object = John/Alma……………………………. 50 2. Sender Vs. Receiver(Communication)……………………… 52 a. Alma/John = Subject&Receiver/Object&Sender……….. 53 b. John/Alma = Subject&ReceiverObject&Sender……….. 55 3. Helper/Opponent(Auxiliary Support or Hindrance)………... 57 a. Alma/John = Opponent/ Helper………………………… 57 b. Alma/John = Helper/Opponent…………………………. 60 CHAPTER V: CONCLUSION…………………………………………. 63 BIBLIOGRAPHY……………………………………………………….. 68 x PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ABSTRACT PUTRI, ANITA. Saussurian Binary Opposition as the Narrative Structure of Williams’ Summer and Smoke. Yogyakarta: Department of English Letters, Faculty of letters, Sanata Dharma University, 2015. The Swiss linguist, Ferdinand de Saussure, is one of the forefathers of structuralism whose works have inspired and influenced many of current modern thinkers. Binary opposition is one of many of his thoughts. This notion came up from his theory explaining that in fact in humans’ attempt at deriving conceptual meanings, their minds work by distinguishing the differences between things. Thus, Saussure basically suggests the idea that humans first logical operation is by discerning things through their relationships; one of Saussure’s basic relationships is binary opposition. For this reason, this thesis is conducted to prove this basic yet comprehensive theory as the narrative structure of Williams’ Summer and Smoke. Tennessee Williams’ Summer and Smoke (1948) is chosen since it is richly endowed with binary symbols and characters. Moreover, the course of the narrative is also structured in dichotomies. This thesis begins with research questions which are expected to help achieve the objective of the study. The first question regards to the characteristics of Alma and John as revealed by the symbols. The second question will lead to the explanation of how Saussurian binary opposition found in the symbols constructs the narrative structure of Williams’ Summer and Smoke. The method used in conducted the study is library research. As for the primary source of the research is a play script written by Tennessee Williams, Summer and Smoke (1948). The secondary sources that writer used are the related studies (Augustten and Dewi’s undergraduate thesis, J. Pryor, S.J.’s paper, Guo Chun An’s study), Selden and Barry’s reviews of theory for theoretical ground of this study, Chevalier's The Penguin Dictionary of Symbols and last and most important source is A.J. Greimas’ three basic patterns of narrative. The approach used in this study is structuralism from which the notion of binary opposition is born. The results of this study are: first, the binary symbols and characteristics found in the play reveal the dichotomies concerning the importance of soul/body, spirituality/sexuality, life/death, physical lust/divine love; second, the binary symbols and characters prove that Williams’ Summer and Smoke’s narrative structure is constructed upon the binary oppositions as proven by the binary quests of soul and body and the binary role transformations between Alma and John as revealed by A.J. Greimas’ three pairs of actantial model. xi PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ABSTRAK PUTRI, ANITA. Saussurian Binary Opposition as the Narrative Structure of Williams’ Summer and Smoke. Yogyakarta: Program Studi Sastra Inggris, Fakultas Sastra, Universitas Sanata Dharma, 2015. Linguis asal Swiss, Ferdinand de Saussure, merupakan salah satu pendiri strukturalisme yang karya-karyanya telah menginspirasi dan mempengaruhi banyak pemikir modern saat ini. Oposisi biner adalah salah satu gagasannya. Gagasan ini muncul dari teori yang menjelaskan bahwa sebenarnya dalam upaya manusia memperoleh makna konseptual, otak bekerja dengan mencari perbedaan antara satu hal dengan hal yang lain. Dengan demikian, pada dasarnya Saussure menunjukkan bahwa cara berpikir utama manusia adalah dengan mencari perbedaan dan relasi antara hal-hal tersebut dan oposisi biner merupakan relasi yang paling umum berdasarkan teori Saussure. Untuk alasan ini, studi ini dilakukan untuk membuktikan teori oposisi biner sebagai struktur narasi dari Summer and Smoke. Karya Tennesse Williams ini dipilih karena banyaknya dual simbol dan karakterdi dalam naskah. Bukan hanya
Load more

Recommended publications
  • The Eccentricities of a Nightingale by Tennessee Williams
    The Eccentricities of a Nightingale by Tennessee Williams April 9-25 AUDIENCE GUIDE Compiled, Written and Edited by Jack Marshall About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American dramatic works of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past artists, nor can we afford to lose our mooring to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all citizens, of all ages and all points of view. These Audience Guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. Like everything we do to keep alive and vital the great stage works of the Twentieth Century, these study guides are made possible in great part by the support of Arlington County’s Cultural Affairs Division and the Virginia Commission for the Arts. 2 Table of Contents The Playwright 444 Comparing Summer and Smoke 7 And The Eccentricities of a Nightingale By Richard Kramer “I am Widely Regarded…” 12 By Tennessee Wiliams Prostitutes in American Drama 13 The Show Must Go On 16 By Jack Marshall The Works of Tennessee Williams 21 3 The Playwright: Tennessee Williams [The following biography was originally written for Williams when he was a Kennedy Center Honoree in 1979] His craftsmanship and vision marked Tennessee Williams as one of the most talented playwrights in contemporary theater.
    [Show full text]
  • Artistic Director Rupert Goold Today Announces the Almeida Theatre’S New Season
    Press release: Thursday 1 February Artistic Director Rupert Goold today announces the Almeida Theatre’s new season: • The world premiere of The Writer by Ella Hickson, directed by Blanche McIntyre. • A rare revival of Sophie Treadwell’s 1928 play Machinal, directed by Natalie Abrahami. • The UK premiere of Dance Nation, Clare Barron’s award-winning play, directed by Bijan Sheibani. • The first London run of £¥€$ (LIES) from acclaimed Belgian company Ontroerend Goed. Also announced today: • The return of the Almeida For Free festival taking place from 3 to 5 April during the run of Tennessee Williams’ Summer and Smoke. • The new cohort of eleven Resident Directors. Rupert Goold said today, “It is with enormous excitement that we announce our new season, featuring two premieres from immensely talented and ground-breaking writers, a rare UK revival of a seminal, pioneering American play, and an exhilarating interactive show from one of the most revolutionary theatre companies in Europe. “We start by welcoming back Ella Hickson, following her epic Oil in 2016, with new play The Writer, directed by Blanche McIntyre. Like Ella’s previous work, this is a hugely ambitious, deeply political play that consistently challenges what theatre can and should be. “Following The Writer, we are thrilled to present a timely revival of Sophie Treadwell’s masterpiece, Machinal, directed by Natalie Abrahami. Ninety years after it emerged from the American expressionist theatre scene and twenty-five years since its last London production, it remains strikingly resonant in its depiction of oppression, gender and power. “I first saw Belgian company Ontroerend Goed’s show £¥€$ (LIES) at the Edinburgh Fringe last year.
    [Show full text]
  • Figures of Contrast in Tennessee Williams's Summer and Smoke1
    Michał Choiński Figures of Contrast in Tennessee Williams’s Summer and Smoke1 Abstract: Ostensibly, Tennessee Williams’s Summer and Smoke (1948) revolves around the figurative contrasts between the bodily and the spiritual. This bifurcation is the basis of the clash between the play’s two main characters: John Buchanan and Alma Winemiller, whose unfulfilled romance is for Williams a study of the tragic impossibility of a conflation of opposites. In the construction of the characters, Williams shows a great deal of figurative “plasticity” – he is particular about the metaphors used to designate two sides of the central contrast. This article adopts the figurative approach to study how the playwright constructs John and Alma in metaphorical terms, as contrastive macrofigures, and to demonstrate how this figurative perspective allows him to escalate the tragedy of their impossible romance. Keywords: Summer and Smoke, Tennessee Williams, macrofiguration, figurative contrast “I think he can speak, / but in the language of vision” — Tennessee Williams, The Purification Tennessee Williams’s idea of “plastic theatre” played a vital role in the early success of his dramas. The artistic goal behind the “plastic” formula was to “release the essential spirit of something that needs to be a stripping down, a reduction to abstracts” (Williams, Bak 26). In other words, Williams sought to direct his attention to the fundamental elements of artistic expression, and to shed all the obsolete practices of a realistic play. By ridding his dramas of all mimetic redundancies, Williams aimed to refashion the complex artistic formulas of the convention standardized by such playwrights as Henrik Ibsen or Seán O’Casey.
    [Show full text]
  • External Content.Pdf
    i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher.
    [Show full text]
  • Suddenly Last Summer Tennessee Williams
    SYDNEY THEATRE COMPANY PRESENTS TENNESSEE WILLIAMS’ SUDDENLY LAST SUMMER 1 ON CUE TABLE OF CONTENTS ABOUT ON CUE AND STC 3 CHARACTER ANALYSIS 18 Compiled by Hannah Brown. The activities and resources contained in this document are designed for educators as the starting point for developing CURRICULUM CONNECTIONS 4 THEMES AND IDEAS 21 more comprehensive lessons for this production. Hannah Brown is the Education Projects Officers for the Sydney Theatre Company. You can contact Hannah on hbrown@ CAST AND CREATIVES 5 THE ELEMENTS OF DRAMA 24 sydneytheatre.com.au © Copyright protects this Education Resource. ABOUT THE PLAYWRIGHT 6 STYLE 27 Except for purposes permitted by the Copyright Act, reproduction by whatever means in prohibited. However, limited photocopying for classroom use only is permitted FROM THE DIRECTOR 11 BIBLIOGRAPHY 29 by educational institutions. CONTEXT OF THE PLAY 12 ABOUT THE PLAY 14 SYNOPSIS 15 2 ABOUT ON CUE AND STC ABOUT ON CUE ABOUT SYDNEY THEATRE COMPANY In 2014, STC Ed is developing a new suite of resources In 1980, STC’s first Artistic Director Richard Wherrett beyond NSW with touring productions throughout located on our website to enrich and strengthen teaching defined STC’s mission as to provide “first class theatrical Australia. Through these partnerships and initiatives, and learning surrounding the plays in the STC season. Each entertainment for the people of Sydney – theatre that is STC plays a part in ensuring a creative, forward- show will be accompanied by an On Cue e-publication grand, vulgar, intelligent, challenging and fun.” thinking and sociable future by engaging with young which will feature all the essential information for teach- people, students and teachers.
    [Show full text]
  • Gail Cronauer
    GAIL CRONAUER Directing Resume 469-222-8580 Something Unspoken Wingspan Theatre, Dallas, TX Courtship Collin Theatre Center (CTC) Valentine's Day (In repertory) Collin College 1918 Plano, TX collintheatrecenter.com Atlas of Mud CTC U.S. Drag CTC Flaming Guns of the Purple Sage CTC Bus Stop CTC The Ruby Sunrise CTC All’s Well That Ends Well Oakpointe Shakespeare Fest The Two Gentlemen of Verona OSF Orpheus Descending CTC A Midsummer Night’s Dream OSF Handler CTC Twelfth Night CTC The Time of Your Life CTC Boy Gets Girl CTC Julius Caesar (with Joanne Zipay) CTC The Learned Ladies CTC Titus Andronicus (with Joanne Zipay) CTC Yerma CTC Macbeth CTC Sketches and Strings* CTC The Three Sisters CTC Buried Child CTC The Heiress CTC You Can't Take It With You CTC All in the Timing CTC Picnic CTC Voices Unsilenced* Theatre Three, Dallas, TX Joe Bobb Brigg's 2nd National Tour* Paladin Productions Little Footsteps Dallas Repertory Theatre Hooters Rosser Square Productions Chasing Tom* Theatre Kentesis Liberty (staged reading)* Playwrights Project Easy Chair (staged reading)* Playwrights Project Happy New Year* Stages '90 As You See it* Cabbages and Kings Theatre Fly On Wings of the Dragonfly* Cabbages and Kings Won't Somebody Listen?* Cabbages and Kings The List* Cabbages and Kings Hedda Gabler Southern Methodist U. Summer and Smoke Southern Methodist U. Uncommon Women and Others Southern Methodist U. The Great Nebula in Orion Southern Methodist U. The Love Talker Southern Methodist U. Macbeth Dallas Theater Center/TCT Mirrors* One Woman Show (L.Comess) The Velveteen Rabbit Dallas Theater Center/TCT Eccentricities of a Nightingale UW-Green Bay, WI She Stoops to Conquer UW-Green Bay Philemon (musical) UW-Green Bay What the Butler Saw Harlequin Players Orpheus Descending Illinois State U.
    [Show full text]
  • Summer and Smoke Program [1994]
    University of Southern Maine USM Digital Commons Programs 1993-1994 Season Theatre Programs 1990-2000 Spring 4-1994 Summer and Smoke Program [1994] University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1993-1994 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Summer and Smoke Program [1994]" (1994). Programs 1993-1994 Season. 5. https://digitalcommons.usm.maine.edu/theatre-programs-1993-1994/5 This Program is brought to you for free and open access by the Theatre Programs 1990-2000 at USM Digital Commons. It has been accepted for inclusion in Programs 1993-1994 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. The University of Southern Maine Department of Theatre • Russell Square Players presents ~ April 22-24 and April 27-May 1 , 1994 Main Stage, Russell Hall• Gorham campus Director's Notes As the World Turns, and locally with Mad Horse Theatre·and Shenanigans Productions, where he's also directed. Will Born in Columbus, Mississippi, in 1914, Tennessee received a faculty scholarship to the Kennedy Center in Williams gained popular notoriety in 1945 when his Washington, ~as studied at the American Academy of production of The Glass Menagerie was successfully produced Dramatic Art and National Shakespeare Conservatory in on Broadway. Other well-known works include A Streetcar New York, and holds theatre degrees from the·University of Named Desire, 194 7, and Cat on a Hot Tin Roof, 1955 -- both Rhode Island and the University ofillinois.
    [Show full text]
  • Scenic Design for Tennessee Williams' Summer and Smoke
    Scenic Design for Tennessee Williams’ Summer and Smoke Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Victor E. Shonk Graduate Program in Theatre The Ohio State University 2010 Master’s Examination Committee: Professor Dan Gray, M.F.A., Advisor Professor Jimmy Bohr, M.F.A. Professor Mark Shanda, M.F.A. Copyright by Victor E. Shonk 2010 Abstract Summer and Smoke by Tennessee Williams is being produced by The Ohio State University Theatre Department in the autumn quarter, 2009. The production will be in the Thurber Theatre and directed by faculty member Jimmy Bohr. As the scenic designer, I will provide the atmosphere and environment of the play as well as the physical requirements determined by the action described in the script. This document records my involvement in the production process. Briefly, Bohr’s concept for this production is focused on the love story that happens between the characters Alma and John. The story is set in a small fictitious town in Mississippi named Glorious Hill, just before World War I, a time when the last of Victorian social propriety was becoming extinct and the world was about to change forever. This love story is a bittersweet description of that loss of innocence. The director is focused on the “Poetic Realism” of Williams’ writing. Aesthetically, it is important to the director that the heat of the Deep South is represented on stage. I will accomplish this with a canopy of trees, Spanish moss, and other plant life indigenous to Mississippi.
    [Show full text]
  • Theatre of Tennessee Williams
    i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers.
    [Show full text]
  • Performing Tennessee Williams
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2012 Performing Tennessee Williams Augustine Correro III Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2713 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Augustine J Correro 2012 All Rights Reserved Performing Tennessee Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Augustine J Correro Bachelor of Arts, Mississippi University for Women 2006 Associate of Arts, Mississippi Delta Community College 2004 Director: Josh Chenard, Head of Performance, Department of Theatre Virginia Commonwealth University Richmond, Virginia April, 2012 Acknowledgement The author would like to thank Brook Hanemann for first changing his mind about Tennessee Williams. He would like to thank Dr. Noreen Barnes for her valuable insights. Finally, he would like to acknowledge Josh Chenard and Lorri Lindberg for taking the journey of Suddenly Last Summer with him: an opportunity he will not forget. ii Abstract ............................................................................................................................v
    [Show full text]
  • Tennessee Williams
    Artistic Director Bruce Miller Managing Director Phil Whiteway BY TENNESSEE WILLIAMS “Summer and Smoke” is presented by special arrangement with Samuel French, INC. STAGE MANAGEMENT Rick Brandt* COSTUME DESIGN LIGHT DESIGN SET DESIGN Sue Griffin BJ Wilkinson Rich Mason DIRECTION Bruce Miller CORPORATE SPONSORS E. Rhodes and Leona B. Carpenter Foundation CAST (in order of appearance) COMPANY BIOS Young Alma/Rosemary ............................ Keely Seward Dana Colagiovanni (Nellie/Mrs. Bassett) is thrilled to be working Young John/Roger Doremus ......................... Trace Coles at Virginia Rep on this beautiful show! She earned her BFA from Rev. Winemiller/Vernon/Gonzales ............... Thomas L. Cunningham the University of Mississippi, and will be graduating this spring Rosa Gonzales/Mrs. Winemiller .................... Alexandra Deglise with her MFA in Acting from UVa’s Professional Actor Training Alma Winemiller ...........................Carolyn Demanelis Program. Previous credits include: One Man, Two Guvnors; Almost, Dr. John Buchanan, Jr .......................... Alexander Sapp* Maine; Spamalot (Heritage Theatre Festival), Vodka Variations; Nellie Ewell/Mrs. Basset ...................... Dana Colagiovanni* Wonderful Town; The Sweetest Swing in Baseball (UVa Drama), Dr. Buchanan/Dusty/Young Man .................... Charley Raintree The Full Monty; Boeing, Boeing (Pagosa Springs Center for Arts). Many thanks to Mom, Dad, John, and Jeremy for the unwavering support and unconditional love. A big thank *MemberofActors’Equity you to Bruce for trusting me to help tell this story. Association,theunionof professionalactorsandstage managersintheU.S.A. Trace Coles (Young John/Roger Doremus) is a 9th grader at Steward School and is very excited to be in his first VA Rep FOR THIS PRODUCTION production! He has been in 14 Steward shows, The Boy Friend, The Wiz and All In The Timing are some favorites.
    [Show full text]
  • Summer and Smoke
    Welcome It is my great pleasure to welcome Transport Group to CSC. I first saw the extraordinary work of this innovative company early in my time in New York City. Barbara Walsh, who is in the play this evening, was in my production of Company on Broadway and she very rightly encouraged me to see their work. I’m so happy that she did. I have always been struck by the aesthetic of Transport Group and by the clear and incisive simplicity of the work of their director Jack Cummings III. So, when I was considering companies with whom to parter for our 50th anniversary season, it was obviously drawn towards speaking with Transport Group. Jack’s work focuses on American writers and here we were planning the inclusion of two great American writers in our season - Terrence McNally and Tennessee Williams. Last season we included a readings series as part of our program of work. One of the plays read was Williams’ Summer and Smoke. On hearing it, I felt it would be a fitting piece to include in the present season. Possibly one of his lesser-performed plays, it premiered in 1948 - seventy years ago. Then in 1952 it was performed at Circle in the Square in New York City. That production, at the Sheridan Square Playhouse location, is credited as heralding the beginning of the Off-Broadway movement. Many productions of the play have followed, including a very recent one at the Almeida Theatre in London. So many wonderful things have come together with Summer and Smoke.
    [Show full text]