New Books List April-June 2011
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Higher Education Rights Guide January-June 2019
Higher Education Rights Guide January-June 2019 macmillanihe.com Higher Education Rights Guide January-June 2019 Welcome to the Higher Education Rights Guide January - June 2019 This catalogue features some of our newest books available for translation, introducing you to the broad selection of titles we have available� If you are interested in any of the titles featured in our Rights Guide, please contact us at the email address below� Provided that the appropriate language rights are available, we will be pleased to send you reading copies to review� We look forward to working with you, Higher Education Rights Team y Web: www�macmillanihe�com y Email: booktranslations@springernature�com Contents Business Psychology Diversity in Organizations �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3 Forensic Psychology �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 25 Sustainable Human Resource Management� � � � � � � � � � � � � � � � � � � � � � � � � � 4 Social Work Economics Global Mindedness in International Social Work Practice� � � � � � � � � � � � � 26 Macroeconomics� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5 Solution-Focused Practice �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 27 Working Across Difference � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 28 History Media in History � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � -
Film Film Film Film
City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
1927/28 - 2007 Гг
© Роман ТАРАСЕНКО. г. Мариуполь 2008г. Украина. [email protected] Лауреаты премии Американской Академии Киноискусства «ОСКАР». 1927/28 - 2007 гг. 1 Содержание Наменование стр Кратко о премии………………………………………………………. 6 1927/28г……………………………………………………………………………. 8 1928/29г……………………………………………………………………………. 9 1929/30г……………………………………………………………………………. 10 1930/31г……………………………………………………………………………. 11 1931/32г……………………………………………………………………………. 12 1932/33г……………………………………………………………………………. 13 1934г……………………………………………………………………………….. 14 1935г……………………………………………………………………………….. 15 1936г……………………………………………………………………………….. 16 1937г……………………………………………………………………………….. 17 1938г……………………………………………………………………………….. 18 1939г……………………………………………………………………………….. 19 1940г……………………………………………………………………………….. 20 1941г……………………………………………………………………………….. 21 1942г……………………………………………………………………………….. 23 1943г……………………………………………………………………………….. 25 1944г……………………………………………………………………………….. 27 1945г……………………………………………………………………………….. 29 1946г……………………………………………………………………………….. 31 1947г……………………………………………………………………………….. 33 1948г……………………………………………………………………………….. 35 1949г……………………………………………………………………………….. 37 1950г……………………………………………………………………………….. 39 1951г……………………………………………………………………………….. 41 2 1952г……………………………………………………………………………….. 43 1953г……………………………………………………………………………….. 45 1954г……………………………………………………………………………….. 47 1955г……………………………………………………………………………….. 49 1956г……………………………………………………………………………….. 51 1957г……………………………………………………………………………….. 53 1958г……………………………………………………………………………….. 54 1959г……………………………………………………………………………….. 55 1960г………………………………………………………………………………. -
The Janus Moment in EAP: Revisiting the Past and Building the Future
Conference_brochure_2013AL_Layout 1 10/04/2013 16:24 Page 1 2013 Biennial BALEAP Conference Centre for English Language Education, School of Education, University of Nottingham The Janus Moment in EAP: Revisiting the Past and Building the Future Friday 19 April - Sunday 21 April, 2013 Conference_brochure_2013AL_Layout 1 10/04/2013 16:24 Page 2 Attract the best When you need high achievers with excellent English – ask for Cambridge English: Advanced ʺͶ 331!3Ͷ234"#-32Ͷ6(3'Ͷ3'#Ͷ1(%'3Ͷ-%+(2'Ͷ2*(++2Ͷ ʺͶ .1+"6("#Ͷ5(+ (+(38Ͷ set at the right level for academic success over 1,300 test centres in 113 countries ʺͶ +. +Ͷ1#!.%-(3(.-Ͷ ʺͶ #!41#Ͷ-"Ͷ5#1($( +#Ͷ accepted by over 3,000 institutions, including comprehensive security includes test day the UK Border Agency photos and online results verification Contact us at [email protected] facebook.com/CambridgeCAE Visit our stand to learn more www.cambridgeenglish.org/advanced Certificate in Advanced English (CAE) Conference_brochure_2013AL_Layout 1 10/04/2013 16:24 Page 3 Friday 19 April - Sunday 21 April, 2013 Event Information 4 Welcome from the Chair 5 Special Events 6 Pre-Conference Event 7 Posters 9 Plenaries 10 ͶͶͶͶͶͶͶͶ Ͷ ͶͶ set at the right level for academic success over 1,300 test centres in 113 countries Concurrent Sessions (Friday) 12 ͶͶͶ ͶͶͶͶ Concurrent Sessions (Saturday) 22 accepted by over 3,000 institutions, including comprehensive security includes test day t p Concurrent Sessions (Sunday) 42 Conference Dinner 51 Conference Programme at a glance 52 3 Conference_brochure_2013AL_Layout 1 10/04/2013 16:24 Page 4 Event information Dear Delegate, We are delighted to welcome you to the 2013 Biennial BALEAP Conference. -
Introduction to Documentary Door Bill Nichols
[Geschiedenis voor een breed publiek] [2011-2012] Professor: Prof. Tom Verschaffel Handboek: DE GROOT, J., Consuming History. Historians and Heritage in Contemporary Popular Culture, 2009. Gemaakt door: Andrea Bardyn (geupload, niet zelf gemaakt) Opmerkingen: PDF van de eerste editie van het boek Introduction to Documentary door Bill Nichols. Noch Project Avalon, noch het monitoraat, noch Historia of eender ander individu of instelling zijn verantwoordelijk voor de inhoud van dit document. Maak er gebruik van op eigen risico. Nichols, Intro to Documentary 8/9/01 10:18 AM Page i Introduction to Documentary Nichols, Intro to Documentary 8/9/01 10:18 AM Page ii Nichols, Intro to Documentary 8/9/01 10:18 AM Page iii Bill Nichols Introduction to Documentary Indiana University Press | Bloomington & Indianapolis Nichols, Intro to Documentary 8/9/01 10:18 AM Page iv This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2001 by Bill Nichols All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
Cities in Film: Architecture, Urban Space and the Moving Image
Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Conference Proceedings. This conference is organised by the School of Architecture and School of Politics and Communication Studies. The AHRC-funded research project, entitled City in Film: Liverpool's Urban Landscape and the Moving Image, is conducted by Dr Julia Hallam (principle investigator), Professor Robert Kronenburg (co-investigator), Dr Richard Koeck and Dr Les Roberts. This conference is supported by the Arts and Humanities Research Council (AHRC) and the University of Liverpool. Cover design: Richard Koeck and Les Roberts. Copyright cover image: Angus Tilston. Edited by Julia Hallam, Robert Kronenburg, Richard Koeck and Les Roberts. Please note that authors are responsible for copyright clearance of images reproduced in the proceedings. Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Cities in Film explores the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices. -
Dynamic of the Metropolis: the City Film and the Spaces of Modernity
Dynamic of the Metropolis: The City Film and the Spaces of Modernity Anthony Kinik Department of Art History and Communication Studies McGill University, Montreal August 2008 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctorate. ©Anthony Kinik 2008 2 Acknowledgements First of all, I‘d like to thank Will Straw, who saw the Graduate Program in Communications through some difficult times, and then steered it with a steady hand into what has proven to be a hugely successful merger with our friends in Art History. More importantly, he has been an invaluable advisor for many of us who‘ve passed through the department over the years, and he was there when it counted. Secondly, I‘d like to thank Steven Jacobs for reviving a conversation about ―city films‖ and ―city symphonies‖ some years back. His timing couldn‘t have been better. Love and respect are due to Michelle Marek, who somehow managed to stick by me through thick and thin (mostly thin), and who has proved herself to be both a tireless proofreader and a true believer. A number of friendships were instrumental to seeing this project through to completion—in particular I‘d like to thank Marc Furstenau, Christine Strähle, Ira Wagman, and Peter Urquhart, all of whom led by example, and provided much- needed encouragement down the final stretch. *** This project was partly funded by a Max Stern Recruitment Fellowship (1999-2000) and by a Hydro Quebec Two-Year McGill Major Fellowship (2000-2002). *** This thesis is dedicated to the memory of my father, John Kinik (1938-2008). -
The Oxford History of World Cinema EDITED by GEOFFREY NOWELL-SMITH
The Oxford History of World Cinema EDITED BY GEOFFREY NOWELL-SMITH OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York © Oxford University Press 1996 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 1996 First published in paperback 1997 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN 0-19-811257-2 ISBN 0-19-874242-8 (Pbk.) 7 9 10 8 6 Printed in Great Britain on acid-free paper by Butler & Tanner Ltd Frome and London I should like to dedicate this book to the memory of my father, who did not live to see it finished, and to my children, for their enjoyment. -
IATEFL Conference 2018 Session Information
Tuesday 10 April 0800-1730: Registration Desk Open 0815-0845: How To... Sessions 0830-1900: Exhibition Open 0800-1730 Registration desk open 0815-0845 IATEFL How To… sessions Ambassador How to reflect on research talks at the conference (with Daniel Xerri) 150 audience In this session, we will explore how to make the most of the talks and presentations we attend during the conference. In particular, we will focus on how to reflect on the research we hear about and consider its relevance for and connections to our own professional contexts. Balmoral How to get the most out of this conference (with Susan Barduhn) 250 audience This session is for new IATEFL conference participants as well as those of you who have attended many conferences ... but feel your experience could go deeper. We will analyze the programme, form learning groups for those who wish to jigsaw their conference experience, and share conference time management tips. Tuesday This session will be repeated at lunchtime. Buckingham How to give a presentation at an international conference (with Jeremy Day) 150 audience Giving a presentation can be a stressful experience. This session will give you ways of organising yourself before your presentation and conducting yourself during your presentation to reduce that stress. The aim of the session is to make your presentation a more satisfying experience for you and for your participants. Dukes How to get published in a refereed journal (with Alessia Cogo) 150 audience This session will look at why you might want to get published in an “academic” journal, and how to go about it. -
Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City Fox, Kenneth James
Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Fox, Kenneth James The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1767 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LT-H-111111423-i ai3890 iýýmX ýw Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Kenneth James Fox Queen Mary, University of London Thesis submitted for the degree of Doctor of Philosophy February 2006 Cinematic visions of Los Angeles: Representations of identity and mobility in the cinematic city Table of Contents Thesis Abstract Acknowledgements (ii) Foreword: From Ballyshannon to Los Angeles 1-4 Chapter One 5-54 The Cinematic City Chapter Two 55 - 85 Los Angeles: interweaving the material and the cinematic city Chapter Three 86 - 118 Reconstructing past visions of Los Angeles: mobility and identity in the noir cinematic city Chapter Four 119-158 Cinematic visions of future Los Angeles Chapter Five 159 -191 Cinematic visions of contemporary Los Angeles: Chapter Six 192 - 228 Cinematic visions of Latina/o Los Angeles Chapter Seven 229 - 260 Los Angeles: A cinematic city of hybridity? Chapter Eight 261 - 281 Cinematic Los Angeles: a new imaginary? Bibliography 282 - 309 Filmography 310 - 320 Appendix 1 (Stills in Volume 2) 1- 65 THESIS ABSTRACT Kenneth James Fox Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city. -
The Essay Film After Fact and Fiction NORA M
The Essay Film After Fact and Fiction NORA M. ALTER THE ESSAY FILM AFTER FACT AND FICTION FILM AND CULTURE SERIES FILM AND CULTURE A series of Columbia University Press Edited by John Belton For a full list of titles in this series, see pages 395–97 THE ESSAY FILM AFTER FACT AND FICTION NORA M. ALTER Columbia University Press New York Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2018 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Names: Alter, Nora M., 1962– author. Title: The essay film after fact and fiction / Nora M. Alter. Description: New York : Columbia University Press, 2017. | Series: Film and culture | Includes bibliographical references. Identifiers: LCCN 2017028033 (print) | LCCN 2017041800 (e-book) | ISBN 9780231178204 (cloth : alk. paper) | ISBN 9780231178211 (pbk. : alk. paper) | ISBN 9780231545983 (e-book) Subjects: LCSH: Experimental films—History and criticism. | Documentary films—History and criticism. Classification: LCC PN1995.9.E96 (e-book) | LCC PN1995.9.E96 A455 2017 (print) | DDC 791.43/611—dc23 LC record available at https://lccn.loc.gov/2017028033 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America Cover image: © Smoking Dogs Films ; Courtesy Lisson Gallery Cover design: Lisa Hamm FOR ARIELLE AND ZOË CONTENTS Acknowledgments ix INTRODUCTION1 1. BEGINNINGS31 2. SPEAKING ESSAYS OR INTERRUPTIONS57 3. THE ESSAY FILM AS ARCHIVE AND REPOSITORY OF MEMORIES, 1947–196191 4. THE ESSAY FILM AS THE FOURTH ESTATE143 5. THE ARTIST ESSAY: EXPANDING THE FIELD AND THE TURN TO VIDEO195 6.