Tennessee Williams
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The Eccentricities of a Nightingale by Tennessee Williams
The Eccentricities of a Nightingale by Tennessee Williams April 9-25 AUDIENCE GUIDE Compiled, Written and Edited by Jack Marshall About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American dramatic works of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past artists, nor can we afford to lose our mooring to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all citizens, of all ages and all points of view. These Audience Guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. Like everything we do to keep alive and vital the great stage works of the Twentieth Century, these study guides are made possible in great part by the support of Arlington County’s Cultural Affairs Division and the Virginia Commission for the Arts. 2 Table of Contents The Playwright 444 Comparing Summer and Smoke 7 And The Eccentricities of a Nightingale By Richard Kramer “I am Widely Regarded…” 12 By Tennessee Wiliams Prostitutes in American Drama 13 The Show Must Go On 16 By Jack Marshall The Works of Tennessee Williams 21 3 The Playwright: Tennessee Williams [The following biography was originally written for Williams when he was a Kennedy Center Honoree in 1979] His craftsmanship and vision marked Tennessee Williams as one of the most talented playwrights in contemporary theater. -
Artistic Director Rupert Goold Today Announces the Almeida Theatre’S New Season
Press release: Thursday 1 February Artistic Director Rupert Goold today announces the Almeida Theatre’s new season: • The world premiere of The Writer by Ella Hickson, directed by Blanche McIntyre. • A rare revival of Sophie Treadwell’s 1928 play Machinal, directed by Natalie Abrahami. • The UK premiere of Dance Nation, Clare Barron’s award-winning play, directed by Bijan Sheibani. • The first London run of £¥€$ (LIES) from acclaimed Belgian company Ontroerend Goed. Also announced today: • The return of the Almeida For Free festival taking place from 3 to 5 April during the run of Tennessee Williams’ Summer and Smoke. • The new cohort of eleven Resident Directors. Rupert Goold said today, “It is with enormous excitement that we announce our new season, featuring two premieres from immensely talented and ground-breaking writers, a rare UK revival of a seminal, pioneering American play, and an exhilarating interactive show from one of the most revolutionary theatre companies in Europe. “We start by welcoming back Ella Hickson, following her epic Oil in 2016, with new play The Writer, directed by Blanche McIntyre. Like Ella’s previous work, this is a hugely ambitious, deeply political play that consistently challenges what theatre can and should be. “Following The Writer, we are thrilled to present a timely revival of Sophie Treadwell’s masterpiece, Machinal, directed by Natalie Abrahami. Ninety years after it emerged from the American expressionist theatre scene and twenty-five years since its last London production, it remains strikingly resonant in its depiction of oppression, gender and power. “I first saw Belgian company Ontroerend Goed’s show £¥€$ (LIES) at the Edinburgh Fringe last year. -
Figures of Contrast in Tennessee Williams's Summer and Smoke1
Michał Choiński Figures of Contrast in Tennessee Williams’s Summer and Smoke1 Abstract: Ostensibly, Tennessee Williams’s Summer and Smoke (1948) revolves around the figurative contrasts between the bodily and the spiritual. This bifurcation is the basis of the clash between the play’s two main characters: John Buchanan and Alma Winemiller, whose unfulfilled romance is for Williams a study of the tragic impossibility of a conflation of opposites. In the construction of the characters, Williams shows a great deal of figurative “plasticity” – he is particular about the metaphors used to designate two sides of the central contrast. This article adopts the figurative approach to study how the playwright constructs John and Alma in metaphorical terms, as contrastive macrofigures, and to demonstrate how this figurative perspective allows him to escalate the tragedy of their impossible romance. Keywords: Summer and Smoke, Tennessee Williams, macrofiguration, figurative contrast “I think he can speak, / but in the language of vision” — Tennessee Williams, The Purification Tennessee Williams’s idea of “plastic theatre” played a vital role in the early success of his dramas. The artistic goal behind the “plastic” formula was to “release the essential spirit of something that needs to be a stripping down, a reduction to abstracts” (Williams, Bak 26). In other words, Williams sought to direct his attention to the fundamental elements of artistic expression, and to shed all the obsolete practices of a realistic play. By ridding his dramas of all mimetic redundancies, Williams aimed to refashion the complex artistic formulas of the convention standardized by such playwrights as Henrik Ibsen or Seán O’Casey. -
Characters Reunite to Celebrate South Dakota's Statehood
2 x 2" ad 2 x 2" ad May 24 - 30, 2019 Buy 1 V A H A G R Z U N Q U R A O C Your Key 2 x 3" ad A M U S A R I C R I R T P N U To Buying Super Tostada M A R G U L I E S D P E T H N P B W P J M T R E P A Q E U N and Selling! @ Reg. Price 2 x 3.5" ad N A M M E E O C P O Y R R W I get any size drink FREE F N T D P V R W V C W S C O N One coupon per customer, per visit. Cannot be combined with any other offer. X Y I H E N E R A H A Z F Y G -00109093 Exp. 5/31/19 WA G P E R O N T R Y A D T U E H E R T R M L C D W M E W S R A Timothy Olyphant (left) and C N A O X U O U T B R E A K M U M P C A Y X G R C V D M R A Ian McShane star in the new N A M E E J C A I U N N R E P “Deadwood: The Movie,’’ N H R Z N A N C Y S K V I G U premiering Friday on HBO. -
Plagiat Merupakan Tindakan Tidak Terpuji
PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI SAUSSURIAN BINARY OPPOSITION AS THE NARRATIVE STRUCTURE OF WILLIAMS’SUMMER AND SMOKE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANITA PUTRI Student Number: 114214125 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI SAUSSURIAN BINARY OPPOSITION AS THE NARRATIVE STRUCTURE OF WILLIAMS’SUMMER AND SMOKE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANITA PUTRI Student Number: 114214125 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 ii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI “The greatest ideas are the simplest.” ― William Golding, Lord of the Flies vii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ACKNOWLEDGEMENTS I owe my deepest gratitude to my thesis advisor, Mr. P. Sarwoto, -
External Content.Pdf
i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Suddenly Last Summer Tennessee Williams
SYDNEY THEATRE COMPANY PRESENTS TENNESSEE WILLIAMS’ SUDDENLY LAST SUMMER 1 ON CUE TABLE OF CONTENTS ABOUT ON CUE AND STC 3 CHARACTER ANALYSIS 18 Compiled by Hannah Brown. The activities and resources contained in this document are designed for educators as the starting point for developing CURRICULUM CONNECTIONS 4 THEMES AND IDEAS 21 more comprehensive lessons for this production. Hannah Brown is the Education Projects Officers for the Sydney Theatre Company. You can contact Hannah on hbrown@ CAST AND CREATIVES 5 THE ELEMENTS OF DRAMA 24 sydneytheatre.com.au © Copyright protects this Education Resource. ABOUT THE PLAYWRIGHT 6 STYLE 27 Except for purposes permitted by the Copyright Act, reproduction by whatever means in prohibited. However, limited photocopying for classroom use only is permitted FROM THE DIRECTOR 11 BIBLIOGRAPHY 29 by educational institutions. CONTEXT OF THE PLAY 12 ABOUT THE PLAY 14 SYNOPSIS 15 2 ABOUT ON CUE AND STC ABOUT ON CUE ABOUT SYDNEY THEATRE COMPANY In 2014, STC Ed is developing a new suite of resources In 1980, STC’s first Artistic Director Richard Wherrett beyond NSW with touring productions throughout located on our website to enrich and strengthen teaching defined STC’s mission as to provide “first class theatrical Australia. Through these partnerships and initiatives, and learning surrounding the plays in the STC season. Each entertainment for the people of Sydney – theatre that is STC plays a part in ensuring a creative, forward- show will be accompanied by an On Cue e-publication grand, vulgar, intelligent, challenging and fun.” thinking and sociable future by engaging with young which will feature all the essential information for teach- people, students and teachers. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Sweet Bird of Youth
Sweet Bird of Youth Relentless caper for all those who step The legend of their youth into the noon —Hart Crane The American poet Hart Crane was Tennessee Williams’s spiritual and literary mentor. Williams traveled with a picture of Crane and a volume of his poetry. Central to Crane’s work was the notion of a “usable past,” the idea of using one’s own personal history as metaphor and material for art. Williams began his play Sweet Bird of Youth with the above quote from Crane, which suggests that Williams may have been drawing heavily on his own personal history when writing the play. The inability to change one’s past is a central theme of Sweet Bird of Youth. In the play, Chance Wayne, having caused Heavenly, the love of his life, to contract a venereal disease, becomes the companion of an aging actress, Alexandra del Lago (called Princess), hoping that she can help him establish an acting career. Chance returns to his hometown, St. Cloud, to attempt a reconciliation with Heavenly, but in the end he is unable to recapture the love that they shared. He is abandoned by Princess when her career takes a better turn, and in the end he submits to castration in retribution for his corruption of Heavenly. The items in this exhibition are selections from the Fred W. Todd Tennessee Williams Collection, which is now housed at the Williams Research Center. The Todd Collection is currently being processed; sections of the collection will be made available to the public as they are completed. -
Gail Cronauer
GAIL CRONAUER Directing Resume 469-222-8580 Something Unspoken Wingspan Theatre, Dallas, TX Courtship Collin Theatre Center (CTC) Valentine's Day (In repertory) Collin College 1918 Plano, TX collintheatrecenter.com Atlas of Mud CTC U.S. Drag CTC Flaming Guns of the Purple Sage CTC Bus Stop CTC The Ruby Sunrise CTC All’s Well That Ends Well Oakpointe Shakespeare Fest The Two Gentlemen of Verona OSF Orpheus Descending CTC A Midsummer Night’s Dream OSF Handler CTC Twelfth Night CTC The Time of Your Life CTC Boy Gets Girl CTC Julius Caesar (with Joanne Zipay) CTC The Learned Ladies CTC Titus Andronicus (with Joanne Zipay) CTC Yerma CTC Macbeth CTC Sketches and Strings* CTC The Three Sisters CTC Buried Child CTC The Heiress CTC You Can't Take It With You CTC All in the Timing CTC Picnic CTC Voices Unsilenced* Theatre Three, Dallas, TX Joe Bobb Brigg's 2nd National Tour* Paladin Productions Little Footsteps Dallas Repertory Theatre Hooters Rosser Square Productions Chasing Tom* Theatre Kentesis Liberty (staged reading)* Playwrights Project Easy Chair (staged reading)* Playwrights Project Happy New Year* Stages '90 As You See it* Cabbages and Kings Theatre Fly On Wings of the Dragonfly* Cabbages and Kings Won't Somebody Listen?* Cabbages and Kings The List* Cabbages and Kings Hedda Gabler Southern Methodist U. Summer and Smoke Southern Methodist U. Uncommon Women and Others Southern Methodist U. The Great Nebula in Orion Southern Methodist U. The Love Talker Southern Methodist U. Macbeth Dallas Theater Center/TCT Mirrors* One Woman Show (L.Comess) The Velveteen Rabbit Dallas Theater Center/TCT Eccentricities of a Nightingale UW-Green Bay, WI She Stoops to Conquer UW-Green Bay Philemon (musical) UW-Green Bay What the Butler Saw Harlequin Players Orpheus Descending Illinois State U. -
Summer and Smoke Program [1994]
University of Southern Maine USM Digital Commons Programs 1993-1994 Season Theatre Programs 1990-2000 Spring 4-1994 Summer and Smoke Program [1994] University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1993-1994 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Summer and Smoke Program [1994]" (1994). Programs 1993-1994 Season. 5. https://digitalcommons.usm.maine.edu/theatre-programs-1993-1994/5 This Program is brought to you for free and open access by the Theatre Programs 1990-2000 at USM Digital Commons. It has been accepted for inclusion in Programs 1993-1994 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. The University of Southern Maine Department of Theatre • Russell Square Players presents ~ April 22-24 and April 27-May 1 , 1994 Main Stage, Russell Hall• Gorham campus Director's Notes As the World Turns, and locally with Mad Horse Theatre·and Shenanigans Productions, where he's also directed. Will Born in Columbus, Mississippi, in 1914, Tennessee received a faculty scholarship to the Kennedy Center in Williams gained popular notoriety in 1945 when his Washington, ~as studied at the American Academy of production of The Glass Menagerie was successfully produced Dramatic Art and National Shakespeare Conservatory in on Broadway. Other well-known works include A Streetcar New York, and holds theatre degrees from the·University of Named Desire, 194 7, and Cat on a Hot Tin Roof, 1955 -- both Rhode Island and the University ofillinois.