DOCSLIB.ORG

Sf'~~ Richard Sdmoi

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sf'~~ Richard Sdmoi " IICYCUNG CEN'EI Location-DoN-Tim. Below "1WSf'~~ Richard SdMoI. :-'/ 17.Mdllnloy_ ......,. ........., IT. ID...... .. ~ '.m. CANS __ eM Ce.• it51 L 7 MIlo ..... , MMlIey ...... ..,. 10 •. m, to 4 "m. rosse Pointe ~lVS ECO.(jNri7'.13U __ ,-l'ri<le,. 10 •. m. I. , "m. Complete News Coverage of AU the Pointel Vol. J<4-No. 7 Ilntere4 u Seeolld ClaNlIlatter .~ the Po.1 Oftl(e al Detroit, JiIl(h! fall UcPerCopr GROSSE' POINTE, MICHIGAN, THURSDAY, FEBRUARY 15,1973 ".00 hI' y.ar 28 Pages-Two Sections-Section On. HEADLINES Pointe Gets Splendid New Banking Facility See Lake St. Clair Will Ballot of the · R d On l\lillage WEEK Settlng ecor s OnMarch 29: AI Compiled by th. Groll' Pointe New. As.Spring Nears HIY' Until Mlrc:h 5 to TbuncJay J Pebl'llary 8 Decid. Amount to Be THE ClIARRED REMAINS Park Has Sand and Bags for Residents Who Wish As~ec1and D.te of of an ~partmell't bouse ,~;j I Alameda, Calif., were sifted to Tak. Precautionlj High Winds Termin.tion through by rescue teams CIUS. Gre.test Felr looking for bodies. Eight by HoDy AllCeU were recovered including that Residents living along the shoreline of Lake A millage election date . of the Navy pilot of the A'l St. Clair can now obtain bags and sand in the for the Grosse PolDt,' Corsair jet that crashed and battle against a possible overflow of lake water, Public School systems hu' exploded into the apartment which the U.S. Army Corps of Engmeers predict house Wednesday night. Au. will reach another six inches by June 15. The pre- been set for Tuesda~', thorities list 14 residents of the Tahoe Apartments as un. diction means that the Jake will creat an all.time March 29. This action wu; accounted for. At least 18 high, according to information given to City Man. unanimously approved by' persons living near the scene ager Robert Slone. the Board of Education of the crash were also in. Army offieials diselosed R t. · at their regular meeting jured. The Alameda fire that the level of the lake in e IrIn9 on Monday, February 12..; chief described the. apart. 1952 was 575.7 feet above sea ;rhe Board has until.Mareh' ment as a "crematorium," level, and the latest report 5 to determine the amOWlt although 20 of the 41 ten. ahows that the water level and date of termination of ants did manage to escape is ftOW 5'76.1, and by the the millage. It will ta.k~. before the building collapsed. middle of JUDe, thI$ wm~riae these matter. ~r eoMld.; • • • a!lother .ix' inchei. eration at either the Pet>-, Friday. February 9 W1IMlCaa ... FJoodJ rual')' 24 or Mareh 5 meet-. PENN CENTRAL railroad SloDe said that it IJ not the mgs. " strikers vowed ;to wntinue height of the water 80 much, William J. Adams. treasua- their walkout today untll but because of 1~ present urer of the Board, cited rea. President Nixon signs the . and predicted June level a SOUl for setting 'March 29 Congressional resolution or. National Bank of Detroit will officially open special evonts coordinator for the bank, and high wind eould send the u the millage date . dering them back to work. this beautiful new building between Kercheval JOSEPH A. TOLAR!, vice-president, who win be water over the shorelines He slated that to wait until United Transportation Union and Waterloo in st. Clair avenue next week. Dis. in charge of the new unit. and seawalls, f100dingstreets September, when millage is president At H: Chesser clt. cussing plans are MRS. BE'ITY CHAPMAN, and private. properties, wblch uaually voted upon, would DOt ed Penn Centrlll's plan to could eause aD. unbown be beneficial for the schoo1l. reduce train crews by attri. amount of damage. JUDGE GOODROW He felt it would be "CooUsh" tion, inept management of Recently, stroq winds to open schoolB without de- the company. and overwork. Woods Fire NBD Opens Magnificent Center S~ts ing of the employees as caused the lake to overflow By Roger A. Waha finiie fWlds to sU5tain pro. the banks at the foot of . graml. \ grievances of .the strikers. Trombley roacl, fIoocliDg this The 0 n 1y municipal Dace. Are ~ Congress passed a back.to. Losses Cut New Building in 'Village' BloodDrive work resolution yesterday area, but it wu nothing com. judge ~eWoods has Mr. Adams went on to say afternoon because of the dls. pared to the highl(ale winds e"er had IS retiring after tltat the board was restricted IItroUS economic effects the Drastically On Tuesday, February 20 For Feb. 22 last November whlclt eaused 26 years of public service iD the Dumber of dates It •trike would have In agri- flooding all along the .hore to the eommunity. Judge eouId seleet. It wa. aeees. culture and in layoffs' In Wiliiamsburg Style Structure Offers Complete llDe proPerties, includJDg the Don J. Goo d row, 65, I.,., to coa,lder other eJec • ~.ltuto. c'Dal. <and~.t .. l.iDdus- Number of Blazes and Red Cross Sendin" Two municipal JUIBS. (Wludmill IP"nda his -last day at tloDs, and the tru5teea bad Jiiea. r • • • Total Damage Far B. and More Personalized Community ':I pPOari~:e).al1d'1'1lree Mile Drive work April 1. consmted with the loeal munl- II . Bloodmobile Units for aa I Uties bet arriv1ng at : ' Saturday, February Ie low Figures for Previous Banking Services Slone said that UD~r eer. WI resignation was unani. e pa OTe d1in Correc:tio~ in Memorial mOUIly accepted "wiCb re- the)(arch 29 dea e. BRITISH, FRENCH. AND Year taiD wind conditions, wavea gret" by The WoodI CouncU Furthermore, .iDce state WEST GERMAN FINANCE th Duff Ballroom canrflreachb.~~~ a]enouBbthto at the reiWar meeting Mon. aid and local adjustments MINISTERS met' in Paris By Ka y ove ow AJlAlO ong e dl February U are almost zero at this time, yesterday to confer on ways A distinct taste of old Williamsburg will be Grosse Pointe War Me- sho!,!,s. U this OOC\U'lI, IC. y, . Mr. Adams felt it was more to end a. 1'1ine-day dollar By Roger A. Waba brought to The Pointe witli the opening of NBD's cordlJlg to information re' He was first elected to pub- feasJble to come before the "F t t. I" m 0 ria 1 Associ~tion is leased by the Army en. He oUice in 1947 aDd agaiD In bU t d cruds that :threatens to col. an as IC. regional banking headquarters on St. Clair avenue, glneers. the water eould 1949 as Justice of the Peaee. pu c a an early ate. lapse a world monetary sys- That's the sizzlingword just north of Kercheval, Tuesday, February 20. making an urgent appeal reac" 577.3 feet above lea Wben The Woods became a All millage ~ted (in in tem that is only 14 months by Arcljitect C, E. Noetlel of for level, which could be dls. city bt 1i5O, Judge Goodrow the past will exp1l'e OD June old. West German Chancel. used Woods Depart- I citizens ages 18-60 ment of Public Safety Detroit, in preparing the room. To the left, upon ent. to donate ;blood on Thurs- astrous was elected municipal judge 30. 1973. These include Che lor Willy Brandt is reported C t . H M h I I r th ew National 11 t 11r tat. ns On' • .• position whieh he retained 18.7 levy 1utituted in. 1970 S l th3 ,to have asked President ap am enry arc. pans.o en. rance, are e e 10 day, February 22, be- e encouragmg statement ._ ..... les. 1958 Il162 1966 ud 1.2 levy approved In Nixon to devalue the dollar and in describing the Bank of Detroit headquar- constructed out of the early 9 d 8 made by the eng1JJeers, Is wand"""1910el'6~'_':_ He aa1d September, 11112. The only again, a request Mr. Nixon drop in total fire alarms ters, made a special trip to American materials of brick, tween a.m. an p.m., that if the cold weather holds .... it ~u 'babl will other fWlds -sentIy naU- d 1 fir . h' Williamsburg, Va., to rec8p. brass and wood. The dark where a double unit of and freezes the Jake this ...., c y coun~ pro Y &""~. refused. These actions fol. t anac ua es 10 IS ture the town's Colonial wood desks and Williams. the American Red Cross would hold the water 'at its appoil'tt a man to take Jt!s able are the 8.fJ5 mills .no- lowed a week in which specu. city last year. cha~'m. burg reproduction chairs l)rtsent level untU spring. plaee until eJectloD time this catecl by the eount)'. lators unloaded dollars by Total alarms fell from 219 It's much like walking complete the effect. Bloodmobile will be set Another eDi!ouraging aspect. fall. LoIIe Dlaealcr the billions, fea ring th at the in 1971 to 16'1in 1972. Mean. down a restored historical However. as much as the it WIB .pointed out, is that BeSide, eonvezung court iD The sole voice of dlueDt dollar will drop lower in up in Grosse Pointe War value wbile such currencies while, actual fires declined street, as a pattern of brick new NBD building recaUs Memorial's ballroom at when the thaw comes tbe The WoOds three times .. against the mWage date was from 116 in 1971 to 96 last pavers leads from the ent- the past, the structuring of Lak Sb .. d hot rays of the sun ~ou1d month, Judge Goodrow bas raised by StaDley FJJber, a as the mark and yen go year.
Load more

Recommended publications
  • Film Film Film Film
    City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book.
    [Show full text]
  • New Books List April-June 2011
    New Books List April-June 2011 NBL_AJ2011.indd 1 10/02/2011 16:08 New edition from ½ million copy bestselling author Stella Cottrell The new edition of this leading guide helps students to develop reflective thinking skills, improve their critical analysis and construct arguments more effectively. Easy-to-follow, step-by-step explanations and practice activities develop understanding at each stage. This edition has been fully revised and contains a brand new chapter on ‘Critical Reflection’. Critical Thinking Skills is part of the leading Study Skills list from Palgrave Macmillan, which includes the bestselling The Study Skills Handbook, also by Stella Cottrell. Recommend it to all May 2011 | Paperback | 978-0-230-28529-3 | £13.99 your customers today! NBL_AJ2011.indd 2 10/02/2011 16:08 Order securely online at www.palgrave.com or telephone +44 (0)1256 302866 fax + 44(0)1256 330688 email [email protected] New Books List Rainbow Umbrella 1 © Madeleine Openshaw/Fotolia.co.uk April–June 2011 KEY TO SYMBOLS Title is, or New Title available Inspection Web resource as an ebook comes with, a copy available available CD-ROM/DVD CONTENTS Anthropology 2 Modern Languages 65 Banking and Finance 2 Nursing and Health 66 Business and Management 3 Office for National Statistics 67 British Film Institute 12 Philosophy and Religion 67 Counselling and Psychotherapy 14 Politics 69 Culture and Media 15 Popular Science 95 Economics 19 Psychology 95 Education 21 Religion 99 Engineering 22 Social Work and Social Policy 100 Gender Studies 24 Sociology 102 History 25 Study Skills 109 Language and Linguistics 41 Theatre and Performance 110 Law 46 Teaching and Researching in Higher Education 117 Life Sciences 48 Index 118 Literature 50 Mathematics, Physics and Chemistry 65 For a complete list of titles, please visit www.palgrave.com.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • 1927/28 - 2007 Гг
    © Роман ТАРАСЕНКО. г. Мариуполь 2008г. Украина. [email protected] Лауреаты премии Американской Академии Киноискусства «ОСКАР». 1927/28 - 2007 гг. 1 Содержание Наменование стр Кратко о премии………………………………………………………. 6 1927/28г……………………………………………………………………………. 8 1928/29г……………………………………………………………………………. 9 1929/30г……………………………………………………………………………. 10 1930/31г……………………………………………………………………………. 11 1931/32г……………………………………………………………………………. 12 1932/33г……………………………………………………………………………. 13 1934г……………………………………………………………………………….. 14 1935г……………………………………………………………………………….. 15 1936г……………………………………………………………………………….. 16 1937г……………………………………………………………………………….. 17 1938г……………………………………………………………………………….. 18 1939г……………………………………………………………………………….. 19 1940г……………………………………………………………………………….. 20 1941г……………………………………………………………………………….. 21 1942г……………………………………………………………………………….. 23 1943г……………………………………………………………………………….. 25 1944г……………………………………………………………………………….. 27 1945г……………………………………………………………………………….. 29 1946г……………………………………………………………………………….. 31 1947г……………………………………………………………………………….. 33 1948г……………………………………………………………………………….. 35 1949г……………………………………………………………………………….. 37 1950г……………………………………………………………………………….. 39 1951г……………………………………………………………………………….. 41 2 1952г……………………………………………………………………………….. 43 1953г……………………………………………………………………………….. 45 1954г……………………………………………………………………………….. 47 1955г……………………………………………………………………………….. 49 1956г……………………………………………………………………………….. 51 1957г……………………………………………………………………………….. 53 1958г……………………………………………………………………………….. 54 1959г……………………………………………………………………………….. 55 1960г……………………………………………………………………………….
    [Show full text]
  • Introduction to Documentary Door Bill Nichols
    [Geschiedenis voor een breed publiek] [2011-2012] Professor: Prof. Tom Verschaffel Handboek: DE GROOT, J., Consuming History. Historians and Heritage in Contemporary Popular Culture, 2009. Gemaakt door: Andrea Bardyn (geupload, niet zelf gemaakt) Opmerkingen: PDF van de eerste editie van het boek Introduction to Documentary door Bill Nichols. Noch Project Avalon, noch het monitoraat, noch Historia of eender ander individu of instelling zijn verantwoordelijk voor de inhoud van dit document. Maak er gebruik van op eigen risico. Nichols, Intro to Documentary 8/9/01 10:18 AM Page i Introduction to Documentary Nichols, Intro to Documentary 8/9/01 10:18 AM Page ii Nichols, Intro to Documentary 8/9/01 10:18 AM Page iii Bill Nichols Introduction to Documentary Indiana University Press | Bloomington & Indianapolis Nichols, Intro to Documentary 8/9/01 10:18 AM Page iv This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2001 by Bill Nichols All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
    [Show full text]
  • Cities in Film: Architecture, Urban Space and the Moving Image
    Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Conference Proceedings. This conference is organised by the School of Architecture and School of Politics and Communication Studies. The AHRC-funded research project, entitled City in Film: Liverpool's Urban Landscape and the Moving Image, is conducted by Dr Julia Hallam (principle investigator), Professor Robert Kronenburg (co-investigator), Dr Richard Koeck and Dr Les Roberts. This conference is supported by the Arts and Humanities Research Council (AHRC) and the University of Liverpool. Cover design: Richard Koeck and Les Roberts. Copyright cover image: Angus Tilston. Edited by Julia Hallam, Robert Kronenburg, Richard Koeck and Les Roberts. Please note that authors are responsible for copyright clearance of images reproduced in the proceedings. Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Cities in Film explores the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices.
    [Show full text]
  • Dynamic of the Metropolis: the City Film and the Spaces of Modernity
    Dynamic of the Metropolis: The City Film and the Spaces of Modernity Anthony Kinik Department of Art History and Communication Studies McGill University, Montreal August 2008 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctorate. ©Anthony Kinik 2008 2 Acknowledgements First of all, I‘d like to thank Will Straw, who saw the Graduate Program in Communications through some difficult times, and then steered it with a steady hand into what has proven to be a hugely successful merger with our friends in Art History. More importantly, he has been an invaluable advisor for many of us who‘ve passed through the department over the years, and he was there when it counted. Secondly, I‘d like to thank Steven Jacobs for reviving a conversation about ―city films‖ and ―city symphonies‖ some years back. His timing couldn‘t have been better. Love and respect are due to Michelle Marek, who somehow managed to stick by me through thick and thin (mostly thin), and who has proved herself to be both a tireless proofreader and a true believer. A number of friendships were instrumental to seeing this project through to completion—in particular I‘d like to thank Marc Furstenau, Christine Strähle, Ira Wagman, and Peter Urquhart, all of whom led by example, and provided much- needed encouragement down the final stretch. *** This project was partly funded by a Max Stern Recruitment Fellowship (1999-2000) and by a Hydro Quebec Two-Year McGill Major Fellowship (2000-2002). *** This thesis is dedicated to the memory of my father, John Kinik (1938-2008).
    [Show full text]
  • The Oxford History of World Cinema EDITED by GEOFFREY NOWELL-SMITH
    The Oxford History of World Cinema EDITED BY GEOFFREY NOWELL-SMITH OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York © Oxford University Press 1996 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 1996 First published in paperback 1997 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN 0-19-811257-2 ISBN 0-19-874242-8 (Pbk.) 7 9 10 8 6 Printed in Great Britain on acid-free paper by Butler & Tanner Ltd Frome and London I should like to dedicate this book to the memory of my father, who did not live to see it finished, and to my children, for their enjoyment.
    [Show full text]
  • Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City Fox, Kenneth James
    Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Fox, Kenneth James The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1767 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LT-H-111111423-i ai3890 iýýmX ýw Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Kenneth James Fox Queen Mary, University of London Thesis submitted for the degree of Doctor of Philosophy February 2006 Cinematic visions of Los Angeles: Representations of identity and mobility in the cinematic city Table of Contents Thesis Abstract Acknowledgements (ii) Foreword: From Ballyshannon to Los Angeles 1-4 Chapter One 5-54 The Cinematic City Chapter Two 55 - 85 Los Angeles: interweaving the material and the cinematic city Chapter Three 86 - 118 Reconstructing past visions of Los Angeles: mobility and identity in the noir cinematic city Chapter Four 119-158 Cinematic visions of future Los Angeles Chapter Five 159 -191 Cinematic visions of contemporary Los Angeles: Chapter Six 192 - 228 Cinematic visions of Latina/o Los Angeles Chapter Seven 229 - 260 Los Angeles: A cinematic city of hybridity? Chapter Eight 261 - 281 Cinematic Los Angeles: a new imaginary? Bibliography 282 - 309 Filmography 310 - 320 Appendix 1 (Stills in Volume 2) 1- 65 THESIS ABSTRACT Kenneth James Fox Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city.
    [Show full text]
  • The Essay Film After Fact and Fiction NORA M
    The Essay Film After Fact and Fiction NORA M. ALTER THE ESSAY FILM AFTER FACT AND FICTION FILM AND CULTURE SERIES FILM AND CULTURE A series of Columbia University Press Edited by John Belton For a full list of titles in this series, see pages 395–97 THE ESSAY FILM AFTER FACT AND FICTION NORA M. ALTER Columbia University Press New York Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2018 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Names: Alter, Nora M., 1962– author. Title: The essay film after fact and fiction / Nora M. Alter. Description: New York : Columbia University Press, 2017. | Series: Film and culture | Includes bibliographical references. Identifiers: LCCN 2017028033 (print) | LCCN 2017041800 (e-book) | ISBN 9780231178204 (cloth : alk. paper) | ISBN 9780231178211 (pbk. : alk. paper) | ISBN 9780231545983 (e-book) Subjects: LCSH: Experimental films—History and criticism. | Documentary films—History and criticism. Classification: LCC PN1995.9.E96 (e-book) | LCC PN1995.9.E96 A455 2017 (print) | DDC 791.43/611—dc23 LC record available at https://lccn.loc.gov/2017028033 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America Cover image: © Smoking Dogs Films ; Courtesy Lisson Gallery Cover design: Lisa Hamm FOR ARIELLE AND ZOË CONTENTS Acknowledgments ix INTRODUCTION1 1. BEGINNINGS31 2. SPEAKING ESSAYS OR INTERRUPTIONS57 3. THE ESSAY FILM AS ARCHIVE AND REPOSITORY OF MEMORIES, 1947–196191 4. THE ESSAY FILM AS THE FOURTH ESTATE143 5. THE ARTIST ESSAY: EXPANDING THE FIELD AND THE TURN TO VIDEO195 6.
    [Show full text]
  • Tripwire a Journal of Poetics
    tripwire a journal of poetics Writing as Activism: The Aesthetics of Political Engagement edited by Yedda Morrison & David Buuck issue 2 fall1998 contents tripwire: a journal of poetics Editors' Notes issue 2 - fall1998 Steven Fanner edited by Yedda Morrison&: David Buuck Statement I Disassemble I Terms of Suppresion ISSN : I 099-2170 Benjamin Friedlander Notes on Political Poetry I poem tripwi~ is published bi-annually. Danielle Collobert All rights revert to authors upon publication. from Notebooks 1956-78, trans. Nonna Cole 13 $8 one issue Rodrigo Toscano $15 two issues from Partisans 30 Brenda Iijima tripwi~ invites submissions of essays, translations, interviews, Four Drawings 43 art&: book reviews,&: visual art. All visual art submissions should be reproducible in black&: white; visual artists are Brian Kim Stefans encouraged to include a statement about their work. At this Baal, or the Technicolor Polo Shirt 47 time, we are not accepting unsolicited poetry for publication. Noah de Lissovoy The theme for issue 3 is Gender (see editors' notes for details). Notes for the Imagination 11 49 Submissions for issue 3 should be received by March 1, 1999. Kristin Prevallet Subscriptions, submissions, &: inquiries to: Sampling out of this World I poem 55 tripwire jack Hirschman c/o Yedda Morrison&: David Buuck Culture and Struggle 58 P.O. Box 420936 San Francisco, CA 94142-{)936 Lawless Crow [email protected] Interviewed by Johr~ Lawtl1er & Randy Prunty 67 Distributed by: Sarah Anne Cox & Elizabeth Treadwell Crammatica 84 Small Press Distribution 1341 7th Street Rod Smith Berkeley, CA 94710 A Tract 93 Robert Fitterman Editors' Notes Collective Fauxetics I Metropolis 20 106 Confronted with the contemporary economic, political, Oodie Bellamy and cultural climate, citizens respond with short and long term Reading Tour 118 survival tactics and strategies-some intuitive, some sponta­ neous, some organized-that retain both a political and an aes­ Patrick F.
    [Show full text]
  • BFI Annual Review 2007-2008 There’S More to Discover About Film and Television Through the BFI
    BFI Annual Review 2007-2008 There’s more to discover about film and television through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning resources are here to inspire you. 2Front cover: BFIDracula Annual (1958) Review 2007-2008 Contents Chair’s Report 3 Director’s Report 7 About the BFI 11 Summary of the BFI’s achievements › National Archive 15 › International Focus for Exhibition 21 › Distribution to Digital 27 2007-2008 – How we did 33 Financial Review 35 Appendices 41 Front cover: Dracula (1958) BFI Annual Review 2007-2008 3 Chair’s Report From its origins in the nineteenth century, This is a significant achievement but it is not cinema became the most influential – and enough. The rapid development of digital pervasive – art-form of the twentieth century. technology means we now have the opportunity The subsequent near-universal adoption of to multiply our impact, and to provide every television in the second half of the last century British citizen, no matter where they live, with engrained the moving image in our daily lives. greater access to the national archive. This, in And today, with the spread of the internet and the turn, will enable a new generation not just to development of cheap recording equipment, the watch work from previous eras but to create new moving image is entering a new phase – one in work for themselves and the future. We have – which anyone can create moving images to record albeit in a largely opportunistic way – created a and share their understanding of the world. major digital presence through such things as the development of downloads, our Screenonline The BFI is at the centre of this world: resource, our filmographic database and our YouTube channel.
    [Show full text]