“I Will Rock Some Glitter Like You've Never Seen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Program Pocc.Nais.Org | #Naispocc | #Naissdlc
PROGRAM POCC.NAIS.ORG | #NAISPOCC | #NAISSDLC 32ND NAIS PEOPLE OF COLOR CONFERENCE 26TH NAIS STUDENT DIVERSITY LEADERSHIP CONFERENCE DECEMBER 4 – 7 | SEATTLE POCC AT A GLANCE 4 Overview 6 Conference Speakers WED Dec 4 THU Dec 5 FRI Dec 6 SAT Dec 7 10 Special Events 12 Important Notes 7:00 AM – 8:00 PM 6:00 – 7:00 AM 6:00 – 7:00 AM 7:00 – 8:00 AM 13 PoCC Hub Registration Open Wellness Activities Wellness Activities Choir Rehearsal 16 Pre-Conference 8:00 AM – 5:00 PM 7:00 AM – 6:00 PM 7:00 AM – 1:00 PM 7:30 – 8:45 AM Equity Seminars Equity Seminars — Full day Registration Open Registration Open Affinity Group Session 3 25 School Visits 8:00 AM – NOON 8:15 – 9:30 AM 8:00 – 9:15 AM 9:00 – 9:45 AM 27 SDLC Welcome and Equity Seminars — Half day PoCC | SDLC Opening General Workshop Block C State and Regional Meetings Schedule at a Glance (morning) Session with Joy DeGruy 30 Wednesday, December 4 9:15 – 9:30 AM 10:00 – 11:15 AM 32 Thursday, December 5 8:30 AM – 5:00 PM 9:30 AM – 5:00 PM Break, Relax, Refresh Student-Led Adult/Student PoCC Affinity Group Training PoCC Hub Open Dialogues (by State/Region) 50 Friday, December 6 9:30 – 10:45 AM The PoCC Leadership Institute Workshop Block F 78 Saturday, December 7 9:45 – 11:45 AM for Educators of Color General Session with Valarie Kaur 86 Appreciation Affinity Group Session 1 11:30 AM – 12:45 PM 10:45 – 11:15 AM 89 Sponsors 8:30 AM – 12:30 PM PoCC | SDLC Closing Ceremonies School Visits NOON – 1:30 PM Break and Choir Rehearsal with Pedro Noguera 90 Conference History PoCC Welcome Luncheon 92 Advertisements -
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
Employee Network and Affinity Groups Employee Network and Affinity Groups
Chapter 10 Employee Network and Affinity Groups Employee Network and Affinity Groups n corporate America, a common mission, vision, and purpose in thought and action across Iall levels of an organization is of the utmost importance to bottom line success; however, so is the celebration, validation, and respect of each individual. Combining these two fundamental areas effectively requires diligence, understanding, and trust from all parties— and one way organizations are attempting to bridge the gap is through employee network and affinity groups. Network and affinity groups began as small, informal, self-started employee groups for people with common interests and issues. Also referred to as employee or business resource groups, among other names, these impactful groups have now evolved into highly valued company mainstays. Today, network and affinity groups exist not only to benefit their own group members; but rather, they strategically work both inwardly and outwardly to edify group members as well as their companies as a whole. Today there is a strong need to portray value throughout all workplace initiatives. Employee network groups are no exception. To gain access to corporate funding, benefits and positive impact on return on investment needs to be demonstrated. As network membership levels continue to grow and the need for funding increases, network leaders will seek ways to quantify value and return on investment. In its ideal state, network groups should support the company’s efforts to attract and retain the best talent, promote leadership and development at all ranks, build an internal support system for workers within the company, and encourage diversity and inclusion among employees at all levels. -
Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
Wartrace Regulators
WARTRACE REGULATORS THE REGULATOR RECKONING 2017 Posse Assignments Main Match Dates: 10/12/2017 As of: 10/5/2017 Posse: 1 70529 Dobber TN Classic Cowboy 47357 Double Eagle Dave TN Silver Senior Duelist 27309 J.M. Brown NC Senior Duelist 1532 Joe West GA Frontiersman 101057 Lucky 13 OH Silver Senior 73292 Mortimer Smith TN Steam Punk 97693 Mustang Lewis TN Buckaroo 100294 News Carver AL Senior Duelist 42162 Noose KY Classic Cowboy 31751 Ocoee Red TN Silver Senior Posse Marshal 37992 Phiren Smoke IL Outlaw 106279 Pickpocket Kate TN Ladies Wrangler 96680 Scarlett Darlin' SC Ladies Gunfighter 76595 Sudden Sam TN Silver Senior Duelist 27625 T-Bone Angus TN B Western 5824 The Arizona Ranger MS Cattle Baron 60364 Tin Pot TN Elder Statesman Duelist 96324 Tyrel Cody TN Frontier Cartridge Gunfighter Total shooters on posse: 18 Posse: 1 WARTRACE REGULATORS THE REGULATOR RECKONING 2017 Posse Assignments Main Match Dates: 10/12/2017 As of: 10/5/2017 Posse: 2 52250 Bill Carson TN Frontier Cartridge Duelist 92634 Blackjack Lee AL B Western 104733 Boxx Carr Kid TN Young Guns Boy 31321 Captain Grouch KY Elder Statesman Duelist 103386 Cool Hand Stan TN Wrangler 94239 Dead Lee Shooter AL Gunfighter 55920 Deuce McCall TN Classic Cowboy 99358 Dr Slick TN Classic Cowgirl 20382 Georgia Slick TN Frontiersman 94206 Hot Lead Lefty TN Elder Statesman 69780 Perfecto Vaquera KY B Western Ladies 52251 Prestidigitator FL Cowboy 69779 Shaddai Vaquero KY Classic Cowboy Posse Marshal 77967 Slick's Sharp Shooter TN Cowgirl 97324 Tennessee Whiskers TN Classic Cowboy 32784 -
The Outlaw Hero As Transgressor in Popular Culture
DOI 10.6094/helden.heroes.heros./2014/01/10 Andreas J. Haller 75 The Outlaw Hero as Transgressor in Popular Culture Review of Thomas Hahn, ed. Robin Hood in Popular Culture: Violence, Trans- gression, and Justice. Cambridge: D. S. Brewer, 2000. A look at the anthology Robin Hood in Popu- All articles in the anthology but one (by Sherron lar Culture, edited by Thomas Hahn, can give Lux) describe Robin Hood or his companions as some valuable insights into the role and func- heroes or heroic or refer to their heroism. Nei- tions of the hero in popular culture. The subtitle ther can we fi nd an elaborate theory of the pop- Violence, Transgression, and Justice shows the ular hero, nor are the models of heroism and direction of the inquiry. As the editor points out, heroization through popular culture made ex- since popular culture since the Middle Ages has plicit. Still, we can trace those theories and mo- been playful and transgressive, outlaw heroes dels which implicitly refer to the discourse of the are amongst the most popular fi gures, as they heroic. Therefore, I will paraphrase these texts “are in a categorical way, transgressors” (Hahn and depict how they treat the hero, heroization, 1). And Robin Hood is the most popular of them and heroism and how this is linked to the idea of all. Certainly, the hero is a transgressor in gen- transgression in popular culture. eral, not only the outlaw and not only in popular culture. Transgressiveness is a characteristic Frank Abbot recalls his work as a scriptwriter for trait of many different kinds of heroes. -
Gender and Audience Reception of English-Translated Manga
Girly Girls and Pretty Boys: Gender and Audience Reception of English-translated Manga June M. Madeley University of New Brunswick, Saint John Introduction Manga is the term used to denote Japanese comic books. The art styles and publishing industry are unique enough to warrant keeping this Japanese term for what has become transnational popular culture. This paper represents a preliminary analysis of interview data with manga readers. The focus of the paper is the discussion by participants of their favourite male and female characters as well as some general discussion of their reading practices. Males and females exhibit some reading preferences that are differentiated by gender. There is also evidence of gendered readings of male and female characters in manga. Manga in Japan are published for targeted gender and age groups. The broadest divisions are between manga for girls, shōjo, and manga for boys, shōnen. Unlike Canada and the USA, manga is mainstream reading in Japan; everyone reads manga (Allen and Ingulsrud 266; Grigsby 64; Schodt, Dreamland 21). Manga stories are first serialized in anthology magazines with a specific target audience. Weekly Shōnen Jump is probably the most well known because it serializes the manga titles that have been made into popular anime series on broadcast television in North America (and other transnational markets) such as Naruto and Bleach. Later, successful titles are compiled and reprinted as tankobon (small digest-sized paperback books). The tankobon is the format in which manga are translated into English and distributed by publishers with licensing rights purchased from the Japanese copyright holders. Translated manga are also increasingly available through online scanlations produced by fans who are able to translate Japanese to English. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
Secondary Analysis of Discrimination Against BDSM Identified Individuals
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 I Didn't Consent to That: Secondary Analysis of Discrimination Against BDSM Identified Individuals Larry Iannotti Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/229 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] I DIDN’T CONSENT TO THAT: A SECONDARY ANALYSIS OF DISCRIMINATION AGAINST BDSM-IDENTIFIED INDIVIDUALS By LARRY IANNOTTI A dissertation submitted to the Graduate Faculty in Social Welfare in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii © 2014 Larry Iannotti All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Social Welfare in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. SJ Dodd, PhD Date Chair of Examining Committee Harriet Goodman, DSW Date Executive Officer Professor Irwin Epstein Professor Gerald Mallon Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract I DIDN’T CONSENT TO THAT: A SECONDARY ANALYSIS OF DISCRIMINATION AGAINST BDSM-IDENTIFIED INDIVIDUALS by Larry Iannotti Dissertation Chair: Professor SJ Dodd Sadomasochistic (BDSM) sexual behavior is an understudied phenomenon within the social sciences generally, and social work in particular. While BDSM sexuality encompasses a wide variety of activities a community of individuals interested in BDSM is identifiable and has coalesced around organized groups, events, political activism, and shared sexual interests. -
Combined Book Exhibit® Xxxxxxxxxxxxxxxxxxxxxx
Sharjah Children’s Reading Festival 2021 7___FRANKIE FROG AND THE THROATY CROAKERS: Albert Whitman & Company Hartas, Freya, Hartas, Freya. Albert Whitman & #320, 250 S. Northwest Highway, Park Ridge, Illinois USA Company, Every frog dreams of their first croak, but 60068. Frankie's croak never comes! Without it, he's not sure Tel: 847-232-2800;Fax: 847-581-0039 how he fits into the world of the pond, until one day he Email: [email protected] hears a mysterious sound from a musical instrument. Is Web: www.albertwhitman.com this another way for Frankie to make his voice heard? Frankie Frog and the Throaty Croakers is a celebration of Key Contact Information music, determination, and creativity., $16.99, HC ISBN John Quattrocchi 13: (978-0-807-52543-2) 2019, JUVENILE FICTION > General [email protected] 1___BOXCAR #1: THE BOXCAR CHILDREN: Boxcar 8___HIDE AND PEEK: Animal Time Houran, Lori Haskins, Children Warner, Gertrude Chandler, Jessell, Tim. Albert Willmore, Alex. Albert Whitman & Company, Every time Whitman & Company, The Aldens begin their adventure Bird hears a noise, she says eek! and hides her head in by making a home in a boxcar. Their goal is to stay the sand. And every time, the noise turns out to be one together, and in the process they find a grandfather., of her friends playing nearby. Can Elephant convince her $6.99, PB ISBN 13: (978-0-807-50852-7) 1942, JUVENILE that there's nothing to be scared of?, $12.99, HC ISBN FICTION > General 13: (978-0-807-57208-5) 2019, JUVENILE FICTION > General 2___BOXCAR #2: SURPRISE ISLAND: Boxcar Children 9___HOW DO YOU LIFT A LION?: Wells Of Knowledge Warner, Gertrude Chandler, Jessell, Tim. -
Relational Aggression on Film: an Intersectional Analysis of Mean Girls
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 2 NUMBERS 1 & 2 2014 Editor BOB BATCHELOR Thiel College Associate Editor NORMA JONES Kent State University Associate Editor KATHLEEN TURNER Aurora University Book Review Editor JENNIFER C. DUNN Dominican University Assistant Editor MYC WIATROWSKI Indiana University Assistant Editor MAJA BAJAC-CARTER Kent State University Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture-studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2014 Midwest Popular and American Culture Association. All rights reserved. Cover photo credits Cover Artwork “Living Popular Culture” by Brent Jones © 2014 “Selfie for Peace” by Savannah Jones © 2014 “Party People” by Roob9 licensed by PhotoDune iPhone frame: Creative Commons “iPhone 5S” by Karlis Dambrans is licensed under CC BY 2.0 EDITORIAL ADVISORY BOARD ANTHONY ADAH JUSTIN GARCIA Minnesota State University, Moorhead Millersville University AARON BARLOW ART HERBIG New York City College of Technology (CUNY) Indiana University - Faculty Editor, Academe, the magazine of the AAUP Purdue University, Fort Wayne JOSEF BENSON ANDREW F. HERRMANN University of Wisconsin Parkside East Tennessee State University PAUL BOOTH JARED JOHNSON DePaul University Thiel College GARY BURNS JESSE KAVADLO Northern Illinois University Maryville University of St. Louis KELLI S. BURNS KATHLEEN A. KENNEDY University of South Florida Missouri State University ANNE M. CANAVAN WILLIAM KIST Emporia State University Kent State University ERIN MAE CLARK LARRY Z. LESLIE Saint Mary’s University of Minnesota University of South Florida BRIAN COGAN MATTHEW MIHALKA Molloy College University of Arkansas - Fayetteville ASHLEY M. DONNELLY LAURIE MOROCO Ball State University Thiel College LEIGH H. -
Barnett Family Halloween a Vampire and Moana Go Trick-Or-Treating
CaseBarnettLaw.com 949-565-2993 OCTOBER 2018 BARNETT FAMILY HALLOWEEN A VAMPIRE AND MOANA GO TRICK-OR-TREATING On Sept. 1, my wife and son were both ready to start decorating for the season. Ever since he was a baby, The weather outside may still be hot and beautiful, but inside our house, Nicole Finn has loved going in the has created a cozy fall retreat. It even Halloween stores and seeing smells like fall in our house. Meanwhile, Finn is on a mission to turn our home into all the scary, gory decorations. a real house of horrors. We were a little behind on decorating the new house for fall because we spent a week in San Diego while the water restoration team cleaned up Finn’s waterfall. But we’re personalities will be. Finn back on schedule now and the house certainly shows it. has decided he’s going to be a vampire this year, and he A few weeks ago, we took Finn to Lowes, where they had those big wanted Harlow to be a bat. inflatable Halloween decorations on display. Finn became obsessed with When Harlow heard this, them, and long story short, there’s a 16-foot-tall blow-up ghost hanging she just shook her head and out on our front lawn. It’s so obnoxious and awesome — we’re like the declared, “No! Me Moana!” Halloween Griswolds of our neighborhood. Our family goes bananas for She wants to dress like the Halloween, mainly because of Finn. We end up swinging by the pop-up main character from the Halloween store a few times throughout the season to get all the supplies Disney movie “Moana.” Nicole we need.