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The Eccentricities of a Nightingale by Tennessee Williams
The Eccentricities of a Nightingale by Tennessee Williams April 9-25 AUDIENCE GUIDE Compiled, Written and Edited by Jack Marshall About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American dramatic works of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past artists, nor can we afford to lose our mooring to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all citizens, of all ages and all points of view. These Audience Guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. Like everything we do to keep alive and vital the great stage works of the Twentieth Century, these study guides are made possible in great part by the support of Arlington County’s Cultural Affairs Division and the Virginia Commission for the Arts. 2 Table of Contents The Playwright 444 Comparing Summer and Smoke 7 And The Eccentricities of a Nightingale By Richard Kramer “I am Widely Regarded…” 12 By Tennessee Wiliams Prostitutes in American Drama 13 The Show Must Go On 16 By Jack Marshall The Works of Tennessee Williams 21 3 The Playwright: Tennessee Williams [The following biography was originally written for Williams when he was a Kennedy Center Honoree in 1979] His craftsmanship and vision marked Tennessee Williams as one of the most talented playwrights in contemporary theater. -
Artistic Director Rupert Goold Today Announces the Almeida Theatre’S New Season
Press release: Thursday 1 February Artistic Director Rupert Goold today announces the Almeida Theatre’s new season: • The world premiere of The Writer by Ella Hickson, directed by Blanche McIntyre. • A rare revival of Sophie Treadwell’s 1928 play Machinal, directed by Natalie Abrahami. • The UK premiere of Dance Nation, Clare Barron’s award-winning play, directed by Bijan Sheibani. • The first London run of £¥€$ (LIES) from acclaimed Belgian company Ontroerend Goed. Also announced today: • The return of the Almeida For Free festival taking place from 3 to 5 April during the run of Tennessee Williams’ Summer and Smoke. • The new cohort of eleven Resident Directors. Rupert Goold said today, “It is with enormous excitement that we announce our new season, featuring two premieres from immensely talented and ground-breaking writers, a rare UK revival of a seminal, pioneering American play, and an exhilarating interactive show from one of the most revolutionary theatre companies in Europe. “We start by welcoming back Ella Hickson, following her epic Oil in 2016, with new play The Writer, directed by Blanche McIntyre. Like Ella’s previous work, this is a hugely ambitious, deeply political play that consistently challenges what theatre can and should be. “Following The Writer, we are thrilled to present a timely revival of Sophie Treadwell’s masterpiece, Machinal, directed by Natalie Abrahami. Ninety years after it emerged from the American expressionist theatre scene and twenty-five years since its last London production, it remains strikingly resonant in its depiction of oppression, gender and power. “I first saw Belgian company Ontroerend Goed’s show £¥€$ (LIES) at the Edinburgh Fringe last year. -
Licence to Kill Music
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ATP 2033 – Transcript
The University of Detroit mercy presents another encore presentation of a classic ask the professor radio program today's show takes us back to October 2005. Thank you so much Michael Jayson. This is Ask the Professor, the radio show where you match wits with the University of Detroit Mercy witless professors in an unrehearsed session of questions and answers here in Motown. I'd like to introduce today's panel to you and then our special guest, I should say guests in the plural. So let me start at the far end of the table from the Department of Communication Studies our media maven himself, It's Professor Jerry Curtsinger. The L.S. program. Excellent. I spent about an hour talking about that a little while ago. Trust me, who is the director? It’s Stephen Manning. Manning is. Okay, I know it's shifted. Yes, it did. It really did and I'm here because I'm not in hockey for a change. But we are so glad, but we're so glad that puck is back in our house, I couldn't stand another one of those CBC movies on Saturday night. The worst part is that Mac’s On Third I think is no more, I know. Oh, and we send out condolences first of all to Tony Bruce, and very sadly Tony's mother has passed away. So, again, our deepest sympathies and condolences to the whole Bruce family who always treated us like family. So we're sad to hear that. Truly, I know that the issue is a legalistic one, it's the famous Michigan Liquor Control Board thing that is just__ Poor Tony, so we had hopes and prayers that things work out for Tony and that someday we'll be back down at Mac’s eating some hamburgers and taping some great shows. -
Figures of Contrast in Tennessee Williams's Summer and Smoke1
Michał Choiński Figures of Contrast in Tennessee Williams’s Summer and Smoke1 Abstract: Ostensibly, Tennessee Williams’s Summer and Smoke (1948) revolves around the figurative contrasts between the bodily and the spiritual. This bifurcation is the basis of the clash between the play’s two main characters: John Buchanan and Alma Winemiller, whose unfulfilled romance is for Williams a study of the tragic impossibility of a conflation of opposites. In the construction of the characters, Williams shows a great deal of figurative “plasticity” – he is particular about the metaphors used to designate two sides of the central contrast. This article adopts the figurative approach to study how the playwright constructs John and Alma in metaphorical terms, as contrastive macrofigures, and to demonstrate how this figurative perspective allows him to escalate the tragedy of their impossible romance. Keywords: Summer and Smoke, Tennessee Williams, macrofiguration, figurative contrast “I think he can speak, / but in the language of vision” — Tennessee Williams, The Purification Tennessee Williams’s idea of “plastic theatre” played a vital role in the early success of his dramas. The artistic goal behind the “plastic” formula was to “release the essential spirit of something that needs to be a stripping down, a reduction to abstracts” (Williams, Bak 26). In other words, Williams sought to direct his attention to the fundamental elements of artistic expression, and to shed all the obsolete practices of a realistic play. By ridding his dramas of all mimetic redundancies, Williams aimed to refashion the complex artistic formulas of the convention standardized by such playwrights as Henrik Ibsen or Seán O’Casey. -
Plagiat Merupakan Tindakan Tidak Terpuji
PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI SAUSSURIAN BINARY OPPOSITION AS THE NARRATIVE STRUCTURE OF WILLIAMS’SUMMER AND SMOKE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANITA PUTRI Student Number: 114214125 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI SAUSSURIAN BINARY OPPOSITION AS THE NARRATIVE STRUCTURE OF WILLIAMS’SUMMER AND SMOKE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANITA PUTRI Student Number: 114214125 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 ii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI “The greatest ideas are the simplest.” ― William Golding, Lord of the Flies vii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ACKNOWLEDGEMENTS I owe my deepest gratitude to my thesis advisor, Mr. P. Sarwoto, -
James Bond Licence to Kill Dvd
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Town of Chelmsford of Town
Town of Chelmsford Annual Town Report Fiscal 2020 Annual Town of Chelmsford Town Town of Chelmsford Annual ToWn Report • Fiscal 2020 Town of Chelmsford • 50 Billerica Road • Chelmsford, MA 01824 Phone: (978) 250-5200 • www.chelmsfordma.gov Community Profile & Map Town Directory 2020 Quick Facts Town Departments & Services ............... 978-250-5200 Utilities & Other Useful Numbers Accounting ............................................... 978-250-5215 Cable Access/Telemedia ......................... 978-251-5143 Incorporated: ...................................May 1655 Total Single Family Units: ............................................. 9,060 Animal Control ......................................... 978-256-0754 Cable Television/Comcast ..................... 888-663-4266 Type of Government: ..................Select Board Total Condo Units: ..........................................................2,692 Assessors .................................................. 978-250-5220 Chelmsford Water Districts Town Manager Total Households: .........................................................13,646 Appeals, Board of .................................... 978-250-5231 Center District ...................................... 978-256-2381 Representative Town Meeting [1]Avg. Single Family Home Value: ........................$447,600 Auditor ...................................................... 978-250-5215 East District .......................................... 978-453-0121 County: ........................................... Middlesex Tax -
External Content.Pdf
i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. -
Suddenly Last Summer Tennessee Williams
SYDNEY THEATRE COMPANY PRESENTS TENNESSEE WILLIAMS’ SUDDENLY LAST SUMMER 1 ON CUE TABLE OF CONTENTS ABOUT ON CUE AND STC 3 CHARACTER ANALYSIS 18 Compiled by Hannah Brown. The activities and resources contained in this document are designed for educators as the starting point for developing CURRICULUM CONNECTIONS 4 THEMES AND IDEAS 21 more comprehensive lessons for this production. Hannah Brown is the Education Projects Officers for the Sydney Theatre Company. You can contact Hannah on hbrown@ CAST AND CREATIVES 5 THE ELEMENTS OF DRAMA 24 sydneytheatre.com.au © Copyright protects this Education Resource. ABOUT THE PLAYWRIGHT 6 STYLE 27 Except for purposes permitted by the Copyright Act, reproduction by whatever means in prohibited. However, limited photocopying for classroom use only is permitted FROM THE DIRECTOR 11 BIBLIOGRAPHY 29 by educational institutions. CONTEXT OF THE PLAY 12 ABOUT THE PLAY 14 SYNOPSIS 15 2 ABOUT ON CUE AND STC ABOUT ON CUE ABOUT SYDNEY THEATRE COMPANY In 2014, STC Ed is developing a new suite of resources In 1980, STC’s first Artistic Director Richard Wherrett beyond NSW with touring productions throughout located on our website to enrich and strengthen teaching defined STC’s mission as to provide “first class theatrical Australia. Through these partnerships and initiatives, and learning surrounding the plays in the STC season. Each entertainment for the people of Sydney – theatre that is STC plays a part in ensuring a creative, forward- show will be accompanied by an On Cue e-publication grand, vulgar, intelligent, challenging and fun.” thinking and sociable future by engaging with young which will feature all the essential information for teach- people, students and teachers. -
Newsletter 09/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne. -
Gail Cronauer
GAIL CRONAUER Directing Resume 469-222-8580 Something Unspoken Wingspan Theatre, Dallas, TX Courtship Collin Theatre Center (CTC) Valentine's Day (In repertory) Collin College 1918 Plano, TX collintheatrecenter.com Atlas of Mud CTC U.S. Drag CTC Flaming Guns of the Purple Sage CTC Bus Stop CTC The Ruby Sunrise CTC All’s Well That Ends Well Oakpointe Shakespeare Fest The Two Gentlemen of Verona OSF Orpheus Descending CTC A Midsummer Night’s Dream OSF Handler CTC Twelfth Night CTC The Time of Your Life CTC Boy Gets Girl CTC Julius Caesar (with Joanne Zipay) CTC The Learned Ladies CTC Titus Andronicus (with Joanne Zipay) CTC Yerma CTC Macbeth CTC Sketches and Strings* CTC The Three Sisters CTC Buried Child CTC The Heiress CTC You Can't Take It With You CTC All in the Timing CTC Picnic CTC Voices Unsilenced* Theatre Three, Dallas, TX Joe Bobb Brigg's 2nd National Tour* Paladin Productions Little Footsteps Dallas Repertory Theatre Hooters Rosser Square Productions Chasing Tom* Theatre Kentesis Liberty (staged reading)* Playwrights Project Easy Chair (staged reading)* Playwrights Project Happy New Year* Stages '90 As You See it* Cabbages and Kings Theatre Fly On Wings of the Dragonfly* Cabbages and Kings Won't Somebody Listen?* Cabbages and Kings The List* Cabbages and Kings Hedda Gabler Southern Methodist U. Summer and Smoke Southern Methodist U. Uncommon Women and Others Southern Methodist U. The Great Nebula in Orion Southern Methodist U. The Love Talker Southern Methodist U. Macbeth Dallas Theater Center/TCT Mirrors* One Woman Show (L.Comess) The Velveteen Rabbit Dallas Theater Center/TCT Eccentricities of a Nightingale UW-Green Bay, WI She Stoops to Conquer UW-Green Bay Philemon (musical) UW-Green Bay What the Butler Saw Harlequin Players Orpheus Descending Illinois State U.