Maineartsmag, Summer 2002 Maine Arts Commission
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Franklin C. Watkins by Andrew Carnduff Ritchie
Franklin C. Watkins By Andrew Carnduff Ritchie Author Museum of Modern Art (New York, N.Y.) Date 1950 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3265 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art LIBRARY THE MUSEUM ]OF MODERN ART Received: * > * irpr ii»i fi — — Franklin C. WATKINS Andrew Carnduft Ritchie The Museum of Modern Art New York ACKNOWLEDGMENTS On behalf of the President and Trustees of the Museum of Modern Art the director of the exhibition wishes to thank the collectors and museums whose generosity in lending has made the exhibition possible. Particular thanks are due to Mr. Henry P. Mellhenny for his great kindness in permitting us to borrow his two large paintings, Death and Resurrection , at no small incon venience to himself; to Mr. Frank K. M. Rehn, Mr. Watkins' dealer, for his assistance in connection with all the details of the exhibition; to the Maga zine of Art for permission to reprint excerpts from an article by Franklin C. Watkins; and to the artist himself who has been of inestimable help in the preparation of the catalog. I also wish to thank Miss Alice Bacon and Miss Margaret Miller for their assistance in preparing the exhibition and the catalog. ANDREW CAR N DUFF RITCHIE Director of the Exhibition TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board ; Henry Allen Moe, ist Vice- Chairman; William A. -
Landscapes in Maine 1820-1970: a Sesquicentennial Exhibition
LANDSCAPE IN MAINE 1820-1970 Digitized by the Internet Archive in 2015 https://archive.org/details/landscapesinmainOObowd LANDSCAPE IN MAINE 1820-1970 Landscape in Maine 1820-1970 Jl iSesquicentennial exhibition Sponsored by the Maine Federation of Women's Clubs, through a grant from Sears-Roebuck Foundation, The Maine State Commission on the Arts and Humanities, Colby College, Bowdoin College and the University of Maine at Orono. Colby College Art Museum April 4 — May 10 Bowdoin College Museum of Art May 21 — June 28 Carnegie Gallery, University of Maine, Orono July 8 — August 30 The opening at Colby College to be on the occasion of the first Arts Festival of the Maine Federation of Women's Clubs. 1970 is the Sesquicentennial year of the State of Maine. In observance of this, the Bowdoin College Museum of Art, the Carnegie Gallery of the University of Maine at Orono and the Colby College Art Museum are presenting the exhibition. Landscape in Maine, 1820-1970. It was during the first few years of Maine's statehood that American artists turned for the first time to landscape painting. Prior to that time, the primary form of painting in this country had been portraiture. When landscape appeared at all in a painting it was as the background of a portrait, or very occasionally, as the subject of an overmantel painting. Almost simultaneously with the artists' interest in landscape as a suitable sub- ject for a painting, they discovered Maine and its varied landscape. Since then, many of the finest American artists have lived in Maine where they have produced some of their most expressive works. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Report of the President, Bowdoin College 1958-1959
Bowdoin College Bowdoin Digital Commons Annual Report of the President Special Collections and Archives 1-1-1959 Report of the President, Bowdoin College 1958-1959 Bowdoin College Follow this and additional works at: https://digitalcommons.bowdoin.edu/presidents-reports Recommended Citation Bowdoin College, "Report of the President, Bowdoin College 1958-1959" (1959). Annual Report of the President. 68. https://digitalcommons.bowdoin.edu/presidents-reports/68 This Book is brought to you for free and open access by the Special Collections and Archives at Bowdoin Digital Commons. It has been accepted for inclusion in Annual Report of the President by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. •'I £90 President's Report for the Sessions of 1958- 1959 BOWDOIN COLLEGE BULLETIN Digitized by the Internet Archive in 2013 http://archive.org/details/reportofpresiden19581bowd President's Report the Sessions for of 1 958-1 959 BOWDOIN COLLEGE BULLETIN Number 333 June 1959 Published four times during the College Year in September, December, March, and June, by The College Entered as second-class matter, June 28, 1907, at Brunswick, Maine under Act of Congress of July 16, 1894 — REPORT OF THE PRESIDENT To the Trustees and Overseers of Bowdoin College: I have the honor to submit the following report for the academic year 1958-1959: THE IMAGE OF BOWDOIN Modern sociological jargon so quickly adopted by Madison Avenue, focuses attention on the importance of "image"; the image of an institution denotes the manner in which it is viewed by its public. Careful scrutiny of the image of Bowdoin, and the assessment of the accuracy of that image, should be fruitful in understanding the College in today's dynamic world, and in enhancing the service of the College in the world of tomorrow. -
Boston Book Fair List 2016
EDWARD T. POLLACK FINE ARTS 29 FEENEY WAY - PORTLAND, ME 04103 [email protected] - WWW.EDPOLLACKFINEARTS.COM Tel 617-610-7173 - MEMBER: IFPDA, ABAA, ILAB BOSTON BOOK FAIR LIST - October 2016 I. BOOKS 1. (Corot, Daubigny, Buhot et. al.). FRENCH ETCHERS by Roger Riordan. Dodd, Mead, NY, 1884. Folio, gold-decorated cloth, Title page, Contents, and 20 etchings on laid paper, each accompanied by two pages of descriptive text. Removed from deteriorated binding and housed in an attractive new clamshell box on which is preserved the label from the original cover. Plates all generally in good order with occasional browning at the edges, and a few with very short tears at the sheet edges. Scarce, with no copies showing in any of the online databases, and only 12 copies located by OCLC. $2400.00 The etchings are as follows: 1.Corot Paysage d'italie 2.GravesandeMoulin a Veules 3.YonBords de la Marne 4.Feyen-PerrinVendangeuse 5.CasanovaFin Gourmet 6.Bastien LepageRetour Des Champs 7.DaubignyPommiers a Anvers 8.VeyrassatCheval a L'Ecurie 9.LanconEnlevement des Glaces au Bois de Boulogne 10.NehligLe Rixe au Cabaret 11.MartialBois de Pierrefonds 12.RopsL'Affuteur 13.BuhotUne Matinee d'Hiver au Quai de L'Hotel Dieu 14.BurnandAu Couvent 15.BallinPortsmouth - Magasin au Charbon de la Flotte Anglaise 16.RudeauxM'Aime un Peu, Beaucoup 17.JacquemartUne Genoise 18.AppianBarques et Pecheurs 19.ChauvelApres la Pluie 20.BeauverieRue des Rosiers, Montmarte 2. Achdjian, Albert. LE TAPIS - THE RUG. Editions Self, Paris, 1949. Quarto, stiff wraps with DJ, 287pp., + index, profusely illustrated with plates in color and b/w. -
Artists for Victory
THE METROPOLITAN MUSEUM UF ART Artists for Victory M Sxhibition of Contemporary American Art PAINTINGS SCULPTURE PRINTS SPONSORED BY ARTISTS FOR VICTORY, INC ARTISTS FOR VICTORY, INC. 101 PARK AVENUE, NEW YORK, N. Y. Includes the Following Artists' Organizations: ALLIED ARTISTS OF AMERICA ALUMNI ASSOCIATION OF THE AMERICAN ACADEMY IN ROME AMERICAN ABSTRACT ARTISTS AMERICAN INSTITUTE OF DECORATORS AMERICAN SOCIETY OF MINIATURE PAINTERS AMERICAN VETERANS SOCIETY OF ARTISTS AMERICAN WATER COLOR SOCIETY AN AMERICAN GROUP, INC. ARCHITECTURAL LEAGUE OF NEW YORK BOMB SHELL ARTISTS GROUP FEDERATION OF MODERN PAINTERS AND SCULPTORS LEAGUE OF AMERICAN ARTISTS MUNICIPAL ART SOCIETY OF NEW YORK NATIONAL ACADEMY OF DESIGN NATIONAL ASSOCIATION OF WOMEN ARTISTS NATIONAL SCULPTURE SOCIETY NATIONAL SOCIETY OF MURAL PAINTERS NEW YORK CHAPTER OF THE AMERICAN ARTISTS PROFESSIONAL LEAGUE NEW YORK CHAPTER OF THE AMERICAN INSTITUTE OF ARCHITECTS NEW YORK CHAPTER OF THE AMERICAN SOCIETY OF LANDSCAPE ARCHITECTS NEW YORK SOCIETY OF WOMEN ARTISTS PITTSBURGH ARTISTS FOR VICTORY SCULPTORS GUILD, INC. SOCIETY OF AMERICAN ETCHERS UNITED SCENIC ARTISTS THE METROPOLITAN MUSEUM OF ART Artists for Victory An Exhibition of Contemporary American Art SPONSORED BY ARTISTS FOR VICTORY, INC. NEW YORK, 1942 WO. \ FOREWORD HE present exhibition expresses a desire on the part of the Museum Tto proclaim its faith in the American artist during one of the most critical years in our history. We believed that the facilities of the Mu seum should be turned over to the artists to organize an exhibition as they themselves would want it done. Artists for Victory, Inc., the emergency wartime agency representing the twenty-three leading art societies in New York was asked to undertake the task. -
Bclassifi Cation
Form No 10-3(X5IR«v 10-741 LNITbDSTArhSDbP/kKTMhNT OK THt INTERIOR FOB NFS US6 ONLY NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES «EC£(VEQ INVENTORY ~ NOMINATION FORM DATE ENTERED FOR FEDERAL PROPERTIES SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS I NAME UNITED STATES POST OFFICES IN NEW YORK STATE 1858 to 1943 HISTORIC THEMATIC RESOURCES AND/OR COMMON LOCATION STREET & NUMBER See individual forms —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT VICINITY OF STATE CODE COUNTY CODE New York 03£ Q00 individual forms BCLASSIFI CATION CATEGORY OWNERSHIP STATUS PRESENT USE _ DISTRICT X-PUBLJC ^OCCUPIED —AGRICULTURE —MUSEUM X_BUILDING(S) —PRIVATE -.UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE _BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT NA, N pROCESS X.YES. RESTRICTED ^.GOVERNMENT —SCIENTIFIC NA BE|NG CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: AGENCY REG.ONAL HEADQUARTERS: »~*~H* United States p ostal NOftheaSt Region STREET & NUMBER o Griffin Road North CITY. TOWN STATE Cf 06006-0330 Windsor VICINITY OF [LOCATION OF LEGAL DESCRIPTION COURTHOUSIE. REGISTRY OF DEEDS. ETC. See individual forms STREET & NUMBER CITY. TOWN STATE 9 REPRESENTATION IN EXISTING SURVEYS TITLE See individual forms DATE —FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE DESCRIPTION _ CONDITION CHECK ONE CHECK ONE — EXCELLENT —DETERIORATED _UNALTERED ^.ORIGINAL SITE —XGOOO _RUINS X_ALTERED _MOVED DATE. — FAIR _UNEXPOSED DESCRIBE THE PRESdV AND ORIGINAL (IF KNOWN) PWVQIPAI APPFARANCE GENERAL OVERVIEW This thematic resources nomination includes 14b United States post office buildings in New York State that were constructed by tne United states Treasury Department and are currently owned by the United States Postal Service (see Appendix I). -
Oral History Interview with Stephen Etnier, 1973 Feb. 22
Oral history interview with Stephen Etnier, 1973 Feb. 22 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Stephen Etnier on February 22, 1973. The interview was conducted by Robert F. Brown for the Archives of American Art, Smithsonian Institution. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview ROBERT F. BROWN: This is an interview with Stephen Etnier; Robert Brown, the interviewer. This is February 22, 1973. I'd like you in this interview to talk generally about your life and career, your life as it is related to your career. Maybe you could just begin at the beginning, if you wish. Do you want to talk about family, childhood, memories, things that led you to do one... thing or another? STEPHEN MORGAN ETNIER: I think that sometimes when you're asked what motivated you, frequently I think when this embarrassing question is asked, I say I think I took up painting so I wouldn't have to work. I was very shocked by my father's office and I regarded going to an office somewhat the way you would going to school. I figured if I wasn't careful I'd be trapped in that kind of a life. I think I must have made that decision very early that I was going to get out of business no matter what, because it was too close to school. -
BOOKS for BROOKLYN SHOW September 12-14, 2014 1. Anonymous. LA NUIT DES MORTES VIVANTS
BOOKS FOR BROOKLYN SHOW September 12-14, 2014 1. Anonymous. LA NUIT DES MORTES VIVANTS - NIGHT OF THE LIVING DEAD - FRENCH FILM POSTER. Etoile Distribution, 1968. The poster for the original French release of the famous horror film. The imagery much more striking than that of the original American poster. 62 x 45 inches. Folded, as issued. In excellent condition. $750.00 2. (Benson, Frank W.). ETCHINGS AND DRYPOINTS OF FRANK W. BENSON - AN ILLUSTRATED AND DESCRIPTIVE CATALOGUE by Adam E.M. Paff and Arthur W. Heintzelman. Houghton-Mifflin 1917-1959. Five Volumes, complete. Volumes One and Two are editions of 275 numbered copies, Volume Three is an edition of 525 numered copies, Volume Four is an edition of 600 numbered copies and Volume Five is an edition of 400 numbered copies. All 4to, cloth-backed boards, volumes Two through Five with DJs. Each volume with an original etched frontispiece, each of which is signed except for that in volume Five, which was published after Benson's death. The original etchings are: Vol 1: Pair of Ducks, 1916, Paff 102; Vol 2: Two Geese, 1919, Paff 158; Vol 3: On Set Wings, 1923, Paff 223; Vol 4: Flying Pintail, 1927, Paff 275; Vol 5: Perching Grouse, 1941, Paff 347. Though there were some proofs,these prints were not editioned separately from the catalogue, and were each printed in whatever edition size the catalogue edition was. Volume One with a few small abrasions to the front endpapers where they were separated after sticking; Volumes Two through Five all Fine, but the DJs to Volumes Two and Four have 1 1/2 to 2 inch chips at the tops of the spines, and a few smaller chips. -
Oncise Catalogue O
oncise catalogue o in THE METROPOLITAN MUSEUM OF ART A Concise Catalogue of the AMERICAN PAINTINGS in THE METROPOLITAN MUSEUM OF ART COMPILED BY Albert Ten Eyck Gardner, Associate Curator of American Art NEW YORK 1957 Foreword This concise catalogue has been prepared in answer to a continuing de mand for a complete list of the Museum's collection of American paintings. It is the aim of the catalogue to give only the essential information about paintings in oil by American artists. The paintings are listed alphabeti cally by artist; measurements are given in inches, height preceding width; signatures and some inscriptions have been transcribed. All paintings acquired through December 1956 have been included. An asterisk on an entry indicates a subject received in exchange for an earlier acquisition. A detailed catalogue of American paintings, now in preparation, will be issued in due course. The compiler wishes to thank Mrs. Herbert Iselin for adding recent acquis itions to the catalogue, and Mrs. Josephine L. Allen and Mrs. Gardner for checking entries and correcting proofs. A. T. G. Catalogue Study in Black and Green Oil on canvas, 40x50 in. Signed (lower left): J. W. Alexander George A. Hearn Fund, 1908. 08.139.1 A Walt Whitman (1819-1892) Oil on canvas, 50x40 in. Signed and dated (lower right): American, Artist Unknown J. W. Alexander-89 XVIII century, second quarter Gift of Mrs. Jeremiah Milbank, 1891. 91.18 Thomas Nelson of Virginia (?) Oil on canvas, 46x36 in. Allen, Junius 1898- Source unknown. X.101 The Old New York Post Office Oil on canvas, 36x42 in. -
Maine Painters, a Catalog Selected Exhibitions
Maine Painters, A Catalog Selected Exhibitions June 12 - October 24, 2015 Points of View: Photographs by Jay Gould, Gary Green, David Maisel and Shoshannah White Viewing elements of the Maine landscape from different levels of scale – from great distance to very close-up, the contemporary photographers in this exhibition explore different aspects of the interrelationships between human populations and the natural world. This exhibition is supported by a grant from the Davis Family Foundation. June 12, 2015 – March 26, 2016 Maine Collected This exhibition features works by some of the many contemporary artists represented in the permanent collection who live in or are Gary Green, Untitled (Terrain Vague), 2015, black and white photograph connected to Maine. This exhibition includes work in most media and in a wide variety of themes and styles, many of which have not been on view in the museum previously. Maine Collected, and The June 12 - October 24, 2015 Painter of Maine are companion exhibitions of Director’s Cut: The The Painter of Maine: Maine Art Museum Trail at the Portland Museum of Art from May Photographs of Marsden Hartley 21 – September 13. Marsden Hartley (1877-1943), a na- tive son of Lewiston Maine, is recog- November 6, 2015 – March 26, 2016 nized as one of the most important The View Out His Window (and in his mind’s eye): Photographs American modernists. This exhibition by Jeffery Becton focuses on images of artist, from A photographer and image-maker who lives on Deer Isle, a rocky and anonymous toned photographs of forested island off the coast of Maine, Jeffery Becton constructs him as a young man to images taken images about his surroundings, from extraordinary sweeping coastal by George Platt Lynes the last year views to internal life, both house interiors and the introspective of Hartley’s life. -
The Pine Cone, Summer 1949
SUMMER, 1949 ECONE Pamcrta/ma rffftai/rie 25 Cents (A privately supported, state-wide, non-partisan, non-profit organization for the promotion and development of Maine’s agricultural, industrial and recreational resources.) 1949 SUMMER 1949 ^In <=J*uie: Page Maine Summer Events, 1949 .......................................... 1 Rockland Inherits A Million James M. Brown, III 4 Farnsworth fortune builds museum I W orked In A Summer Ho t e l .........Calvin E. Eells 9 Memories of a resort employee So You T h in k Y ou K now Ma in e ? Stanley B. Attwood 11 Quiz questions ivith answers Harmon Ha l l ......................................Victor A. Schlich 12 Remedial teaching at York Harbor T he Maine Co a s t ............................. Edwin 0. Nielsen 17 Sketches of familiar scenes Industrial Cl i n i c ............................................ Don Gross 27 Applied research at University of Maine Made In Ma i n e ....................................William A. Hatch 32 Neiv industrial area in Aroostook Minstrelsy Of Maine .. Edited by Sheldon Christian 37 Famous Maine Re c ip e s ....................June L. Maxfield 41 H ar bo r T o w n .................. George S. Graffam Back Cover t h e p in e c o n e SUMMER, 1949 VOL. 5, NO. 2 Published Quarterly bv THE STATE OF MAINE PUBLICITY BUREAU PORTLAND . KITTERY . BANGOR . NEW YORK Main Office: 3 St. John St., Portland, 4 Maine GUY P. BUTLER RICHARD A. HEBERT Executive Manager Editorial Manager PINE CONE SUBSCRIPTION: $1 A YEAR (Printed in Maine on Maine-made Paper) Maine Summer Events, 1949 The calendar of summer events of interest to visitors and residents is growing daily.