DOCSLIB.ORG

Tourist Information

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tourist Information 06.157Ti_toerist.info metADV_EN 18-12-2006 16:20 Pagina 1 Discover Delft’s other colours tourist information As of April 2007: Vermeer- City of Delftware, House centrum of Orange and Vermeer Cozy plazas and canals Festivals and fun shopping Attractive accomodations P HOENIX U D O E BALJ RST J UW K STEEG ERS V R T DRIE T AA STRAAT U AKERSSTR. H D T D C E S SCHOOLST EL R R. T DOELEN- F I ENH T PLEIN P O LUY UI Z AGATHAPLEIN M SCHUTTERS E P V N H. GEES O T T HIPP CHO KERKHOF ORSTRAAT B UURT JU OLYTU L 8 R V T R TIP TE OUW DE VLOUW NLAND S NIEUWSTR. WC V VOLDERS V W GRACHT V Useful 7 B R I OUW 5 J P N H 3 KER BOTER- KSTR. A E MAR N V KT BRUG R E O E KLOKSTEEG N G M. map OUDE LAJ NGENDIJK JOZEF V. REIGE BINNEN . BERGSTR. PEPERSTR. G WC WATER- E RRIT SLOOT STR. S R KROMSTR. TR. 1 10 S - SMITST. 11 BURGWAL 9 OUD K MARIA BEESTEN OO GOUWELOOS H MARK B E R O POORT MOLST R N UT P R AAT A B LAA MOLS A P POPPEST N AR T CONGREGATIE A HOF D R 06.157Ti_toerist.info metADV_EN 18-12-2006 16:20 Pagina 2 Welcome to Delft Discover Delft New - From the air! DelftXpress – the Delft blue train KammAir provides A tourist train, painted Delft blue, between round trips and day various tourist attractions – from April-October, trips from Rotterdam every hour between 10am-4pm. Route: Sint- Airport. The Delft Up Agathaplein (10am). Station Centrum (10.15am), and Down package Royal Delft (10.30am) and Botanical Garden € Tourist Information Point comprises a canal trip combined with a (10.45am). Price: 4 (ticket valid for the whole flight over the historic town centre. The day). Tel. 015 256 82 18; www.delftxpress.nl If you would like to know what complete programme takes approx. 3 is going on in Delft, you simply hours. Price: € 75 p.p. Tel. 06 2694 7176; must pay a visit to the Tourist www.kammair.nl Information Point (TIP). They have Get into a Cycle Taxi information about everything there Cycle through the city centre without having to is to see and to do in the city. pedal yourself - the Cycle Taxi. Daily in the city The employees will be able to deal By scooter centre from April-October. You can stop empty with all your questions about Ride through our dy- taxis on and around the Markt. Price: € 1 per museums, hotels, restaurants, namic Delft on the 3 min. p.p. There is also an Alleys Route, an East events and markets. ultramodern scooters India Route, and the Almshouses' Route. Can be of Dagtochten booked on tel. 015 214 14 40; www.velotaxi.nl Tourist Information Point (TIP) Combinatie Delft. Hippolytusbuurt 4, 2611 HN Delft Price € 6.50 p.p. per half day (2 hours). tel.: 0900 5151 555 (€ 0.40 per minute) Tel. 015 213 64 03; tel. from abroad: +31 (0)15 215 40 51 www.uitindelft.nl Canal trips e-mail: [email protected] During the canal trip (45 min.), a multi- lingual guide tells you about Delft, about www.delft.com By horsetram its special buildings and their history. A historic route with From April-October, every hour from Opening hours historic transport - 11am-5pm. Start/return: Koornmarkt 113. April - September Sun-Mon 10am-4pm for groups only. Price: € 5.75/€ 3 p.p. (3-12 yrs). Special Tue-Fri 9am-6pm Can be booked on packages and group packages. Also pedalo Sat 10am-5pm tel. 015 256 18 28; hire, € 12.50 per hour per 4-person pedalo. October-March Sun 10am-3pm www.delftsepaardentram.nl Tel. +31 (0)15 212 63 85; Mon 11am-4pm www.rondvaartdelft.nl Tue-Sat 10am-4pm Bank Holidays 10am-4pm, 24 and 31 Dec to 3pm, closed 25 and 26 Dec and 1 Jan. City Walks trip. Daily from 7 Apr to 30 Sept; during Oct, only in weekends, starting at 11.30am (€ 10). Research has demonstrated that Delft is the most popular Dutch city for walking. You can choose one Guided city walks An experienced guide takes you of several themed walks - on your own, in groups, around all the important and beautiful sites of Delft. guided, or combined with a trip on the Delft canals. 30 March to 29 Sept, Wed, Fri, and Sat from 2-3.30pm (€ 5). Registration/start of all walks at the TIP; Individual city walks For those who prefer to discover max. 30 people, Dutch and English-speaking guides. Delft by themselves, there are four walks, each with their own theme - History, Vermeer, Royal Family, Group outings Delft is just the right place for and Famous Delft Painters, Authors and Scientists. imaginative group trips. How would you like a On sale from the TIP (€ 2.20). chocolate workshop where you make your own chocolates? The organisations who deal with Delft City Tour With this package you explore the city groups are listed on page 11. for 2 hours, combining a guided city walk and a canal 2 06.157Ti_toerist.info metADV_EN 18-12-2006 16:21 Pagina 3 City of Delftware, the House of Orange and Vermeer You need not look any further - this is the city with something for everyone. All year round, we offer some- thing for the culture lover, the funshopper, the historian, the scientist, the gourmand, and the sporty. Our city has it all - green squares and romantic canals, quiet almshouses, pleasant terraces, fun shops, exclusive restaurants and attractive hotels. And we haven’t mentioned the museums yet! This is the city of the world-famous Delftware, of William of Orange and of Johannes Vermeer. You have arrived in Delft. The Markt is one of the most beautiful Ontdek de andere kleuren van Delft squares in the Netherlands, framed by wandelroute historie the 17th century gables, the wonderful in Delft Stadhuis (Town Hall), and the imposing Nieuwe Kerk with the mausoleum of William of Orange. It takes you back in time. The atmosphere is relaxed and typically Dutch, just like the pancakes and the ‘poffertjes’ The Stadhuis on the Markt, built in 1620 around the13th-century tower Het Steen. you find on the menus. The city’s liveliness is enhanced by its relatively young and days, and as a textile city, where fine Delft City walk ‘History in international inhabitants - the various worsted was made. Where the barges used Delft’ is available knowledge institutes, including the Technical to be loaded with textiles, barrels of beer from the TIP in University of Delft with more than 13,000 and Delftware on the canals, you are now Dutch, English, students, contribute to that. welcome on flat barges with colourful German and French. terraces. Rich past The Medieval structure is still recognisable India Company and the town was home Welcome to Delft. Beware - you would not in the old city centre. Where possible, the to famous scientists, such as Hugo Grotius, be the first to fall for our picturesque and centre is a car-free zone, enabling you to and painters like Johannes Vermeer. As romantic city. explore the pleasant city centre on foot. the home base of the Dutch East India Most sights and attractions are within wal- Company, the largest trading company in king distance of each other. Monumental the world, Delft became familiar with houses are an explicit memory of Delft’s Chinese porcelain, which was to be the rich past. More than 750 years old, the city inspiration for the famous Delftware. But enjoyed its heyday in the Golden Age. In even before those days, Delft already Ontdek de andere kleuren van Delft those days, Delft was a rich merchants’ experienced international fame. As a city wandelroute bekende Delftse schilders, town with its own lodge of the Dutch East of beer, with 150 breweries in its glory schrijvers en wetenschappers in Delft Famous citizens of Delft was the right-hand man of the statesman Antoni van Leeuwenhoek (1632-1723), Johan van Oldenbarnevelt. In the political- polished miniscule lenses that enlarged to religious conflict with Prince Maurits, ‘the City walk ‘Famous 266 times, and then mounted them on a Oracle of Delft’ chose the side of Van Delft painters, au- clever device - the microscope. Vermeer is Oldenbarnevelt. In 1618, Maurits had Hugo thors and scientists’ likely to have depicted his fellow citizen in Grotius and Van Oldenbarnevelt arrested, is available from the his paintings ‘The Geographer’ and ‘The As- and the latter was beheaded. Grotius was TIP in Dutch, English, tronomer’. After Vermeer’s death, Van Leeu- given a lifelong sentence and was locked German and French. wenhoek was appointed as his trustee. Van up in Loevestein Castle. After two years, he Leeuwenhoek is buried in the Oude Kerk. managed to escape from the fort by hiding in an empty book chest. There is a statue of Hugo Grotius (1583-1645), international Hugo Grotius on the Markt in front of the lawyer, historian, philosopher and diplomat Nieuwe Kerk, where he is buried. 3 06.157Ti_toerist.info metADV_EN 18-12-2006 16:21 Pagina 4 DELFT POTTERY DE DELFTSE PAUW • Original entirely handpainted Delftware • ENTRANCE AND GUIDED TOUR FREE OF CHARGE • Show- and salesroom • Factory prices OPENING HOURS Season 1/4 - 31/10 1/11 - 31/3 Monday - Friday 9.00 - 16.30 9.00 - 16.30 Saturday - Sunday 9.00 - 16.30 11.00 - 13.00 Delftweg 133 • PO Box 400 • 2600 AK Delft T + 31 (0)15 212 49 20 • F + 31 (0)15 213 49 79 Kerkstraat 13A tel.
Load more

Recommended publications
  • S40494-020-00364-5 Publication Date 2020 Document Version Final Published Version Published in Heritage Science
    Delft University of Technology Out of the blue Vermeer’s use of ultramarine in Girl with a Pearl Earring van Loon, Annelies; Gambardella, Alessa A.; Gonzalez, Victor; Cotte, Marine; De Nolf, Wout; Keune, Katrien; Leonhardt, Emilien; de Groot, Suzan; Proaño Gaibor, Art Ness; Vandivere, Abbie DOI 10.1186/s40494-020-00364-5 Publication date 2020 Document Version Final published version Published in Heritage Science Citation (APA) van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., Leonhardt, E., de Groot, S., Proaño Gaibor, A. N., & Vandivere, A. (2020). Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8(1). https://doi.org/10.1186/s40494-020-00364-5 Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. van Loon et al. Herit Sci (2020) 8:0 https://doi.org/10.1186/s40494-020-00364-5 RESEARCH ARTICLE Open Access Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring Annelies van Loon1,2* , Alessa A.
    [Show full text]
  • Reserve Number: E16 Name: Spitz, Ellen Handler Course: HONR 300 Date Off: End of Semester Rosenberg, Jakob and Slive, Seymour
    Reserve Number: E16 Name: Spitz, Ellen Handler Course: HONR 300 Date Off: End of semester Rosenberg, Jakob and Slive, Seymour . The School of Delft: Jan Vermeer . Dutch Art and Architecture: 1600-1800 . Rosenberg, Jakob, Slive, S.and ter Kuile, E.H. p. 114-123 . Middlesex, England; Baltimore, MD . Penguin Books . 1966, 1972 . Call Number: . ISBN: . The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or electronic reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or electronic reproduction of copyrighted materials that is to be "used for...private study, scholarship, or research." You may download one copy of such material for your own personal, noncommercial use provided you do not alter or remove any copyright, author attribution, and/or other proprietary notice. Use of this material other than stated above may constitute copyright infringement. http://library.umbc.edu/reserves/staff/bibsheet.php?courseID=5869&reserveID=16585[8/18/2016 12:49:46 PM] ~ PART ONE: PAINTING I60o-1675 THE SCHOOL OF DELFT: JAN VERMEER also painted frequently; even the white horse which became Wouwerman's trademark 84) and Vermeer's Geographer (Frankfurt, Stadelschcs Kunstinstitut; Plate 85) em­ is found in Isaack's pictures. It is difficult to say if one of these two Haarlem artists, phasizes the basic differences between Rembrandt and Vermeer. Rembrandt stands out who were almost exact contemporaries (W ouwerman was only two years older than as an extreme individualist; Vermeer is more representative of the Dutch national Isaack), should be given credit for popularizing this theme or if it was the result of their character.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The idea of Europe in Contemporary European Cinema Liz, Mariana Vinagre Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 THE IDEA OF EUROPE IN CONTEMPORARY EUROPEAN CINEMA Mariana Vinagre Liz PhD in Film Studies 1 This thesis has benefitted from the financial support of FCT – Fundação para a Ciência e Tecnologia, doctoral grant SFRH/BD/43258/2008, part of the QREN- POPH, co-financed by the European Social Fund and the Portuguese Ministry of Education and Science.
    [Show full text]
  • Art and New Media: Vermeer's Work Under Different Semiotic Systems
    Vieira Art and New Media: Vermeer’s Work under Different Semiotic Systems Vieira 2 Miriam de Paiva Vieira Art and New Media: Vermeer’s Work under Different Semiotic Systems Submitted in partial fulfillment of the requirements for the degree of "Mestre em Letras: Estudos Literários". Area: Literatures in English Line of Research: Literature and other semiotic systems Thesis Advisor: Prof. Dra. Thaïs Flores Nogueira Diniz Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2007 Vieira, Miriam de Paiva. V658a Art and new media [manuscrito] : Vermeer’s work under different semiotic systems / Miriam de Paiva Vieira. – 2007. 116 f., enc. : il. color., p&b, tab. Orientadora : Thaïs Flores Nogueira Diniz. Área de concentração: Literaturas de Expressão Inglesa. Linha de Pesquisa: Literatura e outros Sistemas Semióticos. Dissertação (mestrado) – Universidade Federal de Minas Gerais, Faculdade de Letras. Bibliografia : f. 110-116. 1. Vermeer, Johannes, 1632-1675 – Crítica e interpretação – Teses. 2. Arte e literatura – Teses. 3. Adaptações para o cinema – Teses. 4. Semiótica e artes – Teses. 5. Semiótica e literatura – Teses. 6. Intermedialidade – Teses. 7. Transtextualidade – Teses. I. Diniz, Thaïs Flores Nogueira. II. Universidade Federal de Minas Gerais. Faculdade de Letras. III. Título. CDD : 809.93357 Vieira 3 I dedicate this work to the new reason of my life: Débora. Vieira 4 ACKNOWLEDGEMENTS To my dear nephew Guilherme and all the late snacks brainstorming over the kitchen’s table. To my good friend James and his thoughtful revisions. To my sister Maria Teresa for making me laugh at the most difficult times. To my colleague, and now good friend, Patrícia Lane for all the sharing.
    [Show full text]
  • Hello-Delft-Def
    13 HELLO DELFT CITY GUIDE 2020/2021 incl. citymap Discover the craftmanship, history and innovation of Royal Delft Blue YOUR Frieda Mellema Frieda CITY GUIDE T O Rotterdamseweg 196, 2628 AR Delft | 015 760 08 00 | www.royaldelft.com DELFT 01 Paauw Pottery/Delfter Blau/Faïence 02 Oude Kerk Old Church/Alte Kirche /Vieille Église 03 Museum/musée Prinsenhof Delft 04 Vermeer Centrum Delft Centre Vermeer/Vermeer Zentrum 05 De Candelaer & De Blauwe Tulp Pottery/Delfter Blau/Faïence 06 Stadhuis City Hall/Rathaus/Hotel de Ville 07 Nieuwe Kerk New Church/Neue Kirche /Nouvelle Église 0 Rondvaart Delft PRINSENHOF Canal boat/Rundfahrtboot GARAGE /Bateau Mouche 09 Theater de Veste/Theater/Théâtre 10 Oostpoort 11 NS Station Trainstation/Bahnhof/Gare 12 Botanische Tuin Botanical Garden/Botanischer Garten/Jardin botanique 13 Royal Delft Pottery/Delfter Blau/Faïence 14 Technische Universiteit Delft Technical University/Technische Universitt/Université technique 15 Science Centre Delft Museum/Musée 16 Maria van Jesse Kerk Catholic church/Église catholique/Katholische Kirche 17 Molen de Roos Windmill/windmhle/Moulin 1 Recreatiegebied Delftse Hout Parc/Park/Parque 19 Museum Paul Tetar van Elven/ Museum/Musée 20 Het Havenkantoor 21 Filmhuis Lumen/Cinema/Cinéma/ Kino 22 Pathe Bioscoop/Pathe Cinema/ Kino VVV DELFT, Kerkstraat 3 Tourist Information Touristen Information Information Touristique Tramlijn 1,19 Tram 1,19 /Strassenbahn 1,19 37 Tramhalte Tram stop/Haltestelle/ Arrt du tram 27 2 Hofje Almshouse/Innenhof/Hospice Fietsenstalling Bicycle garage/Fahradstnder/ Rtelier 51 34 Camping 31 Delft City Shuttle www.delft.com 32 24 26 30 35 29 23 12 2017/201 VVV DELFT HELLO INHOUD / DELFT 04 Hello Delft / 06 VVV Delft / Tourist Information Ontdek het Delft van toen in het Delft van nu 07 Tours en wandelingen / Tours and walks 08 The 10 best photo spots Delft is wereldberoemd om haar Delfts Blauw en staat bekend als stad van Johannes Vermeer & tijdgenoten, Oranje 09 Must see / Must do en technologie.
    [Show full text]
  • Inside the Camera Obscura – Optics and Art Under the Spell of the Projected Image
    MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2007 PREPRINT 333 Wolfgang Lefèvre (ed.) Inside the Camera Obscura – Optics and Art under the Spell of the Projected Image TABLE OF CONTENTS PART I – INTRODUCING AN INSTRUMENT The Optical Camera Obscura I A Short Exposition Wolfgang Lefèvre 5 The Optical Camera Obscura II Images and Texts Collected and presented by Norma Wenczel 13 Projecting Nature in Early-Modern Europe Michael John Gorman 31 PART II – OPTICS Alhazen’s Optics in Europe: Some Notes on What It Said and What It Did Not Say Abdelhamid I. Sabra 53 Playing with Images in a Dark Room Kepler’s Ludi inside the Camera Obscura Sven Dupré 59 Images: Real and Virtual, Projected and Perceived, from Kepler to Dechales Alan E. Shapiro 75 “Res Aspectabilis Cujus Forma Luminis Beneficio per Foramen Transparet” – Simulachrum, Species, Forma, Imago: What was Transported by Light through the Pinhole? Isabelle Pantin 95 Clair & Distinct. Seventeenth-Century Conceptualizations of the Quality of Images Fokko Jan Dijksterhuis 105 PART III – LENSES AND MIRRORS The Optical Quality of Seventeenth-Century Lenses Giuseppe Molesini 117 The Camera Obscura and the Availibility of Seventeenth Century Optics – Some Notes and an Account of a Test Tiemen Cocquyt 129 Comments on 17th-Century Lenses and Projection Klaus Staubermann 141 PART IV – PAINTING The Camera Obscura as a Model of a New Concept of Mimesis in Seventeenth-Century Painting Carsten Wirth 149 Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer Karin Groen 195 Neutron-Autoradiography of two Paintings by Jan Vermeer in the Gemäldegalerie Berlin Claudia Laurenze-Landsberg 211 Gerrit Dou and the Concave Mirror Philip Steadman 227 Imitation, Optics and Photography Some Gross Hypotheses Martin Kemp 243 List of Contributors 265 PART I INTRODUCING AN INSTRUMENT Figure 1: ‘Woman with a pearl necklace’ by Vermeer van Delft (c.1664).
    [Show full text]
  • Gems of Holland Weekend Break
    Gems of Holland Weekend Break Experiencing the best Holland has to offer while avoiding the tourist crowds at certain places? The smaller cities of Leiden and Delft have all the Dutch characteristics: cheese markets, famous painters, typical canals, rich history, churches with stained-glass windows, windmills, lovely squares and ancient cobbled alleys. Added to that, a laid-back and lively atmosphere, relatively low numbers of visitors and short distances between the sights, these cities make for a great exploration of what Holland has to offer. You end this trip true Dutch-style: with an excellent cycling route through the sand dunes to the North Sea coast near Leiden. Trip Itinerary FRIDAY - DAY 1: ARRIVAL IN DELFT Upon arrival to Delft railway station, it’s an easy few-minute walk to your hotel. Alternatively you could take a taxi from the railway station (not included). Delft is a charming city with many canals and characteristic buildings and courtyards, that is famous for being the place that painter Johannes Vermeer lived in the 17th century. A leisurely stroll to the center, and alongside the typical canals and cobbled squares will take you to the Vermeer Centre, where you can learn all about this painter who spent all his life in Delft (1632-1675). He only made 37 paintings during his life, and at the Vermeer Centre you can see reproductions of all of these, including the Milkmaid and View of Delft. Have a look into his ​ ​ ​ ​ studio and allow yourself to be taken back in time to 17th century Delft. Don’t skip the market square and the Old and New Church also (entrance fee not included).
    [Show full text]
  • View a Copy of This Licence, Visit Mmons​.Org/Licen​Ses/By/4.0
    van Loon et al. Herit Sci (2020) 8:25 https://doi.org/10.1186/s40494-020-00364-5 RESEARCH ARTICLE Open Access Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring Annelies van Loon1,2* , Alessa A. Gambardella2, Victor Gonzalez2,3, Marine Cotte4,5, Wout De Nolf4, Katrien Keune2,6, Emilien Leonhardt7, Suzan de Groot8, Art Ness Proaño Gaibor8 and Abbie Vandivere1 Abstract Johannes Vermeer (1632–1675) is known for his brilliant blue colours, and his frequent use of the costly natural ultramarine. This paper reveals new fndings about ultramarine in the headscarf of Girl with a Pearl Earring (c. 1665, Mauritshuis). The painting was examined using a range of micro- and macroscale techniques as part of the Girl in the Spotlight research project (2018). Analysis of micro-samples mounted as cross-sections using SEM–EDX and FTIR-ATR showed that Vermeer used high-quality ultramarine in the blue headscarf, based on the relative abundance of bright blue particles of lazurite. Analysis with synchrotron sulphur K-edge XANES suggested that the ultramarine pigment was prepared—at least in part—from a heat-treated lapis lazuli rock. The entire painting was imaged using MS-IRR, MA-XRF, RIS, and digital microscopy to reveal the distribution of materials of the headscarf, and to give more insight into Vermeer’s painting process. The shadow part of the headscarf has a remarkably patchy appearance, due to paint degradation that is probably related to the large amounts of chalk Vermeer mixed in the ultramarine paint in this area. The question was raised as to whether extra chalk was added deliberately to the paint to adjust the handling proper- ties or opacity, or whether the chalk was the substrate of a—now faded—yellow lake.
    [Show full text]
  • Johannes Vermeer and His Neighbours
    Johannes Vermeer and his neighbours By H.G.Slager This paper is for academic purposes only (public domain) H.G. Slager, independent researcher Ommen, The Netherlands, october 2017 Cover image: detail of Vermeer’s Woman in blue reading a letter, Rijksmuseum Amsterdam General summary A reconstruction of Johannes Vermeer’s predominantly catholic neighbourhoud was possible by aligning several 17th century house registers and verification via individual archival records like sales deeds. Information in the (Delft) archives on catholics is hampered by the illegality and secrecy of the religion at the time; events may have taken place without a lawyer, notary, Orphan chamber or other official. Such information is prone to loss or at best has survived but dispersed. New information on Vermeer and/or his neighbours may have to come from other places like church archives, private archives or public archives outside Delft as has been the (limited) experience in this study. The reconstruction provides a detailed picture of the house- and owner situation in the 17th century in the so- called Papist corner where Vermeer had lived and died. Reanalyzing old and new data it is concluded Vermeer’s residence from 1663 (or earlier) until 1675 could be different than concluded in the past. The corner house on the other side of the Molenpoort alley has an equal chance to have been Vermeer’s residence. Many houses in the Papist corner harbouring the Jesuit statie (station or mission) were bought by rich catholics as the Jesuits were unable to legally buy property for themselves. Several of these sponsors resided elsewhere and likely only stayed in Delft on occasion.
    [Show full text]
  • IMAGES of WOMEN in SEVENTEENTH-CENTURY DUTCH ART By
    THE MASTER OF THE HOUSEHOLD: IMAGES OF WOMEN IN SEVENTEENTH-CENTURY DUTCH ART By PATRICIA LAFONTAINE Master of Philosophy Faculty of Arts University of Glasgow CHRISTIE’S EDUCATION LONDON MASTER’S PROGRAM SEPTEMBER 2000 © PATRICIA LAFONTAINE ProQuest Number: 13818862 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818862 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW , university UJBRARY: M5J. TABLE OF CONTENTS ACKNOWLEDGMENTS ABSTRACT........................................................................................................... p. 1 I. INTRODUCTION................................................................................... p. 2-4 II. CHAPTER 1: WOMEN IN THE HOME A Changing Society...................................................................................p. 5-8 The Importance of the Home...................................................................p. 8-15 Obsession with Cleanliness.....................................................................
    [Show full text]
  • Dutch Golden Age
    Dutch Golden Age Contents Italian influence ................................................................................................................................................3 Frans Hals ............................................................................................................................................. 5 Rembrandt (separate file) ............................................................................................................................ 11 Genre ............................................................................................................................................................... 12 Jan Steen ..................................................................................................................................................... 13 Prodigal Son/Unequal Lovers. ............................................................................................................ 13 Disorderly Household. .......................................................................................................................... 15 Love and Couples ................................................................................................................................... 18 Children .................................................................................................................................................... 21 School of Delft ............................................................................................................................................
    [Show full text]
  • Low Countries Brussels, Bruges, Delft, Amsterdam
    HIGH ART IN THE LOW COUNTRIES BRUSSELS, BRUGES, DELFT, AMSTERDAM MAY 28 – JUNE 9, 2021 TOUR LEADER: DR NICK GORDON HIGH ART IN THE Overview LOW COUNTRIES From the 15th century onwards the Low Countries witnessed an Tour dates: May 28 – June 9, 2021 extraordinary period of cultural brilliance. Brisk trade, merchant-based governments, humanistic education, religious dissent and a taste for Tour leader: Dr Nick Gordon luxury and everyday detail combined with an artisan culture to produce a period now known as the Northern Renaissance. The visual worlds and Tour Price: $7,880 per person, twin share distinctive religious and political identities that emerged from the region continue to influence Western art. Single Supplement: $1,720 for sole use of double room Landscape, still life, genre painting and the modern portrait were all developed in the Low Countries, starting with the innovations introduced to oil painting by Jan van Eyck and continuing through the work of Bosch, Booking deposit: $500 per person Brueghel, Rubens, Rembrandt and Vermeer and down to Van Gogh. But the political and religious map of Europe was reshaped here too, with the Recommended airline: Emirates and Etihad emergence of Protestant republics in the north and the struggles of Airways peasants and burghers against the ambitious Holy Roman Empire. With the glory of the Dutch Golden Age, a vast colonial empire brought Maximum places: 20 fabulous riches and ensured the posterity of the art and history of the Low Countries. Itinerary: Brussels (3 nights), Bruges (2 nights), Delft (3 nights), Amsterdam (4 nights) This 13-day tour goes beyond the clichés of windmills and wooden shoes, taking us from Brussels, to Bruges, Delft and Amsterdam, exploring the Date published: March 18, 2020 fascinating art, history and culture of the Low Countries along the way.
    [Show full text]