Gail Cronauer

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GAIL CRONAUER Directing Resume 469-222-8580 Something Unspoken Wingspan Theatre, Dallas, TX Courtship Collin Theatre Center (CTC) Valentine's Day (In repertory) Collin College 1918 Plano, TX collintheatrecenter.com Atlas of Mud CTC U.S. Drag CTC Flaming Guns of the Purple Sage CTC Bus Stop CTC The Ruby Sunrise CTC All’s Well That Ends Well Oakpointe Shakespeare Fest The Two Gentlemen of Verona OSF Orpheus Descending CTC A Midsummer Night’s Dream OSF Handler CTC Twelfth Night CTC The Time of Your Life CTC Boy Gets Girl CTC Julius Caesar (with Joanne Zipay) CTC The Learned Ladies CTC Titus Andronicus (with Joanne Zipay) CTC Yerma CTC Macbeth CTC Sketches and Strings* CTC The Three Sisters CTC Buried Child CTC The Heiress CTC You Can't Take It With You CTC All in the Timing CTC Picnic CTC Voices Unsilenced* Theatre Three, Dallas, TX Joe Bobb Brigg's 2nd National Tour* Paladin Productions Little Footsteps Dallas Repertory Theatre Hooters Rosser Square Productions Chasing Tom* Theatre Kentesis Liberty (staged reading)* Playwrights Project Easy Chair (staged reading)* Playwrights Project Happy New Year* Stages '90 As You See it* Cabbages and Kings Theatre Fly On Wings of the Dragonﬂy* Cabbages and Kings Won't Somebody Listen?* Cabbages and Kings The List* Cabbages and Kings Hedda Gabler Southern Methodist U. Summer and Smoke Southern Methodist U. Uncommon Women and Others Southern Methodist U. The Great Nebula in Orion Southern Methodist U. The Love Talker Southern Methodist U. Macbeth Dallas Theater Center/TCT Mirrors* One Woman Show (L.Comess) The Velveteen Rabbit Dallas Theater Center/TCT Eccentricities of a Nightingale UW-Green Bay, WI She Stoops to Conquer UW-Green Bay Philemon (musical) UW-Green Bay What the Butler Saw Harlequin Players Orpheus Descending Illinois State U. Mandragola Case Western Reserve U. * Denotes world premiere .

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Dallas Theater Center Expands Community Engagement Programming
Contact: Paula Paggi, PR/Media Relations Manager (972) 342-4991 ❘ [email protected] Dallas Theater Center Expands Community Engagement Programming ® DALLAS (October 15, 2020) - 2017 Regional Theatre Tony Award Recipient Dallas Theater Center offers even more virtual options. They’ve added additional free virtual workshops with Public Works Dallas. People of all ages and skill levels can learn from professional artists. Workshops started October 12 and run through November 16. “Our year-round Public Works Dallas program provides fun and exciting opportunities for people of all ages and experiences throughout our city to experience the joys of making theater in free workshops, classes and large scale public performances. While we are sheltering in place during the pandemic, we're pivoting to provide these opportunities online,” said Kevin Moriarty, Enloe/Rose Artistic Director, Dallas Theater Center. “Though we miss gathering in person, we remain committed to being of service to our community and invite everyone to join us.” Public Works Dallas is holding virtual workshops on a variety of topics including performance, singing, and storytelling. The workshops are in collaboration with Bachman Lake Together Family Center, City of Dallas Beckley Saner & Janie C. Turner Recreation Center, and Jubilee Park and Community Center. The virtual setting allows a variety of people from across the metroplex to come together in a safe and supportive environment. “The Public Works Dallas community is resilient, they have adapted with us and long to be together again. In this virtual space, not only are we expressing ourselves artistically but we are continuing meaningful dialogue with each other.
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The Eccentricities of a Nightingale by Tennessee Williams
The Eccentricities of a Nightingale by Tennessee Williams April 9-25 AUDIENCE GUIDE Compiled, Written and Edited by Jack Marshall About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American dramatic works of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past artists, nor can we afford to lose our mooring to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all citizens, of all ages and all points of view. These Audience Guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. Like everything we do to keep alive and vital the great stage works of the Twentieth Century, these study guides are made possible in great part by the support of Arlington County’s Cultural Affairs Division and the Virginia Commission for the Arts. 2 Table of Contents The Playwright 444 Comparing Summer and Smoke 7 And The Eccentricities of a Nightingale By Richard Kramer “I am Widely Regarded…” 12 By Tennessee Wiliams Prostitutes in American Drama 13 The Show Must Go On 16 By Jack Marshall The Works of Tennessee Williams 21 3 The Playwright: Tennessee Williams [The following biography was originally written for Williams when he was a Kennedy Center Honoree in 1979] His craftsmanship and vision marked Tennessee Williams as one of the most talented playwrights in contemporary theater.
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Dallas Theater Center Announces Changes to Season Schedule
Contact: Paula Paggi, PR/Media Relations Manager (972) 342-4991 ❘ [email protected] Dallas Theater Center Announces Changes to Season Schedule DALLAS (May 4, 2021) - Dallas Theater Center, the 2017 recipient of the Regional Theatre Tony Award®, unveils changes to the rest of their season. Working: A Musical and Public Works Dallas’ A Little Less Lonely will finish out the 2020-2021 schedule. Unfortunately challenges in finding an outdoor venue have led to the cancellation of War of the Worlds. The next show will be Working: A Musical presented at Strauss Square in the AT&T Performing Arts Center July 7-18. Based on Studs Terkel’s bestselling book, this unique musical features the real-life words of average working Americans. Through original songs by Stephen Schwartz (Wicked), Lin-Manuel Miranda (Hamilton, In the Heights), James Taylor and others, Working lifts up the voices of teachers, waiters, truck drivers and the essential workers who often go unnoticed but whose work uplifts our lives day in and day out. “Working is a glorious exploration of why humans strive to do a good day’s work each and every day - even during a pandemic. Simply put, we strive to build upon our parent’s dreams, to build our own dreams, and to build a future for our children’s dreams. Under the beautiful and heartfelt direction of Diane and Hal Brierley Resident Acting Company member, Tiana Kaye Blair, making her Dallas Theater Center directing debut, Working helps us understand the “American” dream takes many shapes and forms. We could not be happier to bring Dallas audiences safely together, outdoors and socially distanced, to share in this musical theater celebration of essential workers, generational dreams and our common humanity,” said Sarahbeth Grossman, Artistic Producer, Dallas Theater Center.
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The Following Blue Star Theatres Are Listed in Alphabetical Order
The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
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Artistic Director Rupert Goold Today Announces the Almeida Theatre’S New Season
Press release: Thursday 1 February Artistic Director Rupert Goold today announces the Almeida Theatre’s new season: • The world premiere of The Writer by Ella Hickson, directed by Blanche McIntyre. • A rare revival of Sophie Treadwell’s 1928 play Machinal, directed by Natalie Abrahami. • The UK premiere of Dance Nation, Clare Barron’s award-winning play, directed by Bijan Sheibani. • The first London run of £¥€$ (LIES) from acclaimed Belgian company Ontroerend Goed. Also announced today: • The return of the Almeida For Free festival taking place from 3 to 5 April during the run of Tennessee Williams’ Summer and Smoke. • The new cohort of eleven Resident Directors. Rupert Goold said today, “It is with enormous excitement that we announce our new season, featuring two premieres from immensely talented and ground-breaking writers, a rare UK revival of a seminal, pioneering American play, and an exhilarating interactive show from one of the most revolutionary theatre companies in Europe. “We start by welcoming back Ella Hickson, following her epic Oil in 2016, with new play The Writer, directed by Blanche McIntyre. Like Ella’s previous work, this is a hugely ambitious, deeply political play that consistently challenges what theatre can and should be. “Following The Writer, we are thrilled to present a timely revival of Sophie Treadwell’s masterpiece, Machinal, directed by Natalie Abrahami. Ninety years after it emerged from the American expressionist theatre scene and twenty-five years since its last London production, it remains strikingly resonant in its depiction of oppression, gender and power. “I first saw Belgian company Ontroerend Goed’s show £¥€$ (LIES) at the Edinburgh Fringe last year.
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Figures of Contrast in Tennessee Williams's Summer and Smoke1
Michał Choiński Figures of Contrast in Tennessee Williams’s Summer and Smoke1 Abstract: Ostensibly, Tennessee Williams’s Summer and Smoke (1948) revolves around the figurative contrasts between the bodily and the spiritual. This bifurcation is the basis of the clash between the play’s two main characters: John Buchanan and Alma Winemiller, whose unfulfilled romance is for Williams a study of the tragic impossibility of a conflation of opposites. In the construction of the characters, Williams shows a great deal of figurative “plasticity” – he is particular about the metaphors used to designate two sides of the central contrast. This article adopts the figurative approach to study how the playwright constructs John and Alma in metaphorical terms, as contrastive macrofigures, and to demonstrate how this figurative perspective allows him to escalate the tragedy of their impossible romance. Keywords: Summer and Smoke, Tennessee Williams, macrofiguration, figurative contrast “I think he can speak, / but in the language of vision” — Tennessee Williams, The Purification Tennessee Williams’s idea of “plastic theatre” played a vital role in the early success of his dramas. The artistic goal behind the “plastic” formula was to “release the essential spirit of something that needs to be a stripping down, a reduction to abstracts” (Williams, Bak 26). In other words, Williams sought to direct his attention to the fundamental elements of artistic expression, and to shed all the obsolete practices of a realistic play. By ridding his dramas of all mimetic redundancies, Williams aimed to refashion the complex artistic formulas of the convention standardized by such playwrights as Henrik Ibsen or Seán O’Casey.
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External Content.Pdf
i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher.
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BOYD-QUINSON MAINSTAGE OCTOBER 3-21, 2018 SETTING an Alley in St
JULIANNE BOYD, ARTISTIC DIRECTOR AND Carla and Edward Slomin PRESENT BY Tennessee Williams FEATURING Mark H. Dold Angela Janas Caitlin O'Connell Tyler Lansing Weaks SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER Brian Prather Elivia Bovenzi Matthew Richards SOUND DESIGNER COMPOSER VIOLIST Joel Abbott Alexander Sovronsky Susan French HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Caitie Martin Patrick David Egan Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL MARKETING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Julianne Boyd SPONSORED IN PART BY Hildi and Walter Black & Arnold Kotlen and Stephanie Fleckner Student matinees sponsored in part by the Dobbins Foundation & The Alpern-Rosenthal Foundation THE GLASS MENAGERIE is presented by special arrangement with DRAMATISTS PLAY SERVICE, INC. BOYD-QUINSON MAINSTAGE OCTOBER 3-21, 2018 SETTING An alley in St. Louis, now and the past. CAST IN ORDER OF APPEARANCE Tom Wingfield ...................................................................................... Mark H. Dold* Amanda Wingfield ........................................................................... Caitlin O'Connell* Laura Wingfield ....................................................................................Angela Janas* Jim O'Connor ............................................................................ Tyler Lansing Weaks* Violist ..................................................................................................
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Suddenly Last Summer Tennessee Williams
SYDNEY THEATRE COMPANY PRESENTS TENNESSEE WILLIAMS’ SUDDENLY LAST SUMMER 1 ON CUE TABLE OF CONTENTS ABOUT ON CUE AND STC 3 CHARACTER ANALYSIS 18 Compiled by Hannah Brown. The activities and resources contained in this document are designed for educators as the starting point for developing CURRICULUM CONNECTIONS 4 THEMES AND IDEAS 21 more comprehensive lessons for this production. Hannah Brown is the Education Projects Officers for the Sydney Theatre Company. You can contact Hannah on hbrown@ CAST AND CREATIVES 5 THE ELEMENTS OF DRAMA 24 sydneytheatre.com.au © Copyright protects this Education Resource. ABOUT THE PLAYWRIGHT 6 STYLE 27 Except for purposes permitted by the Copyright Act, reproduction by whatever means in prohibited. However, limited photocopying for classroom use only is permitted FROM THE DIRECTOR 11 BIBLIOGRAPHY 29 by educational institutions. CONTEXT OF THE PLAY 12 ABOUT THE PLAY 14 SYNOPSIS 15 2 ABOUT ON CUE AND STC ABOUT ON CUE ABOUT SYDNEY THEATRE COMPANY In 2014, STC Ed is developing a new suite of resources In 1980, STC’s first Artistic Director Richard Wherrett beyond NSW with touring productions throughout located on our website to enrich and strengthen teaching defined STC’s mission as to provide “first class theatrical Australia. Through these partnerships and initiatives, and learning surrounding the plays in the STC season. Each entertainment for the people of Sydney – theatre that is STC plays a part in ensuring a creative, forward- show will be accompanied by an On Cue e-publication grand, vulgar, intelligent, challenging and fun.” thinking and sociable future by engaging with young which will feature all the essential information for teach- people, students and teachers.
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Dallas Theater Center Proudly Announces 2021-22 Live Season
Contact: Paula Paggi, PR/Media Relations Manager (972) 342-4991 ❘ [email protected] Dallas Theater Center Proudly Announces 2021-2022 Live Season DALLAS (July 8, 2021) - Dallas Theater Center proudly announces the return of an in person season complete with their first touring production! The triumphant return includes seven unique productions in addition to their annual production of A Christmas Carol and the Public Works Dallas pageant. The nine-event season begins in September. It includes two world premiere comedies; the regional premiere of an adaptation of a bestselling book; a refreshing take on an American classic; and a bold interpretation of one of the most beloved musicals. In addition, DTC will launch a new Community Touring initiative to community centers throughout the city. Productions will take place in the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center and at the Kalita Humphreys Theater, DTC’s historic home theater designed by Frank Lloyd Wright. “We are thrilled to welcome audiences back to the Wyly Theatre and the Kalita Humphreys Theater with a season of comedies, music, and stories of inspiration,” said Kevin Moriarty, Enloe/Rose Artistic Director. “We are creating productions that will produce laughter, strengthen community, and inspire healing. After more than a year of producing work primarily virtually, we can’t wait to once again celebrate the special experience of actors and audiences having a shared experience in person.” The season will feature the artistry of the theater’s Diane and Hal Brierley Resident Acting Company, as well as an expanded commitment to providing full-time, year-round employment to professional theater artists.
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Barreca Resume 2011
CHRISTOPHER H. BARRECA SCENIC DESIGNER HEAD OF SCENIC DESIGN - CALARTS The * symbol indicates a world or American premiere The ** symbol indicates musical DATE TITLE DIRECTOR THEATER Current RACE Irene Lewis ACT San Fransicso SUMMER PEOPLE Barreca/Korogodsky/Koller Theater Pokolenliy, St. Petersburg, Russia 2011 COMPLETENESS* Pam MacKinnon South Coast Repertory 2010 SIGMARINGEN* (New Opera) Janie Geiser Workshop for Musikprotokoll Graz, Austria JAMES AND THE GIANT PEACH * ** (Workshop) Graciela Daniele The Norma Terris Theatre, Chester, CT THE WIZ** Irene Lewis Baltimore Center Stage HEDDA GABLER Barreca/Rubin site specific work in a NYC brownstone ELEKTRA Carey Perloff Getty Villa, LA IN A GARDEN* David Warren South Coast Repertory PITERSBURG* Barreca/Korogodsky/Kolun/ Theater Pokoleniy Simpson/Geiser 2009 CRIME AND PUNISHMENT Sharon Ott Berkeley Rep. PITERSBURG* Barreca/Korogodsky/Kolun/ Theater Pokoleniy Simpson/Geiser RED HAND GUITAR* ** (Workshop) Evan Yionoulis Arena Stage, Wash, D.D. AH* Travis Preston REDCAT (CNP) IN THE DAYLIGHT* John Rubin Vital PHILIP ROTH IN KHARTOUM* John Rubin NY Public Theater/Labyrinth Theater 2008 PENALTIES AND INTEREST* John Rubin NY Public Theater/Labyrinth Theater THE SOUND OF MUSIC (Salzburg Marionettes)** Richard Hamburger Salzburg, Austria WHAT THEY HAVE* Chris Fields South Coast Repertory 2007 THE SOUND OF MUSIC (Salzburg Marionettes) Richard Hamburger Metropolitan Museum of Art International tour THE STUDIO* Christopher DʼAmboise South Coast Repertory Signature Theater Wash, DC CAT ON A HOT TIN ROOF Richard Hamburger Dallas Theater Center HIPPOLYTOS Stephen Sachs Getty Villa, LA THE MURDER OF ISAAC* Irene Lewis Center Stage 2006 HOUSE OF BERNALDA ALBA** * Graciela Daniele Lincoln Center Theater CARNIVAL** Erica Schmidt Papermill Playhouse BELL SOLARIS* Travis Preston REDCAT (CNP) MACBETH (A Modern Ecstasy) Travis Preston Almeida Theater London, England Adelaide Festival Australia REDCAT (CNP), Los Angeles MACBETH Eve Shapiro The Acting Co.
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