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Refit Remodel Restore | M5 | the Art of Engineering | Pendennis Cup Welcome Contents
ISSUE 12 2014 REFIT REMODEL RESTORE | M5 | THE ART OF ENGINEERING | PENDENNIS CUP WELCOME CONTENTS 2 REFIT FOCUS: WELCOME HOME Welcome to the latest edition of Pendennis’ annual 2015 heralds another exciting period for Pendennis publication, Voyage – 2014 has been another milestone with the build of our non-tidal wet basin and numerous 4 M5: MAGNIFICENCE REBORN year in the company’s history. After a busy year celebrating events planned both here in the UK and further afield. our 25th Anniversary we were proud to announce the Key project milestones in the yard will see the completion 10 REMODEL FOCUS: completion of two new 90m and one 45m construction of the extensive 2-year restoration work on classic motor halls, which were rapidly filled with a number of refit yacht Malahne and the hull build of the new 31.3m Dubois TRANSFORMING THE FLEET and restoration projects. sailing yacht. 12 THE ART OF ENGINEERING: As well as the completion of the major remodelling of M5 To keep up to date with the latest news and developments RON HOLLAND DESIGN (ex Mirabella V) this year, it was wonderful to welcome at Pendennis we invite you to visit our newly updated Pendennis-built yachts Rebecca, Christopher and Nostromo website, www.pendennis.com. We look forward to seeing 16 RESTORATION FOCUS: back to Falmouth for routine refits and to host regular visitors Owners, crews and friends of the yard at the many events to the yard Adix, Mariette and Velacarina at the fourth edition we have planned for the oncoming year, and to showcasing NURTURING A LEGACY of the Pendennis Cup in May. -
AMERICAN YACHTING ;-Rhg?>Y^O
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/americanyachtingOOsteprich THE AMERICAN SPORTSMAN'S LIBRARY EDITED BY CASPAR WHITNEY AMERICAN YACHTING ;-rhg?>y^o AMERICAN YACHTING BY W. p. STEPHENS Of TH£ UNfVERSITY Of NelD gork THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., Ltd. 1904 All rights reserved Copyright, 1904, By the MACMILLAN COMPANY. Set up, electrotyped, and published April, 1904. Norwood Press Smith Co, J. S. Gushing & Co. — Berwick & Norwood^ Mass.f U.S.A. INTRODUCTION In spite of the utilitarian tendencies of the present age, it is fortunately no longer necessary to argue in behalf of sport; even the busiest of busy Americans have at last learned the neces- sity for a certain amount of relaxation and rec- reation, and that the best way to these lies in the pursuit of some form of outdoor sport. While each has its stanch adherents, who pro- claim its superiority to all others, the sport of yachting can perhaps show as much to its credit as any. As a means to perfect physical development, one great point in all sports, it has the advantage of being followed outdoors in the bracing atmos- phere of the sea; and while it involves severe physical labor and at times actual hardships, it fits its devotees to withstand and enjoy both. In the matter of competition, the salt and savor of all sport, yachting opens a wide and varied field. In cruising there is a constant strife 219316 vi Introduction with the elements, and in racing there is the contest of brain and hand against those of equal adversaries. -
A Century at Sea Jul
Guernsey's A Century at Sea (Day 1) Newport, RI Friday - July 19, 2019 A Century at Sea (Day 1) Newport, RI 1: NS Savannah Set of China (31 pieces) USD 800 - 1,200 A collection of thirty-one (31) pieces of china from the NS Savannah. This set of china includes the following pieces: two (2) 10" round plates, three (3) 9 1/2" round plates, one (1) 10" novelty plate, one (1) 9 1/4" x 7" oval plate, one (1) 7 1/4" round plate, four (4) 6" round plates, one (1) ceramic drinking pitcher, one (1) cappachino cup and saucer (diameter of 4 1/2"), two (2) coffee cups and saucers (diameter 4"), one (1) 3 1/2" round cup, one (1) 3" x 3" round cup, one (1) 2 1/2" x 3" drinking glass, one (1) mini cognac glass, two (2) 2" x 4 1/2" shot glasses, three (3) drinking glasses, one (1) 3" x 5" wine glass, two (2) 4 1/2" x 8 3/4" silver dishes. The ship was remarkable in that it was the first nuclear-powered merchant ship. It was constructed with funding from United States government agencies with the mission to prove that the US was committed to the proposition of using atomic power for peace and part of President Eisenhower's larger "Atoms for Peace" project. The sleek and modern design of the ship led to some maritime historians believing it was the prettiest merchant ship ever built. This china embodies both the mission of using nuclear power for peace while incorporating the design inclinations of the ship. -
Executive Summary
EXECUTIVE SUMMARY DRAFT MAY 2012 EXECUTIVE SUMMARY EXECUTIVE SUMMARY ES.1 PARK DESCRIPTION AND SIGNIFICANCE PARK DESCRIPTION Old Sacramento State Historic Park (OSSHP) is a contiguous part of the Old Sacramento Historic District (Old Sacramento) and came into existence in concert with the redevelopment of Old Sacramento, formalized in the Old Sacramento General Development Plan (State Parks 1970). This Old Sacramento State Historic Park and California State Railroad Museum General Plan and EIR (General Plan or General Plan and EIR) evaluates properties owned by California State Parks in Old Sacramento, the Central Shops Historic District (Central Shops) at the Downtown Sacramento Railyards (Railyards) site, and more than 16‐miles of railroad right‐of‐way on the heritage Sacramento Southern Railroad (SSRR) Walnut Grove Branch line. Classified as a State Historic Park, OSSHP encompasses an area of approximately 14 acres within Old Sacramento, defined by the Sacramento River on the west, I Street Bridge on the north, Commonwealth Alley and 2nd Street on the east, and J Street on the south. OSSHP includes a historic half‐block site on Front Street, between I Street and J Street, known as the 1849 Scene; buildings that are primary contributors to the National Historic Landmark (NHL) District status of Old Sacramento or noteworthy recreated or restored structures associated with the city’s Gold Rush and commerce history; facilities operated by the CSRM; and/or points of interest; namely: the Eagle Theatre, Tehama Block Building, and Connecticut Mining & Trading (CM&T) Company Building, recreated Gold Rush‐era buildings on the 1849 Scene; the Big Four Complex–the reconstructed Big Four Building and historic Dingley Steam Coffee and Spice Mill (Dingley Spice Mill)–located on the north side of I Street, significant for housing the Huntington, Hopkins & Company Hardware Store, Stanford Hall , and Central Pacific Railroad (CPRR) headquarters; B. -
I Cant Sleep
Ir 2 THE SUN SATURDAY SEPTEMBER 7 1895 1 Defender and absence flag puntloriltnal will be au hour later N of tbe committee waaaa tot beating the RnglUh by 10 minute 127 boarded the the ilTtn abut hilt The doeltlon thin floating at tbe starloard spreader was hauled than the time named before ilarllnf from the llfht lowaylt seconds These rah that I WILLIAM JOINS illS ARMY New Yoait YAcwrCteaI- I of thoedaye In the habit of tme down hip- T Xoblll Avnra Sept 111 koeJflctorlea by werfractions of Cant Sleep t IsngthofCourietTh as nearly C IseIla Icon Hyslop on cmirwl hal flffivr r I Inta- Now we think setend are enough tn the comptnlnt of OOES TO Measurer went to work the Val as poulble thlrlr nautical miles In lorotir Inquiry nf the 4th Mr Ashbury was Ho challenged irmny nt thl wvson flint TIIK Earittsss TIlE b A M ustafrlngto the CupCommltte asking an opinion ambitious Ix 4i I j kyrle at 13115 The crew was grouped abaft ttartlntKnal shall at It i1drett0 for the cup again In 1H71 with the schooner Tlio rcnaon found In the fact that tho JuG AIL endmartfhthis Urn shell not be rhaneert ann Ca followa- upon the following hypothetical case which baa been IAlCUllnS the Lord Dunra en being seated between b 5 In referred 14 n > Livonia There were pitted against her the nerves are weak body irint by the It5111a Committee a described tiLt 1 nod tho In feverish i I mal I > manceoTrtog for the ttar and Columbia The first race He Attend a Racquet In Hlellla end Talks C and tbe Tola Is the first he pncedln paratraph for rhanjln the iurtln Piritfletwoboetiin -
SUBJECT FILES, 1933-1964 153 Linear Feet, 2 Linear Inches (350 LGA-S Boxes) Herbert Hoover Presidential Library
Stanford HERBERT HOOVER PAPERS POST PRESIDENTIAL SUBJECT FILES, 1933-1964 153 linear feet, 2 linear inches (350 LGA-S boxes) Herbert Hoover Presidential Library FOLDER LIST Box Contents 1 A General (5 folders) Academy of American Poets, 1934-1959 Academy of Motion Picture Arts & Sciences, Hoover tribute to Ethel Barrymore, 1949 Acheson, Secretary of State Dean - Clippings, 1945-1951 Adams, John – letter to his son, Dec 17, 1800 (reproduction) Advertising Club of New York, 1939-1963 Advertising Council, 1961 Advertising Gold Medal Award of Printers' Ink Publishing Company, 1960-1963 Africa, 1957-1963 African-American Institute, 1958 2 Agricultural Hall of Fame, 1959 Agriculture General, 1934-1953 California Farm Debt Adjustment Committee, 1934-1935 Clippings, 1933-1936 (7 folders) 3 Clippings, 1936-1958, undated (7 folders) Comments and Suggestions, 1933-1935 (3 folders) 4 Comments and Suggestions, 1936-1951, undated (5 folders) Congressional Record, House and Senate Bills, 1917, 1933-1937, 1942-1943 Commodities Cotton, 1934-1943 Wheat, 1933-1943 Farmers' Independence Council of America, 1935-1936 International, 1933-1934 5 Printed Matter, 1934-1953 and undated (2 folders) Statistics, 1940-1944 Agriculture Department Agricultural Adjustment Administration (AAA) Expenditures for 1935 by state, 1936 Printed Material 1933-1941 (2 folders) Bureau of Agricultural Economics Agricultural Finance Review, 1942-1944 6 Agricultural Prices, 1943-1945 (3 folders) Agricultural Situation, 1943-1946 Cotton Situation, 1943 Crop Production, 1942-1946 (4 -
Maineartsmag, Summer 2002 Maine Arts Commission
Maine State Library Maine State Documents Maine Arts Magazine Arts Commission Summer 2002 MaineArtsMag, Summer 2002 Maine Arts Commission Follow this and additional works at: http://digitalmaine.com/arts_magazine Recommended Citation Maine Arts Commission, "MaineArtsMag, Summer 2002" (2002). Maine Arts Magazine. Book 19. http://digitalmaine.com/arts_magazine/19 This Text is brought to you for free and open access by the Arts Commission at Maine State Documents. It has been accepted for inclusion in Maine Arts Magazine by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. The official publication of the Maine Arts Commission. MAINEARTS COMMISSIONMagSummer 2002 artists An in maine Arts in the communities Capitol Tribute Traditions d’Icite the camping & children’s artmaking Maine State museum of House maine th Percent ranks 14 in Looking Back at for Art country Discovery Research PAL’s next year MAC launches new web site 22_1383.p65 1 8/16/02, 2:18 PM MAINE ARTS COMMISSION Mission The Maine Arts Commission shall encourage and stimulate public interest and participation in the cultural heritage and programs of our state; shall expand the state’s cultural resources; and shall encourage and assist freedom of artistic expression for the well being of the arts, to meet the legitimate needs and aspirations of persons in all parts of the state. GENERAL OFFICE NUMBERS: COMMISSION ADMINISTRATIVE STAFF COMMISSION PROGRAM STAFF COMMISSION OTHER CONTACTS 207/287-2724 – Direct Auto Attendant Alden C. Wilson, Director Paul Faria, Public Art Associate Donna Assmussen, Office Assistant 207/287-2725 – Fax [email protected] [email protected] 207/287-6571 207/287-2360 – TTY 207/287-2720 207/287-2726 MaineArts.com Hannah Gregory, Publications Coordinator Bryan W. -
Downtown Specific Plan Virtual Community Dialogue Supplement to the Summary of Feedback – Other/Please Specify Comments April 2017
Downtown Specific Plan Virtual Community Dialogue Supplement to the Summary of Feedback – Other/Please Specify Comments April 2017 Introduction To supplement the Virtual Community Dialogue – Summary of Feedback, the full list of comments in response to “Other” or “Please Specify” prompts is compiled below. Demographic Information What would get you to move Downtown? Comments: The ability to own a loft; a co-op housing development which provides for ownership; an artist community with home ownership. Own a Victorian in Sacramento. Retired to North Natomas. Needed ground level housing and less walking due to health. I'm very close already. Curtis Park. Noise control. We left our home at 15th and U street because of all the loud motorcycles and vehicles without mufflers-I couldn’t take the noise. Also, the building next to the light rail was poisoning pigeons and they would land on our deck suffering and I couldn't watch it anymore and the building wouldn't stop putting out poison. Those two things were the last straw - if the city would start regulating use of poison (please ban it - rats are eaten by birds and cats - poisons are too indiscriminate!) and having city police fine people for too loud vehicles I would consider coming back, but I can't live there if I cannot sleep or feel at peace. More housing options and public outdoor spaces. Appropriate housing. More affordable housing prices. I couldn't afford to buy a house in downtown. Nothing. I like my neighborhood. Downtown is an area I visit but wouldn't want to live. -
Franklin C. Watkins by Andrew Carnduff Ritchie
Franklin C. Watkins By Andrew Carnduff Ritchie Author Museum of Modern Art (New York, N.Y.) Date 1950 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3265 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art LIBRARY THE MUSEUM ]OF MODERN ART Received: * > * irpr ii»i fi — — Franklin C. WATKINS Andrew Carnduft Ritchie The Museum of Modern Art New York ACKNOWLEDGMENTS On behalf of the President and Trustees of the Museum of Modern Art the director of the exhibition wishes to thank the collectors and museums whose generosity in lending has made the exhibition possible. Particular thanks are due to Mr. Henry P. Mellhenny for his great kindness in permitting us to borrow his two large paintings, Death and Resurrection , at no small incon venience to himself; to Mr. Frank K. M. Rehn, Mr. Watkins' dealer, for his assistance in connection with all the details of the exhibition; to the Maga zine of Art for permission to reprint excerpts from an article by Franklin C. Watkins; and to the artist himself who has been of inestimable help in the preparation of the catalog. I also wish to thank Miss Alice Bacon and Miss Margaret Miller for their assistance in preparing the exhibition and the catalog. ANDREW CAR N DUFF RITCHIE Director of the Exhibition TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board ; Henry Allen Moe, ist Vice- Chairman; William A. -
Summary Illicit Transactions and Seizures
[Communicated to the Council and the Members of the League.] C. 209. M. 152. 1937. x i. [O.C.S.300 (d).] Geneva, April 1st, 1937. LEAGUE OF NATIONS ADVISORY COMMITTEE ON TRAFFIC IN OPIUM AND OTHER DANGEROUS DRUGS SUMMARY OF ILLICIT TRANSACTIONS AND SEIZURES REPORTED TO THE SECRETARIAT OF THE LEAGUE OF NATIONS BETWEEN JANUARY 1s t AND MARCH 31s t , 1937 PART I. CASES REPORTED IN PREVIOUS SUMMARIES IN REGARD TO WHICH FURTHER INFORMATION HAS BEEN RECEIVED. No. 448. — Illicit Traffic by Dr. Fritz Müller, Dr. Hubert Rauch and Others, 1927 to 1929. SeeC.511.M.251.1932.XI The German Consulate at Geneva reports (February 22nd, 1937 [O.C.294(A:)], that the German subject, Dr. Diepenhorst, implicated in this case died pages 13-15, and C.566.M.277.1932.XI on August 15th, 1936. The proceedings against Kurt Smith of the [O.C.294{/)], page 6 . Tamara-Handelsgesellschaft, Hamburg, have been stopped for the time 16443/157. being, as this individual has been abroad since 1934. No. 77. — Seizure at Sofia on December 18th, 1935. See The Representative of Austria on the Advisory Committee states C. 167. M. 103.1936.X I (January 4th, 1937) that there is not and never has been in Vienna a [O.C.S.300], page 27. firm called “ The Isihi Egypt Co., Kobe In December 1929, the 22723/387. Swiss authorities discovered a widespread drug-smuggling organisation in which Dr. Hubert Rauch, of Vernier, Geneva, and Dr. Fritz Müller- O.C.S./Conf. 64(a). Widemann, Basle, were implicated.1 In Dr. -
Landscapes in Maine 1820-1970: a Sesquicentennial Exhibition
LANDSCAPE IN MAINE 1820-1970 Digitized by the Internet Archive in 2015 https://archive.org/details/landscapesinmainOObowd LANDSCAPE IN MAINE 1820-1970 Landscape in Maine 1820-1970 Jl iSesquicentennial exhibition Sponsored by the Maine Federation of Women's Clubs, through a grant from Sears-Roebuck Foundation, The Maine State Commission on the Arts and Humanities, Colby College, Bowdoin College and the University of Maine at Orono. Colby College Art Museum April 4 — May 10 Bowdoin College Museum of Art May 21 — June 28 Carnegie Gallery, University of Maine, Orono July 8 — August 30 The opening at Colby College to be on the occasion of the first Arts Festival of the Maine Federation of Women's Clubs. 1970 is the Sesquicentennial year of the State of Maine. In observance of this, the Bowdoin College Museum of Art, the Carnegie Gallery of the University of Maine at Orono and the Colby College Art Museum are presenting the exhibition. Landscape in Maine, 1820-1970. It was during the first few years of Maine's statehood that American artists turned for the first time to landscape painting. Prior to that time, the primary form of painting in this country had been portraiture. When landscape appeared at all in a painting it was as the background of a portrait, or very occasionally, as the subject of an overmantel painting. Almost simultaneously with the artists' interest in landscape as a suitable sub- ject for a painting, they discovered Maine and its varied landscape. Since then, many of the finest American artists have lived in Maine where they have produced some of their most expressive works. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day